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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #15CB80 it is the complementary color #EA347F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #15CB80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #15CB80 shade: #1ACB7B, #2BDD8E, #3CEFA1, #4DFFB4 and #5EFFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #15CB80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #15CB80 shade: #15CB80, #04B96D, #00A75A, #009547 and #008334

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #15CB80 shade: #15CB80, #15CB4F, #15CB1E, #3DCB15 and #6ECB15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #15CB80 shade: #15CB80, #15CBB1, #15B3CB, #1582CB and #1551CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #15CB80 shade matches the following richer shades: #15CB80 and #03DD83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #15CB80 shade: #15CB80, #27B87C, #39A679, #4B9476 and #5D8273

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #15CB80 shade: #15CB1E, #15CB4E, #15CB7F, #15CBAF and #15B5CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #15CB80 shade: #0D8051, #11A568, #15CB80, #21E796 and #47EBA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #15CB80 shade: #15CB80, #153CCB and #CB3615

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #15CB80 shade: #15CB80, #7F15CB and #CB7F15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #15CB80 shade: #15CB80, #153CCB, #CB1561 and #CBA315

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #15CB80 shade: #15CB80, #2415CB, #CB1561 and #BBCB15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 37 / 20

HEX #15CB80

RGB 21 203 128

HSL 155.27, 0.81%, 0.44%

LAB 72.51, -58.79, 25.96

 

Complementary color

CMYK 0 / 78 / 46 / 8

HEX #EA347F

RGB 234 52 127

HSL 335.27, 0.81%, 0.56%

LAB 53.47, 72.07, 2.12

 

CMYK 87 / 0 / 39 / 20

HEX #1ACB7B

RGB 26 203 123

HSL 152.88, 0.77%, 0.45%

LAB 72.47, -59.46, 28.51

 

CMYK 81 / 0 / 36 / 13

HEX #2BDD8E

RGB 43 221 142

HSL 153.37, 0.72%, 0.52%

LAB 78.57, -60.74, 26.86

 

CMYK 75 / 0 / 33 / 6

HEX #3CEFA1

RGB 60 239 161

HSL 153.85, 0.85%, 0.59%

LAB 84.62, -61.65, 25.34

 

CMYK 70 / 0 / 29 / 0

HEX #4DFFB4

RGB 77 255 180

HSL 154.72, 1%, 0.65%

LAB 90.04, -61.52, 23.12

 

CMYK 63 / 0 / 22 / 0

HEX #5EFFC7

RGB 94 255 199

HSL 159.13, 1%, 0.68%

LAB 90.79, -54.84, 14.5

 

CMYK 90 / 0 / 37 / 20

HEX #15CB80

RGB 21 203 128

HSL 155.27, 0.81%, 0.44%

LAB 72.51, -58.79, 25.96

 

CMYK 98 / 0 / 41 / 27

HEX #04B96D

RGB 4 185 109

HSL 154.81, 0.96%, 0.37%

LAB 66.39, -56.94, 27.75

 

CMYK 100 / 0 / 46 / 35

HEX #00A75A

RGB 0 167 90

HSL 152.34, 1%, 0.33%

LAB 60.23, -54.43, 29.71

 

CMYK 100 / 0 / 52 / 42

HEX #009547

RGB 0 149 71

HSL 148.59, 1%, 0.29%

LAB 53.97, -51.58, 31.72

 

CMYK 100 / 0 / 60 / 49

HEX #008334

RGB 0 131 52

HSL 143.82, 1%, 0.26%

LAB 47.6, -48.49, 33.68

 

CMYK 90 / 0 / 37 / 20

HEX #15CB80

RGB 21 203 128

HSL 155.27, 0.81%, 0.44%

LAB 72.51, -58.79, 25.96

 

CMYK 90 / 0 / 61 / 20

HEX #15CB4F

RGB 21 203 79

HSL 139.12, 0.81%, 0.44%

LAB 71.85, -66.74, 49.18

 

