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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #175840 it is the complementary color #E8A7BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #175840. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #175840 shade: #1C583B, #2D6A4E, #3E7C61, #4F8E74 and #60A087

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #175840. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #175840 shade: #175840, #06462D, #00341A, #002207 and #001000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #175840 shade: #175940, #17592E, #17591D, #225917 and #345917

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #175840 shade: #175940, #175952, #174D59, #173C59 and #172A59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #175840 shade matches the following richer shades: #175940, #0D6243 and #046B45

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #175840 shade: #175940, #20503E, #29473C, #323D39 and #3B3437

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #175840 shade: #17591C, #17592E, #17593F, #175951 and #174F59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #175840 shade: #061711, #0E3828, #175940, #1F7958 and #279A70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #175840 shade: #175840, #172359 and #592517

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #175840 shade: #175840, #3F1759 and #593F17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #175840 shade: #175840, #172359, #591730 and #594D17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #175840 shade: #175840, #1E1759, #591730 and #515917

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 27 / 65

HEX #175840

RGB 23 88 64

HSL 157.85, 0.59%, 0.22%

LAB 32.99, -26.75, 8.13

 

Complementary color

CMYK 0 / 28 / 18 / 9

HEX #E8A7BF

RGB 232 167 191

HSL 337.85, 0.59%, 0.78%

LAB 75.17, 27.42, -2.74

 

CMYK 68 / 0 / 33 / 65

HEX #1C583B

RGB 28 88 59

HSL 151, 0.52%, 0.23%

LAB 33.01, -26.98, 11.28

 

CMYK 58 / 0 / 26 / 58

HEX #2D6A4E

RGB 45 106 78

HSL 152.46, 0.4%, 0.3%

LAB 40.27, -27.04, 9.87

 

CMYK 50 / 0 / 22 / 51

HEX #3E7C61

RGB 62 124 97

HSL 153.87, 0.33%, 0.36%

LAB 47.37, -26.91, 8.65

 

CMYK 44 / 0 / 18 / 44

HEX #4F8E74

RGB 79 142 116

HSL 155.24, 0.29%, 0.43%

LAB 54.31, -26.7, 7.58

 

CMYK 40 / 0 / 16 / 37

HEX #60A087

RGB 96 160 135

HSL 156.56, 0.25%, 0.5%

LAB 61.11, -26.47, 6.62

 

CMYK 74 / 0 / 27 / 65

HEX #175840

RGB 23 88 64

HSL 157.85, 0.59%, 0.22%

LAB 32.99, -26.75, 8.13

 

CMYK 91 / 0 / 36 / 73

HEX #06462D

RGB 6 70 45

HSL 156.56, 0.84%, 0.15%

LAB 25.59, -25.97, 9.81

 

CMYK 100 / 0 / 50 / 80

HEX #00341A

RGB 0 52 26

HSL 150, 1%, 0.1%

LAB 18.06, -23.81, 11.96

 

CMYK 100 / 0 / 79 / 87

HEX #002207

RGB 0 34 7

HSL 132.35, 1%, 0.07%

LAB 10.25, -19.2, 12.06

 

CMYK 100 / 0 / 100 / 94

HEX #001000

RGB 0 16 0

HSL 120, 1%, 0.03%

LAB 3.35, -6.84, 4.89

 

CMYK 74 / 0 / 28 / 65

HEX #175940

RGB 23 89 64

HSL 157.27, 0.59%, 0.22%

LAB 33.34, -27.22, 8.63

 

CMYK 74 / 0 / 48 / 65

HEX #17592E

RGB 23 89 46

HSL 140.91, 0.59%, 0.22%

LAB 32.97, -31.3, 19.05

 

CMYK 74 / 0 / 67 / 65

HEX #17591D

RGB 23 89 29

HSL 125.45, 0.59%, 0.22%

LAB 32.73, -34.03, 28.14

 

CMYK 62 / 0 / 74 / 65

HEX #225917

RGB 34 89 23

HSL 110, 0.59%, 0.22%

LAB 33.02, -31.94, 31.43

 

CMYK 42 / 0 / 74 / 65

HEX #345917

RGB 52 89 23

HSL 93.64, 0.59%, 0.22%

LAB 33.85, -25.75, 32.56

 

CMYK 74 / 0 / 28 / 65

HEX #175940

RGB 23 89 64

HSL 157.27, 0.59%, 0.22%

LAB 33.34, -27.22, 8.63

 

CMYK 74 / 0 / 8 / 65

HEX #175952

RGB 23 89 82

HSL 173.64, 0.59%, 0.22%

LAB 33.85, -22.08, -1.9

 

CMYK 74 / 13 / 0 / 65

HEX #174D59

RGB 23 77 89

HSL 190.91, 0.59%, 0.22%

LAB 29.94, -13.06, -12.21

 

CMYK 74 / 33 / 0 / 65

HEX #173C59

RGB 23 60 89

HSL 206.36, 0.59%, 0.22%

LAB 24.11, -2.35, -21.23

 

CMYK 74 / 53 / 0 / 65

HEX #172A59

RGB 23 42 89

HSL 222.73, 0.59%, 0.22%

LAB 18.18, 10.39, -30.65

 

CMYK 74 / 0 / 28 / 65

HEX #175940

RGB 23 89 64

HSL 157.27, 0.59%, 0.22%

LAB 33.34, -27.22, 8.63

 

CMYK 87 / 0 / 32 / 62

HEX #0D6243

RGB 13 98 67

HSL 158.12, 0.77%, 0.22%

LAB 36.42, -31.99, 11.03

 

CMYK 96 / 0 / 36 / 58

HEX #046B45

RGB 4 107 69

HSL 157.86, 0.93%, 0.22%

LAB 39.53, -36.14, 14.08

 

