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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #15F97F it is the complementary color #EA0680. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #15F97F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #15F97F shade: #1AF97A, #2BFF8D, #3CFFA0, #4DFFB3 and #5EFFC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #15F97F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #15F97F shade: #15F97F, #04E76C, #00D559, #00C346 and #00B133

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #15F97F shade: #15F97F, #15F941, #26F915, #63F915 and #A1F915

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #15F97F shade: #15F97F, #15F9BC, #15F8F9, #15BAF9 and #157DF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #15F97F shade matches the following richer shades: #15F97F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #15F97F shade: #15F97F, #28E580, #3CD281, #4FBE83 and #62AB84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #15F97F shade: #28F915, #15F93F, #15F97B, #15F9B8 and #15F9F5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #15F97F shade: #04B757, #05DF6A, #15F97F, #3DFA95 and #65FBAB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #15F97F shade: #15F97F, #1564F9 and #F92015

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #15F97F shade: #15F97F, #7B15F9 and #F97B15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #15F97F shade: #15F97F, #1564F9, #F91592 and #F9A915

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #15F97F shade: #15F97F, #1520F9, #F91592 and #F9ED15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 49 / 2

HEX #15F97F

RGB 21 249 127

HSL 147.89, 0.95%, 0.53%

LAB 86.72, -74.38, 44.86

 

Complementary color

CMYK 0 / 97 / 45 / 8

HEX #EA0680

RGB 234 6 128

HSL 327.89, 0.95%, 0.47%

LAB 50.9, 79.64, -2.24

 

CMYK 90 / 0 / 51 / 2

HEX #1AF97A

RGB 26 249 122

HSL 145.83, 0.95%, 0.54%

LAB 86.69, -74.89, 47.18

 

CMYK 83 / 0 / 45 / 0

HEX #2BFF8D

RGB 43 255 141

HSL 147.74, 1%, 0.58%

LAB 88.9, -72.65, 40.94

 

CMYK 76 / 0 / 37 / 0

HEX #3CFFA0

RGB 60 255 160

HSL 150.77, 1%, 0.62%

LAB 89.4, -67.62, 32.29

 

CMYK 70 / 0 / 30 / 0

HEX #4DFFB3

RGB 77 255 179

HSL 154.38, 1%, 0.65%

LAB 90.02, -61.73, 23.6

 

CMYK 63 / 0 / 22 / 0

HEX #5EFFC6

RGB 94 255 198

HSL 158.76, 1%, 0.68%

LAB 90.77, -55.06, 14.98

 

CMYK 92 / 0 / 49 / 2

HEX #15F97F

RGB 21 249 127

HSL 147.89, 0.95%, 0.53%

LAB 86.72, -74.38, 44.86

 

CMYK 98 / 0 / 53 / 9

HEX #04E76C

RGB 4 231 108

HSL 147.49, 0.97%, 0.46%

LAB 80.88, -72.2, 46.6

 

CMYK 100 / 0 / 58 / 16

HEX #00D559

RGB 0 213 89

HSL 145.07, 1%, 0.42%

LAB 75.02, -69.44, 48.34

 

CMYK 100 / 0 / 64 / 24

HEX #00C346

RGB 0 195 70

HSL 141.54, 1%, 0.38%

LAB 69.09, -66.34, 49.96

 

CMYK 100 / 0 / 71 / 31

HEX #00B133

RGB 0 177 51

HSL 137.29, 1%, 0.35%

LAB 63.08, -62.96, 51.25

 

CMYK 92 / 0 / 49 / 2

HEX #15F97F

RGB 21 249 127

HSL 147.89, 0.95%, 0.53%

LAB 86.72, -74.38, 44.86

 

CMYK 92 / 0 / 74 / 2

HEX #15F941

RGB 21 249 65

HSL 131.58, 0.95%, 0.53%

LAB 86.15, -81.46, 69.86

 

CMYK 85 / 0 / 92 / 2

HEX #26F915

RGB 38 249 21

HSL 115.53, 0.95%, 0.53%

LAB 86.12, -82.42, 80.06

 

CMYK 60 / 0 / 92 / 2

HEX #63F915

RGB 99 249 21

HSL 99.47, 0.95%, 0.53%

LAB 87.22, -72.88, 81.43

 

CMYK 35 / 0 / 92 / 2

HEX #A1F915

RGB 161 249 21

HSL 83.16, 0.95%, 0.53%

LAB 89.57, -54.93, 84.32

 

CMYK 92 / 0 / 49 / 2

HEX #15F97F

RGB 21 249 127

HSL 147.89, 0.95%, 0.53%

LAB 86.72, -74.38, 44.86

 

CMYK 92 / 0 / 24 / 2

HEX #15F9BC

RGB 21 249 188

HSL 163.95, 0.95%, 0.53%

LAB 87.75, -62.57, 15.73

 

CMYK 92 / 0 / 0 / 2

HEX #15F8F9

RGB 21 248 249

HSL 180.26, 0.95%, 0.53%

LAB 88.99, -46.29, -14.2

 

CMYK 92 / 25 / 0 / 2

HEX #15BAF9

RGB 21 186 249

HSL 196.58, 0.95%, 0.53%

LAB 70.95, -16.52, -41.8

 

CMYK 92 / 50 / 0 / 2

HEX #157DF9

RGB 21 125 249

HSL 212.63, 0.95%, 0.53%

LAB 53.67, 18.95, -69.3

 

CMYK 92 / 0 / 49 / 2

HEX #15F97F

RGB 21 249 127

HSL 147.89, 0.95%, 0.53%

LAB 86.72, -74.38, 44.86

 

