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Color name
HEX #178A52

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #178A52 it is the complementary color #E875AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #178A52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #178A52 shade: #1C8A4D, #2D9C60, #3EAE73, #4FC086 and #60D299

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #178A52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #178A52 shade: #178A52, #06783F, #00662C, #005419 and #004206

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #178A52 shade: #178B53, #178B33, #1A8B17, #398B17 and #598B17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #178A52 shade: #178B53, #178B72, #17858B, #17668B and #17468B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #178A52 shade matches the following richer shades: #178B53 and #0A9853

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #178A52 shade: #178B53, #247E52, #327152, #3F6352 and #4C5651

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #178A52 shade: #1B8B17, #178B32, #178B51, #178B70 and #17878B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #178A52 shade: #0B4429, #11683E, #178B53, #1DAE68 and #23D27D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #178A52 shade: #178A52, #173A8B and #8B2317

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #178A52 shade: #178A52, #51178B and #8B5117

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #178A52 shade: #178A52, #173A8B, #8B1751 and #8B6817

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #178A52 shade: #178A52, #17178B, #8B1751 and #8B8B17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 41 / 46

HEX #178A52

RGB 23 138 82

HSL 150.78, 0.71%, 0.32%

LAB 50.65, -43.88, 21.58

 

Complementary color

CMYK 0 / 50 / 25 / 9

HEX #E875AD

RGB 232 117 173

HSL 330.78, 0.71%, 0.68%

LAB 64.08, 50.74, -9.12

 

CMYK 80 / 0 / 44 / 46

HEX #1C8A4D

RGB 28 138 77

HSL 146.73, 0.66%, 0.33%

LAB 50.64, -44.27, 24.34

 

CMYK 71 / 0 / 38 / 39

HEX #2D9C60

RGB 45 156 96

HSL 147.57, 0.55%, 0.39%

LAB 57.25, -45.04, 22.7

 

CMYK 64 / 0 / 34 / 32

HEX #3EAE73

RGB 62 174 115

HSL 148.39, 0.47%, 0.46%

LAB 63.78, -45.42, 21.21

 

CMYK 59 / 0 / 30 / 25

HEX #4FC086

RGB 79 192 134

HSL 149.2, 0.47%, 0.53%

LAB 70.23, -45.56, 19.86

 

CMYK 54 / 0 / 27 / 18

HEX #60D299

RGB 96 210 153

HSL 150, 0.56%, 0.6%

LAB 76.61, -45.55, 18.63

 

CMYK 83 / 0 / 41 / 46

HEX #178A52

RGB 23 138 82

HSL 150.78, 0.71%, 0.32%

LAB 50.65, -43.88, 21.58

 

CMYK 95 / 0 / 48 / 53

HEX #06783F

RGB 6 120 63

HSL 150, 0.9%, 0.25%

LAB 43.99, -42.33, 23.44

 

CMYK 100 / 0 / 57 / 60

HEX #00662C

RGB 0 102 44

HSL 145.88, 1%, 0.2%

LAB 37.27, -39.73, 25.48

 

CMYK 100 / 0 / 70 / 67

HEX #005419

RGB 0 84 25

HSL 137.86, 1%, 0.16%

LAB 30.43, -36.25, 27.44

 

CMYK 100 / 0 / 91 / 74

HEX #004206

RGB 0 66 6

HSL 125.45, 1%, 0.13%

LAB 23.37, -32.1, 28.53

 

CMYK 83 / 0 / 40 / 45

HEX #178B53

RGB 23 139 83

HSL 151.03, 0.72%, 0.32%

LAB 51, -44.06, 21.49

 

CMYK 83 / 0 / 63 / 45

HEX #178B33

RGB 23 139 51

HSL 134.48, 0.72%, 0.32%

LAB 50.55, -49.39, 37.64

 

CMYK 81 / 0 / 83 / 45

HEX #1A8B17

RGB 26 139 23

HSL 118.45, 0.72%, 0.32%

LAB 50.39, -51.6, 48.47

 

CMYK 59 / 0 / 83 / 45

HEX #398B17

RGB 57 139 23

HSL 102.41, 0.72%, 0.32%

LAB 51.15, -45.22, 49.45

 

CMYK 36 / 0 / 83 / 45

HEX #598B17

RGB 89 139 23

HSL 85.86, 0.72%, 0.32%

LAB 52.57, -34.62, 51.26

 

CMYK 83 / 0 / 40 / 45

HEX #178B53

RGB 23 139 83

HSL 151.03, 0.72%, 0.32%

LAB 51, -44.06, 21.49

 

CMYK 83 / 0 / 18 / 45

HEX #178B72

RGB 23 139 114

HSL 167.07, 0.72%, 0.32%

LAB 51.68, -36.63, 4.76

 

CMYK 83 / 4 / 0 / 45

HEX #17858B

RGB 23 133 139

HSL 183.1, 0.72%, 0.32%

LAB 50.48, -26.3, -11.58

 

CMYK 83 / 27 / 0 / 45

HEX #17668B

RGB 23 102 139

HSL 199.14, 0.72%, 0.32%

LAB 40.49, -9.31, -26.91

 

CMYK 83 / 50 / 0 / 45

HEX #17468B

RGB 23 70 139

HSL 215.69, 0.72%, 0.32%

LAB 30.46, 11.32, -42.82

 

CMYK 83 / 0 / 40 / 45

HEX #178B53

RGB 23 139 83

HSL 151.03, 0.72%, 0.32%

LAB 51, -44.06, 21.49

 

CMYK 93 / 0 / 45 / 40

HEX #0A9853

RGB 10 152 83

HSL 150.85, 0.88%, 0.32%

LAB 55.22, -49.94, 26.99

 