CMYK 74 / 0 / 28 / 65

HEX #175940

RGB 23 89 64

HSL 157.27, 0.59%, 0.22%

LAB 33.34, -27.22, 8.63

 

CMYK 60 / 0 / 23 / 69

HEX #20503E

RGB 32 80 62

HSL 157.5, 0.43%, 0.22%

LAB 30.38, -21.29, 5.76

 

CMYK 42 / 0 / 15 / 72

HEX #29473C

RGB 41 71 60

HSL 158, 0.27%, 0.22%

LAB 27.58, -14.19, 3.1

 

CMYK 18 / 0 / 7 / 76

HEX #323D39

RGB 50 61 57

HSL 158.18, 0.1%, 0.22%

LAB 24.67, -5.52, 0.94

 

CMYK 0 / 12 / 7 / 77

HEX #3B3437

RGB 59 52 55

HSL 334.29, 0.06%, 0.22%

LAB 22.52, 3.75, -0.76

 

CMYK 74 / 0 / 69 / 65

HEX #17591C

RGB 23 89 28

HSL 124.55, 0.59%, 0.22%

LAB 32.72, -34.16, 28.63

 

CMYK 74 / 0 / 48 / 65

HEX #17592E

RGB 23 89 46

HSL 140.91, 0.59%, 0.22%

LAB 32.97, -31.3, 19.05

 

CMYK 74 / 0 / 29 / 65

HEX #17593F

RGB 23 89 63

HSL 156.36, 0.59%, 0.22%

LAB 33.32, -27.48, 9.22

 

CMYK 74 / 0 / 9 / 65

HEX #175951

RGB 23 89 81

HSL 172.73, 0.59%, 0.22%

LAB 33.82, -22.39, -1.32

 

CMYK 74 / 11 / 0 / 65

HEX #174F59

RGB 23 79 89

HSL 189.09, 0.59%, 0.22%

LAB 30.63, -14.24, -11.16

 

CMYK 74 / 0 / 26 / 91

HEX #061711

RGB 6 23 17

HSL 158.82, 0.59%, 0.06%

LAB 6.25, -7.17, 1.65

 

CMYK 75 / 0 / 29 / 78

HEX #0E3828

RGB 14 56 40

HSL 157.14, 0.6%, 0.14%

LAB 20.34, -19.11, 5.84

 

CMYK 74 / 0 / 28 / 65

HEX #175940

RGB 23 89 64

HSL 157.27, 0.59%, 0.22%

LAB 33.34, -27.22, 8.63

 

CMYK 74 / 0 / 27 / 53

HEX #1F7958

RGB 31 121 88

HSL 158, 0.59%, 0.3%

LAB 45.18, -34.43, 10.72

 

CMYK 75 / 0 / 27 / 40

HEX #279A70

RGB 39 154 112

HSL 158.09, 0.6%, 0.38%

LAB 56.79, -41.68, 13.18

 

CMYK 74 / 0 / 27 / 65

HEX #175840

RGB 23 88 64

HSL 157.85, 0.59%, 0.22%

LAB 32.99, -26.75, 8.13

 

CMYK 74 / 61 / 0 / 65

HEX #172359

RGB 23 35 89

HSL 229.09, 0.59%, 0.22%

LAB 16.03, 15.57, -34.13

 

CMYK 0 / 58 / 74 / 65

HEX #592517

RGB 89 37 23

HSL 12.73, 0.59%, 0.22%

LAB 21.98, 22.85, 20.63

 

CMYK 74 / 0 / 27 / 65

HEX #175840

RGB 23 88 64

HSL 157.85, 0.59%, 0.22%

LAB 32.99, -26.75, 8.13

 

CMYK 29 / 74 / 0 / 65

HEX #3F1759

RGB 63 23 89

HSL 276.36, 0.59%, 0.22%

LAB 17.42, 32.16, -31.69

 

CMYK 0 / 29 / 74 / 65

HEX #593F17

RGB 89 63 23

HSL 36.36, 0.59%, 0.22%

LAB 28.75, 6.78, 28.17

 

CMYK 74 / 0 / 27 / 65

HEX #175840

RGB 23 88 64

HSL 157.85, 0.59%, 0.22%

LAB 32.99, -26.75, 8.13

 

CMYK 74 / 61 / 0 / 65

HEX #172359

RGB 23 35 89

HSL 229.09, 0.59%, 0.22%

LAB 16.03, 15.57, -34.13

 

CMYK 0 / 74 / 46 / 65

HEX #591730

RGB 89 23 48

HSL 337.27, 0.59%, 0.22%

LAB 19.84, 32.35, 0.7

 

CMYK 0 / 13 / 74 / 65

HEX #594D17

RGB 89 77 23

HSL 49.09, 0.59%, 0.22%

LAB 32.9, -1.93, 32.52

 

CMYK 74 / 0 / 27 / 65

HEX #175840

RGB 23 88 64

HSL 157.85, 0.59%, 0.22%

LAB 32.99, -26.75, 8.13

 

CMYK 66 / 74 / 0 / 65

HEX #1E1759

RGB 30 23 89

HSL 246.36, 0.59%, 0.22%

LAB 13.29, 25.26, -38.58

 

CMYK 0 / 74 / 46 / 65

HEX #591730

RGB 89 23 48

HSL 337.27, 0.59%, 0.22%

LAB 19.84, 32.35, 0.7

 

CMYK 9 / 0 / 74 / 65

HEX #515917

RGB 81 89 23

HSL 67.27, 0.59%, 0.22%

LAB 35.9, -12.93, 35.31

 

Description

Color code: HEX #175840 | qconv.com Color code: HEX #175840 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 88 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 88 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 27 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 27% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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