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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #15D6B5 it is the complementary color #EA294A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #15D6B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #15D6B5 shade: #1AD6B0, #2BE8C3, #3CFAD6, #4DFFE9 and #5EFFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #15D6B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #15D6B5 shade: #15D6B5, #04C4A2, #00B28F, #00A07C and #008E69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #15D6B5 shade: #15D5B4, #15D580, #15D54C, #15D518 and #45D515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #15D6B5 shade: #15D5B4, #15C2D5, #158ED5, #155AD5 and #1526D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #15D6B5 shade matches the following richer shades: #15D5B4 and #02E8C1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #15D6B5 shade: #15D5B4, #28C2A8, #3BAF9B, #4E9C8F and #618982

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #15D6B5 shade: #15D54B, #15D57E, #15D5B2, #15C5D5 and #1592D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #15D6B5 shade: #0D8A75, #11AF94, #15D5B4, #29E9C9 and #4FEDD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #15D6B5 shade: #15D6B5, #1815D5 and #D56515

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #15D6B5 shade: #15D6B5, #B215D5 and #D5B215

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #15D6B5 shade: #15D6B5, #1815D5, #D51538 and #D2D515

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #15D6B5 shade: #15D6B5, #5215D5, #D51538 and #98D515

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 15 / 16

HEX #15D6B5

RGB 21 214 181

HSL 169.74, 0.82%, 0.46%

LAB 77.03, -50.67, 4.12

 

Complementary color

CMYK 0 / 82 / 68 / 8

HEX #EA294A

RGB 234 41 74

HSL 349.74, 0.82%, 0.54%

LAB 51.35, 71.33, 31.11

 

CMYK 88 / 0 / 18 / 16

HEX #1AD6B0

RGB 26 214 176

HSL 167.87, 0.78%, 0.47%

LAB 76.95, -51.69, 6.68

 

CMYK 81 / 0 / 16 / 9

HEX #2BE8C3

RGB 43 232 195

HSL 168.25, 0.8%, 0.54%

LAB 83, -52.97, 5.34

 

CMYK 76 / 0 / 14 / 2

HEX #3CFAD6

RGB 60 250 214

HSL 168.63, 0.95%, 0.61%

LAB 89.01, -53.94, 4.11

 

CMYK 70 / 0 / 9 / 0

HEX #4DFFE9

RGB 77 255 233

HSL 172.58, 1%, 0.65%

LAB 91.23, -49.27, -2.49

 

CMYK 63 / 0 / 1 / 0

HEX #5EFFFC

RGB 94 255 252

HSL 178.88, 1%, 0.68%

LAB 92.1, -41.98, -11

 

CMYK 90 / 0 / 15 / 16

HEX #15D6B5

RGB 21 214 181

HSL 169.74, 0.82%, 0.46%

LAB 77.03, -50.67, 4.12

 

CMYK 98 / 0 / 17 / 23

HEX #04C4A2

RGB 4 196 162

HSL 169.38, 0.96%, 0.39%

LAB 70.95, -48.92, 5.58

 

CMYK 100 / 0 / 20 / 30

HEX #00B28F

RGB 0 178 143

HSL 168.2, 1%, 0.35%

LAB 64.82, -46.69, 7.19

 

CMYK 100 / 0 / 23 / 37

HEX #00A07C

RGB 0 160 124

HSL 166.5, 1%, 0.31%

LAB 58.6, -44.28, 8.91

 

CMYK 100 / 0 / 26 / 44

HEX #008E69

RGB 0 142 105

HSL 164.37, 1%, 0.28%

LAB 52.25, -41.8, 10.72

 

CMYK 90 / 0 / 15 / 16

HEX #15D5B4

RGB 21 213 180

HSL 169.69, 0.82%, 0.46%

LAB 76.71, -50.52, 4.18

 

CMYK 90 / 0 / 40 / 16

HEX #15D580

RGB 21 213 128

HSL 153.44, 0.82%, 0.46%

LAB 75.64, -62.31, 30.12

 

