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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1781AE it is the complementary color #E87E51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1781AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1781AE shade: #1C81A9, #2D93BC, #3EA5CF, #4FB7E2 and #60C9F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1781AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1781AE shade: #1781AE, #066F9B, #005D88, #004B75 and #003962

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1781AE shade: #1682B0, #1659B0, #162FB0, #2716B0 and #5016B0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1781AE shade: #1682B0, #1659B0, #162FB0 and #1616B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1781AE shade matches the following richer shades: #1682B0 and #0688C0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1781AE shade: #1682B0, #267B9F, #37758F, #476E7F and #57686F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1781AE shade: #16B089, #16ADB0, #1684B0, #165BB0 and #1632B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1781AE shade: #0D4C66, #12678B, #1682B0, #1B9DD4 and #34B0E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1781AE shade: #1781AE, #6016B0 and #B09E16

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1781AE shade: #1781AE, #B01684 and #84B016

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1781AE shade: #1781AE, #6016B0, #B04216 and #66B016

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1781AE shade: #1781AE, #8E16B0, #B04216 and #38B016

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 26 / 0 / 32

HEX #1781AE

RGB 23 129 174

HSL 197.88, 0.77%, 0.39%

LAB 50.62, -11.96, -31.73

 

Complementary color

CMYK 0 / 46 / 65 / 9

HEX #E87E51

RGB 232 126 81

HSL 17.88, 0.77%, 0.61%

LAB 63.89, 37.15, 42.22

 

CMYK 83 / 24 / 0 / 34

HEX #1C81A9

RGB 28 129 169

HSL 197.02, 0.72%, 0.39%

LAB 50.47, -13.38, -29.06

 

CMYK 76 / 22 / 0 / 26

HEX #2D93BC

RGB 45 147 188

HSL 197.2, 0.61%, 0.46%

LAB 57.13, -14.91, -29.57

 

CMYK 70 / 20 / 0 / 19

HEX #3EA5CF

RGB 62 165 207

HSL 197.38, 0.6%, 0.53%

LAB 63.7, -16.07, -30.01

 

CMYK 65 / 19 / 0 / 11

HEX #4FB7E2

RGB 79 183 226

HSL 197.55, 0.72%, 0.6%

LAB 70.19, -16.97, -30.41

 

CMYK 61 / 18 / 0 / 4

HEX #60C9F5

RGB 96 201 245

HSL 197.72, 0.88%, 0.67%

LAB 76.59, -17.68, -30.79

 

CMYK 87 / 26 / 0 / 32

HEX #1781AE

RGB 23 129 174

HSL 197.88, 0.77%, 0.39%

LAB 50.62, -11.96, -31.73

 

CMYK 96 / 28 / 0 / 39

HEX #066F9B

RGB 6 111 155

HSL 197.72, 0.93%, 0.32%

LAB 43.91, -9.67, -31.13

 

CMYK 100 / 32 / 0 / 47

HEX #005D88

RGB 0 93 136

HSL 198.97, 1%, 0.27%

LAB 37.13, -6.65, -30.39

 

CMYK 100 / 36 / 0 / 54

HEX #004B75

RGB 0 75 117

HSL 201.54, 1%, 0.23%

LAB 30.2, -3.11, -29.6

 

CMYK 100 / 42 / 0 / 62

HEX #003962

RGB 0 57 98

HSL 205.1, 1%, 0.19%

LAB 23.03, 0.74, -28.86

 

CMYK 88 / 26 / 0 / 31

HEX #1682B0

RGB 22 130 176

HSL 197.92, 0.78%, 0.39%

LAB 51, -11.87, -32.28

 

CMYK 88 / 49 / 0 / 31

HEX #1659B0

RGB 22 89 176

HSL 213.9, 0.78%, 0.39%

LAB 38.64, 13.5, -51.93

 

CMYK 88 / 73 / 0 / 31

HEX #162FB0

RGB 22 47 176

HSL 230.26, 0.78%, 0.39%

LAB 27.68, 41.17, -69.84

 

CMYK 78 / 88 / 0 / 31

HEX #2716B0

RGB 39 22 176

HSL 246.62, 0.78%, 0.39%

LAB 24.13, 54.59, -75.71

 

CMYK 55 / 88 / 0 / 31

HEX #5016B0

RGB 80 22 176

HSL 262.6, 0.78%, 0.39%

LAB 27.88, 57.66, -69.37

 

CMYK 88 / 26 / 0 / 31

HEX #1682B0

RGB 22 130 176

HSL 197.92, 0.78%, 0.39%

LAB 51, -11.87, -32.28

 

CMYK 88 / 49 / 0 / 31

HEX #1659B0

RGB 22 89 176

HSL 213.9, 0.78%, 0.39%

LAB 38.64, 13.5, -51.93

 

CMYK 88 / 73 / 0 / 31

HEX #162FB0

RGB 22 47 176

HSL 230.26, 0.78%, 0.39%

LAB 27.68, 41.17, -69.84

 

CMYK 88 / 88 / 0 / 31

HEX #1616B0

RGB 22 22 176

HSL 240, 0.78%, 0.39%

LAB 23.27, 53.94, -77.16

 

CMYK 88 / 26 / 0 / 31

HEX #1682B0

RGB 22 130 176

HSL 197.92, 0.78%, 0.39%

LAB 51, -11.87, -32.28

 

CMYK 97 / 29 / 0 / 25

HEX #0688C0

RGB 6 136 192

HSL 198.06, 0.94%, 0.39%

LAB 53.44, -10.11, -37.64

 

CMYK 88 / 26 / 0 / 31

HEX #1682B0

RGB 22 130 176

HSL 197.92, 0.78%, 0.39%

LAB 51, -11.87, -32.28

 

