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Color name
HEX #16AB16

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #16AB16 it is the complementary color #E954E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #16AB16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #16AB16 shade: #1BAB11, #2CBD24, #3DCF37, #4EE14A and #5FF35D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #16AB16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #16AB16 shade: #16AB16, #059903, #008700, #007500 and #006300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #16AB16 shade: #16AB16, #3EAB16, #66AB16, #8FAB16 and #AB9F16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #16AB16 shade: #16AB16, #16AB3E, #16AB66, #16AB8F and #169FAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #16AB16 shade matches the following richer shades: #16AB16 and #06BB06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #16AB16 shade: #16AB16, #259B25, #358C35, #457C45 and #556C55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #16AB16 shade: #65AB16, #3EAB16, #16AB16, #16AB3E and #16AB65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #16AB16 shade: #0C620C, #118611, #16AB16, #1BD01B and #30E430

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #16AB16 shade: #16AB16, #168DAB and #AB1651

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #16AB16 shade: #16AB16, #1616AB and #AB1616

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #16AB16 shade: #16AB16, #168DAB, #AB16AB and #AB3416

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #16AB16 shade: #16AB16, #1660AB, #AB16AB and #AB6016

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 87 / 33

HEX #16AB16

RGB 22 171 22

HSL 120, 0.77%, 0.38%

LAB 61.09, -61.86, 58.4

 

Complementary color

CMYK 0 / 64 / 0 / 9

HEX #E954E9

RGB 233 84 233

HSL 300, 0.77%, 0.62%

LAB 61.26, 74.55, -47.32

 

CMYK 84 / 0 / 90 / 33

HEX #1BAB11

RGB 27 171 17

HSL 116.1, 0.82%, 0.37%

LAB 61.13, -61.57, 59.47

 

CMYK 77 / 0 / 81 / 26

HEX #2CBD24

RGB 44 189 36

HSL 116.86, 0.68%, 0.44%

LAB 67.32, -63.97, 60.62

 

CMYK 71 / 0 / 73 / 19

HEX #3DCF37

RGB 61 207 55

HSL 117.63, 0.61%, 0.51%

LAB 73.48, -65.63, 60.67

 

CMYK 65 / 0 / 67 / 12

HEX #4EE14A

RGB 78 225 74

HSL 118.41, 0.72%, 0.59%

LAB 79.59, -66.75, 60.09

 

CMYK 61 / 0 / 62 / 5

HEX #5FF35D

RGB 95 243 93

HSL 119.2, 0.86%, 0.66%

LAB 85.67, -67.49, 59.17

 

CMYK 87 / 0 / 87 / 33

HEX #16AB16

RGB 22 171 22

HSL 120, 0.77%, 0.38%

LAB 61.09, -61.86, 58.4

 

CMYK 97 / 0 / 98 / 40

HEX #059903

RGB 5 153 3

HSL 119.2, 0.96%, 0.31%

LAB 54.89, -58.46, 56.37

 

CMYK 100 / 0 / 100 / 47

HEX #008700

RGB 0 135 0

HSL 120, 1%, 0.26%

LAB 48.67, -53.73, 51.86

 

CMYK 100 / 0 / 100 / 54

HEX #007500

RGB 0 117 0

HSL 120, 1%, 0.23%

LAB 42.34, -48.47, 46.78

 

CMYK 100 / 0 / 100 / 61

HEX #006300

RGB 0 99 0

HSL 120, 1%, 0.19%

LAB 35.84, -43.07, 41.57

 

CMYK 87 / 0 / 87 / 33

HEX #16AB16

RGB 22 171 22

HSL 120, 0.77%, 0.38%

LAB 61.09, -61.86, 58.4

 

CMYK 64 / 0 / 87 / 33

HEX #3EAB16

RGB 62 171 22

HSL 103.89, 0.77%, 0.38%

LAB 61.83, -55.47, 59.33

 

CMYK 40 / 0 / 87 / 33

HEX #66AB16

RGB 102 171 22

HSL 87.79, 0.77%, 0.38%

LAB 63.35, -43.71, 61.24

 

CMYK 16 / 0 / 87 / 33

HEX #8FAB16

RGB 143 171 22

HSL 71.28, 0.77%, 0.38%

LAB 65.77, -27.72, 64.25

 

CMYK 0 / 7 / 87 / 33

HEX #AB9F16

RGB 171 159 22

HSL 55.17, 0.77%, 0.38%

LAB 64.57, -9.39, 64.18

 

CMYK 87 / 0 / 87 / 33

HEX #16AB16

RGB 22 171 22

HSL 120, 0.77%, 0.38%

LAB 61.09, -61.86, 58.4

 

CMYK 87 / 0 / 64 / 33

HEX #16AB3E

RGB 22 171 62

HSL 136.11, 0.77%, 0.38%

LAB 61.35, -58.68, 44.81

 

CMYK 87 / 0 / 40 / 33

HEX #16AB66

RGB 22 171 102

HSL 152.21, 0.77%, 0.38%

LAB 61.87, -52.35, 25.53

 

CMYK 87 / 0 / 16 / 33

HEX #16AB8F

RGB 22 171 143

HSL 168.72, 0.77%, 0.38%

LAB 62.74, -42.75, 4.22

 

CMYK 87 / 7 / 0 / 33

HEX #169FAB

RGB 22 159 171

HSL 184.83, 0.77%, 0.38%

LAB 59.8, -28.95, -15.87

 

CMYK 87 / 0 / 87 / 33

HEX #16AB16

RGB 22 171 22

HSL 120, 0.77%, 0.38%

LAB 61.09, -61.86, 58.4

 

CMYK 97 / 0 / 97 / 27

HEX #06BB06

RGB 6 187 6

HSL 120, 0.94%, 0.38%

LAB 66.21, -67.86, 65.21

 

