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Color name
HEX #169176

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #169176 it is the complementary color #E96E89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #169176. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #169176 shade: #1B9171, #2CA384, #3DB597, #4EC7AA and #5FD9BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #169176. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #169176 shade: #169176, #057F63, #006D50, #005B3D and #00492A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #169176 shade: #159277, #159255, #159233, #199215 and #3B9215

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #169176 shade: #159277, #158C92, #156A92, #154992 and #152792

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #169176 shade matches the following richer shades: #159277 and #08A07E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #169176 shade: #159277, #23846F, #317767, #3E6960 and #4C5B58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #169176 shade: #159232, #159254, #159275, #158E92 and #156D92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #169176 shade: #0B4A3C, #106E59, #159277, #1BB694 and #20DAB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #169176 shade: #169176, #151A92 and #924315

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #169176 shade: #169176, #751592 and #927515

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #169176 shade: #169176, #151A92, #921532 and #928E15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #169176 shade: #169176, #371592, #921532 and #719215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 19 / 43

HEX #169176

RGB 22 145 118

HSL 166.83, 0.74%, 0.33%

LAB 53.74, -38.27, 5.4

 

Complementary color

CMYK 0 / 53 / 41 / 9

HEX #E96E89

RGB 233 110 137

HSL 346.83, 0.74%, 0.67%

LAB 61.9, 50.13, 8.33

 

CMYK 81 / 0 / 22 / 43

HEX #1B9171

RGB 27 145 113

HSL 163.73, 0.69%, 0.34%

LAB 53.68, -39.1, 8.2

 

CMYK 73 / 0 / 19 / 36

HEX #2CA384

RGB 44 163 132

HSL 164.37, 0.57%, 0.41%

LAB 60.24, -39.92, 6.83

 

CMYK 66 / 0 / 17 / 29

HEX #3DB597

RGB 61 181 151

HSL 165, 0.5%, 0.47%

LAB 66.73, -40.41, 5.62

 

CMYK 61 / 0 / 15 / 22

HEX #4EC7AA

RGB 78 199 170

HSL 165.62, 0.52%, 0.54%

LAB 73.13, -40.69, 4.52

 

CMYK 56 / 0 / 13 / 15

HEX #5FD9BD

RGB 95 217 189

HSL 166.23, 0.62%, 0.61%

LAB 79.46, -40.83, 3.53

 

CMYK 85 / 0 / 19 / 43

HEX #169176

RGB 22 145 118

HSL 166.83, 0.74%, 0.33%

LAB 53.74, -38.27, 5.4

 

CMYK 96 / 0 / 22 / 50

HEX #057F63

RGB 5 127 99

HSL 166.23, 0.92%, 0.26%

LAB 47.12, -36.79, 6.95

 

CMYK 100 / 0 / 27 / 57

HEX #006D50

RGB 0 109 80

HSL 164.04, 1%, 0.21%

LAB 40.44, -34.52, 8.76

 

CMYK 100 / 0 / 33 / 64

HEX #005B3D

RGB 0 91 61

HSL 160.22, 1%, 0.18%

LAB 33.6, -31.81, 10.78

 

CMYK 100 / 0 / 42 / 71

HEX #00492A

RGB 0 73 42

HSL 154.52, 1%, 0.14%

LAB 26.54, -28.94, 12.97

 

CMYK 86 / 0 / 18 / 43

HEX #159277

RGB 21 146 119

HSL 167.04, 0.75%, 0.33%

LAB 54.08, -38.52, 5.32

 

CMYK 86 / 0 / 42 / 43

HEX #159255

RGB 21 146 85

HSL 150.72, 0.75%, 0.33%

LAB 53.36, -46.54, 23.49

 

CMYK 86 / 0 / 65 / 43

HEX #159233

RGB 21 146 51

HSL 134.4, 0.75%, 0.33%

LAB 52.9, -51.96, 40.28

 

CMYK 83 / 0 / 86 / 43

HEX #199215

RGB 25 146 21

HSL 118.08, 0.75%, 0.33%

LAB 52.75, -54.05, 51.19

 

CMYK 60 / 0 / 86 / 43

HEX #3B9215

RGB 59 146 21

HSL 101.76, 0.75%, 0.33%

LAB 53.54, -47.39, 52.19

 

CMYK 86 / 0 / 18 / 43

HEX #159277

RGB 21 146 119

HSL 167.04, 0.75%, 0.33%

LAB 54.08, -38.52, 5.32

 

CMYK 86 / 4 / 0 / 43

HEX #158C92

RGB 21 140 146

HSL 182.88, 0.75%, 0.33%

LAB 52.94, -27.7, -11.94

 

CMYK 86 / 27 / 0 / 43

HEX #156A92

RGB 21 106 146

HSL 199.2, 0.75%, 0.33%

LAB 42.07, -9.22, -28.64

 

CMYK 86 / 50 / 0 / 43

HEX #154992

RGB 21 73 146

HSL 215.04, 0.75%, 0.33%

LAB 31.81, 11.96, -44.95

 

CMYK 86 / 73 / 0 / 43

HEX #152792

RGB 21 39 146

HSL 231.36, 0.75%, 0.33%

LAB 22.6, 35.13, -59.98

 

CMYK 86 / 0 / 18 / 43

HEX #159277

RGB 21 146 119

HSL 167.04, 0.75%, 0.33%

LAB 54.08, -38.52, 5.32

 

CMYK 95 / 0 / 21 / 37

HEX #08A07E

RGB 8 160 126

HSL 166.58, 0.9%, 0.33%

LAB 58.7, -43.39, 7.93

 

