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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #170475 it is the complementary color #E8FB8A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #170475. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #170475 shade: #1C0470, #2D1683, #3E2896, #4F3AA9 and #604CBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #170475. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #170475 shade: #170475, #060062, #00004F, #00003C and #000029

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #170475 shade: #170476, #360476, #540476, #730476 and #76045A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #170475 shade: #170476 and #040476

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #170475 shade matches the following richer shades: #170476

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #170475 shade: #170476, #1D0E6C, #241862, #2B2158 and #312B4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #170475 shade: #042E76, #040F76, #170476, #350476 and #530476

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #170475 shade: #070126, #0F024E, #170476, #1F059D and #2707C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #170475 shade: #170475, #76044C and #1E7604

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #170475 shade: #170475, #761704 and #047617

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #170475 shade: #170475, #76044C, #637604 and #04762E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #170475 shade: #170475, #76042A, #637604 and #047650

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 97 / 0 / 54

HEX #170475

RGB 23 4 117

HSL 250.09, 0.93%, 0.24%

LAB 12.94, 43.28, -57.66

 

Complementary color

CMYK 8 / 0 / 45 / 2

HEX #E8FB8A

RGB 232 251 138

HSL 70.09, 0.93%, 0.76%

LAB 95.15, -22.56, 51.81

 

CMYK 75 / 96 / 0 / 56

HEX #1C0470

RGB 28 4 112

HSL 253.33, 0.93%, 0.23%

LAB 12.63, 42.09, -54.93

 

CMYK 66 / 83 / 0 / 49

HEX #2D1683

RGB 45 22 131

HSL 252.66, 0.71%, 0.3%

LAB 19.1, 41.7, -56.34

 

CMYK 59 / 73 / 0 / 41

HEX #3E2896

RGB 62 40 150

HSL 252, 0.58%, 0.37%

LAB 25.99, 40.39, -56.77

 

CMYK 53 / 66 / 0 / 34

HEX #4F3AA9

RGB 79 58 169

HSL 251.35, 0.49%, 0.45%

LAB 33.03, 38.77, -56.72

 

CMYK 49 / 60 / 0 / 26

HEX #604CBC

RGB 96 76 188

HSL 250.71, 0.46%, 0.52%

LAB 40.06, 37.21, -56.49

 

CMYK 80 / 97 / 0 / 54

HEX #170475

RGB 23 4 117

HSL 250.09, 0.93%, 0.24%

LAB 12.94, 43.28, -57.66

 

CMYK 94 / 100 / 0 / 62

HEX #060062

RGB 6 0 98

HSL 243.67, 1%, 0.19%

LAB 8.31, 39.4, -52.93

 

CMYK 100 / 100 / 0 / 69

HEX #00004F

RGB 0 0 79

HSL 240, 1%, 0.15%

LAB 5.1, 31.95, -45.36

 

CMYK 100 / 100 / 0 / 76

HEX #00003C

RGB 0 0 60

HSL 240, 1%, 0.12%

LAB 2.95, 20.71, -35.41

 

CMYK 100 / 100 / 0 / 84

HEX #000029

RGB 0 0 41

HSL 240, 1%, 0.08%

LAB 1.45, 10.16, -23.62

 

CMYK 81 / 97 / 0 / 54

HEX #170476

RGB 23 4 118

HSL 250, 0.93%, 0.24%

LAB 13.09, 43.56, -58.07

 

CMYK 54 / 97 / 0 / 54

HEX #360476

RGB 54 4 118

HSL 266.32, 0.93%, 0.24%

LAB 16.4, 45.6, -52.47

 

CMYK 29 / 97 / 0 / 54

HEX #540476

RGB 84 4 118

HSL 282.11, 0.93%, 0.24%

LAB 21.13, 49.23, -44.52

 

CMYK 3 / 97 / 0 / 54

HEX #730476

RGB 115 4 118

HSL 298.42, 0.93%, 0.24%

LAB 26.85, 54.34, -35

 

CMYK 0 / 97 / 24 / 54

HEX #76045A

RGB 118 4 90

HSL 314.74, 0.93%, 0.24%

LAB 25.79, 50.76, -18.43

 

CMYK 81 / 97 / 0 / 54

HEX #170476

RGB 23 4 118

HSL 250, 0.93%, 0.24%

LAB 13.09, 43.56, -58.07

 

CMYK 97 / 97 / 0 / 54

HEX #040476

RGB 4 4 118

HSL 240, 0.93%, 0.24%

LAB 12.09, 43.06, -59.75

 

CMYK 81 / 97 / 0 / 54

HEX #170476

RGB 23 4 118

HSL 250, 0.93%, 0.24%

LAB 13.09, 43.56, -58.07

 

CMYK 81 / 97 / 0 / 54

HEX #170476

RGB 23 4 118

HSL 250, 0.93%, 0.24%

LAB 13.09, 43.56, -58.07

 

CMYK 73 / 87 / 0 / 58

HEX #1D0E6C

RGB 29 14 108

HSL 249.57, 0.77%, 0.24%

LAB 13.58, 36.77, -50.73

 

CMYK 63 / 76 / 0 / 62

HEX #241862

RGB 36 24 98

HSL 249.73, 0.61%, 0.24%

LAB 15.01, 28.78, -41.76

 

