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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #174C5B it is the complementary color #E8B3A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #174C5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #174C5B shade: #1C4C56, #2D5E69, #3E707C, #4F828F and #6094A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #174C5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #174C5B shade: #174C5B, #063A48, #002835, #001622 and #00040F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #174C5B shade: #164A59, #163859, #162659, #181659 and #2A1659

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #174C5B shade: #164A59, #163859, #162659 and #161659

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #174C5B shade matches the following richer shades: #164A59, #0D4F62 and #04556B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #174C5B shade: #164A59, #1F4550, #284047, #313B3E and #3A3635

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #174C5B shade: #165944, #165956, #164B59, #163959 and #162759

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #174C5B shade: #051317, #0E2F38, #164A59, #1E667A and #26819B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #174C5B shade: #174C5B, #321659 and #594D16

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #174C5B shade: #174C5B, #59164B and #4B5916

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #174C5B shade: #174C5B, #321659, #592516 and #3D5916

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #174C5B shade: #174C5B, #461659, #592516 and #295916

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 16 / 0 / 64

HEX #174C5B

RGB 23 76 91

HSL 193.24, 0.6%, 0.22%

LAB 29.68, -11.74, -13.89

 

Complementary color

CMYK 0 / 23 / 29 / 9

HEX #E8B3A4

RGB 232 179 164

HSL 13.24, 0.6%, 0.78%

LAB 77.33, 17.15, 15.07

 

CMYK 67 / 12 / 0 / 66

HEX #1C4C56

RGB 28 76 86

HSL 190.34, 0.51%, 0.22%

LAB 29.63, -12.61, -10.74

 

CMYK 57 / 10 / 0 / 59

HEX #2D5E69

RGB 45 94 105

HSL 191, 0.4%, 0.29%

LAB 37.08, -13.07, -11.34

 

CMYK 50 / 10 / 0 / 51

HEX #3E707C

RGB 62 112 124

HSL 191.61, 0.33%, 0.36%

LAB 44.33, -13.33, -11.87

 

CMYK 45 / 9 / 0 / 44

HEX #4F828F

RGB 79 130 143

HSL 192.19, 0.29%, 0.44%

LAB 51.39, -13.47, -12.36

 

CMYK 41 / 9 / 0 / 36

HEX #6094A2

RGB 96 148 162

HSL 192.73, 0.26%, 0.51%

LAB 58.3, -13.55, -12.83

 

CMYK 75 / 16 / 0 / 64

HEX #174C5B

RGB 23 76 91

HSL 193.24, 0.6%, 0.22%

LAB 29.68, -11.74, -13.89

 

CMYK 92 / 19 / 0 / 72

HEX #063A48

RGB 6 58 72

HSL 192.73, 0.85%, 0.15%

LAB 22.06, -10.42, -13.21

 

CMYK 100 / 25 / 0 / 79

HEX #002835

RGB 0 40 53

HSL 194.72, 1%, 0.1%

LAB 14.26, -7.81, -12.24

 

CMYK 100 / 35 / 0 / 87

HEX #001622

RGB 0 22 34

HSL 201.18, 1%, 0.07%

LAB 6.23, -3.26, -10.83

 

CMYK 100 / 73 / 0 / 94

HEX #00040F

RGB 0 4 15

HSL 224, 1%, 0.03%

LAB 1.1, 0.59, -4.81

 

CMYK 75 / 17 / 0 / 65

HEX #164A59

RGB 22 74 89

HSL 193.43, 0.6%, 0.22%

LAB 28.87, -11.44, -13.84

 

CMYK 75 / 37 / 0 / 65

HEX #163859

RGB 22 56 89

HSL 209.55, 0.6%, 0.22%

LAB 22.72, 0.19, -23.42

 

CMYK 75 / 57 / 0 / 65

HEX #162659

RGB 22 38 89

HSL 225.67, 0.6%, 0.22%

LAB 16.88, 13.18, -32.76

 

CMYK 73 / 75 / 0 / 65

HEX #181659

RGB 24 22 89

HSL 241.79, 0.6%, 0.22%

LAB 12.54, 25.02, -39.84

 

CMYK 53 / 75 / 0 / 65

HEX #2A1659

RGB 42 22 89

HSL 257.91, 0.6%, 0.22%

LAB 14.33, 28.07, -36.83

 

CMYK 75 / 17 / 0 / 65

HEX #164A59

RGB 22 74 89

HSL 193.43, 0.6%, 0.22%

LAB 28.87, -11.44, -13.84

 

CMYK 75 / 37 / 0 / 65

HEX #163859

RGB 22 56 89

HSL 209.55, 0.6%, 0.22%

LAB 22.72, 0.19, -23.42

 

CMYK 75 / 57 / 0 / 65

HEX #162659

RGB 22 38 89

HSL 225.67, 0.6%, 0.22%

LAB 16.88, 13.18, -32.76

 

CMYK 75 / 75 / 0 / 65

HEX #161659

RGB 22 22 89

HSL 240, 0.6%, 0.22%

LAB 12.39, 24.75, -40.09

 

CMYK 75 / 17 / 0 / 65

HEX #164A59

RGB 22 74 89

HSL 193.43, 0.6%, 0.22%

LAB 28.87, -11.44, -13.84

 

CMYK 87 / 19 / 0 / 62

HEX #0D4F62

RGB 13 79 98

HSL 193.41, 0.77%, 0.22%

LAB 30.78, -12.24, -16.67

 

CMYK 96 / 21 / 0 / 58

HEX #04556B

RGB 4 85 107

HSL 192.82, 0.93%, 0.22%

LAB 33.1, -13.09, -18.77

 