CMYK 90 / 0 / 85 / 20

HEX #15CB1E

RGB 21 203 30

HSL 122.97, 0.81%, 0.44%

LAB 71.53, -70.76, 65.89

 

CMYK 70 / 0 / 90 / 20

HEX #3DCB15

RGB 61 203 21

HSL 106.81, 0.81%, 0.44%

LAB 72.07, -66.15, 68.35

 

CMYK 46 / 0 / 90 / 20

HEX #6ECB15

RGB 110 203 21

HSL 90.66, 0.81%, 0.44%

LAB 73.6, -53.82, 70.25

 

CMYK 90 / 0 / 37 / 20

HEX #15CB80

RGB 21 203 128

HSL 155.27, 0.81%, 0.44%

LAB 72.51, -58.79, 25.96

 

CMYK 90 / 0 / 13 / 20

HEX #15CBB1

RGB 21 203 177

HSL 171.43, 0.81%, 0.44%

LAB 73.58, -47.18, 1.26

 

CMYK 90 / 12 / 0 / 20

HEX #15B3CB

RGB 21 179 203

HSL 187.91, 0.81%, 0.44%

LAB 67.06, -28.49, -22.7

 

CMYK 90 / 36 / 0 / 20

HEX #1582CB

RGB 21 130 203

HSL 204.07, 0.81%, 0.44%

LAB 52.33, -1.79, -45.65

 

CMYK 90 / 60 / 0 / 20

HEX #1551CB

RGB 21 81 203

HSL 220.22, 0.81%, 0.44%

LAB 38.47, 29.45, -67.98

 

CMYK 90 / 0 / 37 / 20

HEX #15CB80

RGB 21 203 128

HSL 155.27, 0.81%, 0.44%

LAB 72.51, -58.79, 25.96

 

CMYK 99 / 0 / 41 / 13

HEX #03DD83

RGB 3 221 131

HSL 155.23, 0.97%, 0.44%

LAB 78.09, -65.18, 31.81

 

CMYK 90 / 0 / 37 / 20

HEX #15CB80

RGB 21 203 128

HSL 155.27, 0.81%, 0.44%

LAB 72.51, -58.79, 25.96

 

CMYK 79 / 0 / 33 / 28

HEX #27B87C

RGB 39 184 124

HSL 155.17, 0.65%, 0.44%

LAB 66.65, -51.05, 20.17

 

CMYK 66 / 0 / 27 / 35

HEX #39A679

RGB 57 166 121

HSL 155.23, 0.49%, 0.44%

LAB 61.24, -41.74, 14.41

 

CMYK 49 / 0 / 20 / 42

HEX #4B9476

RGB 75 148 118

HSL 155.34, 0.33%, 0.44%

LAB 56.07, -30.26, 8.92

 

CMYK 28 / 0 / 12 / 49

HEX #5D8273

RGB 93 130 115

HSL 155.68, 0.17%, 0.44%

LAB 51.3, -16.39, 3.95

 

CMYK 90 / 0 / 85 / 20

HEX #15CB1E

RGB 21 203 30

HSL 122.97, 0.81%, 0.44%

LAB 71.53, -70.76, 65.89

 

CMYK 90 / 0 / 62 / 20

HEX #15CB4E

RGB 21 203 78

HSL 138.79, 0.81%, 0.44%

LAB 71.84, -66.86, 49.61

 

CMYK 90 / 0 / 37 / 20

HEX #15CB7F

RGB 21 203 127

HSL 154.95, 0.81%, 0.44%

LAB 72.5, -58.99, 26.46

 

CMYK 90 / 0 / 14 / 20

HEX #15CBAF

RGB 21 203 175

HSL 170.77, 0.81%, 0.44%

LAB 73.52, -47.72, 2.26

 

CMYK 90 / 11 / 0 / 20

HEX #15B5CB

RGB 21 181 203

HSL 187.25, 0.81%, 0.44%

LAB 67.66, -29.47, -21.78

 

