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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #15B14F it is the complementary color #EA4EB0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #15B14F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #15B14F shade: #1AB14A, #2BC35D, #3CD570, #4DE783 and #5EF996

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #15B14F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #15B14F shade: #15B14F, #049F3C, #008D29, #007B16 and #006903

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #15B14F shade: #14B24F, #14B224, #2FB214, #59B214 and #83B214

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #15B14F shade: #14B24F, #14B279, #14B2A4, #1495B2 and #146BB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #15B14F shade matches the following richer shades: #14B24F and #04C24B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #15B14F shade: #14B24F, #24A153, #359157, #45815B and #55715F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #15B14F shade: #2FB214, #14B224, #14B24E, #14B278 and #14B2A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #15B14F shade: #0C682E, #108D3E, #14B24F, #19D65F and #32E675

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #15B14F shade: #15B14F, #1458B2 and #B2141A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #15B14F shade: #15B14F, #4E14B2 and #B24E14

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #15B14F shade: #15B14F, #1458B2, #B21478 and #B26D14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #15B14F shade: #15B14F, #1429B2, #B21478 and #B29D14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 55 / 31

HEX #15B14F

RGB 21 177 79

HSL 142.31, 0.79%, 0.39%

LAB 63.48, -58.46, 39.35

 

Complementary color

CMYK 0 / 67 / 25 / 8

HEX #EA4EB0

RGB 234 78 176

HSL 322.31, 0.79%, 0.61%

LAB 58.11, 68.79, -19.82

 

CMYK 85 / 0 / 58 / 31

HEX #1AB14A

RGB 26 177 74

HSL 139.07, 0.74%, 0.4%

LAB 63.47, -58.74, 41.75

 

CMYK 78 / 0 / 52 / 24

HEX #2BC35D

RGB 43 195 93

HSL 139.74, 0.64%, 0.47%

LAB 69.71, -60.18, 40.17

 

CMYK 72 / 0 / 47 / 16

HEX #3CD570

RGB 60 213 112

HSL 140.39, 0.65%, 0.54%

LAB 75.9, -61.12, 38.61

 

CMYK 67 / 0 / 43 / 9

HEX #4DE783

RGB 77 231 131

HSL 141.04, 0.76%, 0.6%

LAB 82.04, -61.71, 37.12

 

CMYK 62 / 0 / 40 / 2

HEX #5EF996

RGB 94 249 150

HSL 141.68, 0.93%, 0.67%

LAB 88.13, -62.05, 35.7

 

CMYK 88 / 0 / 55 / 31

HEX #15B14F

RGB 21 177 79

HSL 142.31, 0.79%, 0.39%

LAB 63.48, -58.46, 39.35

 

CMYK 97 / 0 / 62 / 38

HEX #049F3C

RGB 4 159 60

HSL 141.68, 0.95%, 0.32%

LAB 57.22, -56.26, 41

 

CMYK 100 / 0 / 71 / 45

HEX #008D29

RGB 0 141 41

HSL 137.45, 1%, 0.28%

LAB 50.93, -53.05, 42.46

 

CMYK 100 / 0 / 82 / 52

HEX #007B16

RGB 0 123 22

HSL 130.73, 1%, 0.24%

LAB 44.55, -49.17, 43.18

 

CMYK 100 / 0 / 97 / 59

HEX #006903

RGB 0 105 3

HSL 121.71, 1%, 0.21%

LAB 38.04, -44.73, 42.5

 

CMYK 89 / 0 / 56 / 30

HEX #14B24F

RGB 20 178 79

HSL 142.41, 0.8%, 0.39%

LAB 63.8, -58.86, 39.73

 

CMYK 89 / 0 / 80 / 30

HEX #14B224

RGB 20 178 36

HSL 126.08, 0.8%, 0.39%

LAB 63.44, -63.33, 56.85

 

CMYK 74 / 0 / 89 / 30

HEX #2FB214

RGB 47 178 20

HSL 109.75, 0.8%, 0.39%

LAB 63.75, -60.83, 61.28

 

CMYK 50 / 0 / 89 / 30

HEX #59B214

RGB 89 178 20

HSL 93.8, 0.8%, 0.39%

LAB 64.97, -50.81, 62.81

 

CMYK 26 / 0 / 89 / 30

HEX #83B214

RGB 131 178 20

HSL 77.85, 0.8%, 0.39%

LAB 67.06, -35.95, 65.41

 

CMYK 89 / 0 / 56 / 30

HEX #14B24F

RGB 20 178 79

HSL 142.41, 0.8%, 0.39%

LAB 63.8, -58.86, 39.73

 

CMYK 89 / 0 / 32 / 30

HEX #14B279

RGB 20 178 121

HSL 158.35, 0.8%, 0.39%

LAB 64.46, -51.11, 18.77

 

CMYK 89 / 0 / 8 / 30

HEX #14B2A4

RGB 20 178 164

HSL 174.68, 0.8%, 0.39%

LAB 65.49, -40.08, -3.46

 

CMYK 89 / 16 / 0 / 30

HEX #1495B2

RGB 20 149 178

HSL 191.01, 0.8%, 0.39%

LAB 56.94, -21.66, -24.22

 

CMYK 89 / 40 / 0 / 30

HEX #146BB2

RGB 20 107 178

HSL 206.96, 0.8%, 0.39%

LAB 44.06, 2.53, -44.41

 

CMYK 89 / 0 / 56 / 30

HEX #14B24F

RGB 20 178 79

HSL 142.41, 0.8%, 0.39%

LAB 63.8, -58.86, 39.73

 

CMYK 98 / 0 / 61 / 24

HEX #04C24B

RGB 4 194 75

HSL 142.42, 0.96%, 0.39%

LAB 68.84, -65.28, 47.48

 

