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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1589CF it is the complementary color #EA7630. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1589CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1589CF shade: #1A89CA, #2B9BDD, #3CADF0, #4DBFFF and #5ED1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1589CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1589CF shade: #1589CF, #0477BC, #0065A9, #005396 and #004183

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1589CF shade: #148AD0, #1457D0, #1424D0, #3714D0 and #6A14D0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1589CF shade: #148AD0, #1457D0, #1424D0 and #1414D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1589CF shade matches the following richer shades: #148AD0 and #028EE3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1589CF shade: #148AD0, #2785BE, #3980AB, #4C7C99 and #5E7786

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1589CF shade: #14D0B1, #14BED0, #148BD0, #1459D0 and #1427D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1589CF shade: #0D5885, #1071AB, #148AD0, #259FE9 and #4AB0ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1589CF shade: #1589CF, #7F14D0 and #D0CA14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1589CF shade: #1589CF, #D0148B and #8BD014

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1589CF shade: #1589CF, #7F14D0, #D05914 and #66D014

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1589CF shade: #1589CF, #B714D0, #D05914 and #2DD014

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 34 / 0 / 19

HEX #1589CF

RGB 21 137 207

HSL 202.58, 0.82%, 0.45%

LAB 54.61, -4.42, -44.3

 

Complementary color

CMYK 0 / 50 / 79 / 8

HEX #EA7630

RGB 234 118 48

HSL 22.58, 0.82%, 0.55%

LAB 62.22, 40.45, 56.47

 

CMYK 87 / 32 / 0 / 21

HEX #1A89CA

RGB 26 137 202

HSL 202.16, 0.77%, 0.45%

LAB 54.42, -5.99, -41.76

 

CMYK 81 / 30 / 0 / 13

HEX #2B9BDD

RGB 43 155 221

HSL 202.25, 0.72%, 0.52%

LAB 60.94, -8.02, -42.14

 

CMYK 75 / 28 / 0 / 6

HEX #3CADF0

RGB 60 173 240

HSL 202.33, 0.86%, 0.59%

LAB 67.38, -9.64, -42.46

 

CMYK 70 / 25 / 0 / 0

HEX #4DBFFF

RGB 77 191 255

HSL 201.57, 1%, 0.65%

LAB 73.58, -12.25, -40.86

 

CMYK 63 / 18 / 0 / 0

HEX #5ED1FF

RGB 94 209 255

HSL 197.14, 1%, 0.68%

LAB 79.16, -19.12, -32.18

 

CMYK 90 / 34 / 0 / 19

HEX #1589CF

RGB 21 137 207

HSL 202.58, 0.82%, 0.45%

LAB 54.61, -4.42, -44.3

 

CMYK 98 / 37 / 0 / 26

HEX #0477BC

RGB 4 119 188

HSL 202.5, 0.96%, 0.38%

LAB 48.07, -1.69, -43.83

 

CMYK 100 / 40 / 0 / 34

HEX #0065A9

RGB 0 101 169

HSL 204.14, 1%, 0.33%

LAB 41.49, 1.74, -43.24

 

CMYK 100 / 45 / 0 / 41

HEX #005396

RGB 0 83 150

HSL 206.8, 1%, 0.29%

LAB 34.78, 5.58, -42.62

 

CMYK 100 / 50 / 0 / 49

HEX #004183

RGB 0 65 131

HSL 210.23, 1%, 0.26%

LAB 27.9, 9.73, -42.03

 

CMYK 90 / 34 / 0 / 18

HEX #148AD0

RGB 20 138 208

HSL 202.34, 0.82%, 0.45%

LAB 54.95, -4.69, -44.33

 

CMYK 90 / 58 / 0 / 18

HEX #1457D0

RGB 20 87 208

HSL 218.62, 0.82%, 0.45%

LAB 40.44, 27.41, -67.65

 

CMYK 90 / 83 / 0 / 18

HEX #1424D0

RGB 20 36 208

HSL 234.89, 0.82%, 0.45%

LAB 29.32, 57.58, -85.99

 

CMYK 74 / 90 / 0 / 18

HEX #3714D0

RGB 55 20 208

HSL 251.17, 0.82%, 0.45%

LAB 29.07, 64.72, -86.36

 

CMYK 49 / 90 / 0 / 18

HEX #6A14D0

RGB 106 20 208

HSL 267.45, 0.82%, 0.45%

LAB 34.23, 68.37, -77.65

 

CMYK 90 / 34 / 0 / 18

HEX #148AD0

RGB 20 138 208

HSL 202.34, 0.82%, 0.45%

LAB 54.95, -4.69, -44.33

 

CMYK 90 / 58 / 0 / 18

HEX #1457D0

RGB 20 87 208

HSL 218.62, 0.82%, 0.45%

LAB 40.44, 27.41, -67.65

 

CMYK 90 / 83 / 0 / 18

HEX #1424D0

RGB 20 36 208

HSL 234.89, 0.82%, 0.45%

LAB 29.32, 57.58, -85.99

 

CMYK 90 / 90 / 0 / 18

HEX #1414D0

RGB 20 20 208

HSL 240, 0.82%, 0.45%

LAB 27.31, 63.64, -89.35

 

CMYK 90 / 34 / 0 / 18

HEX #148AD0

RGB 20 138 208

HSL 202.34, 0.82%, 0.45%

LAB 54.95, -4.69, -44.33

 

CMYK 99 / 37 / 0 / 11

HEX #028EE3

RGB 2 142 227

HSL 202.67, 0.98%, 0.45%

LAB 56.98, -0.48, -51.76

 

CMYK 90 / 34 / 0 / 18

HEX #148AD0

RGB 20 138 208

HSL 202.34, 0.82%, 0.45%

LAB 54.95, -4.69, -44.33

 

