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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #176995 it is the complementary color #E8966A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #176995. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #176995 shade: #1C6990, #2D7BA3, #3E8DB6, #4F9FC9 and #60B1DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #176995. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #176995 shade: #176995, #065782, #00456F, #00335C and #002149

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #176995 shade: #176995, #174795, #172595, #2B1795 and #4D1795

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #176995 shade: #176995, #174795, #172595 and #171795

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #176995 shade matches the following richer shades: #176995 and #096EA4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #176995 shade: #176995, #256587, #336179, #415D6B and #4F585D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #176995 shade: #17957C, #178D95, #176B95, #174A95 and #172895

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #176995 shade: #0C374E, #115072, #176995, #1C82B9 and #239BDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #176995 shade: #176995, #5A1795 and #958D17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #176995 shade: #176995, #95176B and #6B9517

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #176995 shade: #176995, #5A1795, #954117 and #529517

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #176995 shade: #176995, #801795, #954117 and #2C9517

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 30 / 0 / 42

HEX #176995

RGB 23 105 149

HSL 200.95, 0.73%, 0.34%

LAB 41.93, -7.3, -30.65

 

Complementary color

CMYK 0 / 35 / 54 / 9

HEX #E8966A

RGB 232 150 106

HSL 20.95, 0.73%, 0.66%

LAB 69.48, 26.36, 35.82

 

CMYK 81 / 27 / 0 / 44

HEX #1C6990

RGB 28 105 144

HSL 200.17, 0.67%, 0.34%

LAB 41.79, -8.68, -27.87

 

CMYK 72 / 25 / 0 / 36

HEX #2D7BA3

RGB 45 123 163

HSL 200.34, 0.57%, 0.41%

LAB 48.72, -10.12, -28.26

 

CMYK 66 / 23 / 0 / 29

HEX #3E8DB6

RGB 62 141 182

HSL 200.5, 0.49%, 0.48%

LAB 55.53, -11.17, -28.59

 

CMYK 61 / 21 / 0 / 21

HEX #4F9FC9

RGB 79 159 201

HSL 200.66, 0.53%, 0.55%

LAB 62.23, -11.95, -28.9

 

CMYK 56 / 20 / 0 / 14

HEX #60B1DC

RGB 96 177 220

HSL 200.81, 0.64%, 0.62%

LAB 68.82, -12.55, -29.19

 

CMYK 85 / 30 / 0 / 42

HEX #176995

RGB 23 105 149

HSL 200.95, 0.73%, 0.34%

LAB 41.93, -7.3, -30.65

 

CMYK 95 / 33 / 0 / 49

HEX #065782

RGB 6 87 130

HSL 200.81, 0.91%, 0.27%

LAB 34.94, -4.98, -30.17

 

CMYK 100 / 38 / 0 / 56

HEX #00456F

RGB 0 69 111

HSL 202.7, 1%, 0.22%

LAB 27.86, -1.72, -29.53

 

CMYK 100 / 45 / 0 / 64

HEX #00335C

RGB 0 51 92

HSL 206.74, 1%, 0.18%

LAB 20.6, 2.27, -28.81

 

CMYK 100 / 55 / 0 / 71

HEX #002149

RGB 0 33 73

HSL 212.88, 1%, 0.14%

LAB 13.04, 6.77, -28.16

 

CMYK 85 / 30 / 0 / 42

HEX #176995

RGB 23 105 149

HSL 200.95, 0.73%, 0.34%

LAB 41.93, -7.3, -30.65

 

CMYK 85 / 52 / 0 / 42

HEX #174795

RGB 23 71 149

HSL 217.14, 0.73%, 0.34%

LAB 31.48, 14.74, -47.31

 

CMYK 85 / 75 / 0 / 42

HEX #172595

RGB 23 37 149

HSL 233.33, 0.73%, 0.34%

LAB 22.57, 37.6, -61.89

 

CMYK 71 / 85 / 0 / 42

HEX #2B1795

RGB 43 23 149

HSL 249.52, 0.73%, 0.34%

LAB 21.19, 46.51, -64.13

 

CMYK 48 / 85 / 0 / 42

HEX #4D1795

RGB 77 23 149

HSL 265.71, 0.73%, 0.34%

LAB 24.83, 50.14, -58.01

 

CMYK 85 / 30 / 0 / 42

HEX #176995

RGB 23 105 149

HSL 200.95, 0.73%, 0.34%

LAB 41.93, -7.3, -30.65

 

CMYK 85 / 52 / 0 / 42

HEX #174795

RGB 23 71 149

HSL 217.14, 0.73%, 0.34%

LAB 31.48, 14.74, -47.31

 

CMYK 85 / 75 / 0 / 42

HEX #172595

RGB 23 37 149

HSL 233.33, 0.73%, 0.34%

LAB 22.57, 37.6, -61.89

 

CMYK 85 / 85 / 0 / 42

HEX #171795

RGB 23 23 149

HSL 240, 0.73%, 0.34%

LAB 19.9, 45.26, -66.31

 

CMYK 85 / 30 / 0 / 42

HEX #176995

RGB 23 105 149

HSL 200.95, 0.73%, 0.34%

LAB 41.93, -7.3, -30.65

 

CMYK 95 / 33 / 0 / 36

HEX #096EA4

RGB 9 110 164

HSL 200.9, 0.9%, 0.34%

LAB 44.08, -5.43, -36.18

 

CMYK 85 / 30 / 0 / 42

HEX #176995

RGB 23 105 149

HSL 200.95, 0.73%, 0.34%

LAB 41.93, -7.3, -30.65

 