CMYK 86 / 0 / 18 / 43

HEX #159277

RGB 21 146 119

HSL 167.04, 0.75%, 0.33%

LAB 54.08, -38.52, 5.32

 

CMYK 73 / 0 / 16 / 48

HEX #23846F

RGB 35 132 111

HSL 167.01, 0.58%, 0.33%

LAB 49.51, -32.82, 3.39

 

CMYK 59 / 0 / 13 / 53

HEX #317767

RGB 49 119 103

HSL 166.29, 0.42%, 0.33%

LAB 45.39, -26.16, 2.22

 

CMYK 41 / 0 / 9 / 59

HEX #3E6960

RGB 62 105 96

HSL 167.44, 0.26%, 0.33%

LAB 41.17, -17.28, 0.36

 

CMYK 16 / 0 / 3 / 64

HEX #4C5B58

RGB 76 91 88

HSL 168, 0.09%, 0.33%

LAB 37.34, -6.47, -0.22

 

CMYK 86 / 0 / 66 / 43

HEX #159232

RGB 21 146 50

HSL 133.92, 0.75%, 0.33%

LAB 52.89, -52.08, 40.72

 

CMYK 86 / 0 / 42 / 43

HEX #159254

RGB 21 146 84

HSL 150.24, 0.75%, 0.33%

LAB 53.34, -46.73, 24.01

 

CMYK 86 / 0 / 20 / 43

HEX #159275

RGB 21 146 117

HSL 166.08, 0.75%, 0.33%

LAB 54.03, -39.06, 6.39

 

CMYK 86 / 3 / 0 / 43

HEX #158E92

RGB 21 142 146

HSL 181.92, 0.75%, 0.33%

LAB 53.58, -28.69, -10.98

 

CMYK 86 / 25 / 0 / 43

HEX #156D92

RGB 21 109 146

HSL 197.76, 0.75%, 0.33%

LAB 43.02, -10.99, -27.15

 

CMYK 85 / 0 / 19 / 71

HEX #0B4A3C

RGB 11 74 60

HSL 166.67, 0.74%, 0.17%

LAB 27.56, -22.97, 2.92

 

CMYK 85 / 0 / 19 / 57

HEX #106E59

RGB 16 110 89

HSL 166.6, 0.75%, 0.25%

LAB 41.19, -31.17, 4.44

 

CMYK 86 / 0 / 18 / 43

HEX #159277

RGB 21 146 119

HSL 167.04, 0.75%, 0.33%

LAB 54.08, -38.52, 5.32

 

CMYK 85 / 0 / 19 / 29

HEX #1BB694

RGB 27 182 148

HSL 166.84, 0.74%, 0.41%

LAB 66.39, -45.7, 6.7

 

CMYK 85 / 0 / 19 / 15

HEX #20DAB1

RGB 32 218 177

HSL 166.77, 0.74%, 0.49%

LAB 78.24, -52.67, 8.01

 

CMYK 85 / 0 / 19 / 43

HEX #169176

RGB 22 145 118

HSL 166.83, 0.74%, 0.33%

LAB 53.74, -38.27, 5.4

 

CMYK 86 / 82 / 0 / 43

HEX #151A92

RGB 21 26 146

HSL 237.6, 0.75%, 0.33%

LAB 19.94, 42.7, -64.4

 

CMYK 0 / 54 / 86 / 43

HEX #924315

RGB 146 67 21

HSL 22.08, 0.75%, 0.33%

LAB 38.16, 30.58, 41.18

 

CMYK 85 / 0 / 19 / 43

HEX #169176

RGB 22 145 118

HSL 166.83, 0.74%, 0.33%

LAB 53.74, -38.27, 5.4

 

CMYK 20 / 86 / 0 / 43

HEX #751592

RGB 117 21 146

HSL 286.08, 0.75%, 0.33%

LAB 30.38, 56.3, -46.84

 

CMYK 0 / 20 / 86 / 43

HEX #927515

RGB 146 117 21

HSL 46.08, 0.75%, 0.33%

LAB 50.56, 2.11, 51.85

 

CMYK 85 / 0 / 19 / 43

HEX #169176

RGB 22 145 118

HSL 166.83, 0.74%, 0.33%

LAB 53.74, -38.27, 5.4

 

CMYK 86 / 82 / 0 / 43

HEX #151A92

RGB 21 26 146

HSL 237.6, 0.75%, 0.33%

LAB 19.94, 42.7, -64.4

 

CMYK 0 / 86 / 66 / 43

HEX #921532

RGB 146 21 50

HSL 346.08, 0.75%, 0.33%

LAB 31.53, 50.75, 17.3

 

CMYK 0 / 3 / 86 / 43

HEX #928E15

RGB 146 142 21

HSL 58.08, 0.75%, 0.33%

LAB 57.57, -11.7, 57.74

 

CMYK 85 / 0 / 19 / 43

HEX #169176

RGB 22 145 118

HSL 166.83, 0.74%, 0.33%

LAB 53.74, -38.27, 5.4

 

CMYK 62 / 86 / 0 / 43

HEX #371592

RGB 55 21 146

HSL 256.32, 0.75%, 0.33%

LAB 21.67, 47.54, -61.45

 

CMYK 0 / 86 / 66 / 43

HEX #921532

RGB 146 21 50

HSL 346.08, 0.75%, 0.33%

LAB 31.53, 50.75, 17.3

 

CMYK 23 / 0 / 86 / 43

HEX #719215

RGB 113 146 21

HSL 75.84, 0.75%, 0.33%

LAB 56.21, -28.31, 55.57

 

Description

Color code: HEX #169176 | qconv.com Color code: HEX #169176 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 145 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 145 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 19 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 19% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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