CMYK 90 / 0 / 64 / 16

HEX #15D54C

RGB 21 213 76

HSL 137.19, 0.82%, 0.46%

LAB 74.99, -70.13, 54.02

 

CMYK 90 / 0 / 89 / 16

HEX #15D518

RGB 21 213 24

HSL 120.94, 0.82%, 0.46%

LAB 74.71, -73.78, 69.87

 

CMYK 68 / 0 / 90 / 16

HEX #45D515

RGB 69 213 21

HSL 105, 0.82%, 0.46%

LAB 75.39, -67.78, 71.24

 

CMYK 90 / 0 / 15 / 16

HEX #15D5B4

RGB 21 213 180

HSL 169.69, 0.82%, 0.46%

LAB 76.71, -50.52, 4.18

 

CMYK 90 / 9 / 0 / 16

HEX #15C2D5

RGB 21 194 213

HSL 185.94, 0.82%, 0.46%

LAB 71.92, -32.56, -20.76

 

CMYK 90 / 33 / 0 / 16

HEX #158ED5

RGB 21 142 213

HSL 202.19, 0.82%, 0.46%

LAB 56.4, -5.09, -44.85

 

CMYK 90 / 58 / 0 / 16

HEX #155AD5

RGB 21 90 213

HSL 218.44, 0.82%, 0.46%

LAB 41.65, 27.44, -68.55

 

CMYK 90 / 82 / 0 / 16

HEX #1526D5

RGB 21 38 213

HSL 234.69, 0.82%, 0.46%

LAB 30.28, 58.22, -87.3

 

CMYK 90 / 0 / 15 / 16

HEX #15D5B4

RGB 21 213 180

HSL 169.69, 0.82%, 0.46%

LAB 76.71, -50.52, 4.18

 

CMYK 99 / 0 / 17 / 9

HEX #02E8C1

RGB 2 232 193

HSL 169.83, 0.98%, 0.46%

LAB 82.69, -55.4, 5.9

 

CMYK 90 / 0 / 15 / 16

HEX #15D5B4

RGB 21 213 180

HSL 169.69, 0.82%, 0.46%

LAB 76.71, -50.52, 4.18

 

CMYK 79 / 0 / 13 / 24

HEX #28C2A8

RGB 40 194 168

HSL 169.87, 0.66%, 0.46%

LAB 70.78, -44.4, 2.1

 

CMYK 66 / 0 / 11 / 31

HEX #3BAF9B

RGB 59 175 155

HSL 169.66, 0.5%, 0.46%

LAB 64.93, -37.02, 0.79

 

CMYK 50 / 0 / 8 / 39

HEX #4E9C8F

RGB 78 156 143

HSL 170, 0.33%, 0.46%

LAB 59.32, -27.34, -0.59

 

CMYK 29 / 0 / 5 / 46

HEX #618982

RGB 97 137 130

HSL 169.5, 0.17%, 0.46%

LAB 54.07, -15.42, -0.71

 

CMYK 90 / 0 / 65 / 16

HEX #15D54B

RGB 21 213 75

HSL 136.88, 0.82%, 0.46%

LAB 74.99, -70.23, 54.43

 

CMYK 90 / 0 / 41 / 16

HEX #15D57E

RGB 21 213 126

HSL 152.81, 0.82%, 0.46%

LAB 75.61, -62.69, 31.1

 

CMYK 90 / 0 / 16 / 16

HEX #15D5B2

RGB 21 213 178

HSL 169.06, 0.82%, 0.46%

LAB 76.66, -51.04, 5.18

 

CMYK 90 / 8 / 0 / 16

HEX #15C5D5

RGB 21 197 213

HSL 185, 0.82%, 0.46%

LAB 72.82, -33.99, -19.4

 

CMYK 90 / 31 / 0 / 16

HEX #1592D5

RGB 21 146 213

HSL 200.94, 0.82%, 0.46%

LAB 57.58, -7.4, -42.98

 