CMYK 73 / 25 / 0 / 47

HEX #256587

RGB 37 101 135

HSL 200.82, 0.57%, 0.34%

LAB 40.33, -8.42, -24.72

 

CMYK 58 / 20 / 0 / 53

HEX #336179

RGB 51 97 121

HSL 200.57, 0.41%, 0.34%

LAB 38.96, -8.22, -18.29

 

CMYK 39 / 13 / 0 / 58

HEX #415D6B

RGB 65 93 107

HSL 200, 0.24%, 0.34%

LAB 37.87, -6.44, -11.29

 

CMYK 15 / 5 / 0 / 64

HEX #4F585D

RGB 79 88 93

HSL 201.43, 0.08%, 0.34%

LAB 36.8, -2.35, -4.09

 

CMYK 85 / 0 / 17 / 42

HEX #17957C

RGB 23 149 124

HSL 168.1, 0.73%, 0.34%

LAB 55.21, -38.31, 4.08

 

CMYK 85 / 5 / 0 / 42

HEX #178D95

RGB 23 141 149

HSL 183.81, 0.73%, 0.34%

LAB 53.39, -27.07, -13

 

CMYK 85 / 28 / 0 / 42

HEX #176B95

RGB 23 107 149

HSL 200, 0.73%, 0.34%

LAB 42.56, -8.5, -29.66

 

CMYK 85 / 50 / 0 / 42

HEX #174A95

RGB 23 74 149

HSL 215.71, 0.73%, 0.34%

LAB 32.37, 12.69, -45.87

 

CMYK 85 / 73 / 0 / 42

HEX #172895

RGB 23 40 149

HSL 231.9, 0.73%, 0.34%

LAB 23.24, 35.74, -60.79

 

CMYK 85 / 29 / 0 / 69

HEX #0C374E

RGB 12 55 78

HSL 200.91, 0.73%, 0.18%

LAB 21.43, -5.24, -18.18

 

CMYK 85 / 30 / 0 / 55

HEX #115072

RGB 17 80 114

HSL 201.03, 0.74%, 0.26%

LAB 31.97, -6.17, -24.91

 

CMYK 85 / 30 / 0 / 42

HEX #176995

RGB 23 105 149

HSL 200.95, 0.73%, 0.34%

LAB 41.93, -7.3, -30.65

 

CMYK 85 / 30 / 0 / 27

HEX #1C82B9

RGB 28 130 185

HSL 201.02, 0.74%, 0.42%

LAB 51.51, -8.09, -36.65

 

CMYK 84 / 30 / 0 / 14

HEX #239BDC

RGB 35 155 220

HSL 201.08, 0.73%, 0.5%

LAB 60.75, -9.06, -41.88

 

CMYK 85 / 30 / 0 / 42

HEX #176995

RGB 23 105 149

HSL 200.95, 0.73%, 0.34%

LAB 41.93, -7.3, -30.65

 

CMYK 40 / 85 / 0 / 42

HEX #5A1795

RGB 90 23 149

HSL 271.9, 0.73%, 0.34%

LAB 26.61, 51.97, -55.02

 

CMYK 0 / 5 / 85 / 42

HEX #958D17

RGB 149 141 23

HSL 56.19, 0.73%, 0.34%

LAB 57.56, -9.73, 57.33

 

CMYK 85 / 30 / 0 / 42

HEX #176995

RGB 23 105 149

HSL 200.95, 0.73%, 0.34%

LAB 41.93, -7.3, -30.65

 

CMYK 0 / 85 / 28 / 42

HEX #95176B

RGB 149 23 107

HSL 320, 0.73%, 0.34%

LAB 34.12, 56.3, -16.09

 

CMYK 28 / 0 / 85 / 42

HEX #6B9517

RGB 107 149 23

HSL 80, 0.73%, 0.34%

LAB 56.76, -32.12, 55.4

 

CMYK 85 / 30 / 0 / 42

HEX #176995

RGB 23 105 149

HSL 200.95, 0.73%, 0.34%

LAB 41.93, -7.3, -30.65

 

CMYK 40 / 85 / 0 / 42

HEX #5A1795

RGB 90 23 149

HSL 271.9, 0.73%, 0.34%

LAB 26.61, 51.97, -55.02

 

CMYK 0 / 56 / 85 / 42

HEX #954117

RGB 149 65 23

HSL 20, 0.73%, 0.34%

LAB 38.26, 32.93, 40.56

 

CMYK 45 / 0 / 85 / 42

HEX #529517

RGB 82 149 23

HSL 91.9, 0.73%, 0.34%

LAB 55.43, -41.46, 53.71

 

CMYK 85 / 30 / 0 / 42

HEX #176995

RGB 23 105 149

HSL 200.95, 0.73%, 0.34%

LAB 41.93, -7.3, -30.65

 

CMYK 14 / 85 / 0 / 42

HEX #801795

RGB 128 23 149

HSL 290, 0.73%, 0.34%

LAB 32.64, 58.33, -44.95

 

CMYK 0 / 56 / 85 / 42

HEX #954117

RGB 149 65 23

HSL 20, 0.73%, 0.34%

LAB 38.26, 32.93, 40.56

 

CMYK 70 / 0 / 85 / 42

HEX #2C9517

RGB 44 149 23

HSL 110, 0.73%, 0.34%

LAB 54.12, -51.84, 52.04

 

Description

Color code: HEX #176995 | qconv.com Color code: HEX #176995 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 105 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 105 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 30 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 30% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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