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Color name
HEX #163C98

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #163C98 it is the complementary color #E9C367. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #163C98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #163C98 shade: #1B3C93, #2C4EA6, #3D60B9, #4E72CC and #5F84DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #163C98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #163C98 shade: #163C98, #052A85, #001872, #00065F and #00004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #163C98 shade: #153B97, #151897, #351597, #581597 and #7B1597

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #163C98 shade: #153B97, #151897 and #151597

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #163C98 shade matches the following richer shades: #153B97 and #0735A5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #163C98 shade: #153B97, #234189, #31477B, #3F4D6D and #4D525F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #163C98 shade: #158297, #155F97, #153C97, #151A97 and #341597

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #163C98 shade: #0B1F4F, #102D73, #153B97, #1A49BB and #2058DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #163C98 shade: #163C98, #8A1597 and #709715

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #163C98 shade: #163C98, #97153C and #3C9715

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #163C98 shade: #163C98, #8A1597, #977015 and #229715

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #163C98 shade: #163C98, #97157D, #977015 and #15972F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 61 / 0 / 40

HEX #163C98

RGB 22 60 152

HSL 222.46, 0.75%, 0.34%

LAB 28.56, 23.46, -53.88

 

Complementary color

CMYK 0 / 16 / 56 / 9

HEX #E9C367

RGB 233 195 103

HSL 42.46, 0.75%, 0.66%

LAB 80.37, 2.71, 50.65

 

CMYK 82 / 59 / 0 / 42

HEX #1B3C93

RGB 27 60 147

HSL 223.5, 0.69%, 0.34%

LAB 28.3, 21.9, -51.24

 

CMYK 73 / 53 / 0 / 35

HEX #2C4EA6

RGB 44 78 166

HSL 223.28, 0.58%, 0.41%

LAB 35.47, 19.15, -51.07

 

CMYK 67 / 48 / 0 / 27

HEX #3D60B9

RGB 61 96 185

HSL 223.06, 0.5%, 0.48%

LAB 42.55, 17, -50.84

 

CMYK 62 / 44 / 0 / 20

HEX #4E72CC

RGB 78 114 204

HSL 222.86, 0.55%, 0.55%

LAB 49.51, 15.3, -50.6

 

CMYK 57 / 41 / 0 / 13

HEX #5F84DF

RGB 95 132 223

HSL 222.66, 0.67%, 0.62%

LAB 56.35, 13.92, -50.39

 

CMYK 86 / 61 / 0 / 40

HEX #163C98

RGB 22 60 152

HSL 222.46, 0.75%, 0.34%

LAB 28.56, 23.46, -53.88

 

CMYK 96 / 68 / 0 / 48

HEX #052A85

RGB 5 42 133

HSL 222.66, 0.93%, 0.27%

LAB 21.51, 27.2, -53.69

 

CMYK 100 / 79 / 0 / 55

HEX #001872

RGB 0 24 114

HSL 227.37, 1%, 0.22%

LAB 14.78, 31.49, -52.7

 

CMYK 100 / 94 / 0 / 63

HEX #00065F

RGB 0 6 95

HSL 236.21, 1%, 0.19%

LAB 8.62, 34.85, -50.41

 

CMYK 100 / 100 / 0 / 70

HEX #00004C

RGB 0 0 76

HSL 240, 1%, 0.15%

LAB 4.71, 30.43, -43.91

 

CMYK 86 / 61 / 0 / 41

HEX #153B97

RGB 21 59 151

HSL 222.46, 0.76%, 0.34%

LAB 28.17, 23.67, -53.91

 

CMYK 86 / 84 / 0 / 41

HEX #151897

RGB 21 24 151

HSL 238.62, 0.76%, 0.34%

LAB 20.23, 45.34, -67

 

CMYK 65 / 86 / 0 / 41

HEX #351597

RGB 53 21 151

HSL 254.77, 0.76%, 0.34%

LAB 22.04, 48.77, -63.93

 

CMYK 42 / 86 / 0 / 41

HEX #581597

RGB 88 21 151

HSL 270.92, 0.76%, 0.34%

LAB 26.29, 52.8, -56.78

 

CMYK 19 / 86 / 0 / 41

HEX #7B1597

RGB 123 21 151

HSL 287.08, 0.76%, 0.34%

LAB 31.77, 58.32, -47.62

 

CMYK 86 / 61 / 0 / 41

HEX #153B97

RGB 21 59 151

HSL 222.46, 0.76%, 0.34%

LAB 28.17, 23.67, -53.91

 

CMYK 86 / 84 / 0 / 41

HEX #151897

RGB 21 24 151

HSL 238.62, 0.76%, 0.34%

LAB 20.23, 45.34, -67

 

CMYK 86 / 86 / 0 / 41

HEX #151597

RGB 21 21 151

HSL 240, 0.76%, 0.34%

LAB 19.76, 46.73, -67.78

 

CMYK 86 / 61 / 0 / 41

HEX #153B97

RGB 21 59 151

HSL 222.46, 0.76%, 0.34%

LAB 28.17, 23.67, -53.91

 

CMYK 96 / 68 / 0 / 35

HEX #0735A5

RGB 7 53 165

HSL 222.53, 0.92%, 0.34%

LAB 27.59, 32.6, -63.38

 

CMYK 86 / 61 / 0 / 41

HEX #153B97

RGB 21 59 151

HSL 222.46, 0.76%, 0.34%

LAB 28.17, 23.67, -53.91

 

