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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #16B478 it is the complementary color #E94B87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #16B478. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #16B478 shade: #1BB473, #2CC686, #3DD899, #4EEAAC and #5FFCBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #16B478. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #16B478 shade: #16B478, #05A265, #009052, #007E3F and #006C2C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #16B478 shade: #16B579, #16B54E, #16B523, #34B516 and #5FB516

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #16B478 shade: #16B579, #16B5A4, #169CB5, #1671B5 and #1646B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #16B478 shade matches the following richer shades: #16B579 and #05C67D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #16B478 shade: #16B579, #26A575, #379471, #47846D and #587369

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #16B478 shade: #16B523, #16B54E, #16B578, #16B5A2 and #169DB5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #16B478 shade: #0D6C48, #119060, #16B579, #1ADA91 and #38E6A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #16B478 shade: #16B478, #1633B5 and #B53816

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #16B478 shade: #16B478, #7816B5 and #B57816

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #16B478 shade: #16B478, #1633B5, #B51653 and #B59816

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #16B478 shade: #16B478, #2916B5, #B51653 and #A2B516

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 33 / 29

HEX #16B478

RGB 22 180 120

HSL 157.22, 0.78%, 0.4%

LAB 65.1, -51.95, 20.18

 

Complementary color

CMYK 0 / 68 / 42 / 9

HEX #E94B87

RGB 233 75 135

HSL 337.22, 0.78%, 0.6%

LAB 56.19, 65.05, 1.29

 

CMYK 85 / 0 / 36 / 29

HEX #1BB473

RGB 27 180 115

HSL 154.51, 0.74%, 0.41%

LAB 65.05, -52.63, 22.82

 

CMYK 78 / 0 / 32 / 22

HEX #2CC686

RGB 44 198 134

HSL 155.06, 0.64%, 0.47%

LAB 71.31, -53.72, 21.21

 

CMYK 72 / 0 / 29 / 15

HEX #3DD899

RGB 61 216 153

HSL 155.61, 0.67%, 0.54%

LAB 77.52, -54.44, 19.75

 

CMYK 67 / 0 / 26 / 8

HEX #4EEAAC

RGB 78 234 172

HSL 156.15, 0.79%, 0.61%

LAB 83.68, -54.91, 18.42

 

CMYK 62 / 0 / 24 / 1

HEX #5FFCBF

RGB 95 252 191

HSL 156.69, 0.96%, 0.68%

LAB 89.77, -55.18, 17.18

 

CMYK 88 / 0 / 33 / 29

HEX #16B478

RGB 22 180 120

HSL 157.22, 0.78%, 0.4%

LAB 65.1, -51.95, 20.18

 

CMYK 97 / 0 / 38 / 36

HEX #05A265

RGB 5 162 101

HSL 156.69, 0.94%, 0.33%

LAB 58.8, -50.24, 21.95

 

CMYK 100 / 0 / 43 / 44

HEX #009052

RGB 0 144 82

HSL 154.17, 1%, 0.28%

LAB 52.46, -47.81, 23.92

 

CMYK 100 / 0 / 50 / 51

HEX #007E3F

RGB 0 126 63

HSL 150, 1%, 0.25%

LAB 46.02, -44.97, 26

 

CMYK 100 / 0 / 59 / 58

HEX #006C2C

RGB 0 108 44

HSL 144.44, 1%, 0.21%

LAB 39.42, -41.85, 28.08

 

CMYK 88 / 0 / 33 / 29

HEX #16B579

RGB 22 181 121

HSL 157.36, 0.78%, 0.4%

LAB 65.44, -52.11, 20.1

 

CMYK 88 / 0 / 57 / 29

HEX #16B54E

RGB 22 181 78

HSL 141.13, 0.78%, 0.4%

LAB 64.78, -59.83, 41.39

 

CMYK 88 / 0 / 81 / 29

HEX #16B523

RGB 22 181 35

HSL 124.91, 0.78%, 0.4%

LAB 64.44, -64.12, 58.1

 

CMYK 71 / 0 / 88 / 29

HEX #34B516

RGB 52 181 22

HSL 108.68, 0.78%, 0.4%

LAB 64.83, -60.83, 61.86

 

CMYK 48 / 0 / 88 / 29

HEX #5FB516

RGB 95 181 22

HSL 92.45, 0.78%, 0.4%

LAB 66.17, -50.04, 63.53

 

CMYK 88 / 0 / 33 / 29

HEX #16B579

RGB 22 181 121

HSL 157.36, 0.78%, 0.4%

LAB 65.44, -52.11, 20.1

 

CMYK 88 / 0 / 9 / 29

HEX #16B5A4

RGB 22 181 164

HSL 173.58, 0.78%, 0.4%

LAB 66.44, -41.29, -2.06

 

CMYK 88 / 14 / 0 / 29

HEX #169CB5

RGB 22 156 181

HSL 189.43, 0.78%, 0.4%

LAB 59.24, -24.15, -22.39

 

CMYK 88 / 38 / 0 / 29

HEX #1671B5

RGB 22 113 181

HSL 205.66, 0.78%, 0.4%

LAB 46.07, 0.11, -42.96

 

CMYK 88 / 61 / 0 / 29

HEX #1646B5

RGB 22 70 181

HSL 221.89, 0.78%, 0.4%

LAB 33.75, 28.21, -62.84

 

CMYK 88 / 0 / 33 / 29

HEX #16B579

RGB 22 181 121

HSL 157.36, 0.78%, 0.4%

LAB 65.44, -52.11, 20.1

 

CMYK 97 / 0 / 37 / 22

HEX #05C67D

RGB 5 198 125

HSL 157.31, 0.95%, 0.4%

LAB 70.8, -58.3, 25.22

 

