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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #176352 it is the complementary color #E89CAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #176352. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #176352 shade: #1C634D, #2D7560, #3E8773, #4F9986 and #60AB99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #176352. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #176352 shade: #176352, #06513F, #003F2C, #002D19 and #001B06

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #176352 shade: #176352, #17633D, #176329, #196317 and #2E6317

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #176352 shade: #176352, #175F63, #174B63, #173663 and #172263

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #176352 shade matches the following richer shades: #176352, #0D6D57 and #03765D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #176352 shade: #176352, #21594C, #2B4F47, #344541 and #3E3B3C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #176352 shade: #176328, #17633D, #176351, #176063 and #174C63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #176352 shade: #07201A, #0F4136, #176352, #1F846D and #26A589

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #176352 shade: #176352, #171963 and #633317

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #176352 shade: #176352, #511763 and #635117

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #176352 shade: #176352, #171963, #631728 and #636017

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #176352 shade: #176352, #2B1763, #631728 and #4E6317

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 17 / 61

HEX #176352

RGB 23 99 82

HSL 166.58, 0.62%, 0.24%

LAB 37.33, -27.1, 3.16

 

Complementary color

CMYK 0 / 33 / 25 / 9

HEX #E89CAD

RGB 232 156 173

HSL 346.58, 0.62%, 0.76%

LAB 72.19, 30.64, 2.82

 

CMYK 72 / 0 / 22 / 61

HEX #1C634D

RGB 28 99 77

HSL 161.41, 0.56%, 0.25%

LAB 37.31, -27.65, 6.22

 

CMYK 62 / 0 / 18 / 54

HEX #2D7560

RGB 45 117 96

HSL 162.5, 0.44%, 0.32%

LAB 44.41, -27.91, 4.95

 

CMYK 54 / 0 / 15 / 47

HEX #3E8773

RGB 62 135 115

HSL 163.56, 0.37%, 0.39%

LAB 51.37, -27.94, 3.85

 

CMYK 48 / 0 / 12 / 40

HEX #4F9986

RGB 79 153 134

HSL 164.59, 0.32%, 0.45%

LAB 58.19, -27.87, 2.88

 

CMYK 44 / 0 / 11 / 33

HEX #60AB99

RGB 96 171 153

HSL 165.6, 0.31%, 0.52%

LAB 64.89, -27.74, 2

 

CMYK 77 / 0 / 17 / 61

HEX #176352

RGB 23 99 82

HSL 166.58, 0.62%, 0.24%

LAB 37.33, -27.1, 3.16

 

CMYK 93 / 0 / 22 / 68

HEX #06513F

RGB 6 81 63

HSL 165.6, 0.86%, 0.17%

LAB 30.11, -26.09, 4.65

 

CMYK 100 / 0 / 30 / 75

HEX #003F2C

RGB 0 63 44

HSL 161.9, 1%, 0.12%

LAB 22.78, -23.98, 6.55

 

CMYK 100 / 0 / 44 / 82

HEX #002D19

RGB 0 45 25

HSL 153.33, 1%, 0.09%

LAB 15.21, -20.94, 8.85

 

CMYK 100 / 0 / 78 / 89

HEX #001B06

RGB 0 27 6

HSL 133.33, 1%, 0.05%

LAB 7.2, -13.63, 8.07

 

CMYK 77 / 0 / 17 / 61

HEX #176352

RGB 23 99 82

HSL 166.58, 0.62%, 0.24%

LAB 37.33, -27.1, 3.16

 

CMYK 77 / 0 / 38 / 61

HEX #17633D

RGB 23 99 61

HSL 150, 0.62%, 0.24%

LAB 36.82, -32.46, 15.22

 

CMYK 77 / 0 / 59 / 61

HEX #176329

RGB 23 99 41

HSL 134.21, 0.62%, 0.24%

LAB 36.49, -36.26, 26.24

 

CMYK 75 / 0 / 77 / 61

HEX #196317

RGB 25 99 23

HSL 118.42, 0.62%, 0.24%

LAB 36.35, -38.09, 34.81

 

CMYK 54 / 0 / 77 / 61

HEX #2E6317

RGB 46 99 23

HSL 101.84, 0.62%, 0.24%

LAB 37.05, -32.47, 35.75

 

CMYK 77 / 0 / 17 / 61

HEX #176352

RGB 23 99 82

HSL 166.58, 0.62%, 0.24%

LAB 37.33, -27.1, 3.16

 

CMYK 77 / 4 / 0 / 61

HEX #175F63

RGB 23 95 99

HSL 183.16, 0.62%, 0.24%

LAB 36.49, -19.75, -8.58

 

CMYK 77 / 24 / 0 / 61

HEX #174B63

RGB 23 75 99

HSL 198.95, 0.62%, 0.24%

LAB 29.7, -8.13, -18.96

 

CMYK 77 / 45 / 0 / 61

HEX #173663

RGB 23 54 99

HSL 215.53, 0.62%, 0.24%

LAB 22.73, 5.89, -29.95

 

CMYK 77 / 66 / 0 / 61

HEX #172263

RGB 23 34 99

HSL 231.32, 0.62%, 0.24%

LAB 16.64, 20.4, -39.8

 

CMYK 77 / 0 / 17 / 61

HEX #176352

RGB 23 99 82

HSL 166.58, 0.62%, 0.24%

LAB 37.33, -27.1, 3.16

 

CMYK 88 / 0 / 20 / 57

HEX #0D6D57

RGB 13 109 87

HSL 166.25, 0.79%, 0.24%

LAB 40.75, -31.56, 5.01

 

CMYK 97 / 0 / 21 / 54

HEX #03765D

RGB 3 118 93

HSL 166.96, 0.95%, 0.24%

LAB 43.9, -34.65, 5.9

 