CMYK 75 / 17 / 0 / 65

HEX #164A59

RGB 22 74 89

HSL 193.43, 0.6%, 0.22%

LAB 28.87, -11.44, -13.84

 

CMYK 61 / 14 / 0 / 69

HEX #1F4550

RGB 31 69 80

HSL 193.47, 0.44%, 0.22%

LAB 27.09, -9.8, -10.71

 

CMYK 44 / 10 / 0 / 72

HEX #284047

RGB 40 64 71

HSL 193.55, 0.28%, 0.22%

LAB 25.48, -7.15, -7.21

 

CMYK 21 / 5 / 0 / 76

HEX #313B3E

RGB 49 59 62

HSL 193.85, 0.12%, 0.22%

LAB 24.09, -3.35, -3.25

 

CMYK 0 / 7 / 9 / 77

HEX #3A3635

RGB 58 54 53

HSL 12, 0.05%, 0.22%

LAB 22.98, 1.53, 1.25

 

CMYK 75 / 0 / 24 / 65

HEX #165944

RGB 22 89 68

HSL 161.19, 0.6%, 0.22%

LAB 33.42, -26.34, 6.24

 

CMYK 75 / 0 / 3 / 65

HEX #165956

RGB 22 89 86

HSL 177.31, 0.6%, 0.22%

LAB 33.96, -20.97, -4.26

 

CMYK 75 / 16 / 0 / 65

HEX #164B59

RGB 22 75 89

HSL 192.54, 0.6%, 0.22%

LAB 29.22, -12.04, -13.31

 

CMYK 75 / 36 / 0 / 65

HEX #163959

RGB 22 57 89

HSL 208.66, 0.6%, 0.22%

LAB 23.06, -0.49, -22.88

 

CMYK 75 / 56 / 0 / 65

HEX #162759

RGB 22 39 89

HSL 224.78, 0.6%, 0.22%

LAB 17.19, 12.44, -32.26

 

CMYK 78 / 17 / 0 / 91

HEX #051317

RGB 5 19 23

HSL 193.33, 0.64%, 0.05%

LAB 5.06, -3.36, -4.08

 

CMYK 75 / 16 / 0 / 78

HEX #0E2F38

RGB 14 47 56

HSL 192.86, 0.6%, 0.14%

LAB 17.52, -8.49, -9.28

 

CMYK 75 / 17 / 0 / 65

HEX #164A59

RGB 22 74 89

HSL 193.43, 0.6%, 0.22%

LAB 28.87, -11.44, -13.84

 

CMYK 75 / 16 / 0 / 52

HEX #1E667A

RGB 30 102 122

HSL 193.04, 0.61%, 0.3%

LAB 39.89, -14.71, -17.53

 

CMYK 75 / 17 / 0 / 39

HEX #26819B

RGB 38 129 155

HSL 193.33, 0.61%, 0.38%

LAB 50.07, -17.22, -21.51

 

CMYK 75 / 16 / 0 / 64

HEX #174C5B

RGB 23 76 91

HSL 193.24, 0.6%, 0.22%

LAB 29.68, -11.74, -13.89

 

CMYK 44 / 75 / 0 / 65

HEX #321659

RGB 50 22 89

HSL 265.07, 0.6%, 0.22%

LAB 15.35, 29.72, -35.13

 

CMYK 0 / 13 / 75 / 65

HEX #594D16

RGB 89 77 22

HSL 49.25, 0.6%, 0.22%

LAB 32.9, -1.99, 32.98

 

CMYK 75 / 16 / 0 / 64

HEX #174C5B

RGB 23 76 91

HSL 193.24, 0.6%, 0.22%

LAB 29.68, -11.74, -13.89

 

CMYK 0 / 75 / 16 / 65

HEX #59164B

RGB 89 22 75

HSL 312.54, 0.6%, 0.22%

LAB 20.85, 36.61, -16.5

 

CMYK 16 / 0 / 75 / 65

HEX #4B5916

RGB 75 89 22

HSL 72.54, 0.6%, 0.22%

LAB 35.4, -15.83, 35.07

 

CMYK 75 / 16 / 0 / 64

HEX #174C5B

RGB 23 76 91

HSL 193.24, 0.6%, 0.22%

LAB 29.68, -11.74, -13.89

 

CMYK 44 / 75 / 0 / 65

HEX #321659

RGB 50 22 89

HSL 265.07, 0.6%, 0.22%

LAB 15.35, 29.72, -35.13

 

CMYK 0 / 58 / 75 / 65

HEX #592516

RGB 89 37 22

HSL 13.43, 0.6%, 0.22%

LAB 21.96, 22.79, 21.24

 

CMYK 31 / 0 / 75 / 65

HEX #3D5916

RGB 61 89 22

HSL 85.07, 0.6%, 0.22%

LAB 34.39, -22.14, 33.72

 

CMYK 75 / 16 / 0 / 64

HEX #174C5B

RGB 23 76 91

HSL 193.24, 0.6%, 0.22%

LAB 29.68, -11.74, -13.89

 

CMYK 21 / 75 / 0 / 65

HEX #461659

RGB 70 22 89

HSL 282.99, 0.6%, 0.22%

LAB 18.35, 34.35, -30.12

 

CMYK 0 / 58 / 75 / 65

HEX #592516

RGB 89 37 22

HSL 13.43, 0.6%, 0.22%

LAB 21.96, 22.79, 21.24

 

CMYK 54 / 0 / 75 / 65

HEX #295916

RGB 41 89 22

HSL 102.99, 0.6%, 0.22%

LAB 33.29, -29.85, 32.25

 

Description

Color code: HEX #174C5B | qconv.com Color code: HEX #174C5B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 76 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 76 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 16 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 16% 0% 64% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

17% - Prince George County...
Link: http://www.princegeorgeva.org

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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