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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #16A5C4 it is the complementary color #E95A3B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #16A5C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #16A5C4 shade: #1BA5BF, #2CB7D2, #3DC9E5, #4EDBF8 and #5FEDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #16A5C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #16A5C4 shade: #16A5C4, #0593B1, #00819E, #006F8B and #005D78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #16A5C4 shade: #15A6C5, #1576C5, #1547C5, #1518C5 and #4215C5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #16A5C4 shade: #15A6C5, #1576C5, #1547C5, #1518C5 and #1515C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #16A5C4 shade matches the following richer shades: #15A6C5 and #04B1D7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #16A5C4 shade: #15A6C5, #279AB3, #398FA1, #4B8390 and #5C787E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #16A5C4 shade: #15C585, #15C5B3, #15A8C5, #1579C5 and #154AC5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #16A5C4 shade: #0D677B, #1186A0, #15A6C5, #1EC2E6 and #43CCEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #16A5C4 shade: #16A5C4, #5615C5 and #C59C15

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #16A5C4 shade: #16A5C4, #C515A8 and #A8C515

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #16A5C4 shade: #16A5C4, #5615C5, #C53315 and #85C515

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #16A5C4 shade: #16A5C4, #8A15C5, #C53315 and #50C515

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 16 / 0 / 23

HEX #16A5C4

RGB 22 165 196

HSL 190.69, 0.8%, 0.43%

LAB 62.56, -23.71, -25.71

 

Complementary color

CMYK 0 / 61 / 75 / 9

HEX #E95A3B

RGB 233 90 59

HSL 10.69, 0.8%, 0.57%

LAB 57.03, 53.73, 45.99

 

CMYK 86 / 14 / 0 / 25

HEX #1BA5BF

RGB 27 165 191

HSL 189.51, 0.75%, 0.43%

LAB 62.43, -25.07, -23.12

 

CMYK 79 / 13 / 0 / 18

HEX #2CB7D2

RGB 44 183 210

HSL 189.76, 0.65%, 0.5%

LAB 68.79, -26.55, -23.88

 

CMYK 73 / 12 / 0 / 10

HEX #3DC9E5

RGB 61 201 229

HSL 190, 0.76%, 0.57%

LAB 75.09, -27.7, -24.56

 

CMYK 69 / 12 / 0 / 3

HEX #4EDBF8

RGB 78 219 248

HSL 190.24, 0.92%, 0.64%

LAB 81.32, -28.61, -25.18

 

CMYK 63 / 7 / 0 / 0

HEX #5FEDFF

RGB 95 237 255

HSL 186.75, 1%, 0.69%

LAB 87.11, -32.74, -20.06

 

CMYK 89 / 16 / 0 / 23

HEX #16A5C4

RGB 22 165 196

HSL 190.69, 0.8%, 0.43%

LAB 62.56, -23.71, -25.71

 

CMYK 97 / 17 / 0 / 31

HEX #0593B1

RGB 5 147 177

HSL 190.47, 0.95%, 0.36%

LAB 56.16, -21.63, -24.86

 

CMYK 100 / 18 / 0 / 38

HEX #00819E

RGB 0 129 158

HSL 191.01, 1%, 0.31%

LAB 49.7, -19, -23.88

 

CMYK 100 / 20 / 0 / 45

HEX #006F8B

RGB 0 111 139

HSL 192.09, 1%, 0.27%

LAB 43.11, -16.07, -22.85

 

CMYK 100 / 23 / 0 / 53

HEX #005D78

RGB 0 93 120

HSL 193.5, 1%, 0.24%

LAB 36.34, -13.01, -21.83

 

CMYK 89 / 16 / 0 / 23

HEX #15A6C5

RGB 21 166 197

HSL 190.57, 0.81%, 0.43%

LAB 62.9, -23.94, -25.75

 

CMYK 89 / 40 / 0 / 23

HEX #1576C5

RGB 21 118 197

HSL 206.93, 0.81%, 0.43%

LAB 48.45, 3.19, -48.4

 