CMYK 88 / 0 / 33 / 29

HEX #16B579

RGB 22 181 121

HSL 157.36, 0.78%, 0.4%

LAB 65.44, -52.11, 20.1

 

CMYK 77 / 0 / 29 / 35

HEX #26A575

RGB 38 165 117

HSL 157.32, 0.63%, 0.4%

LAB 60.43, -45.19, 15.44

 

CMYK 63 / 0 / 24 / 42

HEX #379471

RGB 55 148 113

HSL 157.42, 0.46%, 0.4%

LAB 55.26, -36.09, 10.52

 

CMYK 46 / 0 / 17 / 48

HEX #47846D

RGB 71 132 109

HSL 157.38, 0.3%, 0.4%

LAB 50.62, -25.59, 6.32

 

CMYK 23 / 0 / 9 / 55

HEX #587369

RGB 88 115 105

HSL 157.78, 0.13%, 0.4%

LAB 46.12, -12.1, 2.32

 

CMYK 88 / 0 / 81 / 29

HEX #16B523

RGB 22 181 35

HSL 124.91, 0.78%, 0.4%

LAB 64.44, -64.12, 58.1

 

CMYK 88 / 0 / 57 / 29

HEX #16B54E

RGB 22 181 78

HSL 141.13, 0.78%, 0.4%

LAB 64.78, -59.83, 41.39

 

CMYK 88 / 0 / 34 / 29

HEX #16B578

RGB 22 181 120

HSL 156.98, 0.78%, 0.4%

LAB 65.42, -52.33, 20.62

 

CMYK 88 / 0 / 10 / 29

HEX #16B5A2

RGB 22 181 162

HSL 172.83, 0.78%, 0.4%

LAB 66.39, -41.85, -1.03

 

CMYK 88 / 13 / 0 / 29

HEX #169DB5

RGB 22 157 181

HSL 189.06, 0.78%, 0.4%

LAB 59.54, -24.66, -21.92

 

CMYK 88 / 0 / 33 / 58

HEX #0D6C48

RGB 13 108 72

HSL 157.26, 0.79%, 0.24%

LAB 40.05, -35.05, 13.02

 

CMYK 88 / 0 / 33 / 44

HEX #119060

RGB 17 144 96

HSL 157.32, 0.79%, 0.32%

LAB 52.85, -43.76, 16.69

 

CMYK 88 / 0 / 33 / 29

HEX #16B579

RGB 22 181 121

HSL 157.36, 0.78%, 0.4%

LAB 65.44, -52.11, 20.1

 

CMYK 88 / 0 / 33 / 15

HEX #1ADA91

RGB 26 218 145

HSL 157.19, 0.79%, 0.48%

LAB 77.52, -60.4, 23.87

 

CMYK 76 / 0 / 29 / 10

HEX #38E6A4

RGB 56 230 164

HSL 157.24, 0.78%, 0.56%

LAB 81.9, -58.13, 20.05

 

CMYK 88 / 0 / 33 / 29

HEX #16B478

RGB 22 180 120

HSL 157.22, 0.78%, 0.4%

LAB 65.1, -51.95, 20.18

 

CMYK 88 / 72 / 0 / 29

HEX #1633B5

RGB 22 51 181

HSL 229.06, 0.78%, 0.4%

LAB 29.09, 40.53, -70.49

 

CMYK 0 / 69 / 88 / 29

HEX #B53816

RGB 181 56 22

HSL 12.83, 0.78%, 0.4%

LAB 42.32, 49.02, 46.7

 

CMYK 88 / 0 / 33 / 29

HEX #16B478

RGB 22 180 120

HSL 157.22, 0.78%, 0.4%

LAB 65.1, -51.95, 20.18

 

CMYK 34 / 88 / 0 / 29

HEX #7816B5

RGB 120 22 181

HSL 276.98, 0.78%, 0.4%

LAB 33.78, 63.64, -62.46

 

CMYK 0 / 34 / 88 / 29

HEX #B57816

RGB 181 120 22

HSL 36.98, 0.78%, 0.4%

LAB 55.39, 16.49, 57.21

 

CMYK 88 / 0 / 33 / 29

HEX #16B478

RGB 22 180 120

HSL 157.22, 0.78%, 0.4%

LAB 65.1, -51.95, 20.18

 

CMYK 88 / 72 / 0 / 29

HEX #1633B5

RGB 22 51 181

HSL 229.06, 0.78%, 0.4%

LAB 29.09, 40.53, -70.49

 

CMYK 0 / 88 / 54 / 29

HEX #B51653

RGB 181 22 83

HSL 336.98, 0.78%, 0.4%

LAB 39.62, 62.08, 8.1

 

CMYK 0 / 16 / 88 / 29

HEX #B59816

RGB 181 152 22

HSL 49.06, 0.78%, 0.4%

LAB 63.62, -1.15, 63.81

 

CMYK 88 / 0 / 33 / 29

HEX #16B478

RGB 22 180 120

HSL 157.22, 0.78%, 0.4%

LAB 65.1, -51.95, 20.18

 

CMYK 77 / 88 / 0 / 29

HEX #2916B5

RGB 41 22 181

HSL 247.17, 0.78%, 0.4%

LAB 24.89, 56.11, -77.42

 

CMYK 0 / 88 / 54 / 29

HEX #B51653

RGB 181 22 83

HSL 336.98, 0.78%, 0.4%

LAB 39.62, 62.08, 8.1

 

CMYK 10 / 0 / 88 / 29

HEX #A2B516

RGB 162 181 22

HSL 67.17, 0.78%, 0.4%

LAB 70.03, -24.54, 68.32

 

Description

Color code: HEX #16B478 | qconv.com Color code: HEX #16B478 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 180 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 180 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 33 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 33% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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