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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #15D570 it is the complementary color #EA2A8F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #15D570. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #15D570 shade: #1AD56B, #2BE77E, #3CF991, #4DFFA4 and #5EFFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #15D570. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #15D570 shade: #15D570, #04C35D, #00B14A, #009F37 and #008D24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #15D570 shade: #15D570, #15D53C, #21D515, #55D515 and #89D515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #15D570 shade: #15D570, #15D5A4, #15D2D5, #159FD5 and #156BD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #15D570 shade matches the following richer shades: #15D570 and #02E86F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #15D570 shade: #15D570, #28C271, #3BAF72, #4E9C73 and #618974

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #15D570 shade: #21D515, #15D53B, #15D56E, #15D5A2 and #15D5D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #15D570 shade: #0D8A48, #11AF5C, #15D570, #29E984 and #4FED9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #15D570 shade: #15D570, #1555D5 and #D52115

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #15D570 shade: #15D570, #6E15D5 and #D56E15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #15D570 shade: #15D570, #1555D5, #D5157B and #D59515

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #15D570 shade: #15D570, #151BD5, #D5157B and #D5CF15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 47 / 16

HEX #15D570

RGB 21 213 112

HSL 148.44, 0.82%, 0.46%

LAB 75.4, -65.17, 37.88

 

Complementary color

CMYK 0 / 82 / 39 / 8

HEX #EA2A8F

RGB 234 42 143

HSL 328.44, 0.82%, 0.54%

LAB 53.09, 76, -8.01

 

CMYK 88 / 0 / 50 / 16

HEX #1AD56B

RGB 26 213 107

HSL 145.99, 0.78%, 0.47%

LAB 75.37, -65.66, 40.31

 

CMYK 81 / 0 / 45 / 9

HEX #2BE77E

RGB 43 231 126

HSL 146.49, 0.8%, 0.54%

LAB 81.39, -67.15, 38.63

 

CMYK 76 / 0 / 42 / 2

HEX #3CF991

RGB 60 249 145

HSL 146.98, 0.94%, 0.61%

LAB 87.37, -68.22, 37.05

 

CMYK 70 / 0 / 36 / 0

HEX #4DFFA4

RGB 77 255 164

HSL 149.33, 1%, 0.65%

LAB 89.76, -64.65, 30.81

 

CMYK 63 / 0 / 28 / 0

HEX #5EFFB7

RGB 94 255 183

HSL 153.17, 1%, 0.68%

LAB 90.47, -58.2, 22.24

 

CMYK 90 / 0 / 47 / 16

HEX #15D570

RGB 21 213 112

HSL 148.44, 0.82%, 0.46%

LAB 75.4, -65.17, 37.88

 

CMYK 98 / 0 / 52 / 24

HEX #04C35D

RGB 4 195 93

HSL 147.96, 0.96%, 0.39%

LAB 69.36, -63.09, 39.66

 

CMYK 100 / 0 / 58 / 31

HEX #00B14A

RGB 0 177 74

HSL 145.08, 1%, 0.35%

LAB 63.29, -60.29, 41.49

 

CMYK 100 / 0 / 65 / 38

HEX #009F37

RGB 0 159 55

HSL 140.75, 1%, 0.31%

LAB 57.15, -57.09, 43.18

 

CMYK 100 / 0 / 74 / 45

HEX #008D24

RGB 0 141 36

HSL 135.32, 1%, 0.28%

LAB 50.89, -53.53, 44.43

 

CMYK 90 / 0 / 47 / 16

HEX #15D570

RGB 21 213 112

HSL 148.44, 0.82%, 0.46%

LAB 75.4, -65.17, 37.88

 

CMYK 90 / 0 / 72 / 16

HEX #15D53C

RGB 21 213 60

HSL 132.19, 0.82%, 0.46%

LAB 74.87, -71.67, 60.15

 

CMYK 85 / 0 / 90 / 16

HEX #21D515

RGB 33 213 21

HSL 116.25, 0.82%, 0.46%

LAB 74.8, -72.94, 70.5

 

CMYK 60 / 0 / 90 / 16

HEX #55D515

RGB 85 213 21

HSL 100, 0.82%, 0.46%

LAB 75.81, -64.32, 71.75

 

CMYK 36 / 0 / 90 / 16

HEX #89D515

RGB 137 213 21

HSL 83.75, 0.82%, 0.46%

LAB 77.85, -48.74, 74.28

 

CMYK 90 / 0 / 47 / 16

HEX #15D570

RGB 21 213 112

HSL 148.44, 0.82%, 0.46%

LAB 75.4, -65.17, 37.88

 

CMYK 90 / 0 / 23 / 16

HEX #15D5A4

RGB 21 213 164

HSL 164.69, 0.82%, 0.46%

LAB 76.33, -54.53, 12.19

 

CMYK 90 / 1 / 0 / 16

HEX #15D2D5

RGB 21 210 213

HSL 180.94, 0.82%, 0.46%

LAB 76.71, -40, -13.53

 

CMYK 90 / 25 / 0 / 16

HEX #159FD5

RGB 21 159 213

HSL 196.88, 0.82%, 0.46%

LAB 61.45, -14.67, -36.92

 

CMYK 90 / 50 / 0 / 16

HEX #156BD5

RGB 21 107 213

HSL 213.13, 0.82%, 0.46%

LAB 46.28, 16.4, -61.03

 

CMYK 90 / 0 / 47 / 16

HEX #15D570

RGB 21 213 112

HSL 148.44, 0.82%, 0.46%

LAB 75.4, -65.17, 37.88

 

CMYK 99 / 0 / 52 / 9

HEX #02E86F

RGB 2 232 111

HSL 148.43, 0.98%, 0.46%

LAB 81.22, -72.13, 45.6

 

