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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #15E83B it is the complementary color #EA17C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #15E83B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #15E83B shade: #1AE836, #2BFA49, #3CFF5C, #4DFF6F and #5EFF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #15E83B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #15E83B shade: #15E83B, #04D628, #00C415, #00B202 and #00A000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #15E83B shade: #15E93B, #28E915, #61E915, #9AE915 and #D3E915

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #15E83B shade: #15E93B, #15E974, #15E9AD, #15E9E7 and #15B2E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #15E83B shade matches the following richer shades: #15E93B and #01FD2E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #15E83B shade: #15E93B, #2AD449, #3EC056, #53AB63 and #689670

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #15E83B shade: #63E915, #2AE915, #15E938, #15E971 and #15E9A9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #15E83B shade: #0E9D28, #12C332, #15E93B, #3BEC5B and #61F07A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #15E83B shade: #15E83B, #159BE9 and #E91547

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #15E83B shade: #15E83B, #3815E9 and #E93815

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #15E83B shade: #15E83B, #159BE9, #E915C6 and #E96315

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #15E83B shade: #15E83B, #155CE9, #E915C6 and #E9A215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 75 / 9

HEX #15E83B

RGB 21 232 59

HSL 130.81, 0.83%, 0.5%

LAB 80.84, -77.17, 66.53

 

Complementary color

CMYK 0 / 90 / 16 / 8

HEX #EA17C4

RGB 234 23 196

HSL 310.81, 0.83%, 0.5%

LAB 54.12, 85.13, -37.56

 

CMYK 89 / 0 / 77 / 9

HEX #1AE836

RGB 26 232 54

HSL 128.16, 0.82%, 0.51%

LAB 80.85, -77.22, 68.13

 

CMYK 83 / 0 / 71 / 2

HEX #2BFA49

RGB 43 250 73

HSL 128.7, 0.95%, 0.57%

LAB 86.68, -79.56, 67.74

 

CMYK 76 / 0 / 64 / 0

HEX #3CFF5C

RGB 60 255 92

HSL 129.85, 1%, 0.62%

LAB 88.57, -77.43, 62.61

 

CMYK 70 / 0 / 56 / 0

HEX #4DFF6F

RGB 77 255 111

HSL 131.46, 1%, 0.65%

LAB 89.04, -72.85, 55.18

 

CMYK 63 / 0 / 49 / 0

HEX #5EFF82

RGB 94 255 130

HSL 133.42, 1%, 0.68%

LAB 89.63, -67.34, 47.3

 

CMYK 91 / 0 / 75 / 9

HEX #15E83B

RGB 21 232 59

HSL 130.81, 0.83%, 0.5%

LAB 80.84, -77.17, 66.53

 

CMYK 98 / 0 / 81 / 16

HEX #04D628

RGB 4 214 40

HSL 130.29, 0.96%, 0.43%

LAB 75, -74.1, 66.55

 

CMYK 100 / 0 / 89 / 23

HEX #00C415

RGB 0 196 21

HSL 126.43, 1%, 0.38%

LAB 69.14, -70.19, 65.56

 

CMYK 100 / 0 / 99 / 30

HEX #00B202

RGB 0 178 2

HSL 120.67, 1%, 0.35%

LAB 63.21, -65.76, 63.26

 

CMYK 100 / 0 / 100 / 37

HEX #00A000

RGB 0 160 0

HSL 120, 1%, 0.31%

LAB 57.21, -60.83, 58.71

 

CMYK 91 / 0 / 75 / 9

HEX #15E93B

RGB 21 233 59

HSL 130.75, 0.83%, 0.5%

LAB 81.16, -77.45, 66.84

 

CMYK 83 / 0 / 91 / 9

HEX #28E915

RGB 40 233 21

HSL 114.62, 0.83%, 0.5%

LAB 81.17, -77.85, 75.92

 

