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Color name
HEX #15F2F1

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #15F2F1 it is the complementary color #EA0D0E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #15F2F1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #15F2F1 shade: #1AF2EC, #2BFFFF, #3CFFFF, #4DFFFF and #5EFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #15F2F1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #15F2F1 shade: #15F2F1, #04E0DE, #00CECB, #00BCB8 and #00AAA5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #15F2F1 shade: #17F1F0, #17F1B5, #17F17B, #17F140 and #29F117

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #15F2F1 shade: #17F1F0, #17B7F1, #177DF1, #1742F1 and #1717F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #15F2F1 shade matches the following richer shades: #17F1F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #15F2F1 shade: #17F1F0, #2BDDDC, #3FC9C9, #53B6B5 and #66A2A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #15F2F1 shade: #17F179, #17F1B3, #17F1ED, #17BBF1 and #1780F1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #15F2F1 shade: #0AACAB, #0CD3D2, #17F1F0, #3EF3F2 and #65F6F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #15F2F1 shade: #15F2F1, #3F17F1 and #F19617

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #15F2F1 shade: #15F2F1, #ED17F1 and #F1ED17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #15F2F1 shade: #15F2F1, #3F17F1, #F1171B and #C9F117

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #15F2F1 shade: #15F2F1, #8017F1, #F1171B and #88F117

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 0 / 5

HEX #15F2F1

RGB 21 242 241

HSL 179.73, 0.89%, 0.52%

LAB 87, -45.98, -12.98

 

Complementary color

CMYK 0 / 94 / 94 / 8

HEX #EA0D0E

RGB 234 13 14

HSL 359.73, 0.89%, 0.48%

LAB 49.27, 74.15, 59.29

 

CMYK 89 / 0 / 2 / 5

HEX #1AF2EC

RGB 26 242 236

HSL 178.33, 0.89%, 0.53%

LAB 86.89, -47.21, -10.53

 

CMYK 83 / 0 / 0 / 0

HEX #2BFFFF

RGB 43 255 255

HSL 180, 1%, 0.58%

LAB 91.35, -46.54, -13.77

 

CMYK 76 / 0 / 0 / 0

HEX #3CFFFF

RGB 60 255 255

HSL 180, 1%, 0.62%

LAB 91.55, -45.23, -13.44

 

CMYK 70 / 0 / 0 / 0

HEX #4DFFFF

RGB 77 255 255

HSL 180, 1%, 0.65%

LAB 91.83, -43.45, -13

 

CMYK 63 / 0 / 0 / 0

HEX #5EFFFF

RGB 94 255 255

HSL 180, 1%, 0.68%

LAB 92.18, -41.18, -12.43

 

CMYK 91 / 0 / 0 / 5

HEX #15F2F1

RGB 21 242 241

HSL 179.73, 0.89%, 0.52%

LAB 87, -45.98, -12.98

 

CMYK 98 / 0 / 1 / 12

HEX #04E0DE

RGB 4 224 222

HSL 179.45, 0.96%, 0.45%

LAB 81.08, -44.08, -11.82

 

CMYK 100 / 0 / 1 / 19

HEX #00CECB

RGB 0 206 203

HSL 179.13, 1%, 0.4%

LAB 75.11, -41.83, -10.55

 

CMYK 100 / 0 / 2 / 26

HEX #00BCB8

RGB 0 188 184

HSL 178.72, 1%, 0.37%

LAB 69.06, -39.44, -9.23

 

CMYK 100 / 0 / 3 / 33

HEX #00AAA5

RGB 0 170 165

HSL 178.24, 1%, 0.33%

LAB 62.9, -37.02, -7.87

 

CMYK 90 / 0 / 0 / 5

HEX #17F1F0

RGB 23 241 240

HSL 179.72, 0.89%, 0.52%

LAB 86.69, -45.76, -12.92

 