CMYK 89 / 64 / 0 / 23

HEX #1547C5

RGB 21 71 197

HSL 222.95, 0.81%, 0.43%

LAB 35.39, 33.69, -69.54

 

CMYK 89 / 88 / 0 / 23

HEX #1518C5

RGB 21 24 197

HSL 238.98, 0.81%, 0.43%

LAB 26.29, 59.27, -84.61

 

CMYK 66 / 89 / 0 / 23

HEX #4215C5

RGB 66 21 197

HSL 255.34, 0.81%, 0.43%

LAB 28.71, 62.18, -80.5

 

CMYK 89 / 16 / 0 / 23

HEX #15A6C5

RGB 21 166 197

HSL 190.57, 0.81%, 0.43%

LAB 62.9, -23.94, -25.75

 

CMYK 89 / 40 / 0 / 23

HEX #1576C5

RGB 21 118 197

HSL 206.93, 0.81%, 0.43%

LAB 48.45, 3.19, -48.4

 

CMYK 89 / 64 / 0 / 23

HEX #1547C5

RGB 21 71 197

HSL 222.95, 0.81%, 0.43%

LAB 35.39, 33.69, -69.54

 

CMYK 89 / 88 / 0 / 23

HEX #1518C5

RGB 21 24 197

HSL 238.98, 0.81%, 0.43%

LAB 26.29, 59.27, -84.61

 

CMYK 89 / 89 / 0 / 23

HEX #1515C5

RGB 21 21 197

HSL 240, 0.81%, 0.43%

LAB 25.94, 60.31, -85.18

 

CMYK 89 / 16 / 0 / 23

HEX #15A6C5

RGB 21 166 197

HSL 190.57, 0.81%, 0.43%

LAB 62.9, -23.94, -25.75

 

CMYK 98 / 18 / 0 / 16

HEX #04B1D7

RGB 4 177 215

HSL 190.81, 0.96%, 0.43%

LAB 66.81, -24.08, -29.71

 

CMYK 89 / 16 / 0 / 23

HEX #15A6C5

RGB 21 166 197

HSL 190.57, 0.81%, 0.43%

LAB 62.9, -23.94, -25.75

 

CMYK 78 / 14 / 0 / 30

HEX #279AB3

RGB 39 154 179

HSL 190.71, 0.64%, 0.43%

LAB 58.79, -22.36, -21.93

 

CMYK 65 / 11 / 0 / 37

HEX #398FA1

RGB 57 143 161

HSL 190.38, 0.48%, 0.43%

LAB 55.16, -19.91, -17.16

 

CMYK 48 / 9 / 0 / 44

HEX #4B8390

RGB 75 131 144

HSL 191.3, 0.32%, 0.43%

LAB 51.54, -14.76, -12.74

 

CMYK 27 / 5 / 0 / 51

HEX #5C787E

RGB 92 120 126

HSL 190.59, 0.16%, 0.43%

LAB 48.53, -8.57, -6.59

 

CMYK 89 / 0 / 32 / 23

HEX #15C585

RGB 21 197 133

HSL 158.18, 0.81%, 0.43%

LAB 70.72, -55.56, 20.9

 

CMYK 89 / 0 / 9 / 23

HEX #15C5B3

RGB 21 197 179

HSL 173.86, 0.81%, 0.43%

LAB 71.79, -44.09, -2.44

 

CMYK 89 / 15 / 0 / 23

HEX #15A8C5

RGB 21 168 197

HSL 189.89, 0.81%, 0.43%

LAB 63.5, -24.96, -24.82

 

CMYK 89 / 39 / 0 / 23

HEX #1579C5

RGB 21 121 197

HSL 205.91, 0.81%, 0.43%

LAB 49.33, 1.34, -46.99

 

CMYK 89 / 62 / 0 / 23

HEX #154AC5

RGB 21 74 197

HSL 221.93, 0.81%, 0.43%

LAB 36.15, 31.73, -68.29

 