CMYK 58 / 0 / 91 / 9

HEX #61E915

RGB 97 233 21

HSL 98.49, 0.83%, 0.5%

LAB 82.31, -68.11, 77.33

 

CMYK 34 / 0 / 91 / 9

HEX #9AE915

RGB 154 233 21

HSL 82.36, 0.83%, 0.5%

LAB 84.59, -50.92, 80.14

 

CMYK 9 / 0 / 91 / 9

HEX #D3E915

RGB 211 233 21

HSL 66.23, 0.83%, 0.5%

LAB 88.06, -29, 84.37

 

CMYK 91 / 0 / 75 / 9

HEX #15E93B

RGB 21 233 59

HSL 130.75, 0.83%, 0.5%

LAB 81.16, -77.45, 66.84

 

CMYK 91 / 0 / 50 / 9

HEX #15E974

RGB 21 233 116

HSL 146.89, 0.83%, 0.5%

LAB 81.67, -71.01, 43.8

 

CMYK 91 / 0 / 26 / 9

HEX #15E9AD

RGB 21 233 173

HSL 163.02, 0.83%, 0.5%

LAB 82.62, -60.04, 16.31

 

CMYK 91 / 0 / 1 / 9

HEX #15E9E7

RGB 21 233 231

HSL 179.43, 0.83%, 0.5%

LAB 84.07, -44.94, -12.11

 

CMYK 91 / 24 / 0 / 9

HEX #15B2E9

RGB 21 178 233

HSL 195.57, 0.83%, 0.5%

LAB 67.93, -17.84, -37.82

 

CMYK 91 / 0 / 75 / 9

HEX #15E93B

RGB 21 233 59

HSL 130.75, 0.83%, 0.5%

LAB 81.16, -77.45, 66.84

 

CMYK 100 / 0 / 82 / 1

HEX #01FD2E

RGB 1 253 46

HSL 130.71, 0.99%, 0.5%

LAB 87.22, -84.39, 76.29

 

CMYK 91 / 0 / 75 / 9

HEX #15E93B

RGB 21 233 59

HSL 130.75, 0.83%, 0.5%

LAB 81.16, -77.45, 66.84

 

CMYK 80 / 0 / 66 / 17

HEX #2AD449

RGB 42 212 73

HSL 130.94, 0.67%, 0.5%

LAB 74.86, -68.32, 55.18

 

CMYK 68 / 0 / 55 / 25

HEX #3EC056

RGB 62 192 86

HSL 131.08, 0.51%, 0.5%

LAB 69.04, -57.16, 42.82

 

CMYK 51 / 0 / 42 / 33

HEX #53AB63

RGB 83 171 99

HSL 130.91, 0.35%, 0.5%

LAB 63.23, -42.24, 29.16

 

CMYK 31 / 0 / 25 / 41

HEX #689670

RGB 104 150 112

HSL 130.43, 0.18%, 0.5%

LAB 57.97, -23.72, 15.17

 

CMYK 58 / 0 / 91 / 9

HEX #63E915

RGB 99 233 21

HSL 97.92, 0.83%, 0.5%

LAB 82.37, -67.62, 77.41

 

CMYK 82 / 0 / 91 / 9

HEX #2AE915

RGB 42 233 21

HSL 114.06, 0.83%, 0.5%

LAB 81.19, -77.65, 75.95

 

CMYK 91 / 0 / 76 / 9

HEX #15E938

RGB 21 233 56

HSL 129.91, 0.83%, 0.5%

LAB 81.14, -77.66, 67.79

 

CMYK 91 / 0 / 52 / 9

HEX #15E971

RGB 21 233 113

HSL 146.04, 0.83%, 0.5%

LAB 81.64, -71.46, 45.18

 

CMYK 91 / 0 / 27 / 9

HEX #15E9A9

RGB 21 233 169

HSL 161.89, 0.83%, 0.5%

LAB 82.54, -60.95, 18.28

 