CMYK 89 / 0 / 56 / 30

HEX #14B24F

RGB 20 178 79

HSL 142.41, 0.8%, 0.39%

LAB 63.8, -58.86, 39.73

 

CMYK 78 / 0 / 48 / 37

HEX #24A153

RGB 36 161 83

HSL 142.56, 0.63%, 0.39%

LAB 58.5, -50.71, 31.23

 

CMYK 63 / 0 / 40 / 43

HEX #359157

RGB 53 145 87

HSL 142.17, 0.46%, 0.39%

LAB 53.7, -40.77, 22.97

 

CMYK 47 / 0 / 29 / 49

HEX #45815B

RGB 69 129 91

HSL 142, 0.3%, 0.39%

LAB 49.16, -28.68, 14.68

 

CMYK 25 / 0 / 16 / 56

HEX #55715F

RGB 85 113 95

HSL 141.43, 0.14%, 0.39%

LAB 45.04, -14.24, 6.7

 

CMYK 74 / 0 / 89 / 30

HEX #2FB214

RGB 47 178 20

HSL 109.75, 0.8%, 0.39%

LAB 63.75, -60.83, 61.28

 

CMYK 89 / 0 / 80 / 30

HEX #14B224

RGB 20 178 36

HSL 126.08, 0.8%, 0.39%

LAB 63.44, -63.33, 56.85

 

CMYK 89 / 0 / 56 / 30

HEX #14B24E

RGB 20 178 78

HSL 142.03, 0.8%, 0.39%

LAB 63.79, -59, 40.2

 

CMYK 89 / 0 / 33 / 30

HEX #14B278

RGB 20 178 120

HSL 157.97, 0.8%, 0.39%

LAB 64.44, -51.33, 19.28

 

CMYK 89 / 0 / 9 / 30

HEX #14B2A2

RGB 20 178 162

HSL 173.92, 0.8%, 0.39%

LAB 65.43, -40.66, -2.43

 

CMYK 88 / 0 / 56 / 59

HEX #0C682E

RGB 12 104 46

HSL 142.17, 0.79%, 0.23%

LAB 38.16, -38.93, 25.51

 

CMYK 89 / 0 / 56 / 45

HEX #108D3E

RGB 16 141 62

HSL 142.08, 0.8%, 0.31%

LAB 51.28, -49.25, 33.06

 

CMYK 89 / 0 / 56 / 30

HEX #14B24F

RGB 20 178 79

HSL 142.41, 0.8%, 0.39%

LAB 63.8, -58.86, 39.73

 

CMYK 88 / 0 / 56 / 16

HEX #19D65F

RGB 25 214 95

HSL 142.22, 0.79%, 0.47%

LAB 75.53, -67.83, 46.22

 

CMYK 78 / 0 / 49 / 10

HEX #32E675

RGB 50 230 117

HSL 142.33, 0.78%, 0.55%

LAB 81.05, -67.51, 42.61

 

CMYK 88 / 0 / 55 / 31

HEX #15B14F

RGB 21 177 79

HSL 142.31, 0.79%, 0.39%

LAB 63.48, -58.46, 39.35

 

CMYK 89 / 51 / 0 / 30

HEX #1458B2

RGB 20 88 178

HSL 214.18, 0.8%, 0.39%

LAB 38.45, 14.83, -53.41

 

CMYK 0 / 89 / 85 / 30

HEX #B2141A

RGB 178 20 26

HSL 357.72, 0.8%, 0.39%

LAB 37.91, 58.92, 40.86

 

CMYK 88 / 0 / 55 / 31

HEX #15B14F

RGB 21 177 79

HSL 142.31, 0.79%, 0.39%

LAB 63.48, -58.46, 39.35

 

CMYK 56 / 89 / 0 / 30

HEX #4E14B2

RGB 78 20 178

HSL 262.03, 0.8%, 0.39%

LAB 27.67, 58.56, -70.93

 

CMYK 0 / 56 / 89 / 30

HEX #B24E14

RGB 178 78 20

HSL 22.03, 0.8%, 0.39%

LAB 45.59, 37.83, 49.85

 

CMYK 88 / 0 / 55 / 31

HEX #15B14F

RGB 21 177 79

HSL 142.31, 0.79%, 0.39%

LAB 63.48, -58.46, 39.35

 

CMYK 89 / 51 / 0 / 30

HEX #1458B2

RGB 20 88 178

HSL 214.18, 0.8%, 0.39%

LAB 38.45, 14.83, -53.41

 

CMYK 0 / 89 / 33 / 30

HEX #B21478

RGB 178 20 120

HSL 322.03, 0.8%, 0.39%

LAB 40.12, 65.12, -14.61

 

CMYK 0 / 39 / 89 / 30

HEX #B26D14

RGB 178 109 20

HSL 33.8, 0.8%, 0.39%

LAB 52.35, 21.24, 55.19

 

CMYK 88 / 0 / 55 / 31

HEX #15B14F

RGB 21 177 79

HSL 142.31, 0.79%, 0.39%

LAB 63.48, -58.46, 39.35

 

CMYK 89 / 77 / 0 / 30

HEX #1429B2

RGB 20 41 178

HSL 232.03, 0.8%, 0.39%

LAB 26.59, 45.31, -72.84

 

CMYK 0 / 89 / 33 / 30

HEX #B21478

RGB 178 20 120

HSL 322.03, 0.8%, 0.39%

LAB 40.12, 65.12, -14.61

 

CMYK 0 / 12 / 89 / 30

HEX #B29D14

RGB 178 157 20

HSL 52.03, 0.8%, 0.39%

LAB 64.67, -5.23, 64.96

 

Description

Color code: HEX #15B14F | qconv.com Color code: HEX #15B14F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 177 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 177 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 55 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 55% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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