CMYK 51 / 63 / 0 / 65

HEX #2B2158

RGB 43 33 88

HSL 250.91, 0.45%, 0.24%

LAB 17.02, 20.83, -31.79

 

CMYK 37 / 45 / 0 / 69

HEX #312B4E

RGB 49 43 78

HSL 250.29, 0.29%, 0.24%

LAB 19.76, 12.28, -20.64

 

CMYK 97 / 61 / 0 / 54

HEX #042E76

RGB 4 46 118

HSL 217.89, 0.93%, 0.24%

LAB 21.16, 17.94, -44.77

 

CMYK 97 / 87 / 0 / 54

HEX #040F76

RGB 4 15 118

HSL 234.21, 0.93%, 0.24%

LAB 13.68, 38.26, -57.1

 

CMYK 81 / 97 / 0 / 54

HEX #170476

RGB 23 4 118

HSL 250, 0.93%, 0.24%

LAB 13.09, 43.56, -58.07

 

CMYK 55 / 97 / 0 / 54

HEX #350476

RGB 53 4 118

HSL 265.79, 0.93%, 0.24%

LAB 16.26, 45.51, -52.7

 

CMYK 30 / 97 / 0 / 54

HEX #530476

RGB 83 4 118

HSL 281.58, 0.93%, 0.24%

LAB 20.96, 49.09, -44.82

 

CMYK 82 / 97 / 0 / 85

HEX #070126

RGB 7 1 38

HSL 249.73, 0.95%, 0.08%

LAB 1.87, 10.31, -20.61

 

CMYK 81 / 97 / 0 / 69

HEX #0F024E

RGB 15 2 78

HSL 250.26, 0.95%, 0.16%

LAB 6.28, 31.95, -42.68

 

CMYK 81 / 97 / 0 / 54

HEX #170476

RGB 23 4 118

HSL 250, 0.93%, 0.24%

LAB 13.09, 43.56, -58.07

 

CMYK 80 / 97 / 0 / 38

HEX #1F059D

RGB 31 5 157

HSL 250.26, 0.94%, 0.32%

LAB 19.37, 54.15, -72.12

 

CMYK 80 / 96 / 0 / 23

HEX #2707C5

RGB 39 7 197

HSL 250.11, 0.93%, 0.4%

LAB 25.61, 64.25, -85.72

 

CMYK 80 / 97 / 0 / 54

HEX #170475

RGB 23 4 117

HSL 250.09, 0.93%, 0.24%

LAB 12.94, 43.28, -57.66

 

CMYK 0 / 97 / 36 / 54

HEX #76044C

RGB 118 4 76

HSL 322.11, 0.93%, 0.24%

LAB 25.14, 49.04, -10.07

 

CMYK 75 / 0 / 97 / 54

HEX #1E7604

RGB 30 118 4

HSL 106.32, 0.93%, 0.24%

LAB 43.13, -44.91, 46.65

 

CMYK 80 / 97 / 0 / 54

HEX #170475

RGB 23 4 117

HSL 250.09, 0.93%, 0.24%

LAB 12.94, 43.28, -57.66

 

CMYK 0 / 81 / 97 / 54

HEX #761704

RGB 118 23 4

HSL 10, 0.93%, 0.24%

LAB 25.18, 39.79, 35.3

 

CMYK 97 / 0 / 81 / 54

HEX #047617

RGB 4 118 23

HSL 130, 0.93%, 0.24%

LAB 42.83, -47.21, 41.19

 

CMYK 80 / 97 / 0 / 54

HEX #170475

RGB 23 4 117

HSL 250.09, 0.93%, 0.24%

LAB 12.94, 43.28, -57.66

 

CMYK 0 / 97 / 36 / 54

HEX #76044C

RGB 118 4 76

HSL 322.11, 0.93%, 0.24%

LAB 25.14, 49.04, -10.07

 

CMYK 16 / 0 / 97 / 54

HEX #637604

RGB 99 118 4

HSL 70, 0.93%, 0.24%

LAB 46.47, -20.92, 50.74

 

CMYK 97 / 0 / 61 / 54

HEX #04762E

RGB 4 118 46

HSL 142.11, 0.93%, 0.24%

LAB 43.03, -44.65, 31.33

 

CMYK 80 / 97 / 0 / 54

HEX #170475

RGB 23 4 117

HSL 250.09, 0.93%, 0.24%

LAB 12.94, 43.28, -57.66

 

CMYK 0 / 97 / 64 / 54

HEX #76042A

RGB 118 4 42

HSL 340, 0.93%, 0.24%

LAB 24.02, 46.02, 11.66

 

CMYK 16 / 0 / 97 / 54

HEX #637604

RGB 99 118 4

HSL 70, 0.93%, 0.24%

LAB 46.47, -20.92, 50.74

 

CMYK 97 / 0 / 32 / 54

HEX #047650

RGB 4 118 80

HSL 160, 0.93%, 0.24%

LAB 43.6, -37.98, 13.17

 

Description

Color code: HEX #170475 | qconv.com Color code: HEX #170475 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 4 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 4 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 97 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 97% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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