CMYK 77 / 0 / 17 / 61

HEX #176352

RGB 23 99 82

HSL 166.58, 0.62%, 0.24%

LAB 37.33, -27.1, 3.16

 

CMYK 63 / 0 / 15 / 65

HEX #21594C

RGB 33 89 76

HSL 166.07, 0.46%, 0.24%

LAB 33.96, -21.91, 2.06

 

CMYK 46 / 0 / 10 / 69

HEX #2B4F47

RGB 43 79 71

HSL 166.67, 0.3%, 0.24%

LAB 30.78, -15.19, 0.67

 

CMYK 25 / 0 / 6 / 73

HEX #344541

RGB 52 69 65

HSL 165.88, 0.14%, 0.24%

LAB 27.76, -7.75, 0.19

 

CMYK 0 / 5 / 3 / 76

HEX #3E3B3C

RGB 62 59 60

HSL 340, 0.02%, 0.24%

LAB 25.19, 1.51, -0.16

 

CMYK 77 / 0 / 60 / 61

HEX #176328

RGB 23 99 40

HSL 133.42, 0.62%, 0.24%

LAB 36.48, -36.41, 26.76

 

CMYK 77 / 0 / 38 / 61

HEX #17633D

RGB 23 99 61

HSL 150, 0.62%, 0.24%

LAB 36.82, -32.46, 15.22

 

CMYK 77 / 0 / 18 / 61

HEX #176351

RGB 23 99 81

HSL 165.79, 0.62%, 0.24%

LAB 37.3, -27.38, 3.74

 

CMYK 77 / 3 / 0 / 61

HEX #176063

RGB 23 96 99

HSL 182.37, 0.62%, 0.24%

LAB 36.83, -20.28, -8.07

 

CMYK 77 / 23 / 0 / 61

HEX #174C63

RGB 23 76 99

HSL 198.16, 0.62%, 0.24%

LAB 30.04, -8.76, -18.44

 

CMYK 78 / 0 / 19 / 87

HEX #07201A

RGB 7 32 26

HSL 165.6, 0.64%, 0.08%

LAB 10.2, -11.6, 1.2

 

CMYK 77 / 0 / 17 / 75

HEX #0F4136

RGB 15 65 54

HSL 166.8, 0.63%, 0.16%

LAB 24.16, -19.53, 1.95

 

CMYK 77 / 0 / 17 / 61

HEX #176352

RGB 23 99 82

HSL 166.58, 0.62%, 0.24%

LAB 37.33, -27.1, 3.16

 

CMYK 77 / 0 / 17 / 48

HEX #1F846D

RGB 31 132 109

HSL 166.34, 0.62%, 0.32%

LAB 49.37, -33.93, 4.36

 

CMYK 77 / 0 / 17 / 35

HEX #26A589

RGB 38 165 137

HSL 166.77, 0.63%, 0.4%

LAB 60.89, -40.28, 4.94

 

CMYK 77 / 0 / 17 / 61

HEX #176352

RGB 23 99 82

HSL 166.58, 0.62%, 0.24%

LAB 37.33, -27.1, 3.16

 

CMYK 77 / 75 / 0 / 61

HEX #171963

RGB 23 25 99

HSL 238.42, 0.62%, 0.24%

LAB 14.28, 26.68, -43.66

 

CMYK 0 / 48 / 77 / 61

HEX #633317

RGB 99 51 23

HSL 22.11, 0.62%, 0.24%

LAB 26.97, 19.1, 26.68

 

CMYK 77 / 0 / 17 / 61

HEX #176352

RGB 23 99 82

HSL 166.58, 0.62%, 0.24%

LAB 37.33, -27.1, 3.16

 

CMYK 18 / 77 / 0 / 61

HEX #511763

RGB 81 23 99

HSL 285.79, 0.62%, 0.24%

LAB 21.07, 38.78, -32.3

 

CMYK 0 / 18 / 77 / 61

HEX #635117

RGB 99 81 23

HSL 45.79, 0.62%, 0.24%

LAB 35.2, 0.62, 35.19

 

CMYK 77 / 0 / 17 / 61

HEX #176352

RGB 23 99 82

HSL 166.58, 0.62%, 0.24%

LAB 37.33, -27.1, 3.16

 

CMYK 77 / 75 / 0 / 61

HEX #171963

RGB 23 25 99

HSL 238.42, 0.62%, 0.24%

LAB 14.28, 26.68, -43.66

 

CMYK 0 / 77 / 60 / 61

HEX #631728

RGB 99 23 40

HSL 346.58, 0.62%, 0.24%

LAB 21.65, 34.97, 9.15

 

CMYK 0 / 3 / 77 / 61

HEX #636017

RGB 99 96 23

HSL 57.63, 0.62%, 0.24%

LAB 39.72, -8.25, 39.6

 

CMYK 77 / 0 / 17 / 61

HEX #176352

RGB 23 99 82

HSL 166.58, 0.62%, 0.24%

LAB 37.33, -27.1, 3.16

 

CMYK 57 / 77 / 0 / 61

HEX #2B1763

RGB 43 23 99

HSL 255.79, 0.62%, 0.24%

LAB 15.63, 30.88, -41.38

 

CMYK 0 / 77 / 60 / 61

HEX #631728

RGB 99 23 40

HSL 346.58, 0.62%, 0.24%

LAB 21.65, 34.97, 9.15

 

CMYK 21 / 0 / 77 / 61

HEX #4E6317

RGB 78 99 23

HSL 76.58, 0.62%, 0.24%

LAB 38.91, -19.78, 38.21

 

Description

Color code: HEX #176352 | qconv.com Color code: HEX #176352 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 99 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 99 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 17 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 17% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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