CMYK 90 / 0 / 37 / 50

HEX #0D8051

RGB 13 128 81

HSL 155.48, 0.82%, 0.28%

LAB 47.13, -41.13, 17.41

 

CMYK 90 / 0 / 37 / 35

HEX #11A568

RGB 17 165 104

HSL 155.27, 0.81%, 0.36%

LAB 59.91, -50.08, 21.83

 

CMYK 90 / 0 / 37 / 20

HEX #15CB80

RGB 21 203 128

HSL 155.27, 0.81%, 0.44%

LAB 72.51, -58.79, 25.96

 

CMYK 86 / 0 / 35 / 9

HEX #21E796

RGB 33 231 150

HSL 155.45, 0.8%, 0.52%

LAB 81.66, -63.58, 26.9

 

CMYK 70 / 0 / 29 / 8

HEX #47EBA7

RGB 71 235 167

HSL 155.12, 0.8%, 0.6%

LAB 83.73, -57.43, 21.06

 

CMYK 90 / 0 / 37 / 20

HEX #15CB80

RGB 21 203 128

HSL 155.27, 0.81%, 0.44%

LAB 72.51, -58.79, 25.96

 

CMYK 90 / 70 / 0 / 20

HEX #153CCB

RGB 21 60 203

HSL 227.14, 0.81%, 0.44%

LAB 33.36, 42.91, -76.39

 

CMYK 0 / 73 / 90 / 20

HEX #CB3615

RGB 203 54 21

HSL 10.88, 0.81%, 0.44%

LAB 46.16, 56.98, 51.85

 

CMYK 90 / 0 / 37 / 20

HEX #15CB80

RGB 21 203 128

HSL 155.27, 0.81%, 0.44%

LAB 72.51, -58.79, 25.96

 

CMYK 37 / 90 / 0 / 20

HEX #7F15CB

RGB 127 21 203

HSL 274.95, 0.81%, 0.44%

LAB 36.67, 69.38, -70.63

 

CMYK 0 / 37 / 90 / 20

HEX #CB7F15

RGB 203 127 21

HSL 34.95, 0.81%, 0.44%

LAB 59.82, 22.28, 62.13

 

CMYK 90 / 0 / 37 / 20

HEX #15CB80

RGB 21 203 128

HSL 155.27, 0.81%, 0.44%

LAB 72.51, -58.79, 25.96

 

CMYK 90 / 70 / 0 / 20

HEX #153CCB

RGB 21 60 203

HSL 227.14, 0.81%, 0.44%

LAB 33.36, 42.91, -76.39

 

CMYK 0 / 90 / 52 / 20

HEX #CB1561

RGB 203 21 97

HSL 334.95, 0.81%, 0.44%

LAB 44.37, 68.69, 6.61

 

CMYK 0 / 20 / 90 / 20

HEX #CBA315

RGB 203 163 21

HSL 46.81, 0.81%, 0.44%

LAB 68.71, 2.76, 68.98

 

CMYK 90 / 0 / 37 / 20

HEX #15CB80

RGB 21 203 128

HSL 155.27, 0.81%, 0.44%

LAB 72.51, -58.79, 25.96

 

CMYK 82 / 90 / 0 / 20

HEX #2415CB

RGB 36 21 203

HSL 244.95, 0.81%, 0.44%

LAB 27.36, 62.35, -86.32

 

CMYK 0 / 90 / 52 / 20

HEX #CB1561

RGB 203 21 97

HSL 334.95, 0.81%, 0.44%

LAB 44.37, 68.69, 6.61

 

CMYK 8 / 0 / 90 / 20

HEX #BBCB15

RGB 187 203 21

HSL 65.27, 0.81%, 0.44%

LAB 78.07, -24.68, 75.75

 

Description

Color code: HEX #15CB80 | qconv.com Color code: HEX #15CB80 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 203 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 203 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 37 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 37% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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