CMYK 91 / 0 / 75 / 38

HEX #0E9D28

RGB 14 157 40

HSL 130.91, 0.84%, 0.34%

LAB 56.45, -57.18, 48.61

 

CMYK 91 / 0 / 74 / 24

HEX #12C332

RGB 18 195 50

HSL 130.85, 0.83%, 0.42%

LAB 69.03, -67.45, 57.75

 

CMYK 91 / 0 / 75 / 9

HEX #15E93B

RGB 21 233 59

HSL 130.75, 0.83%, 0.5%

LAB 81.16, -77.45, 66.84

 

CMYK 75 / 0 / 61 / 7

HEX #3BEC5B

RGB 59 236 91

HSL 130.85, 0.82%, 0.58%

LAB 82.74, -71.76, 56.5

 

CMYK 60 / 0 / 49 / 6

HEX #61F07A

RGB 97 240 122

HSL 130.49, 0.83%, 0.66%

LAB 85.13, -62.47, 45.52

 

CMYK 91 / 0 / 75 / 9

HEX #15E83B

RGB 21 232 59

HSL 130.81, 0.83%, 0.5%

LAB 80.84, -77.17, 66.53

 

CMYK 91 / 33 / 0 / 9

HEX #159BE9

RGB 21 155 233

HSL 202.08, 0.83%, 0.5%

LAB 61.21, -5.17, -48.38

 

CMYK 0 / 91 / 70 / 9

HEX #E91547

RGB 233 21 71

HSL 345.85, 0.83%, 0.5%

LAB 49.88, 74.47, 31.05

 

CMYK 91 / 0 / 75 / 9

HEX #15E83B

RGB 21 232 59

HSL 130.81, 0.83%, 0.5%

LAB 80.84, -77.17, 66.53

 

CMYK 76 / 91 / 0 / 9

HEX #3815E9

RGB 56 21 233

HSL 249.91, 0.83%, 0.5%

LAB 32.39, 70.94, -95.23

 

CMYK 0 / 76 / 91 / 9

HEX #E93815

RGB 233 56 21

HSL 9.91, 0.83%, 0.5%

LAB 52.07, 65.5, 58.63

 

CMYK 91 / 0 / 75 / 9

HEX #15E83B

RGB 21 232 59

HSL 130.81, 0.83%, 0.5%

LAB 80.84, -77.17, 66.53

 

CMYK 91 / 33 / 0 / 9

HEX #159BE9

RGB 21 155 233

HSL 202.08, 0.83%, 0.5%

LAB 61.21, -5.17, -48.38

 

CMYK 0 / 91 / 15 / 9

HEX #E915C6

RGB 233 21 198

HSL 309.91, 0.83%, 0.5%

LAB 53.96, 85.43, -38.99

 

CMYK 0 / 58 / 91 / 9

HEX #E96315

RGB 233 99 21

HSL 22.08, 0.83%, 0.5%

LAB 58.32, 48.64, 62.94

 

CMYK 91 / 0 / 75 / 9

HEX #15E83B

RGB 21 232 59

HSL 130.81, 0.83%, 0.5%

LAB 80.84, -77.17, 66.53

 

CMYK 91 / 61 / 0 / 9

HEX #155CE9

RGB 21 92 233

HSL 219.91, 0.83%, 0.5%

LAB 43.8, 33.82, -76.42

 

CMYK 0 / 91 / 15 / 9

HEX #E915C6

RGB 233 21 198

HSL 309.91, 0.83%, 0.5%

LAB 53.96, 85.43, -38.99

 

CMYK 0 / 30 / 91 / 9

HEX #E9A215

RGB 233 162 21

HSL 39.91, 0.83%, 0.5%

LAB 71.7, 16.4, 72.68

 

Description

Color code: HEX #15E83B | qconv.com Color code: HEX #15E83B | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 232 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 232 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 75 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 75% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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