CMYK 87 / 0 / 87 / 33

HEX #16AB16

RGB 22 171 22

HSL 120, 0.77%, 0.38%

LAB 61.09, -61.86, 58.4

 

CMYK 76 / 0 / 76 / 39

HEX #259B25

RGB 37 155 37

HSL 120, 0.61%, 0.38%

LAB 56.06, -54.18, 49.41

 

CMYK 62 / 0 / 62 / 45

HEX #358C35

RGB 53 140 53

HSL 120, 0.45%, 0.38%

LAB 51.58, -44.06, 38.03

 

CMYK 44 / 0 / 44 / 51

HEX #457C45

RGB 69 124 69

HSL 120, 0.28%, 0.38%

LAB 47.12, -30.37, 24.46

 

CMYK 21 / 0 / 21 / 58

HEX #556C55

RGB 85 108 85

HSL 120, 0.12%, 0.38%

LAB 43.23, -13.51, 10.12

 

CMYK 41 / 0 / 87 / 33

HEX #65AB16

RGB 101 171 22

HSL 88.19, 0.77%, 0.38%

LAB 63.3, -44.05, 61.18

 

CMYK 64 / 0 / 87 / 33

HEX #3EAB16

RGB 62 171 22

HSL 103.89, 0.77%, 0.38%

LAB 61.83, -55.47, 59.33

 

CMYK 87 / 0 / 87 / 33

HEX #16AB16

RGB 22 171 22

HSL 120, 0.77%, 0.38%

LAB 61.09, -61.86, 58.4

 

CMYK 87 / 0 / 64 / 33

HEX #16AB3E

RGB 22 171 62

HSL 136.11, 0.77%, 0.38%

LAB 61.35, -58.68, 44.81

 

CMYK 87 / 0 / 41 / 33

HEX #16AB65

RGB 22 171 101

HSL 151.81, 0.77%, 0.38%

LAB 61.86, -52.54, 26.04

 

CMYK 88 / 0 / 88 / 62

HEX #0C620C

RGB 12 98 12

HSL 120, 0.78%, 0.22%

LAB 35.67, -40.71, 38.03

 

CMYK 87 / 0 / 87 / 47

HEX #118611

RGB 17 134 17

HSL 120, 0.77%, 0.3%

LAB 48.52, -51.43, 48.36

 

CMYK 87 / 0 / 87 / 33

HEX #16AB16

RGB 22 171 22

HSL 120, 0.77%, 0.38%

LAB 61.09, -61.86, 58.4

 

CMYK 87 / 0 / 87 / 18

HEX #1BD01B

RGB 27 208 27

HSL 120, 0.77%, 0.46%

LAB 73.17, -71.85, 67.99

 

CMYK 79 / 0 / 79 / 11

HEX #30E430

RGB 48 228 48

HSL 120, 0.77%, 0.54%

LAB 79.8, -74.42, 68.98

 

CMYK 87 / 0 / 87 / 33

HEX #16AB16

RGB 22 171 22

HSL 120, 0.77%, 0.38%

LAB 61.09, -61.86, 58.4

 

CMYK 87 / 18 / 0 / 33

HEX #168DAB

RGB 22 141 171

HSL 192.08, 0.77%, 0.38%

LAB 54.2, -19.72, -24.44

 

CMYK 0 / 87 / 53 / 33

HEX #AB1651

RGB 171 22 81

HSL 336.24, 0.77%, 0.38%

LAB 37.53, 59.39, 6.14

 

CMYK 87 / 0 / 87 / 33

HEX #16AB16

RGB 22 171 22

HSL 120, 0.77%, 0.38%

LAB 61.09, -61.86, 58.4

 

CMYK 87 / 87 / 0 / 33

HEX #1616AB

RGB 22 22 171

HSL 240, 0.77%, 0.38%

LAB 22.6, 52.45, -75.26

 

CMYK 0 / 87 / 87 / 33

HEX #AB1616

RGB 171 22 22

HSL 0, 0.77%, 0.38%

LAB 36.54, 56.51, 41.15

 

CMYK 87 / 0 / 87 / 33

HEX #16AB16

RGB 22 171 22

HSL 120, 0.77%, 0.38%

LAB 61.09, -61.86, 58.4

 

CMYK 87 / 18 / 0 / 33

HEX #168DAB

RGB 22 141 171

HSL 192.08, 0.77%, 0.38%

LAB 54.2, -19.72, -24.44

 

CMYK 0 / 87 / 0 / 33

HEX #AB16AB

RGB 171 22 171

HSL 300, 0.77%, 0.38%

LAB 41.49, 70.12, -43.63

 

CMYK 0 / 70 / 87 / 33

HEX #AB3416

RGB 171 52 22

HSL 12.08, 0.77%, 0.38%

LAB 39.87, 47.21, 43.93

 

CMYK 87 / 0 / 87 / 33

HEX #16AB16

RGB 22 171 22

HSL 120, 0.77%, 0.38%

LAB 61.09, -61.86, 58.4

 

CMYK 87 / 44 / 0 / 33

HEX #1660AB

RGB 22 96 171

HSL 210.2, 0.77%, 0.38%

LAB 40.37, 6.9, -46.19

 

CMYK 0 / 87 / 0 / 33

HEX #AB16AB

RGB 171 22 171

HSL 300, 0.77%, 0.38%

LAB 41.49, 70.12, -43.63

 

CMYK 0 / 44 / 87 / 33

HEX #AB6016

RGB 171 96 22

HSL 29.8, 0.77%, 0.38%

LAB 48.36, 25.43, 50.95

 

Description

Color code: HEX #16AB16 | qconv.com Color code: HEX #16AB16 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 171 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 171 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 87 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 87% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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