CMYK 92 / 0 / 49 / 2

HEX #15F97F

RGB 21 249 127

HSL 147.89, 0.95%, 0.53%

LAB 86.72, -74.38, 44.86

 

CMYK 83 / 0 / 44 / 10

HEX #28E580

RGB 40 229 128

HSL 147.94, 0.78%, 0.53%

LAB 80.77, -66.42, 36.84

 

CMYK 71 / 0 / 39 / 18

HEX #3CD281

RGB 60 210 129

HSL 147.6, 0.63%, 0.53%

LAB 75.23, -57.1, 29.15

 

CMYK 58 / 0 / 31 / 25

HEX #4FBE83

RGB 79 190 131

HSL 148.11, 0.46%, 0.53%

LAB 69.56, -45.33, 20.54

 

CMYK 43 / 0 / 23 / 33

HEX #62AB84

RGB 98 171 132

HSL 147.95, 0.3%, 0.53%

LAB 64.47, -31.88, 13.06

 

CMYK 84 / 0 / 92 / 2

HEX #28F915

RGB 40 249 21

HSL 115, 0.95%, 0.53%

LAB 86.13, -82.24, 80.08

 

CMYK 92 / 0 / 75 / 2

HEX #15F93F

RGB 21 249 63

HSL 131.05, 0.95%, 0.53%

LAB 86.14, -81.6, 70.5

 

CMYK 92 / 0 / 51 / 2

HEX #15F97B

RGB 21 249 123

HSL 146.84, 0.95%, 0.53%

LAB 86.67, -74.99, 46.69

 

CMYK 92 / 0 / 26 / 2

HEX #15F9B8

RGB 21 249 184

HSL 162.89, 0.95%, 0.53%

LAB 87.67, -63.48, 17.67

 

CMYK 92 / 0 / 2 / 2

HEX #15F9F5

RGB 21 249 245

HSL 178.95, 0.95%, 0.53%

LAB 89.16, -47.86, -11.85

 

CMYK 98 / 0 / 52 / 28

HEX #04B757

RGB 4 183 87

HSL 147.82, 0.96%, 0.37%

LAB 65.42, -60.13, 37.77

 

CMYK 98 / 0 / 52 / 13

HEX #05DF6A

RGB 5 223 106

HSL 147.8, 0.96%, 0.45%

LAB 78.37, -69.97, 44.47

 

CMYK 92 / 0 / 49 / 2

HEX #15F97F

RGB 21 249 127

HSL 147.89, 0.95%, 0.53%

LAB 86.72, -74.38, 44.86

 

CMYK 76 / 0 / 40 / 2

HEX #3DFA95

RGB 61 250 149

HSL 147.94, 0.95%, 0.61%

LAB 87.74, -67.74, 35.57

 

CMYK 60 / 0 / 32 / 2

HEX #65FBAB

RGB 101 251 171

HSL 148, 0.95%, 0.69%

LAB 89.25, -57.69, 26.7

 

CMYK 92 / 0 / 49 / 2

HEX #15F97F

RGB 21 249 127

HSL 147.89, 0.95%, 0.53%

LAB 86.72, -74.38, 44.86

 

CMYK 92 / 60 / 0 / 2

HEX #1564F9

RGB 21 100 249

HSL 219.21, 0.95%, 0.53%

LAB 47.12, 34.75, -79.95

 

CMYK 0 / 87 / 92 / 2

HEX #F92015

RGB 249 32 21

HSL 2.89, 0.95%, 0.53%

LAB 53.2, 75.55, 60.89

 

CMYK 92 / 0 / 49 / 2

HEX #15F97F

RGB 21 249 127

HSL 147.89, 0.95%, 0.53%

LAB 86.72, -74.38, 44.86

 

CMYK 51 / 92 / 0 / 2

HEX #7B15F9

RGB 123 21 249

HSL 266.84, 0.95%, 0.53%

LAB 40.55, 78.87, -90.55

 

CMYK 0 / 51 / 92 / 2

HEX #F97B15

RGB 249 123 21

HSL 26.84, 0.95%, 0.53%

LAB 65.25, 43.17, 68.93

 

CMYK 92 / 0 / 49 / 2

HEX #15F97F

RGB 21 249 127

HSL 147.89, 0.95%, 0.53%

LAB 86.72, -74.38, 44.86

 

CMYK 92 / 60 / 0 / 2

HEX #1564F9

RGB 21 100 249

HSL 219.21, 0.95%, 0.53%

LAB 47.12, 34.75, -79.95

 

CMYK 0 / 92 / 41 / 2

HEX #F91592

RGB 249 21 146

HSL 327.11, 0.95%, 0.53%

LAB 54.82, 83.08, -6.94

 

CMYK 0 / 32 / 92 / 2

HEX #F9A915

RGB 249 169 21

HSL 38.95, 0.95%, 0.53%

LAB 75.18, 19.52, 76.07

 

CMYK 92 / 0 / 49 / 2

HEX #15F97F

RGB 21 249 127

HSL 147.89, 0.95%, 0.53%

LAB 86.72, -74.38, 44.86

 

CMYK 92 / 87 / 0 / 2

HEX #1520F9

RGB 21 32 249

HSL 237.11, 0.95%, 0.53%

LAB 34.05, 71, -101.56

 

CMYK 0 / 92 / 41 / 2

HEX #F91592

RGB 249 21 146

HSL 327.11, 0.95%, 0.53%

LAB 54.82, 83.08, -6.94

 

CMYK 0 / 5 / 92 / 2

HEX #F9ED15

RGB 249 237 21

HSL 56.84, 0.95%, 0.53%

LAB 92.03, -15.2, 88.7

 

Description

Color code: HEX #15F97F | qconv.com Color code: HEX #15F97F | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 249 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 249 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 49 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 49% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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