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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #173AAF it is the complementary color #E8C550. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #173AAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #173AAF shade: #1C3AAA, #2D4CBD, #3E5ED0, #4F70E3 and #6082F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #173AAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #173AAF shade: #173AAF, #06289C, #001689, #000476 and #000063

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #173AAF shade: #163AB0, #1C16B0, #4616B0, #6F16B0 and #9816B0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #173AAF shade: #163AB0 and #1616B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #173AAF shade matches the following richer shades: #163AB0 and #0631C0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #173AAF shade: #163AB0, #26429F, #374B8F, #47547F and #575C6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #173AAF shade: #168CB0, #1663B0, #163AB0, #1B16B0 and #4416B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #173AAF shade: #0D2266, #122E8B, #163AB0, #1B46D4 and #345DE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #173AAF shade: #173AAF, #AA16B0 and #77B016

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #173AAF shade: #173AAF, #B0163A and #3AB016

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #173AAF shade: #173AAF, #AA16B0, #B08C16 and #1BB016

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #173AAF shade: #173AAF, #B01687, #B08C16 and #16B03F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 67 / 0 / 31

HEX #173AAF

RGB 23 58 175

HSL 226.18, 0.77%, 0.39%

LAB 30.17, 33.9, -65.14

 

Complementary color

CMYK 0 / 15 / 66 / 9

HEX #E8C550

RGB 232 197 80

HSL 46.18, 0.77%, 0.61%

LAB 80.55, -0.3, 61.29

 

CMYK 84 / 66 / 0 / 33

HEX #1C3AAA

RGB 28 58 170

HSL 227.32, 0.72%, 0.39%

LAB 29.85, 32.34, -62.66

 

CMYK 76 / 60 / 0 / 26

HEX #2D4CBD

RGB 45 76 189

HSL 227.08, 0.62%, 0.46%

LAB 36.74, 29.28, -62.62

 

CMYK 70 / 55 / 0 / 18

HEX #3E5ED0

RGB 62 94 208

HSL 226.85, 0.61%, 0.53%

LAB 43.63, 26.74, -62.41

 

CMYK 65 / 51 / 0 / 11

HEX #4F70E3

RGB 79 112 227

HSL 226.62, 0.73%, 0.6%

LAB 50.45, 24.64, -62.14

 

CMYK 61 / 47 / 0 / 4

HEX #6082F6

RGB 96 130 246

HSL 226.4, 0.89%, 0.67%

LAB 57.18, 22.88, -61.86

 

CMYK 87 / 67 / 0 / 31

HEX #173AAF

RGB 23 58 175

HSL 226.18, 0.77%, 0.39%

LAB 30.17, 33.9, -65.14

 

CMYK 96 / 74 / 0 / 39

HEX #06289C

RGB 6 40 156

HSL 226.4, 0.93%, 0.32%

LAB 23.53, 37.54, -64.62

 

CMYK 100 / 84 / 0 / 46

HEX #001689

RGB 0 22 137

HSL 230.36, 1%, 0.27%

LAB 17.37, 41.02, -63.07

 

CMYK 100 / 97 / 0 / 54

HEX #000476

RGB 0 4 118

HSL 237.97, 1%, 0.23%

LAB 11.92, 42.98, -60.04

 

CMYK 100 / 100 / 0 / 61

HEX #000063

RGB 0 0 99

HSL 240, 1%, 0.19%

LAB 8.14, 39.57, -53.9

 

CMYK 88 / 67 / 0 / 31

HEX #163AB0

RGB 22 58 176

HSL 225.97, 0.78%, 0.39%

LAB 30.23, 34.22, -65.63

 

CMYK 84 / 88 / 0 / 31

HEX #1C16B0

RGB 28 22 176

HSL 242.34, 0.78%, 0.39%

LAB 23.52, 54.13, -76.73

 

CMYK 60 / 88 / 0 / 31

HEX #4616B0

RGB 70 22 176

HSL 258.7, 0.78%, 0.39%

LAB 26.76, 56.71, -71.25

 

CMYK 37 / 88 / 0 / 31

HEX #6F16B0

RGB 111 22 176

HSL 274.68, 0.78%, 0.39%

LAB 32.01, 61.34, -62.44

 

CMYK 14 / 88 / 0 / 31

HEX #9816B0

RGB 152 22 176

HSL 290.65, 0.78%, 0.39%

LAB 38.52, 67.61, -51.55

 

CMYK 88 / 67 / 0 / 31

HEX #163AB0

RGB 22 58 176

HSL 225.97, 0.78%, 0.39%

LAB 30.23, 34.22, -65.63

 

CMYK 88 / 88 / 0 / 31

HEX #1616B0

RGB 22 22 176

HSL 240, 0.78%, 0.39%

LAB 23.27, 53.94, -77.16

 

CMYK 88 / 67 / 0 / 31

HEX #163AB0

RGB 22 58 176

HSL 225.97, 0.78%, 0.39%

LAB 30.23, 34.22, -65.63

 

CMYK 97 / 74 / 0 / 25

HEX #0631C0

RGB 6 49 192

HSL 226.13, 0.94%, 0.39%

LAB 29.52, 45.15, -76.31

 

CMYK 88 / 67 / 0 / 31

HEX #163AB0

RGB 22 58 176

HSL 225.97, 0.78%, 0.39%

LAB 30.23, 34.22, -65.63

 

CMYK 76 / 58 / 0 / 38

HEX #26429F

RGB 38 66 159

HSL 226.12, 0.61%, 0.39%

LAB 31.37, 23.74, -53.53

 

