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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #15D974 it is the complementary color #EA268B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #15D974. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #15D974 shade: #1AD96F, #2BEB82, #3CFD95, #4DFFA8 and #5EFFBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #15D974. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #15D974 shade: #15D974, #04C761, #00B54E, #00A33B and #009128

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #15D974 shade: #15DA74, #15DA3F, #20DA15, #55DA15 and #8ADA15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #15D974 shade: #15DA74, #15DAA9, #15D5DA, #15A0DA and #156BDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #15D974 shade matches the following richer shades: #15DA74 and #02ED74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #15D974 shade: #15DA74, #28C675, #3CB376, #4F9F76 and #638C77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #15D974 shade: #1FDA15, #15DA40, #15DA74, #15DAA8 and #15D6DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #15D974 shade: #0E8F4C, #11B460, #15DA74, #2EEA89 and #54EE9E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #15D974 shade: #15D974, #1553DA and #DA2515

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #15D974 shade: #15D974, #7415DA and #DA7415

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #15D974 shade: #15D974, #1553DA, #DA157B and #DA9B15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #15D974 shade: #15D974, #1518DA, #DA157B and #DAD615

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 47 / 15

HEX #15D974

RGB 21 217 116

HSL 149.08, 0.82%, 0.47%

LAB 76.71, -65.82, 37.56

 

Complementary color

CMYK 0 / 84 / 41 / 8

HEX #EA268B

RGB 234 38 139

HSL 329.08, 0.82%, 0.53%

LAB 52.67, 76.47, -6.26

 

CMYK 88 / 0 / 49 / 15

HEX #1AD96F

RGB 26 217 111

HSL 146.7, 0.79%, 0.48%

LAB 76.67, -66.34, 39.99

 

CMYK 82 / 0 / 45 / 8

HEX #2BEB82

RGB 43 235 130

HSL 147.19, 0.83%, 0.55%

LAB 82.67, -67.83, 38.31

 

CMYK 76 / 0 / 41 / 1

HEX #3CFD95

RGB 60 253 149

HSL 147.67, 0.98%, 0.61%

LAB 88.63, -68.9, 36.72

 

CMYK 70 / 0 / 34 / 0

HEX #4DFFA8

RGB 77 255 168

HSL 150.67, 1%, 0.65%

LAB 89.82, -63.89, 28.9

 

CMYK 63 / 0 / 27 / 0

HEX #5EFFBB

RGB 94 255 187

HSL 154.66, 1%, 0.68%

LAB 90.55, -57.39, 20.31

 

CMYK 90 / 0 / 47 / 15

HEX #15D974

RGB 21 217 116

HSL 149.08, 0.82%, 0.47%

LAB 76.71, -65.82, 37.56

 

CMYK 98 / 0 / 51 / 22

HEX #04C761

RGB 4 199 97

HSL 148.62, 0.96%, 0.4%

LAB 70.69, -63.75, 39.35

 

CMYK 100 / 0 / 57 / 29

HEX #00B54E

RGB 0 181 78

HSL 145.86, 1%, 0.35%

LAB 64.64, -61, 41.19

 

CMYK 100 / 0 / 64 / 36

HEX #00A33B

RGB 0 163 59

HSL 141.72, 1%, 0.32%

LAB 58.52, -57.86, 42.93

 

CMYK 100 / 0 / 72 / 43

HEX #009128

RGB 0 145 40

HSL 136.55, 1%, 0.28%

LAB 52.29, -54.38, 44.3

 

CMYK 90 / 0 / 47 / 15

HEX #15DA74

RGB 21 218 116

HSL 148.93, 0.82%, 0.47%

LAB 77.02, -66.15, 37.96

 

CMYK 90 / 0 / 71 / 15

HEX #15DA3F

RGB 21 218 63

HSL 132.79, 0.82%, 0.47%

LAB 76.47, -72.86, 60.71

 