CMYK 90 / 0 / 47 / 16

HEX #15D570

RGB 21 213 112

HSL 148.44, 0.82%, 0.46%

LAB 75.4, -65.17, 37.88

 

CMYK 79 / 0 / 42 / 24

HEX #28C271

RGB 40 194 113

HSL 148.44, 0.66%, 0.46%

LAB 69.63, -56.86, 29.98

 

CMYK 66 / 0 / 35 / 31

HEX #3BAF72

RGB 59 175 114

HSL 148.45, 0.5%, 0.46%

LAB 64, -46.6, 22.04

 

CMYK 50 / 0 / 26 / 39

HEX #4E9C73

RGB 78 156 115

HSL 148.46, 0.33%, 0.46%

LAB 58.63, -33.91, 14.23

 

CMYK 29 / 0 / 15 / 46

HEX #618974

RGB 97 137 116

HSL 148.5, 0.17%, 0.46%

LAB 53.7, -18.57, 6.84

 

CMYK 85 / 0 / 90 / 16

HEX #21D515

RGB 33 213 21

HSL 116.25, 0.82%, 0.46%

LAB 74.8, -72.94, 70.5

 

CMYK 90 / 0 / 72 / 16

HEX #15D53B

RGB 21 213 59

HSL 131.88, 0.82%, 0.46%

LAB 74.87, -71.76, 60.5

 

CMYK 90 / 0 / 48 / 16

HEX #15D56E

RGB 21 213 110

HSL 147.81, 0.82%, 0.46%

LAB 75.37, -65.5, 38.83

 

CMYK 90 / 0 / 24 / 16

HEX #15D5A2

RGB 21 213 162

HSL 164.06, 0.82%, 0.46%

LAB 76.29, -55.01, 13.2

 

CMYK 90 / 0 / 0 / 16

HEX #15D5D5

RGB 21 213 213

HSL 180, 0.82%, 0.46%

LAB 77.61, -41.35, -12.19

 

CMYK 91 / 0 / 48 / 46

HEX #0D8A48

RGB 13 138 72

HSL 148.32, 0.83%, 0.3%

LAB 50.37, -46.74, 26.68

 

CMYK 90 / 0 / 47 / 31

HEX #11AF5C

RGB 17 175 92

HSL 148.48, 0.82%, 0.38%

LAB 62.97, -55.98, 32.19

 

CMYK 90 / 0 / 47 / 16

HEX #15D570

RGB 21 213 112

HSL 148.44, 0.82%, 0.46%

LAB 75.4, -65.17, 37.88

 

CMYK 82 / 0 / 43 / 9

HEX #29E984

RGB 41 233 132

HSL 148.44, 0.81%, 0.54%

LAB 82.06, -66.99, 36.54

 

CMYK 67 / 0 / 35 / 7

HEX #4FED9A

RGB 79 237 154

HSL 148.48, 0.81%, 0.62%

LAB 84.26, -59.52, 28.48

 

CMYK 90 / 0 / 47 / 16

HEX #15D570

RGB 21 213 112

HSL 148.44, 0.82%, 0.46%

LAB 75.4, -65.17, 37.88

 

CMYK 90 / 60 / 0 / 16

HEX #1555D5

RGB 21 85 213

HSL 220, 0.82%, 0.46%

LAB 40.35, 30.7, -70.68

 

CMYK 0 / 85 / 90 / 16

HEX #D52115

RGB 213 33 21

HSL 3.75, 0.82%, 0.46%

LAB 46.03, 65.81, 52.65

 

CMYK 90 / 0 / 47 / 16

HEX #15D570

RGB 21 213 112

HSL 148.44, 0.82%, 0.46%

LAB 75.4, -65.17, 37.88

 

CMYK 48 / 90 / 0 / 16

HEX #6E15D5

RGB 110 21 213

HSL 267.81, 0.82%, 0.46%

LAB 35.31, 69.68, -78.75

 

CMYK 0 / 48 / 90 / 16

HEX #D56E15

RGB 213 110 21

HSL 27.81, 0.82%, 0.46%

LAB 57.42, 35.51, 60.9

 

CMYK 90 / 0 / 47 / 16

HEX #15D570

RGB 21 213 112

HSL 148.44, 0.82%, 0.46%

LAB 75.4, -65.17, 37.88

 

CMYK 90 / 60 / 0 / 16

HEX #1555D5

RGB 21 85 213

HSL 220, 0.82%, 0.46%

LAB 40.35, 30.7, -70.68

 

CMYK 0 / 90 / 42 / 16

HEX #D5157B

RGB 213 21 123

HSL 328.13, 0.82%, 0.46%

LAB 47.12, 73.14, -5.24

 

CMYK 0 / 30 / 90 / 16

HEX #D59515

RGB 213 149 21

HSL 40, 0.82%, 0.46%

LAB 66.29, 14.7, 67.59

 

CMYK 90 / 0 / 47 / 16

HEX #15D570

RGB 21 213 112

HSL 148.44, 0.82%, 0.46%

LAB 75.4, -65.17, 37.88

 

CMYK 90 / 87 / 0 / 16

HEX #151BD5

RGB 21 27 213

HSL 238.13, 0.82%, 0.46%

LAB 28.77, 62.74, -89.82

 

CMYK 0 / 90 / 42 / 16

HEX #D5157B

RGB 213 21 123

HSL 328.13, 0.82%, 0.46%

LAB 47.12, 73.14, -5.24

 

CMYK 0 / 3 / 90 / 16

HEX #D5CF15

RGB 213 207 21

HSL 58.13, 0.82%, 0.46%

LAB 81.2, -15.62, 79.08

 

Description

Color code: HEX #15D570 | qconv.com Color code: HEX #15D570 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 213 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 213 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 47 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 47% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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