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Color name
HEX #166482

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #166482 it is the complementary color #E99B7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #166482. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #166482 shade: #1B647D, #2C7690, #3D88A3, #4E9AB6 and #5FACC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #166482. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #166482 shade: #166482, #05526F, #00405C, #002E49 and #001C36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #166482 shade: #166482, #164782, #162A82, #1F1682 and #3C1682

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #166482 shade: #166482, #164782, #162A82 and #161682

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #166482 shade matches the following richer shades: #166482 and #096A8F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #166482 shade: #166482, #225F76, #2E596A, #3B545D and #474E51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #166482 shade: #168265, #168282, #166582, #164882 and #162B82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #166482 shade: #0A2E3C, #10495F, #166482, #1C7FA6 and #229AC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #166482 shade: #166482, #481682 and #827416

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #166482 shade: #166482, #821665 and #658216

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #166482 shade: #166482, #481682, #823316 and #508216

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #166482 shade: #166482, #691682, #823316 and #2F8216

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 23 / 0 / 49

HEX #166482

RGB 22 100 130

HSL 196.67, 0.71%, 0.3%

LAB 39.41, -11.62, -23.15

 

Complementary color

CMYK 0 / 33 / 46 / 9

HEX #E99B7D

RGB 233 155 125

HSL 16.67, 0.71%, 0.7%

LAB 71.04, 25.82, 27.65

 

CMYK 78 / 20 / 0 / 51

HEX #1B647D

RGB 27 100 125

HSL 195.31, 0.64%, 0.3%

LAB 39.29, -12.89, -20.29

 

CMYK 69 / 18 / 0 / 44

HEX #2C7690

RGB 44 118 144

HSL 195.6, 0.53%, 0.37%

LAB 46.32, -14, -20.81

 

CMYK 63 / 17 / 0 / 36

HEX #3D88A3

RGB 61 136 163

HSL 195.88, 0.46%, 0.44%

LAB 53.22, -14.77, -21.27

 

CMYK 57 / 15 / 0 / 29

HEX #4E9AB6

RGB 78 154 182

HSL 196.15, 0.42%, 0.51%

LAB 59.99, -15.31, -21.69

 

CMYK 53 / 14 / 0 / 21

HEX #5FACC9

RGB 95 172 201

HSL 196.42, 0.5%, 0.58%

LAB 66.64, -15.71, -22.08

 

CMYK 83 / 23 / 0 / 49

HEX #166482

RGB 22 100 130

HSL 196.67, 0.71%, 0.3%

LAB 39.41, -11.62, -23.15

 

CMYK 95 / 26 / 0 / 56

HEX #05526F

RGB 5 82 111

HSL 196.42, 0.91%, 0.23%

LAB 32.29, -9.63, -22.54

 

CMYK 100 / 30 / 0 / 64

HEX #00405C

RGB 0 64 92

HSL 198.26, 1%, 0.18%

LAB 25.07, -6.6, -21.72

 

CMYK 100 / 37 / 0 / 71

HEX #002E49

RGB 0 46 73

HSL 202.19, 1%, 0.14%

LAB 17.62, -2.87, -20.83

 

CMYK 100 / 48 / 0 / 79

HEX #001C36

RGB 0 28 54

HSL 208.89, 1%, 0.11%

LAB 9.77, 1.35, -20.02

 

CMYK 83 / 23 / 0 / 49

HEX #166482

RGB 22 100 130

HSL 196.67, 0.71%, 0.3%

LAB 39.41, -11.62, -23.15

 

CMYK 83 / 45 / 0 / 49

HEX #164782

RGB 22 71 130

HSL 212.78, 0.71%, 0.3%

LAB 30.13, 6.82, -37.8

 

CMYK 83 / 68 / 0 / 49

HEX #162A82

RGB 22 42 130

HSL 228.89, 0.71%, 0.3%

LAB 21.72, 27.08, -51.45

 

CMYK 76 / 83 / 0 / 49

HEX #1F1682

RGB 31 22 130

HSL 245, 0.71%, 0.3%

LAB 17.81, 40.1, -57.87

 

CMYK 54 / 83 / 0 / 49

HEX #3C1682

RGB 60 22 130

HSL 261.11, 0.71%, 0.3%

LAB 20.62, 43.21, -53.15

 

CMYK 83 / 23 / 0 / 49

HEX #166482

RGB 22 100 130

HSL 196.67, 0.71%, 0.3%

LAB 39.41, -11.62, -23.15

 

CMYK 83 / 45 / 0 / 49

HEX #164782

RGB 22 71 130

HSL 212.78, 0.71%, 0.3%

LAB 30.13, 6.82, -37.8

 

CMYK 83 / 68 / 0 / 49

HEX #162A82

RGB 22 42 130

HSL 228.89, 0.71%, 0.3%

LAB 21.72, 27.08, -51.45

 

CMYK 83 / 83 / 0 / 49

HEX #161682

RGB 22 22 130

HSL 240, 0.71%, 0.3%

LAB 17.25, 39.49, -58.82

 

CMYK 83 / 23 / 0 / 49

HEX #166482

RGB 22 100 130

HSL 196.67, 0.71%, 0.3%

LAB 39.41, -11.62, -23.15

 

CMYK 94 / 26 / 0 / 44

HEX #096A8F

RGB 9 106 143

HSL 196.57, 0.88%, 0.3%

LAB 41.77, -11.19, -27.33

 

CMYK 83 / 23 / 0 / 49

HEX #166482

RGB 22 100 130

HSL 196.67, 0.71%, 0.3%

LAB 39.41, -11.62, -23.15

 