CMYK 85 / 0 / 90 / 15

HEX #20DA15

RGB 32 218 21

HSL 116.65, 0.82%, 0.47%

LAB 76.38, -74.43, 71.84

 

CMYK 61 / 0 / 90 / 15

HEX #55DA15

RGB 85 218 21

HSL 100.51, 0.82%, 0.47%

LAB 77.36, -65.98, 73.06

 

CMYK 37 / 0 / 90 / 15

HEX #8ADA15

RGB 138 218 21

HSL 84.37, 0.82%, 0.47%

LAB 79.39, -50.43, 75.56

 

CMYK 90 / 0 / 47 / 15

HEX #15DA74

RGB 21 218 116

HSL 148.93, 0.82%, 0.47%

LAB 77.02, -66.15, 37.96

 

CMYK 90 / 0 / 22 / 15

HEX #15DAA9

RGB 21 218 169

HSL 165.08, 0.82%, 0.47%

LAB 77.97, -55.27, 11.86

 

CMYK 90 / 2 / 0 / 15

HEX #15D5DA

RGB 21 213 218

HSL 181.52, 0.82%, 0.47%

LAB 77.76, -39.86, -14.64

 

CMYK 90 / 27 / 0 / 15

HEX #15A0DA

RGB 21 160 218

HSL 197.66, 0.82%, 0.47%

LAB 61.97, -13.43, -38.88

 

CMYK 90 / 51 / 0 / 15

HEX #156BDA

RGB 21 107 218

HSL 213.81, 0.82%, 0.47%

LAB 46.63, 18.36, -63.32

 

CMYK 90 / 0 / 47 / 15

HEX #15DA74

RGB 21 218 116

HSL 148.93, 0.82%, 0.47%

LAB 77.02, -66.15, 37.96

 

CMYK 99 / 0 / 51 / 7

HEX #02ED74

RGB 2 237 116

HSL 149.11, 0.98%, 0.47%

LAB 82.83, -72.94, 45.22

 

CMYK 90 / 0 / 47 / 15

HEX #15DA74

RGB 21 218 116

HSL 148.93, 0.82%, 0.47%

LAB 77.02, -66.15, 37.96

 

CMYK 80 / 0 / 41 / 22

HEX #28C675

RGB 40 198 117

HSL 149.24, 0.66%, 0.47%

LAB 70.96, -57.56, 29.65

 

CMYK 66 / 0 / 34 / 30

HEX #3CB376

RGB 60 179 118

HSL 149.24, 0.5%, 0.47%

LAB 65.36, -47.23, 21.73

 

CMYK 50 / 0 / 26 / 38

HEX #4F9F76

RGB 79 159 118

HSL 149.25, 0.34%, 0.47%

LAB 59.68, -34.39, 14.01

 

CMYK 29 / 0 / 15 / 45

HEX #638C77

RGB 99 140 119

HSL 149.27, 0.17%, 0.47%

LAB 54.8, -18.84, 6.7

 

CMYK 86 / 0 / 90 / 15

HEX #1FDA15

RGB 31 218 21

HSL 116.95, 0.82%, 0.47%

LAB 76.37, -74.52, 71.82

 

CMYK 90 / 0 / 71 / 15

HEX #15DA40

RGB 21 218 64

HSL 133.1, 0.82%, 0.47%

LAB 76.48, -72.78, 60.35

 

CMYK 90 / 0 / 47 / 15

HEX #15DA74

RGB 21 218 116

HSL 148.93, 0.82%, 0.47%

LAB 77.02, -66.15, 37.96

 

CMYK 90 / 0 / 23 / 15

HEX #15DAA8

RGB 21 218 168

HSL 164.77, 0.82%, 0.47%

LAB 77.95, -55.51, 12.36

 

CMYK 90 / 2 / 0 / 15

HEX #15D6DA

RGB 21 214 218

HSL 181.22, 0.82%, 0.47%

LAB 78.06, -40.31, -14.2

 