CMYK 89 / 16 / 0 / 52

HEX #0D677B

RGB 13 103 123

HSL 190.91, 0.81%, 0.27%

LAB 39.94, -16.74, -18.09

 

CMYK 89 / 16 / 0 / 37

HEX #1186A0

RGB 17 134 160

HSL 190.91, 0.81%, 0.35%

LAB 51.5, -20.16, -22.25

 

CMYK 89 / 16 / 0 / 23

HEX #15A6C5

RGB 21 166 197

HSL 190.57, 0.81%, 0.43%

LAB 62.9, -23.94, -25.75

 

CMYK 87 / 16 / 0 / 10

HEX #1EC2E6

RGB 30 194 230

HSL 190.8, 0.8%, 0.51%

LAB 72.61, -26.62, -28.94

 

CMYK 71 / 13 / 0 / 8

HEX #43CCEA

RGB 67 204 234

HSL 190.78, 0.8%, 0.59%

LAB 76.26, -26.92, -25.45

 

CMYK 89 / 16 / 0 / 23

HEX #16A5C4

RGB 22 165 196

HSL 190.69, 0.8%, 0.43%

LAB 62.56, -23.71, -25.71

 

CMYK 56 / 89 / 0 / 23

HEX #5615C5

RGB 86 21 197

HSL 262.16, 0.81%, 0.43%

LAB 30.75, 63.7, -77.06

 

CMYK 0 / 21 / 89 / 23

HEX #C59C15

RGB 197 156 21

HSL 46.02, 0.81%, 0.43%

LAB 66.29, 3.85, 66.83

 

CMYK 89 / 16 / 0 / 23

HEX #16A5C4

RGB 22 165 196

HSL 190.69, 0.8%, 0.43%

LAB 62.56, -23.71, -25.71

 

CMYK 0 / 89 / 15 / 23

HEX #C515A8

RGB 197 21 168

HSL 309.89, 0.81%, 0.43%

LAB 45.95, 74.76, -34.47

 

CMYK 15 / 0 / 89 / 23

HEX #A8C515

RGB 168 197 21

HSL 69.89, 0.81%, 0.43%

LAB 75.02, -29.73, 72.74

 

CMYK 89 / 16 / 0 / 23

HEX #16A5C4

RGB 22 165 196

HSL 190.69, 0.8%, 0.43%

LAB 62.56, -23.71, -25.71

 

CMYK 56 / 89 / 0 / 23

HEX #5615C5

RGB 86 21 197

HSL 262.16, 0.81%, 0.43%

LAB 30.75, 63.7, -77.06

 

CMYK 0 / 74 / 89 / 23

HEX #C53315

RGB 197 51 21

HSL 10.23, 0.81%, 0.43%

LAB 44.65, 56.12, 50.22

 

CMYK 32 / 0 / 89 / 23

HEX #85C515

RGB 133 197 21

HSL 81.82, 0.81%, 0.43%

LAB 72.87, -43.5, 70.09

 

CMYK 89 / 16 / 0 / 23

HEX #16A5C4

RGB 22 165 196

HSL 190.69, 0.8%, 0.43%

LAB 62.56, -23.71, -25.71

 

CMYK 30 / 89 / 0 / 23

HEX #8A15C5

RGB 138 21 197

HSL 279.89, 0.81%, 0.43%

LAB 37.79, 69.59, -65.23

 

CMYK 0 / 74 / 89 / 23

HEX #C53315

RGB 197 51 21

HSL 10.23, 0.81%, 0.43%

LAB 44.65, 56.12, 50.22

 

CMYK 59 / 0 / 89 / 23

HEX #50C515

RGB 80 197 21

HSL 99.89, 0.81%, 0.43%

LAB 70.66, -60.11, 67.34

 

Description

Color code: HEX #16A5C4 | qconv.com Color code: HEX #16A5C4 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 165 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 165 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 16 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 16% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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