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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #159335 it is the complementary color #EA6CCA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #159335. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #159335 shade: #1A9330, #2BA543, #3CB756, #4DC969 and #5EDB7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #159335. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #159335 shade: #159335, #048122, #006F0F, #005D00 and #004B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #159335 shade: #159335, #179315, #399315, #5B9315 and #7D9315

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #159335 shade: #159335, #159357, #159379, #158B93 and #156993

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #159335 shade matches the following richer shades: #159335 and #07A02E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #159335 shade: #159335, #22853B, #307842, #3D6A49 and #4B5C4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #159335 shade: #389315, #179315, #159334, #159356 and #159377

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #159335 shade: #0A4B1B, #0F6F28, #159335, #1AB742 and #1FDB4F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #159335 shade: #159335, #155A93 and #931527

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #159335 shade: #159335, #341593 and #933415

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #159335 shade: #159335, #155A93, #931573 and #934D15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #159335 shade: #159335, #153493, #931573 and #937315

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 64 / 42

HEX #159335

RGB 21 147 53

HSL 135.24, 0.75%, 0.33%

LAB 53.26, -52.05, 39.77

 

Complementary color

CMYK 0 / 54 / 14 / 8

HEX #EA6CCA

RGB 234 108 202

HSL 315.24, 0.75%, 0.67%

LAB 63.74, 59.8, -26.04

 

CMYK 82 / 0 / 67 / 42

HEX #1A9330

RGB 26 147 48

HSL 130.91, 0.7%, 0.34%

LAB 53.28, -52.08, 42.06

 

CMYK 74 / 0 / 59 / 35

HEX #2BA543

RGB 43 165 67

HSL 131.8, 0.59%, 0.41%

LAB 59.73, -53.48, 40.74

 

CMYK 67 / 0 / 53 / 28

HEX #3CB756

RGB 60 183 86

HSL 132.68, 0.51%, 0.48%

LAB 66.14, -54.29, 39.3

 

CMYK 62 / 0 / 48 / 21

HEX #4DC969

RGB 77 201 105

HSL 133.55, 0.53%, 0.55%

LAB 72.48, -54.73, 37.85

 

CMYK 57 / 0 / 43 / 14

HEX #5EDB7C

RGB 94 219 124

HSL 134.4, 0.63%, 0.61%

LAB 78.75, -54.92, 36.46

 

CMYK 86 / 0 / 64 / 42

HEX #159335

RGB 21 147 53

HSL 135.24, 0.75%, 0.33%

LAB 53.26, -52.05, 39.77

 

CMYK 97 / 0 / 74 / 49

HEX #048122

RGB 4 129 34

HSL 134.4, 0.94%, 0.26%

LAB 46.77, -49.71, 40.97

 

CMYK 100 / 0 / 86 / 56

HEX #006F0F

RGB 0 111 15

HSL 128.11, 1%, 0.22%

LAB 40.25, -45.95, 41.31

 

CMYK 100 / 0 / 100 / 64

HEX #005D00

RGB 0 93 0

HSL 120, 1%, 0.18%

LAB 33.62, -41.23, 39.79

 

CMYK 100 / 0 / 100 / 71

HEX #004B00

RGB 0 75 0

HSL 120, 1%, 0.15%

LAB 26.83, -35.58, 34.26

 

CMYK 86 / 0 / 64 / 42

HEX #159335

RGB 21 147 53

HSL 135.24, 0.75%, 0.33%

LAB 53.26, -52.05, 39.77

 

CMYK 84 / 0 / 86 / 42

HEX #179315

RGB 23 147 21

HSL 119.05, 0.75%, 0.33%

LAB 53.06, -54.6, 51.46

 

CMYK 61 / 0 / 86 / 42

HEX #399315

RGB 57 147 21

HSL 102.86, 0.75%, 0.33%

LAB 53.81, -48.28, 52.41

 

CMYK 38 / 0 / 86 / 42

HEX #5B9315

RGB 91 147 21

HSL 86.67, 0.75%, 0.33%

LAB 55.22, -37.49, 54.2

 

CMYK 15 / 0 / 86 / 42

HEX #7D9315

RGB 125 147 21

HSL 70.48, 0.75%, 0.33%

LAB 57.35, -23.67, 56.87

 

CMYK 86 / 0 / 64 / 42

HEX #159335

RGB 21 147 53

HSL 135.24, 0.75%, 0.33%

LAB 53.26, -52.05, 39.77

 

CMYK 86 / 0 / 41 / 42

HEX #159357

RGB 21 147 87

HSL 151.43, 0.75%, 0.33%

LAB 53.72, -46.51, 22.88

 

CMYK 86 / 0 / 18 / 42

HEX #159379

RGB 21 147 121

HSL 167.62, 0.75%, 0.33%

LAB 54.46, -38.42, 4.71

 

CMYK 86 / 5 / 0 / 42

HEX #158B93

RGB 21 139 147

HSL 183.81, 0.75%, 0.33%

LAB 52.65, -26.88, -12.95

 

CMYK 86 / 29 / 0 / 42

HEX #156993

RGB 21 105 147

HSL 200, 0.75%, 0.33%

LAB 41.8, -8.25, -29.66

 

CMYK 86 / 0 / 64 / 42

HEX #159335

RGB 21 147 53

HSL 135.24, 0.75%, 0.33%

LAB 53.26, -52.05, 39.77

 

CMYK 96 / 0 / 71 / 37

HEX #07A02E

RGB 7 160 46

HSL 135.29, 0.92%, 0.33%

LAB 57.45, -57.97, 47.32

 