CMYK 90 / 0 / 25 / 5

HEX #17F1B5

RGB 23 241 181

HSL 163.49, 0.89%, 0.52%

LAB 85.21, -61.11, 15.79

 

CMYK 90 / 0 / 49 / 5

HEX #17F17B

RGB 23 241 123

HSL 147.52, 0.89%, 0.52%

LAB 84.24, -72.37, 43.66

 

CMYK 90 / 0 / 73 / 5

HEX #17F140

RGB 23 241 64

HSL 131.28, 0.89%, 0.52%

LAB 83.69, -79.2, 67.72

 

CMYK 83 / 0 / 90 / 5

HEX #29F117

RGB 41 241 23

HSL 115.05, 0.89%, 0.52%

LAB 83.68, -79.91, 77.75

 

CMYK 90 / 0 / 0 / 5

HEX #17F1F0

RGB 23 241 240

HSL 179.72, 0.89%, 0.52%

LAB 86.69, -45.76, -12.92

 

CMYK 90 / 24 / 0 / 5

HEX #17B7F1

RGB 23 183 241

HSL 195.96, 0.89%, 0.52%

LAB 69.75, -17.62, -39.34

 

CMYK 90 / 48 / 0 / 5

HEX #177DF1

RGB 23 125 241

HSL 211.93, 0.89%, 0.52%

LAB 53.17, 15.97, -65.67

 

CMYK 90 / 73 / 0 / 5

HEX #1742F1

RGB 23 66 241

HSL 228.17, 0.89%, 0.52%

LAB 38.6, 52.72, -89.49

 

CMYK 90 / 90 / 0 / 5

HEX #1717F1

RGB 23 23 241

HSL 240, 0.89%, 0.52%

LAB 32.14, 71.65, -100.24

 

CMYK 90 / 0 / 0 / 5

HEX #17F1F0

RGB 23 241 240

HSL 179.72, 0.89%, 0.52%

LAB 86.69, -45.76, -12.92

 

CMYK 90 / 0 / 0 / 5

HEX #17F1F0

RGB 23 241 240

HSL 179.72, 0.89%, 0.52%

LAB 86.69, -45.76, -12.92

 

CMYK 81 / 0 / 0 / 13

HEX #2BDDDC

RGB 43 221 220

HSL 179.66, 0.72%, 0.52%

LAB 80.4, -41.54, -11.74

 

CMYK 69 / 0 / 0 / 21

HEX #3FC9C9

RGB 63 201 201

HSL 180, 0.56%, 0.52%

LAB 74.22, -35.76, -10.73

 

CMYK 54 / 0 / 1 / 29

HEX #53B6B5

RGB 83 182 181

HSL 179.39, 0.4%, 0.52%

LAB 68.48, -28.96, -8.29

 

CMYK 37 / 0 / 0 / 36

HEX #66A2A2

RGB 102 162 162

HSL 180, 0.24%, 0.52%

LAB 62.74, -19.37, -6.17

 

CMYK 90 / 0 / 50 / 5

HEX #17F179

RGB 23 241 121

HSL 146.97, 0.89%, 0.52%

LAB 84.21, -72.68, 44.58

 

CMYK 90 / 0 / 26 / 5

HEX #17F1B3

RGB 23 241 179

HSL 162.94, 0.89%, 0.52%

LAB 85.17, -61.57, 16.77

 

CMYK 90 / 0 / 2 / 5

HEX #17F1ED

RGB 23 241 237

HSL 178.9, 0.89%, 0.52%

LAB 86.61, -46.62, -11.48

 

CMYK 90 / 22 / 0 / 5

HEX #17BBF1

RGB 23 187 241

HSL 194.86, 0.89%, 0.52%

LAB 70.92, -19.72, -37.52

 

CMYK 90 / 47 / 0 / 5

HEX #1780F1

RGB 23 128 241

HSL 211.1, 0.89%, 0.52%

LAB 54, 14.1, -64.33

 