CMYK 79 / 30 / 0 / 25

HEX #2785BE

RGB 39 133 190

HSL 202.65, 0.66%, 0.45%

LAB 52.87, -6.97, -37.37

 

CMYK 67 / 25 / 0 / 33

HEX #3980AB

RGB 57 128 171

HSL 202.63, 0.5%, 0.45%

LAB 50.98, -8.33, -29.37

 

CMYK 50 / 19 / 0 / 40

HEX #4C7C99

RGB 76 124 153

HSL 202.6, 0.34%, 0.45%

LAB 49.8, -7.9, -20.65

 

CMYK 30 / 11 / 0 / 47

HEX #5E7786

RGB 94 119 134

HSL 202.5, 0.18%, 0.45%

LAB 48.63, -5.31, -11.16

 

CMYK 90 / 0 / 15 / 18

HEX #14D0B1

RGB 20 208 177

HSL 170.11, 0.82%, 0.45%

LAB 75.1, -49.31, 3.47

 

CMYK 90 / 9 / 0 / 18

HEX #14BED0

RGB 20 190 208

HSL 185.74, 0.82%, 0.45%

LAB 70.55, -32.28, -20.13

 

CMYK 90 / 33 / 0 / 18

HEX #148BD0

RGB 20 139 208

HSL 202.02, 0.82%, 0.45%

LAB 55.24, -5.27, -43.86

 

CMYK 90 / 57 / 0 / 18

HEX #1459D0

RGB 20 89 208

HSL 217.98, 0.82%, 0.45%

LAB 40.97, 26.1, -66.79

 

CMYK 90 / 81 / 0 / 18

HEX #1427D0

RGB 20 39 208

HSL 233.94, 0.82%, 0.45%

LAB 29.8, 56.18, -85.2

 

CMYK 90 / 34 / 0 / 48

HEX #0D5885

RGB 13 88 133

HSL 202.5, 0.82%, 0.29%

LAB 35.52, -3.94, -31.09

 

CMYK 91 / 34 / 0 / 33

HEX #1071AB

RGB 16 113 171

HSL 202.45, 0.83%, 0.37%

LAB 45.44, -4.16, -38.12

 

CMYK 90 / 34 / 0 / 18

HEX #148AD0

RGB 20 138 208

HSL 202.34, 0.82%, 0.45%

LAB 54.95, -4.69, -44.33

 

CMYK 84 / 32 / 0 / 9

HEX #259FE9

RGB 37 159 233

HSL 202.65, 0.82%, 0.53%

LAB 62.57, -6.49, -46.22

 

CMYK 69 / 26 / 0 / 7

HEX #4AB0ED

RGB 74 176 237

HSL 202.45, 0.82%, 0.61%

LAB 68.48, -10.46, -39.08

 

CMYK 90 / 34 / 0 / 19

HEX #1589CF

RGB 21 137 207

HSL 202.58, 0.82%, 0.45%

LAB 54.61, -4.42, -44.3

 

CMYK 39 / 90 / 0 / 18

HEX #7F14D0

RGB 127 20 208

HSL 274.15, 0.82%, 0.45%

LAB 37.05, 70.63, -72.9

 

CMYK 0 / 3 / 90 / 18

HEX #D0CA14

RGB 208 202 20

HSL 58.09, 0.82%, 0.45%

LAB 79.44, -15.28, 77.69

 

CMYK 90 / 34 / 0 / 19

HEX #1589CF

RGB 21 137 207

HSL 202.58, 0.82%, 0.45%

LAB 54.61, -4.42, -44.3

 

CMYK 0 / 90 / 33 / 18

HEX #D0148B

RGB 208 20 139

HSL 322.02, 0.82%, 0.45%

LAB 46.68, 73.73, -15.76

 

CMYK 33 / 0 / 90 / 18

HEX #8BD014

RGB 139 208 20

HSL 82.02, 0.82%, 0.45%

LAB 76.47, -45.98, 73.34

 

CMYK 90 / 34 / 0 / 19

HEX #1589CF

RGB 21 137 207

HSL 202.58, 0.82%, 0.45%

LAB 54.61, -4.42, -44.3

 

CMYK 39 / 90 / 0 / 18

HEX #7F14D0

RGB 127 20 208

HSL 274.15, 0.82%, 0.45%

LAB 37.05, 70.63, -72.9

 

CMYK 0 / 57 / 90 / 18

HEX #D05914

RGB 208 89 20

HSL 22.02, 0.82%, 0.45%

LAB 52.51, 44.01, 57.24

 

CMYK 51 / 0 / 90 / 18

HEX #66D014

RGB 102 208 20

HSL 93.83, 0.82%, 0.45%

LAB 74.82, -58.12, 71.31

 

CMYK 90 / 34 / 0 / 19

HEX #1589CF

RGB 21 137 207

HSL 202.58, 0.82%, 0.45%

LAB 54.61, -4.42, -44.3

 

CMYK 12 / 90 / 0 / 18

HEX #B714D0

RGB 183 20 208

HSL 292.02, 0.82%, 0.45%

LAB 45.8, 78.4, -58.28

 

CMYK 0 / 57 / 90 / 18

HEX #D05914

RGB 208 89 20

HSL 22.02, 0.82%, 0.45%

LAB 52.51, 44.01, 57.24

 

CMYK 78 / 0 / 90 / 18

HEX #2DD014

RGB 45 208 20

HSL 112.02, 0.82%, 0.45%

LAB 73.36, -70.2, 69.5

 

Description

Color code: HEX #1589CF | qconv.com Color code: HEX #1589CF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 137 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 137 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 34 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 34% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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