CMYK 62 / 48 / 0 / 44

HEX #374B8F

RGB 55 75 143

HSL 226.36, 0.44%, 0.39%

LAB 33.62, 14.43, -40.13

 

CMYK 44 / 34 / 0 / 50

HEX #47547F

RGB 71 84 127

HSL 226.07, 0.28%, 0.39%

LAB 36.39, 7.03, -25.87

 

CMYK 22 / 17 / 0 / 56

HEX #575C6F

RGB 87 92 111

HSL 227.5, 0.12%, 0.39%

LAB 39.29, 2.56, -11.45

 

CMYK 88 / 20 / 0 / 31

HEX #168CB0

RGB 22 140 176

HSL 194.03, 0.78%, 0.39%

LAB 54.09, -17.43, -27.47

 

CMYK 88 / 44 / 0 / 31

HEX #1663B0

RGB 22 99 176

HSL 210, 0.78%, 0.39%

LAB 41.58, 6.96, -47.2

 

CMYK 88 / 67 / 0 / 31

HEX #163AB0

RGB 22 58 176

HSL 225.97, 0.78%, 0.39%

LAB 30.23, 34.22, -65.63

 

CMYK 85 / 88 / 0 / 31

HEX #1B16B0

RGB 27 22 176

HSL 241.95, 0.78%, 0.39%

LAB 23.48, 54.1, -76.81

 

CMYK 61 / 88 / 0 / 31

HEX #4416B0

RGB 68 22 176

HSL 257.92, 0.78%, 0.39%

LAB 26.56, 56.54, -71.61

 

CMYK 87 / 67 / 0 / 60

HEX #0D2266

RGB 13 34 102

HSL 225.84, 0.77%, 0.23%

LAB 16.45, 20.51, -42.1

 

CMYK 87 / 67 / 0 / 45

HEX #122E8B

RGB 18 46 139

HSL 226.12, 0.77%, 0.31%

LAB 23.49, 27.59, -54.17

 

CMYK 88 / 67 / 0 / 31

HEX #163AB0

RGB 22 58 176

HSL 225.97, 0.78%, 0.39%

LAB 30.23, 34.22, -65.63

 

CMYK 87 / 67 / 0 / 17

HEX #1B46D4

RGB 27 70 212

HSL 226.05, 0.77%, 0.47%

LAB 36.68, 40.25, -76.12

 

CMYK 77 / 59 / 0 / 11

HEX #345DE4

RGB 52 93 228

HSL 226.02, 0.77%, 0.55%

LAB 44.46, 33.45, -72.47

 

CMYK 87 / 67 / 0 / 31

HEX #173AAF

RGB 23 58 175

HSL 226.18, 0.77%, 0.39%

LAB 30.17, 33.9, -65.14

 

CMYK 3 / 88 / 0 / 31

HEX #AA16B0

RGB 170 22 176

HSL 297.66, 0.78%, 0.39%

LAB 41.62, 70.72, -46.41

 

CMYK 32 / 0 / 88 / 31

HEX #77B016

RGB 119 176 22

HSL 82.21, 0.78%, 0.39%

LAB 65.77, -39.64, 63.66

 

CMYK 87 / 67 / 0 / 31

HEX #173AAF

RGB 23 58 175

HSL 226.18, 0.77%, 0.39%

LAB 30.17, 33.9, -65.14

 

CMYK 0 / 88 / 67 / 31

HEX #B0163A

RGB 176 22 58

HSL 345.97, 0.78%, 0.39%

LAB 38.04, 59.2, 21.76

 

CMYK 67 / 0 / 88 / 31

HEX #3AB016

RGB 58 176 22

HSL 105.97, 0.78%, 0.39%

LAB 63.35, -58.04, 60.62

 

CMYK 87 / 67 / 0 / 31

HEX #173AAF

RGB 23 58 175

HSL 226.18, 0.77%, 0.39%

LAB 30.17, 33.9, -65.14

 

CMYK 3 / 88 / 0 / 31

HEX #AA16B0

RGB 170 22 176

HSL 297.66, 0.78%, 0.39%

LAB 41.62, 70.72, -46.41

 

CMYK 0 / 20 / 88 / 31

HEX #B08C16

RGB 176 140 22

HSL 45.97, 0.78%, 0.39%

LAB 59.93, 3.13, 60.62

 

CMYK 85 / 0 / 88 / 31

HEX #1BB016

RGB 27 176 22

HSL 118.05, 0.78%, 0.39%

LAB 62.79, -62.86, 59.92

 

CMYK 87 / 67 / 0 / 31

HEX #173AAF

RGB 23 58 175

HSL 226.18, 0.77%, 0.39%

LAB 30.17, 33.9, -65.14

 

CMYK 0 / 88 / 23 / 31

HEX #B01687

RGB 176 22 135

HSL 315.97, 0.78%, 0.39%

LAB 40.5, 66.08, -23.34

 

CMYK 0 / 20 / 88 / 31

HEX #B08C16

RGB 176 140 22

HSL 45.97, 0.78%, 0.39%

LAB 59.93, 3.13, 60.62

 

CMYK 88 / 0 / 64 / 31

HEX #16B03F

RGB 22 176 63

HSL 135.97, 0.78%, 0.39%

LAB 62.99, -60.15, 46.22

 

Description

Color code: HEX #173AAF | qconv.com Color code: HEX #173AAF | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 58 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 58 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 67 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 67% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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