CMYK 91 / 0 / 15 / 46

HEX #0D8A75

RGB 13 138 117

HSL 169.92, 0.83%, 0.3%

LAB 51.32, -36.14, 2.48

 

CMYK 90 / 0 / 15 / 31

HEX #11AF94

RGB 17 175 148

HSL 169.75, 0.82%, 0.38%

LAB 64.09, -43.41, 3.39

 

CMYK 90 / 0 / 15 / 16

HEX #15D5B4

RGB 21 213 180

HSL 169.69, 0.82%, 0.46%

LAB 76.71, -50.52, 4.18

 

CMYK 82 / 0 / 14 / 9

HEX #29E9C9

RGB 41 233 201

HSL 170, 0.81%, 0.54%

LAB 83.42, -52.01, 2.78

 

CMYK 67 / 0 / 11 / 7

HEX #4FEDD2

RGB 79 237 210

HSL 169.75, 0.81%, 0.62%

LAB 85.45, -47.16, 1.06

 

CMYK 90 / 0 / 15 / 16

HEX #15D6B5

RGB 21 214 181

HSL 169.74, 0.82%, 0.46%

LAB 77.03, -50.67, 4.12

 

CMYK 89 / 90 / 0 / 16

HEX #1815D5

RGB 24 21 213

HSL 240.94, 0.82%, 0.46%

LAB 28.21, 64.77, -90.75

 

CMYK 0 / 53 / 90 / 16

HEX #D56515

RGB 213 101 21

HSL 25, 0.82%, 0.46%

LAB 55.59, 40.08, 59.55

 

CMYK 90 / 0 / 15 / 16

HEX #15D6B5

RGB 21 214 181

HSL 169.74, 0.82%, 0.46%

LAB 77.03, -50.67, 4.12

 

CMYK 16 / 90 / 0 / 16

HEX #B215D5

RGB 178 21 213

HSL 289.06, 0.82%, 0.46%

LAB 45.37, 78.32, -61.9

 

CMYK 0 / 16 / 90 / 16

HEX #D5B215

RGB 213 178 21

HSL 49.06, 0.82%, 0.46%

LAB 73.57, -0.78, 73.17

 

CMYK 90 / 0 / 15 / 16

HEX #15D6B5

RGB 21 214 181

HSL 169.74, 0.82%, 0.46%

LAB 77.03, -50.67, 4.12

 

CMYK 89 / 90 / 0 / 16

HEX #1815D5

RGB 24 21 213

HSL 240.94, 0.82%, 0.46%

LAB 28.21, 64.77, -90.75

 

CMYK 0 / 90 / 74 / 16

HEX #D51538

RGB 213 21 56

HSL 349.06, 0.82%, 0.46%

LAB 45.59, 68.88, 33.94

 

CMYK 1 / 0 / 90 / 16

HEX #D2D515

RGB 210 213 21

HSL 60.94, 0.82%, 0.46%

LAB 82.56, -19.85, 80.04

 

CMYK 90 / 0 / 15 / 16

HEX #15D6B5

RGB 21 214 181

HSL 169.74, 0.82%, 0.46%

LAB 77.03, -50.67, 4.12

 

CMYK 62 / 90 / 0 / 16

HEX #5215D5

RGB 82 21 213

HSL 259.06, 0.82%, 0.46%

LAB 32.11, 67.31, -84.14

 

CMYK 0 / 90 / 74 / 16

HEX #D51538

RGB 213 21 56

HSL 349.06, 0.82%, 0.46%

LAB 45.59, 68.88, 33.94

 

CMYK 29 / 0 / 90 / 16

HEX #98D515

RGB 152 213 21

HSL 79.06, 0.82%, 0.46%

LAB 78.65, -43.28, 75.26

 

Description

Color code: HEX #15D6B5 | qconv.com Color code: HEX #15D6B5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 214 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 214 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 15 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 15% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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