CMYK 90 / 0 / 47 / 44

HEX #0E8F4C

RGB 14 143 76

HSL 148.84, 0.82%, 0.31%

LAB 52.13, -47.75, 26.78

 

CMYK 91 / 0 / 47 / 29

HEX #11B460

RGB 17 180 96

HSL 149.08, 0.83%, 0.39%

LAB 64.65, -57.01, 32.27

 

CMYK 90 / 0 / 47 / 15

HEX #15DA74

RGB 21 218 116

HSL 148.93, 0.82%, 0.47%

LAB 77.02, -66.15, 37.96

 

CMYK 80 / 0 / 41 / 8

HEX #2EEA89

RGB 46 234 137

HSL 149.04, 0.82%, 0.55%

LAB 82.5, -65.98, 34.63

 

CMYK 65 / 0 / 34 / 7

HEX #54EE9E

RGB 84 238 158

HSL 148.83, 0.82%, 0.63%

LAB 84.74, -58.29, 27.12

 

CMYK 90 / 0 / 47 / 15

HEX #15D974

RGB 21 217 116

HSL 149.08, 0.82%, 0.47%

LAB 76.71, -65.82, 37.56

 

CMYK 90 / 62 / 0 / 15

HEX #1553DA

RGB 21 83 218

HSL 221.12, 0.82%, 0.47%

LAB 40.26, 33.91, -73.69

 

CMYK 0 / 83 / 90 / 15

HEX #DA2515

RGB 218 37 21

HSL 4.87, 0.82%, 0.47%

LAB 47.34, 66.3, 54.03

 

CMYK 90 / 0 / 47 / 15

HEX #15D974

RGB 21 217 116

HSL 149.08, 0.82%, 0.47%

LAB 76.71, -65.82, 37.56

 

CMYK 47 / 90 / 0 / 15

HEX #7415DA

RGB 116 21 218

HSL 268.93, 0.82%, 0.47%

LAB 36.58, 71.39, -79.52

 

CMYK 0 / 47 / 90 / 15

HEX #DA7415

RGB 218 116 21

HSL 28.93, 0.82%, 0.47%

LAB 59.39, 34.43, 62.69

 

CMYK 90 / 0 / 47 / 15

HEX #15D974

RGB 21 217 116

HSL 149.08, 0.82%, 0.47%

LAB 76.71, -65.82, 37.56

 

CMYK 90 / 62 / 0 / 15

HEX #1553DA

RGB 21 83 218

HSL 221.12, 0.82%, 0.47%

LAB 40.26, 33.91, -73.69

 

CMYK 0 / 90 / 44 / 15

HEX #DA157B

RGB 218 21 123

HSL 328.93, 0.82%, 0.47%

LAB 48.1, 74.27, -3.68

 

CMYK 0 / 29 / 90 / 15

HEX #DA9B15

RGB 218 155 21

HSL 40.81, 0.82%, 0.47%

LAB 68.32, 13.65, 69.38

 

CMYK 90 / 0 / 47 / 15

HEX #15D974

RGB 21 217 116

HSL 149.08, 0.82%, 0.47%

LAB 76.71, -65.82, 37.56

 

CMYK 90 / 89 / 0 / 15

HEX #1518DA

RGB 21 24 218

HSL 239.09, 0.82%, 0.47%

LAB 29.09, 65.15, -92.16

 

CMYK 0 / 90 / 44 / 15

HEX #DA157B

RGB 218 21 123

HSL 328.93, 0.82%, 0.47%

LAB 48.1, 74.27, -3.68

 

CMYK 0 / 2 / 90 / 15

HEX #DAD615

RGB 218 214 21

HSL 58.78, 0.82%, 0.47%

LAB 83.47, -16.96, 81.02

 

Description

Color code: HEX #15D974 | qconv.com Color code: HEX #15D974 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 217 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 217 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 47 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 47% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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