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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #174B76 it is the complementary color #E8B489. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #174B76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #174B76 shade: #1C4B71, #2D5D84, #3E6F97, #4F81AA and #6093BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #174B76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #174B76 shade: #174B76, #063963, #002750, #00153D and #00032A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #174B76 shade: #174B77, #173277, #171877, #301777 and #4A1777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #174B76 shade: #174B77, #173277, #171877 and #171777

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #174B76 shade matches the following richer shades: #174B77, #0C4D82 and #004E8E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #174B76 shade: #174B77, #234A6B, #2E4960, #3A4854 and #454749

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #174B76 shade: #17776F, #176577, #174C77, #173277 and #171977

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #174B76 shade: #092032, #103554, #174B77, #1E6199 and #2577BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #174B76 shade: #174B76, #551777 and #727717

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #174B76 shade: #174B76, #77174C and #4C7717

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #174B76 shade: #174B76, #551777, #774217 and #397717

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #174B76 shade: #174B76, #721777, #774217 and #1C7717

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 36 / 0 / 54

HEX #174B76

RGB 23 75 118

HSL 207.16, 0.67%, 0.28%

LAB 30.69, -0.65, -29.41

 

Complementary color

CMYK 0 / 22 / 41 / 9

HEX #E8B489

RGB 232 180 137

HSL 27.16, 0.67%, 0.72%

LAB 77.04, 13.36, 29.17

 

CMYK 75 / 34 / 0 / 56

HEX #1C4B71

RGB 28 75 113

HSL 206.82, 0.6%, 0.28%

LAB 30.57, -1.92, -26.45

 

CMYK 66 / 30 / 0 / 48

HEX #2D5D84

RGB 45 93 132

HSL 206.9, 0.49%, 0.35%

LAB 37.94, -3.23, -26.61

 

CMYK 59 / 26 / 0 / 41

HEX #3E6F97

RGB 62 111 151

HSL 206.97, 0.42%, 0.42%

LAB 45.12, -4.14, -26.76

 

CMYK 54 / 24 / 0 / 33

HEX #4F81AA

RGB 79 129 170

HSL 207.03, 0.37%, 0.49%

LAB 52.14, -4.81, -26.92

 

CMYK 49 / 22 / 0 / 26

HEX #6093BD

RGB 96 147 189

HSL 207.1, 0.41%, 0.56%

LAB 59, -5.32, -27.09

 

CMYK 81 / 36 / 0 / 54

HEX #174B76

RGB 23 75 118

HSL 207.16, 0.67%, 0.28%

LAB 30.69, -0.65, -29.41

 

CMYK 94 / 42 / 0 / 61

HEX #063963

RGB 6 57 99

HSL 207.1, 0.89%, 0.21%

LAB 23.22, 1.76, -29.19

 

CMYK 100 / 51 / 0 / 69

HEX #002750

RGB 0 39 80

HSL 210.75, 1%, 0.16%

LAB 15.65, 5.52, -28.74

 

CMYK 100 / 66 / 0 / 76

HEX #00153D

RGB 0 21 61

HSL 219.34, 1%, 0.12%

LAB 7.89, 10.49, -28.09

 

CMYK 100 / 93 / 0 / 84

HEX #00032A

RGB 0 3 42

HSL 235.71, 1%, 0.08%

LAB 2.1, 9.41, -23.36

 

CMYK 81 / 37 / 0 / 53

HEX #174B77

RGB 23 75 119

HSL 207.5, 0.68%, 0.28%

LAB 30.75, -0.25, -29.95

 

CMYK 81 / 58 / 0 / 53

HEX #173277

RGB 23 50 119

HSL 223.13, 0.68%, 0.28%

LAB 22.98, 17.09, -42.41

 

CMYK 81 / 80 / 0 / 53

HEX #171877

RGB 23 24 119

HSL 239.38, 0.68%, 0.28%

LAB 16.34, 34.65, -53.31

 

CMYK 60 / 81 / 0 / 53

HEX #301777

RGB 48 23 119

HSL 255.63, 0.68%, 0.28%

LAB 18.25, 37.91, -50.09

 

CMYK 38 / 81 / 0 / 53

HEX #4A1777

RGB 74 23 119

HSL 271.88, 0.68%, 0.28%

LAB 21.58, 42.06, -44.5

 

CMYK 81 / 37 / 0 / 53

HEX #174B77

RGB 23 75 119

HSL 207.5, 0.68%, 0.28%

LAB 30.75, -0.25, -29.95

 

CMYK 81 / 58 / 0 / 53

HEX #173277

RGB 23 50 119

HSL 223.13, 0.68%, 0.28%

LAB 22.98, 17.09, -42.41

 

CMYK 81 / 80 / 0 / 53

HEX #171877

RGB 23 24 119

HSL 239.38, 0.68%, 0.28%

LAB 16.34, 34.65, -53.31

 

CMYK 81 / 81 / 0 / 53

HEX #171777

RGB 23 23 119

HSL 240, 0.68%, 0.28%

LAB 16.14, 35.23, -53.64

 

CMYK 81 / 37 / 0 / 53

HEX #174B77

RGB 23 75 119

HSL 207.5, 0.68%, 0.28%

LAB 30.75, -0.25, -29.95

 

CMYK 91 / 41 / 0 / 49

HEX #0C4D82

RGB 12 77 130

HSL 206.95, 0.83%, 0.28%

LAB 31.8, 1.88, -35.14

 

CMYK 100 / 45 / 0 / 44

HEX #004E8E

RGB 0 78 142

HSL 207.04, 1%, 0.28%

LAB 32.7, 5.54, -41.08

 