CMYK 86 / 0 / 64 / 42

HEX #159335

RGB 21 147 53

HSL 135.24, 0.75%, 0.33%

LAB 53.26, -52.05, 39.77

 

CMYK 74 / 0 / 56 / 48

HEX #22853B

RGB 34 133 59

HSL 135.15, 0.59%, 0.33%

LAB 48.8, -44.55, 31.66

 

CMYK 60 / 0 / 45 / 53

HEX #307842

RGB 48 120 66

HSL 135, 0.43%, 0.33%

LAB 44.88, -35.2, 23.07

 

CMYK 42 / 0 / 31 / 58

HEX #3D6A49

RGB 61 106 73

HSL 136, 0.27%, 0.33%

LAB 40.87, -23.45, 13.79

 

CMYK 18 / 0 / 14 / 64

HEX #4B5C4F

RGB 75 92 79

HSL 134.12, 0.1%, 0.33%

LAB 37.33, -9.46, 5.33

 

CMYK 62 / 0 / 86 / 42

HEX #389315

RGB 56 147 21

HSL 103.33, 0.75%, 0.33%

LAB 53.77, -48.53, 52.37

 

CMYK 84 / 0 / 86 / 42

HEX #179315

RGB 23 147 21

HSL 119.05, 0.75%, 0.33%

LAB 53.06, -54.6, 51.46

 

CMYK 86 / 0 / 65 / 42

HEX #159334

RGB 21 147 52

HSL 134.76, 0.75%, 0.33%

LAB 53.25, -52.17, 40.21

 

CMYK 86 / 0 / 41 / 42

HEX #159356

RGB 21 147 86

HSL 150.95, 0.75%, 0.33%

LAB 53.71, -46.71, 23.4

 

CMYK 86 / 0 / 19 / 42

HEX #159377

RGB 21 147 119

HSL 166.67, 0.75%, 0.33%

LAB 54.41, -38.96, 5.79

 

CMYK 87 / 0 / 64 / 71

HEX #0A4B1B

RGB 10 75 27

HSL 135.69, 0.76%, 0.17%

LAB 27.23, -31.2, 22.78

 

CMYK 86 / 0 / 64 / 56

HEX #0F6F28

RGB 15 111 40

HSL 135.63, 0.76%, 0.25%

LAB 40.61, -42.05, 31.56

 

CMYK 86 / 0 / 64 / 42

HEX #159335

RGB 21 147 53

HSL 135.24, 0.75%, 0.33%

LAB 53.26, -52.05, 39.77

 

CMYK 86 / 0 / 64 / 28

HEX #1AB742

RGB 26 183 66

HSL 135.29, 0.75%, 0.41%

LAB 65.34, -61.67, 47.54

 

CMYK 86 / 0 / 64 / 14

HEX #1FDB4F

RGB 31 219 79

HSL 135.32, 0.75%, 0.49%

LAB 76.99, -70.9, 55.01

 

CMYK 86 / 0 / 64 / 42

HEX #159335

RGB 21 147 53

HSL 135.24, 0.75%, 0.33%

LAB 53.26, -52.05, 39.77

 

CMYK 86 / 39 / 0 / 42

HEX #155A93

RGB 21 90 147

HSL 207.14, 0.75%, 0.33%

LAB 37.07, 1.07, -37.12

 

CMYK 0 / 86 / 73 / 42

HEX #931527

RGB 147 21 39

HSL 351.43, 0.75%, 0.33%

LAB 31.55, 50.46, 24.52

 

CMYK 86 / 0 / 64 / 42

HEX #159335

RGB 21 147 53

HSL 135.24, 0.75%, 0.33%

LAB 53.26, -52.05, 39.77

 

CMYK 65 / 86 / 0 / 42

HEX #341593

RGB 52 21 147

HSL 254.76, 0.75%, 0.33%

LAB 21.48, 47.54, -62.39

 

CMYK 0 / 65 / 86 / 42

HEX #933415

RGB 147 52 21

HSL 14.76, 0.75%, 0.33%

LAB 35.43, 38.54, 38.82

 

CMYK 86 / 0 / 64 / 42

HEX #159335

RGB 21 147 53

HSL 135.24, 0.75%, 0.33%

LAB 53.26, -52.05, 39.77

 

CMYK 86 / 39 / 0 / 42

HEX #155A93

RGB 21 90 147

HSL 207.14, 0.75%, 0.33%

LAB 37.07, 1.07, -37.12

 

CMYK 0 / 86 / 22 / 42

HEX #931573

RGB 147 21 115

HSL 315.24, 0.75%, 0.33%

LAB 33.94, 57.32, -21.49

 

CMYK 0 / 48 / 86 / 42

HEX #934D15

RGB 147 77 21

HSL 26.67, 0.75%, 0.33%

LAB 40.52, 25.52, 43.3

 

CMYK 86 / 0 / 64 / 42

HEX #159335

RGB 21 147 53

HSL 135.24, 0.75%, 0.33%

LAB 53.26, -52.05, 39.77

 

CMYK 86 / 65 / 0 / 42

HEX #153493

RGB 21 52 147

HSL 225.24, 0.75%, 0.33%

LAB 25.93, 26.88, -55.13

 

CMYK 0 / 86 / 22 / 42

HEX #931573

RGB 147 21 115

HSL 315.24, 0.75%, 0.33%

LAB 33.94, 57.32, -21.49

 

CMYK 0 / 22 / 86 / 42

HEX #937315

RGB 147 115 21

HSL 44.76, 0.75%, 0.33%

LAB 50.12, 3.71, 51.52

 

Description

Color code: HEX #159335 | qconv.com Color code: HEX #159335 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 147 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 147 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 64 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 64% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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