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Color name
HEX #16A86D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #16A86D it is the complementary color #E95792. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #16A86D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #16A86D shade: #1BA868, #2CBA7B, #3DCC8E, #4EDEA1 and #5FF0B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #16A86D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #16A86D shade: #16A86D, #05965A, #008447, #007234 and #006021

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #16A86D shade: #15A66C, #15A645, #15A61D, #34A615 and #5BA615

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #16A86D shade: #15A66C, #15A693, #1593A6, #156CA6 and #1544A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #16A86D shade matches the following richer shades: #15A66C and #06B66F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #16A86D shade: #15A66C, #249769, #348866, #437963 and #526960

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #16A86D shade: #15A61C, #15A643, #15A66A, #15A691 and #1596A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #16A86D shade: #0C5D3C, #108254, #15A66C, #1ACB83 and #2BE399

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #16A86D shade: #16A86D, #1535A6 and #A63015

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #16A86D shade: #16A86D, #6A15A6 and #A66A15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #16A86D shade: #16A86D, #1535A6, #A61552 and #A68715

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #16A86D shade: #16A86D, #2115A6, #A61552 and #9AA615

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 35 / 34

HEX #16A86D

RGB 22 168 109

HSL 155.75, 0.77%, 0.37%

LAB 61.03, -49.79, 20.62

 

Complementary color

CMYK 0 / 63 / 37 / 9

HEX #E95792

RGB 233 87 146

HSL 335.75, 0.77%, 0.63%

LAB 58.24, 61.44, -2.18

 

CMYK 84 / 0 / 38 / 34

HEX #1BA868

RGB 27 168 104

HSL 152.77, 0.72%, 0.38%

LAB 60.99, -50.4, 23.29

 

CMYK 76 / 0 / 34 / 27

HEX #2CBA7B

RGB 44 186 123

HSL 153.38, 0.62%, 0.45%

LAB 67.34, -51.43, 21.67

 

CMYK 70 / 0 / 30 / 20

HEX #3DCC8E

RGB 61 204 142

HSL 153.99, 0.58%, 0.52%

LAB 73.63, -52.07, 20.19

 

CMYK 65 / 0 / 27 / 13

HEX #4EDEA1

RGB 78 222 161

HSL 154.58, 0.69%, 0.59%

LAB 79.86, -52.45, 18.85

 

CMYK 60 / 0 / 25 / 6

HEX #5FF0B4

RGB 95 240 180

HSL 155.17, 0.83%, 0.66%

LAB 86.03, -52.65, 17.62

 

CMYK 87 / 0 / 35 / 34

HEX #16A86D

RGB 22 168 109

HSL 155.75, 0.77%, 0.37%

LAB 61.03, -49.79, 20.62

 

CMYK 97 / 0 / 40 / 41

HEX #05965A

RGB 5 150 90

HSL 155.17, 0.94%, 0.3%

LAB 54.64, -48.1, 22.42

 

CMYK 100 / 0 / 46 / 48

HEX #008447

RGB 0 132 71

HSL 152.27, 1%, 0.26%

LAB 48.21, -45.62, 24.43

 

CMYK 100 / 0 / 54 / 55

HEX #007234

RGB 0 114 52

HSL 147.37, 1%, 0.22%

LAB 41.66, -42.64, 26.53

 

CMYK 100 / 0 / 66 / 62

HEX #006021

RGB 0 96 33

HSL 140.63, 1%, 0.19%

LAB 34.95, -39.32, 28.54

 

CMYK 87 / 0 / 35 / 35

HEX #15A66C

RGB 21 166 108

HSL 156, 0.78%, 0.37%

LAB 60.35, -49.32, 20.24

 

CMYK 87 / 0 / 58 / 35

HEX #15A645

RGB 21 166 69

HSL 139.86, 0.78%, 0.37%

LAB 59.76, -56.25, 39.74

 

CMYK 87 / 0 / 83 / 35

HEX #15A61D

RGB 21 166 29

HSL 123.31, 0.78%, 0.37%

LAB 59.45, -60.12, 55.15

 

CMYK 69 / 0 / 87 / 35

HEX #34A615

RGB 52 166 21

HSL 107.17, 0.78%, 0.37%

LAB 59.94, -56, 57.79

 

CMYK 45 / 0 / 87 / 35

HEX #5BA615

RGB 91 166 21

HSL 91.03, 0.78%, 0.37%

LAB 61.26, -45.45, 59.46

 

CMYK 87 / 0 / 35 / 35

HEX #15A66C

RGB 21 166 108

HSL 156, 0.78%, 0.37%

LAB 60.35, -49.32, 20.24

 

CMYK 87 / 0 / 11 / 35

HEX #15A693

RGB 21 166 147

HSL 172.14, 0.78%, 0.37%

LAB 61.25, -39.55, -0.18

 

CMYK 87 / 11 / 0 / 35

HEX #1593A6

RGB 21 147 166

HSL 187.86, 0.78%, 0.37%

LAB 55.87, -24.64, -19.02

 

CMYK 87 / 35 / 0 / 35

HEX #156CA6

RGB 21 108 166

HSL 204, 0.78%, 0.37%

LAB 43.71, -2.73, -37.92

 

CMYK 87 / 59 / 0 / 35

HEX #1544A6

RGB 21 68 166

HSL 220.55, 0.78%, 0.37%

LAB 31.91, 23.54, -56.89

 

CMYK 87 / 0 / 35 / 35

HEX #15A66C

RGB 21 166 108

HSL 156, 0.78%, 0.37%

LAB 60.35, -49.32, 20.24

 

CMYK 97 / 0 / 39 / 29

HEX #06B66F

RGB 6 182 111

HSL 155.8, 0.94%, 0.37%

LAB 65.47, -55.4, 25.48

 