CMYK 81 / 37 / 0 / 53

HEX #174B77

RGB 23 75 119

HSL 207.5, 0.68%, 0.28%

LAB 30.75, -0.25, -29.95

 

CMYK 67 / 31 / 0 / 58

HEX #234A6B

RGB 35 74 107

HSL 207.5, 0.51%, 0.28%

LAB 30.2, -2.32, -23.24

 

CMYK 52 / 24 / 0 / 62

HEX #2E4960

RGB 46 73 96

HSL 207.6, 0.35%, 0.28%

LAB 29.89, -3, -16.68

 

CMYK 31 / 14 / 0 / 67

HEX #3A4854

RGB 58 72 84

HSL 207.69, 0.18%, 0.28%

LAB 29.85, -2.34, -8.97

 

CMYK 5 / 3 / 0 / 71

HEX #454749

RGB 69 71 73

HSL 210, 0.03%, 0.28%

LAB 30.04, -0.37, -1.49

 

CMYK 81 / 0 / 7 / 53

HEX #17776F

RGB 23 119 111

HSL 175, 0.68%, 0.28%

LAB 44.97, -28.21, -3.25

 

CMYK 81 / 15 / 0 / 53

HEX #176577

RGB 23 101 119

HSL 191.25, 0.68%, 0.28%

LAB 39.28, -16.11, -16.65

 

CMYK 81 / 36 / 0 / 53

HEX #174C77

RGB 23 76 119

HSL 206.88, 0.68%, 0.28%

LAB 31.07, -0.9, -29.44

 

CMYK 81 / 58 / 0 / 53

HEX #173277

RGB 23 50 119

HSL 223.13, 0.68%, 0.28%

LAB 22.98, 17.09, -42.41

 

CMYK 81 / 79 / 0 / 53

HEX #171977

RGB 23 25 119

HSL 238.75, 0.68%, 0.28%

LAB 16.55, 34.06, -52.96

 

CMYK 82 / 36 / 0 / 80

HEX #092032

RGB 9 32 50

HSL 206.34, 0.69%, 0.12%

LAB 11.42, -1.62, -14.5

 

CMYK 81 / 37 / 0 / 67

HEX #103554

RGB 16 53 84

HSL 207.35, 0.68%, 0.2%

LAB 21.19, -0.79, -22.54

 

CMYK 81 / 37 / 0 / 53

HEX #174B77

RGB 23 75 119

HSL 207.5, 0.68%, 0.28%

LAB 30.75, -0.25, -29.95

 

CMYK 80 / 37 / 0 / 40

HEX #1E6199

RGB 30 97 153

HSL 207.32, 0.67%, 0.36%

LAB 39.79, -0.11, -36.4

 

CMYK 80 / 37 / 0 / 26

HEX #2577BC

RGB 37 119 188

HSL 207.42, 0.67%, 0.44%

LAB 48.53, 0.41, -43.07

 

CMYK 81 / 36 / 0 / 54

HEX #174B76

RGB 23 75 118

HSL 207.16, 0.67%, 0.28%

LAB 30.69, -0.65, -29.41

 

CMYK 29 / 81 / 0 / 53

HEX #551777

RGB 85 23 119

HSL 278.75, 0.68%, 0.28%

LAB 23.26, 44.12, -41.7

 

CMYK 4 / 0 / 81 / 53

HEX #727717

RGB 114 119 23

HSL 63.13, 0.68%, 0.28%

LAB 48.05, -13.97, 47.83

 

CMYK 81 / 36 / 0 / 54

HEX #174B76

RGB 23 75 118

HSL 207.16, 0.67%, 0.28%

LAB 30.69, -0.65, -29.41

 

CMYK 0 / 81 / 36 / 53

HEX #77174C

RGB 119 23 76

HSL 326.88, 0.68%, 0.28%

LAB 26.9, 44.83, -7.39

 

CMYK 36 / 0 / 81 / 53

HEX #4C7717

RGB 76 119 23

HSL 86.88, 0.68%, 0.28%

LAB 45.35, -30.52, 44.36

 

CMYK 81 / 36 / 0 / 54

HEX #174B76

RGB 23 75 118

HSL 207.16, 0.67%, 0.28%

LAB 30.69, -0.65, -29.41

 

CMYK 29 / 81 / 0 / 53

HEX #551777

RGB 85 23 119

HSL 278.75, 0.68%, 0.28%

LAB 23.26, 44.12, -41.7

 

CMYK 0 / 45 / 81 / 53

HEX #774217

RGB 119 66 23

HSL 26.88, 0.68%, 0.28%

LAB 33.73, 19.38, 34.61

 

CMYK 52 / 0 / 81 / 53

HEX #397717

RGB 57 119 23

HSL 98.75, 0.68%, 0.28%

LAB 44.41, -37.34, 43.14

 

CMYK 81 / 36 / 0 / 54

HEX #174B76

RGB 23 75 118

HSL 207.16, 0.67%, 0.28%

LAB 30.69, -0.65, -29.41

 

CMYK 4 / 81 / 0 / 53

HEX #721777

RGB 114 23 119

HSL 296.88, 0.68%, 0.28%

LAB 28.17, 50.09, -33.53

 

CMYK 0 / 45 / 81 / 53

HEX #774217

RGB 119 66 23

HSL 26.88, 0.68%, 0.28%

LAB 33.73, 19.38, 34.61

 

CMYK 76 / 0 / 81 / 53

HEX #1C7717

RGB 28 119 23

HSL 116.88, 0.68%, 0.28%

LAB 43.51, -44.65, 41.96

 

Description

Color code: HEX #174B76 | qconv.com Color code: HEX #174B76 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 75 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 75 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 36 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 36% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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