CMYK 71 / 19 / 0 / 54

HEX #225F76

RGB 34 95 118

HSL 196.43, 0.55%, 0.3%

LAB 37.54, -11.45, -18.69

 

CMYK 57 / 16 / 0 / 58

HEX #2E596A

RGB 46 89 106

HSL 197, 0.39%, 0.3%

LAB 35.53, -9.57, -14.32

 

CMYK 37 / 10 / 0 / 64

HEX #3B545D

RGB 59 84 93

HSL 195.88, 0.22%, 0.3%

LAB 34.11, -6.91, -8.27

 

CMYK 12 / 4 / 0 / 68

HEX #474E51

RGB 71 78 81

HSL 198, 0.07%, 0.3%

LAB 32.66, -2.1, -2.74

 

CMYK 83 / 0 / 22 / 49

HEX #168265

RGB 22 130 101

HSL 163.89, 0.71%, 0.3%

LAB 48.35, -36.25, 7.56

 

CMYK 83 / 0 / 0 / 49

HEX #168282

RGB 22 130 130

HSL 180, 0.71%, 0.3%

LAB 49.19, -27.79, -8.24

 

CMYK 83 / 22 / 0 / 49

HEX #166582

RGB 22 101 130

HSL 196.11, 0.71%, 0.3%

LAB 39.73, -12.21, -22.65

 

CMYK 83 / 45 / 0 / 49

HEX #164882

RGB 22 72 130

HSL 212.22, 0.71%, 0.3%

LAB 30.44, 6.14, -37.3

 

CMYK 83 / 67 / 0 / 49

HEX #162B82

RGB 22 43 130

HSL 228.33, 0.71%, 0.3%

LAB 21.98, 26.39, -51.02

 

CMYK 83 / 23 / 0 / 76

HEX #0A2E3C

RGB 10 46 60

HSL 196.8, 0.71%, 0.14%

LAB 17.2, -6.99, -12.55

 

CMYK 83 / 23 / 0 / 63

HEX #10495F

RGB 16 73 95

HSL 196.71, 0.71%, 0.22%

LAB 28.65, -9.42, -18.06

 

CMYK 83 / 23 / 0 / 49

HEX #166482

RGB 22 100 130

HSL 196.67, 0.71%, 0.3%

LAB 39.41, -11.62, -23.15

 

CMYK 83 / 23 / 0 / 35

HEX #1C7FA6

RGB 28 127 166

HSL 196.96, 0.71%, 0.38%

LAB 49.71, -13.33, -28.49

 

CMYK 83 / 23 / 0 / 21

HEX #229AC9

RGB 34 154 201

HSL 196.89, 0.71%, 0.46%

LAB 59.59, -15.33, -33.1

 

CMYK 83 / 23 / 0 / 49

HEX #166482

RGB 22 100 130

HSL 196.67, 0.71%, 0.3%

LAB 39.41, -11.62, -23.15

 

CMYK 45 / 83 / 0 / 49

HEX #481682

RGB 72 22 130

HSL 267.78, 0.71%, 0.3%

LAB 22.17, 44.94, -50.54

 

CMYK 0 / 11 / 83 / 49

HEX #827416

RGB 130 116 22

HSL 52.22, 0.71%, 0.3%

LAB 48.63, -4.84, 49.23

 

CMYK 83 / 23 / 0 / 49

HEX #166482

RGB 22 100 130

HSL 196.67, 0.71%, 0.3%

LAB 39.41, -11.62, -23.15

 

CMYK 0 / 83 / 22 / 49

HEX #821665

RGB 130 22 101

HSL 316.11, 0.71%, 0.3%

LAB 30.06, 51.2, -18.81

 

CMYK 22 / 0 / 83 / 49

HEX #658216

RGB 101 130 22

HSL 76.11, 0.71%, 0.3%

LAB 50.44, -25.54, 49.92

 

CMYK 83 / 23 / 0 / 49

HEX #166482

RGB 22 100 130

HSL 196.67, 0.71%, 0.3%

LAB 39.41, -11.62, -23.15

 

CMYK 45 / 83 / 0 / 49

HEX #481682

RGB 72 22 130

HSL 267.78, 0.71%, 0.3%

LAB 22.17, 44.94, -50.54

 

CMYK 0 / 61 / 83 / 49

HEX #823316

RGB 130 51 22

HSL 16.11, 0.71%, 0.3%

LAB 32.19, 32.44, 34.23

 

CMYK 38 / 0 / 83 / 49

HEX #508216

RGB 80 130 22

HSL 87.78, 0.71%, 0.3%

LAB 49.17, -34.05, 48.29

 

CMYK 83 / 23 / 0 / 49

HEX #166482

RGB 22 100 130

HSL 196.67, 0.71%, 0.3%

LAB 39.41, -11.62, -23.15

 

CMYK 19 / 83 / 0 / 49

HEX #691682

RGB 105 22 130

HSL 286.11, 0.71%, 0.3%

LAB 27.27, 50.66, -42.02

 

CMYK 0 / 61 / 83 / 49

HEX #823316

RGB 130 51 22

HSL 16.11, 0.71%, 0.3%

LAB 32.19, 32.44, 34.23

 

CMYK 64 / 0 / 83 / 49

HEX #2F8216

RGB 47 130 22

HSL 106.11, 0.71%, 0.3%

LAB 47.79, -44.55, 46.52

 

Description

Color code: HEX #166482 | qconv.com Color code: HEX #166482 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 100 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 100 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 23 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 23% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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