CMYK 76 / 23 / 0 / 38

HEX #267B9F

RGB 38 123 159

HSL 197.85, 0.61%, 0.39%

LAB 48.36, -12.49, -26.49

 

CMYK 62 / 18 / 0 / 44

HEX #37758F

RGB 55 117 143

HSL 197.73, 0.44%, 0.39%

LAB 46.34, -11.77, -20.16

 

CMYK 44 / 13 / 0 / 50

HEX #476E7F

RGB 71 110 127

HSL 198.21, 0.28%, 0.39%

LAB 44.27, -8.9, -13.72

 

CMYK 22 / 6 / 0 / 56

HEX #57686F

RGB 87 104 111

HSL 197.5, 0.12%, 0.39%

LAB 42.88, -4.69, -6.07

 

CMYK 88 / 0 / 22 / 31

HEX #16B089

RGB 22 176 137

HSL 164.81, 0.78%, 0.39%

LAB 64.18, -46.39, 9.61

 

CMYK 88 / 2 / 0 / 31

HEX #16ADB0

RGB 22 173 176

HSL 181.17, 0.78%, 0.39%

LAB 64.32, -34.11, -11.88

 

CMYK 88 / 25 / 0 / 31

HEX #1684B0

RGB 22 132 176

HSL 197.14, 0.78%, 0.39%

LAB 51.62, -13, -31.31

 

CMYK 88 / 48 / 0 / 31

HEX #165BB0

RGB 22 91 176

HSL 213.12, 0.78%, 0.39%

LAB 39.22, 12.18, -50.99

 

CMYK 88 / 72 / 0 / 31

HEX #1632B0

RGB 22 50 176

HSL 229.09, 0.78%, 0.39%

LAB 28.34, 39.33, -68.74

 

CMYK 87 / 25 / 0 / 60

HEX #0D4C66

RGB 13 76 102

HSL 197.53, 0.77%, 0.23%

LAB 29.95, -8.85, -20.51

 

CMYK 87 / 26 / 0 / 45

HEX #12678B

RGB 18 103 139

HSL 197.85, 0.77%, 0.31%

LAB 40.72, -10.36, -26.55

 

CMYK 88 / 26 / 0 / 31

HEX #1682B0

RGB 22 130 176

HSL 197.92, 0.78%, 0.39%

LAB 51, -11.87, -32.28

 

CMYK 87 / 26 / 0 / 17

HEX #1B9DD4

RGB 27 157 212

HSL 197.84, 0.77%, 0.47%

LAB 60.87, -13.59, -37.25

 

CMYK 77 / 23 / 0 / 11

HEX #34B0E4

RGB 52 176 228

HSL 197.73, 0.77%, 0.55%

LAB 67.56, -16.21, -35.63

 

CMYK 87 / 26 / 0 / 32

HEX #1781AE

RGB 23 129 174

HSL 197.88, 0.77%, 0.39%

LAB 50.62, -11.96, -31.73

 

CMYK 45 / 88 / 0 / 31

HEX #6016B0

RGB 96 22 176

HSL 268.83, 0.78%, 0.39%

LAB 29.9, 59.42, -65.97

 

CMYK 0 / 10 / 88 / 31

HEX #B09E16

RGB 176 158 22

HSL 52.99, 0.78%, 0.39%

LAB 64.76, -6.62, 64.52

 

CMYK 87 / 26 / 0 / 32

HEX #1781AE

RGB 23 129 174

HSL 197.88, 0.77%, 0.39%

LAB 50.62, -11.96, -31.73

 

CMYK 0 / 88 / 25 / 31

HEX #B01684

RGB 176 22 132

HSL 317.14, 0.78%, 0.39%

LAB 40.36, 65.71, -21.7

 

CMYK 25 / 0 / 88 / 31

HEX #84B016

RGB 132 176 22

HSL 77.14, 0.78%, 0.39%

LAB 66.53, -34.58, 64.6

 

CMYK 87 / 26 / 0 / 32

HEX #1781AE

RGB 23 129 174

HSL 197.88, 0.77%, 0.39%

LAB 50.62, -11.96, -31.73

 

CMYK 45 / 88 / 0 / 31

HEX #6016B0

RGB 96 22 176

HSL 268.83, 0.78%, 0.39%

LAB 29.9, 59.42, -65.97

 

CMYK 0 / 63 / 88 / 31

HEX #B04216

RGB 176 66 22

HSL 17.14, 0.78%, 0.39%

LAB 43.04, 42.9, 46.91

 

CMYK 42 / 0 / 88 / 31

HEX #66B016

RGB 102 176 22

HSL 88.83, 0.78%, 0.39%

LAB 64.91, -45.76, 62.58

 

CMYK 87 / 26 / 0 / 32

HEX #1781AE

RGB 23 129 174

HSL 197.88, 0.77%, 0.39%

LAB 50.62, -11.96, -31.73

 

CMYK 19 / 88 / 0 / 31

HEX #8E16B0

RGB 142 22 176

HSL 286.75, 0.78%, 0.39%

LAB 36.85, 65.96, -54.33

 

CMYK 0 / 63 / 88 / 31

HEX #B04216

RGB 176 66 22

HSL 17.14, 0.78%, 0.39%

LAB 43.04, 42.9, 46.91

 

CMYK 68 / 0 / 88 / 31

HEX #38B016

RGB 56 176 22

HSL 106.75, 0.78%, 0.39%

LAB 63.3, -58.45, 60.56

 

Description

Color code: HEX #1781AE | qconv.com Color code: HEX #1781AE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 129 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 129 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 26 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 26% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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