CMYK 87 / 0 / 35 / 35

HEX #15A66C

RGB 21 166 108

HSL 156, 0.78%, 0.37%

LAB 60.35, -49.32, 20.24

 

CMYK 76 / 0 / 30 / 41

HEX #249769

RGB 36 151 105

HSL 156, 0.61%, 0.37%

LAB 55.61, -42.47, 15.46

 

CMYK 62 / 0 / 25 / 47

HEX #348866

RGB 52 136 102

HSL 155.71, 0.45%, 0.37%

LAB 51.03, -33.87, 10.86

 

CMYK 45 / 0 / 18 / 53

HEX #437963

RGB 67 121 99

HSL 155.56, 0.29%, 0.37%

LAB 46.67, -23.52, 6.52

 

CMYK 22 / 0 / 9 / 59

HEX #526960

RGB 82 105 96

HSL 156.52, 0.12%, 0.37%

LAB 42.37, -10.61, 2.25

 

CMYK 87 / 0 / 83 / 35

HEX #15A61C

RGB 21 166 28

HSL 122.9, 0.78%, 0.37%

LAB 59.45, -60.18, 55.43

 

CMYK 87 / 0 / 60 / 35

HEX #15A643

RGB 21 166 67

HSL 139.03, 0.78%, 0.37%

LAB 59.74, -56.52, 40.67

 

CMYK 87 / 0 / 36 / 35

HEX #15A66A

RGB 21 166 106

HSL 155.17, 0.78%, 0.37%

LAB 60.31, -49.75, 21.28

 

CMYK 87 / 0 / 13 / 35

HEX #15A691

RGB 21 166 145

HSL 171.31, 0.78%, 0.37%

LAB 61.2, -40.11, 0.86

 

CMYK 87 / 10 / 0 / 35

HEX #1596A6

RGB 21 150 166

HSL 186.62, 0.78%, 0.37%

LAB 56.81, -26.17, -17.59

 

CMYK 87 / 0 / 35 / 64

HEX #0C5D3C

RGB 12 93 60

HSL 155.56, 0.77%, 0.21%

LAB 34.46, -31.66, 12.6

 

CMYK 88 / 0 / 35 / 49

HEX #108254

RGB 16 130 84

HSL 155.79, 0.78%, 0.29%

LAB 47.9, -41, 16.75

 

CMYK 87 / 0 / 35 / 35

HEX #15A66C

RGB 21 166 108

HSL 156, 0.78%, 0.37%

LAB 60.35, -49.32, 20.24

 

CMYK 87 / 0 / 35 / 20

HEX #1ACB83

RGB 26 203 131

HSL 155.59, 0.77%, 0.45%

LAB 72.61, -57.86, 24.52

 

CMYK 81 / 0 / 33 / 11

HEX #2BE399

RGB 43 227 153

HSL 155.87, 0.77%, 0.53%

LAB 80.6, -60.7, 23.94

 

CMYK 87 / 0 / 35 / 34

HEX #16A86D

RGB 22 168 109

HSL 155.75, 0.77%, 0.37%

LAB 61.03, -49.79, 20.62

 

CMYK 87 / 68 / 0 / 35

HEX #1535A6

RGB 21 53 166

HSL 226.76, 0.78%, 0.37%

LAB 28, 33.62, -63.3

 

CMYK 0 / 71 / 87 / 35

HEX #A63015

RGB 166 48 21

HSL 11.17, 0.78%, 0.37%

LAB 38.33, 47.07, 42.72

 

CMYK 87 / 0 / 35 / 34

HEX #16A86D

RGB 22 168 109

HSL 155.75, 0.77%, 0.37%

LAB 61.03, -49.79, 20.62

 

CMYK 36 / 87 / 0 / 35

HEX #6A15A6

RGB 106 21 166

HSL 275.17, 0.78%, 0.37%

LAB 30.29, 58.72, -59.27

 

CMYK 0 / 36 / 87 / 35

HEX #A66A15

RGB 166 106 21

HSL 35.17, 0.78%, 0.37%

LAB 50.06, 17.6, 52.39

 

CMYK 87 / 0 / 35 / 34

HEX #16A86D

RGB 22 168 109

HSL 155.75, 0.77%, 0.37%

LAB 61.03, -49.79, 20.62

 

CMYK 87 / 68 / 0 / 35

HEX #1535A6

RGB 21 53 166

HSL 226.76, 0.78%, 0.37%

LAB 28, 33.62, -63.3

 

CMYK 0 / 87 / 51 / 35

HEX #A61552

RGB 166 21 82

HSL 334.76, 0.78%, 0.37%

LAB 36.47, 58.39, 3.84

 

CMYK 0 / 19 / 87 / 35

HEX #A68715

RGB 166 135 21

HSL 47.17, 0.78%, 0.37%

LAB 57.55, 1.3, 58.51

 

CMYK 87 / 0 / 35 / 34

HEX #16A86D

RGB 22 168 109

HSL 155.75, 0.77%, 0.37%

LAB 61.03, -49.79, 20.62

 

CMYK 80 / 87 / 0 / 35

HEX #2115A6

RGB 33 21 166

HSL 244.97, 0.78%, 0.37%

LAB 22.35, 51.79, -72.64

 

CMYK 0 / 87 / 51 / 35

HEX #A61552

RGB 166 21 82

HSL 334.76, 0.78%, 0.37%

LAB 36.47, 58.39, 3.84

 

CMYK 7 / 0 / 87 / 35

HEX #9AA615

RGB 154 166 21

HSL 64.97, 0.78%, 0.37%

LAB 65.12, -20.57, 64.25

 

Description

Color code: HEX #16A86D | qconv.com Color code: HEX #16A86D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 168 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 168 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 35 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 35% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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