CMYK 94 / 0 / 1 / 33

HEX #0AACAB

RGB 10 172 171

HSL 179.63, 0.89%, 0.36%

LAB 63.76, -35.75, -9.93

 

CMYK 94 / 0 / 0 / 17

HEX #0CD3D2

RGB 12 211 210

HSL 179.7, 0.89%, 0.44%

LAB 76.87, -41.66, -11.69

 

CMYK 90 / 0 / 0 / 5

HEX #17F1F0

RGB 23 241 240

HSL 179.72, 0.89%, 0.52%

LAB 86.69, -45.76, -12.92

 

CMYK 74 / 0 / 0 / 5

HEX #3EF3F2

RGB 62 243 242

HSL 179.67, 0.88%, 0.6%

LAB 87.74, -43.38, -12.36

 

CMYK 59 / 0 / 0 / 4

HEX #65F6F5

RGB 101 246 245

HSL 179.59, 0.89%, 0.68%

LAB 89.52, -38.67, -11.19

 

CMYK 91 / 0 / 0 / 5

HEX #15F2F1

RGB 21 242 241

HSL 179.73, 0.89%, 0.52%

LAB 87, -45.98, -12.98

 

CMYK 74 / 90 / 0 / 5

HEX #3F17F1

RGB 63 23 241

HSL 251.01, 0.89%, 0.52%

LAB 34.03, 72.74, -97.04

 

CMYK 0 / 38 / 90 / 5

HEX #F19617

RGB 241 150 23

HSL 34.95, 0.89%, 0.52%

LAB 69.88, 26.17, 71.34

 

CMYK 91 / 0 / 0 / 5

HEX #15F2F1

RGB 21 242 241

HSL 179.73, 0.89%, 0.52%

LAB 87, -45.98, -12.98

 

CMYK 2 / 90 / 0 / 5

HEX #ED17F1

RGB 237 23 241

HSL 298.9, 0.89%, 0.52%

LAB 57.04, 91.74, -58.46

 

CMYK 0 / 2 / 90 / 5

HEX #F1ED17

RGB 241 237 23

HSL 58.9, 0.89%, 0.52%

LAB 91.38, -18.51, 87.67

 

CMYK 91 / 0 / 0 / 5

HEX #15F2F1

RGB 21 242 241

HSL 179.73, 0.89%, 0.52%

LAB 87, -45.98, -12.98

 

CMYK 74 / 90 / 0 / 5

HEX #3F17F1

RGB 63 23 241

HSL 251.01, 0.89%, 0.52%

LAB 34.03, 72.74, -97.04

 

CMYK 0 / 90 / 89 / 5

HEX #F1171B

RGB 241 23 27

HSL 358.9, 0.89%, 0.52%

LAB 51.14, 74.95, 56.44

 

CMYK 17 / 0 / 90 / 5

HEX #C9F117

RGB 201 241 23

HSL 71.01, 0.89%, 0.52%

LAB 89.58, -36.66, 85.01

 

CMYK 91 / 0 / 0 / 5

HEX #15F2F1

RGB 21 242 241

HSL 179.73, 0.89%, 0.52%

LAB 87, -45.98, -12.98

 

CMYK 47 / 90 / 0 / 5

HEX #8017F1

RGB 128 23 241

HSL 268.9, 0.89%, 0.52%

LAB 40.5, 77.21, -86.11

 

CMYK 0 / 90 / 89 / 5

HEX #F1171B

RGB 241 23 27

HSL 358.9, 0.89%, 0.52%

LAB 51.14, 74.95, 56.44

 

CMYK 44 / 0 / 90 / 5

HEX #88F117

RGB 136 241 23

HSL 88.9, 0.89%, 0.52%

LAB 86.11, -60.01, 80.77

 

Description

Color code: HEX #15F2F1 | qconv.com Color code: HEX #15F2F1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 242 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 242 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 0% 5% C M Y K

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Provide designers and agencies with accurate color values.

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