CMYK 83 / 0 / 40 / 45

HEX #178B53

RGB 23 139 83

HSL 151.03, 0.72%, 0.32%

LAB 51, -44.06, 21.49

 

CMYK 71 / 0 / 35 / 51

HEX #247E52

RGB 36 126 82

HSL 150.67, 0.56%, 0.32%

LAB 46.85, -37.16, 16.53

 

CMYK 56 / 0 / 27 / 56

HEX #327152

RGB 50 113 82

HSL 150.48, 0.39%, 0.32%

LAB 42.91, -28.21, 11.18

 

CMYK 36 / 0 / 17 / 61

HEX #3F6352

RGB 63 99 82

HSL 151.67, 0.22%, 0.32%

LAB 38.88, -17.11, 5.6

 

CMYK 12 / 0 / 6 / 66

HEX #4C5651

RGB 76 86 81

HSL 150, 0.06%, 0.32%

LAB 35.57, -5.06, 1.57

 

CMYK 81 / 0 / 83 / 45

HEX #1B8B17

RGB 27 139 23

HSL 117.93, 0.72%, 0.32%

LAB 50.41, -51.46, 48.49

 

CMYK 83 / 0 / 64 / 45

HEX #178B32

RGB 23 139 50

HSL 133.97, 0.72%, 0.32%

LAB 50.54, -49.52, 38.1

 

CMYK 83 / 0 / 42 / 45

HEX #178B51

RGB 23 139 81

HSL 150, 0.72%, 0.32%

LAB 50.97, -44.47, 22.56

 

CMYK 83 / 0 / 19 / 45

HEX #178B70

RGB 23 139 112

HSL 166.03, 0.72%, 0.32%

LAB 51.63, -37.17, 5.84

 

CMYK 83 / 3 / 0 / 45

HEX #17878B

RGB 23 135 139

HSL 182.07, 0.72%, 0.32%

LAB 51.12, -27.3, -10.61

 

CMYK 84 / 0 / 40 / 73

HEX #0B4429

RGB 11 68 41

HSL 151.58, 0.72%, 0.15%

LAB 24.84, -25.3, 11.37

 

CMYK 84 / 0 / 40 / 59

HEX #11683E

RGB 17 104 62

HSL 151.03, 0.72%, 0.24%

LAB 38.49, -35.24, 16.85

 

CMYK 83 / 0 / 40 / 45

HEX #178B53

RGB 23 139 83

HSL 151.03, 0.72%, 0.32%

LAB 51, -44.06, 21.49

 

CMYK 83 / 0 / 40 / 32

HEX #1DAE68

RGB 29 174 104

HSL 151.03, 0.71%, 0.4%

LAB 62.95, -52.44, 25.9

 

CMYK 83 / 0 / 40 / 18

HEX #23D27D

RGB 35 210 125

HSL 150.86, 0.71%, 0.48%

LAB 74.78, -60.83, 30.55

 

CMYK 83 / 0 / 41 / 46

HEX #178A52

RGB 23 138 82

HSL 150.78, 0.71%, 0.32%

LAB 50.65, -43.88, 21.58

 

CMYK 83 / 58 / 0 / 45

HEX #173A8B

RGB 23 58 139

HSL 221.9, 0.72%, 0.32%

LAB 26.94, 19.66, -48.53

 

CMYK 0 / 75 / 83 / 45

HEX #8B2317

RGB 139 35 23

HSL 6.21, 0.72%, 0.32%

LAB 31.24, 42.99, 33.36

 

CMYK 83 / 0 / 41 / 46

HEX #178A52

RGB 23 138 82

HSL 150.78, 0.71%, 0.32%

LAB 50.65, -43.88, 21.58

 

CMYK 42 / 83 / 0 / 45

HEX #51178B

RGB 81 23 139

HSL 270, 0.72%, 0.32%

LAB 24.41, 48.2, -52.48

 

CMYK 0 / 42 / 83 / 45

HEX #8B5117

RGB 139 81 23

HSL 30, 0.72%, 0.32%

LAB 40.3, 19.75, 41.84

 

CMYK 83 / 0 / 41 / 46

HEX #178A52

RGB 23 138 82

HSL 150.78, 0.71%, 0.32%

LAB 50.65, -43.88, 21.58

 

CMYK 83 / 58 / 0 / 45

HEX #173A8B

RGB 23 58 139

HSL 221.9, 0.72%, 0.32%

LAB 26.94, 19.66, -48.53

 

CMYK 0 / 83 / 42 / 45

HEX #8B1751

RGB 139 23 81

HSL 330, 0.72%, 0.32%

LAB 31.1, 50.82, -4

 

CMYK 0 / 25 / 83 / 45

HEX #8B6817

RGB 139 104 23

HSL 41.9, 0.72%, 0.32%

LAB 46.25, 6.34, 47.17

 

CMYK 83 / 0 / 41 / 46

HEX #178A52

RGB 23 138 82

HSL 150.78, 0.71%, 0.32%

LAB 50.65, -43.88, 21.58

 

CMYK 83 / 83 / 0 / 45

HEX #17178B

RGB 23 23 139

HSL 240, 0.72%, 0.32%

LAB 18.62, 42.02, -62.21

 

CMYK 0 / 83 / 42 / 45

HEX #8B1751

RGB 139 23 81

HSL 330, 0.72%, 0.32%

LAB 31.1, 50.82, -4

 

CMYK 0 / 0 / 83 / 45

HEX #8B8B17

RGB 139 139 23

HSL 60, 0.72%, 0.32%

LAB 56.1, -13.23, 55.74

 

Description

Color code: HEX #178A52 | qconv.com Color code: HEX #178A52 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 138 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 138 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 41 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 41% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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