CMYK 74 / 53 / 0 / 46

HEX #234189

RGB 35 65 137

HSL 222.35, 0.59%, 0.34%

LAB 29.27, 15.43, -43.49

 

CMYK 60 / 42 / 0 / 52

HEX #31477B

RGB 49 71 123

HSL 222.16, 0.43%, 0.34%

LAB 30.85, 8.57, -32.22

 

CMYK 42 / 29 / 0 / 57

HEX #3F4D6D

RGB 63 77 109

HSL 221.74, 0.27%, 0.34%

LAB 32.85, 3.55, -20.24

 

CMYK 19 / 14 / 0 / 63

HEX #4D525F

RGB 77 82 95

HSL 223.33, 0.1%, 0.34%

LAB 34.88, 1.11, -8.23

 

CMYK 86 / 14 / 0 / 41

HEX #158297

RGB 21 130 151

HSL 189.69, 0.76%, 0.34%

LAB 49.93, -20.89, -19.43

 

CMYK 86 / 37 / 0 / 41

HEX #155F97

RGB 21 95 151

HSL 205.85, 0.76%, 0.34%

LAB 38.86, -0.53, -36.69

 

CMYK 86 / 60 / 0 / 41

HEX #153C97

RGB 21 60 151

HSL 222, 0.76%, 0.34%

LAB 28.45, 22.98, -53.46

 

CMYK 86 / 83 / 0 / 41

HEX #151A97

RGB 21 26 151

HSL 237.69, 0.76%, 0.34%

LAB 20.57, 44.35, -66.44

 

CMYK 66 / 86 / 0 / 41

HEX #341597

RGB 52 21 151

HSL 254.31, 0.76%, 0.34%

LAB 21.95, 48.68, -64.09

 

CMYK 86 / 61 / 0 / 69

HEX #0B1F4F

RGB 11 31 79

HSL 222.35, 0.76%, 0.18%

LAB 13.33, 12.54, -31.79

 

CMYK 86 / 61 / 0 / 55

HEX #102D73

RGB 16 45 115

HSL 222.42, 0.76%, 0.26%

LAB 20.92, 18.27, -43.22

 

CMYK 86 / 61 / 0 / 41

HEX #153B97

RGB 21 59 151

HSL 222.46, 0.76%, 0.34%

LAB 28.17, 23.67, -53.91

 

CMYK 86 / 61 / 0 / 27

HEX #1A49BB

RGB 26 73 187

HSL 222.48, 0.76%, 0.42%

LAB 35.15, 28.81, -64.08

 

CMYK 86 / 61 / 0 / 13

HEX #2058DF

RGB 32 88 223

HSL 222.41, 0.75%, 0.5%

LAB 42.18, 33.17, -73.4

 

CMYK 86 / 61 / 0 / 40

HEX #163C98

RGB 22 60 152

HSL 222.46, 0.75%, 0.34%

LAB 28.56, 23.46, -53.88

 

CMYK 9 / 86 / 0 / 41

HEX #8A1597

RGB 138 21 151

HSL 294, 0.76%, 0.34%

LAB 34.34, 61, -43.34

 

CMYK 26 / 0 / 86 / 41

HEX #709715

RGB 112 151 21

HSL 78, 0.76%, 0.34%

LAB 57.69, -31.1, 56.82

 

CMYK 86 / 61 / 0 / 40

HEX #163C98

RGB 22 60 152

HSL 222.46, 0.75%, 0.34%

LAB 28.56, 23.46, -53.88

 

CMYK 0 / 86 / 60 / 41

HEX #97153C

RGB 151 21 60

HSL 342, 0.76%, 0.34%

LAB 32.79, 52.78, 12.59

 

CMYK 60 / 0 / 86 / 41

HEX #3C9715

RGB 60 151 21

HSL 102, 0.76%, 0.34%

LAB 55.22, -48.96, 53.71

 

CMYK 86 / 61 / 0 / 40

HEX #163C98

RGB 22 60 152

HSL 222.46, 0.75%, 0.34%

LAB 28.56, 23.46, -53.88

 

CMYK 9 / 86 / 0 / 41

HEX #8A1597

RGB 138 21 151

HSL 294, 0.76%, 0.34%

LAB 34.34, 61, -43.34

 

CMYK 0 / 26 / 86 / 41

HEX #977015

RGB 151 112 21

HSL 42, 0.76%, 0.34%

LAB 49.76, 7.3, 51.4

 

CMYK 77 / 0 / 86 / 41

HEX #229715

RGB 34 151 21

HSL 114, 0.76%, 0.34%

LAB 54.58, -54.37, 52.89

 

CMYK 86 / 61 / 0 / 40

HEX #163C98

RGB 22 60 152

HSL 222.46, 0.75%, 0.34%

LAB 28.56, 23.46, -53.88

 

CMYK 0 / 86 / 17 / 41

HEX #97157D

RGB 151 21 125

HSL 312, 0.76%, 0.34%

LAB 35.2, 59.56, -25.76

 

CMYK 0 / 26 / 86 / 41

HEX #977015

RGB 151 112 21

HSL 42, 0.76%, 0.34%

LAB 49.76, 7.3, 51.4

 

CMYK 86 / 0 / 69 / 41

HEX #15972F

RGB 21 151 47

HSL 132, 0.76%, 0.34%

LAB 54.55, -54.04, 43.86

 

Description

Color code: HEX #163C98 | qconv.com Color code: HEX #163C98 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 60 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 60 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 61 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 61% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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