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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #158871 it is the complementary color #EA778E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #158871. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #158871 shade: #1A886C, #2B9A7F, #3CAC92, #4DBEA5 and #5ED0B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #158871. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #158871 shade: #158871, #04765E, #00644B, #005238 and #004025

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #158871 shade: #158871, #158852, #158833, #168815 and #358815

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #158871 shade: #158871, #158088, #156188, #154288 and #152388

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #158871 shade matches the following richer shades: #158871 and #089579

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #158871 shade: #158871, #227B69, #2E6F62, #3B625A and #485552

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #158871 shade: #158834, #158852, #158871, #158188 and #156288

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #158871 shade: #0A4136, #0F6554, #158871, #1AAC8F and #20D0AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #158871 shade: #158871, #151588 and #884315

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #158871 shade: #158871, #711588 and #887115

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #158871 shade: #158871, #151588, #88152C and #888815

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #158871 shade: #158871, #371588, #88152C and #668815

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 17 / 47

HEX #158871

RGB 21 136 113

HSL 168, 0.73%, 0.31%

LAB 50.64, -35.76, 3.84

 

Complementary color

CMYK 0 / 49 / 39 / 8

HEX #EA778E

RGB 234 119 142

HSL 348, 0.73%, 0.69%

LAB 63.87, 46.62, 8.29

 

CMYK 81 / 0 / 21 / 47

HEX #1A886C

RGB 26 136 108

HSL 164.73, 0.68%, 0.32%

LAB 50.58, -36.6, 6.66

 

CMYK 72 / 0 / 18 / 40

HEX #2B9A7F

RGB 43 154 127

HSL 165.41, 0.56%, 0.39%

LAB 57.23, -37.38, 5.32

 

CMYK 65 / 0 / 15 / 33

HEX #3CAC92

RGB 60 172 146

HSL 166.07, 0.48%, 0.45%

LAB 63.79, -37.83, 4.14

 

CMYK 59 / 0 / 13 / 25

HEX #4DBEA5

RGB 77 190 165

HSL 166.73, 0.47%, 0.52%

LAB 70.26, -38.07, 3.09

 

CMYK 55 / 0 / 12 / 18

HEX #5ED0B8

RGB 94 208 184

HSL 167.37, 0.55%, 0.59%

LAB 76.65, -38.18, 2.12

 

CMYK 85 / 0 / 17 / 47

HEX #158871

RGB 21 136 113

HSL 168, 0.73%, 0.31%

LAB 50.64, -35.76, 3.84

 

CMYK 97 / 0 / 20 / 54

HEX #04765E

RGB 4 118 94

HSL 167.37, 0.93%, 0.24%

LAB 43.93, -34.3, 5.35

 

CMYK 100 / 0 / 25 / 61

HEX #00644B

RGB 0 100 75

HSL 165, 1%, 0.2%

LAB 37.16, -31.96, 7.17

 

CMYK 100 / 0 / 32 / 68

HEX #005238

RGB 0 82 56

HSL 160.98, 1%, 0.16%

LAB 30.21, -29.23, 9.19

 

CMYK 100 / 0 / 42 / 75

HEX #004025

RGB 0 64 37

HSL 154.69, 1%, 0.13%

LAB 23, -26.32, 11.4

 

CMYK 85 / 0 / 17 / 47

HEX #158871

RGB 21 136 113

HSL 168, 0.73%, 0.31%

LAB 50.64, -35.76, 3.84

 

CMYK 85 / 0 / 40 / 47

HEX #158852

RGB 21 136 82

HSL 151.83, 0.73%, 0.31%

LAB 49.95, -43.32, 20.65

 

CMYK 85 / 0 / 63 / 47

HEX #158833

RGB 21 136 51

HSL 135.65, 0.73%, 0.31%

LAB 49.5, -48.6, 36.43

 

CMYK 84 / 0 / 85 / 47

HEX #168815

RGB 22 136 21

HSL 119.48, 0.73%, 0.31%

LAB 49.29, -51.28, 48.01

 

CMYK 61 / 0 / 85 / 47

HEX #358815

RGB 53 136 21

HSL 103.3, 0.73%, 0.31%

LAB 50, -45.28, 48.92

 

CMYK 85 / 0 / 17 / 47

HEX #158871

RGB 21 136 113

HSL 168, 0.73%, 0.31%

LAB 50.64, -35.76, 3.84

 

CMYK 85 / 6 / 0 / 47

HEX #158088

RGB 21 128 136

HSL 184.17, 0.73%, 0.31%

LAB 48.73, -24.92, -12.46

 

CMYK 85 / 29 / 0 / 47

HEX #156188

RGB 21 97 136

HSL 200.35, 0.73%, 0.31%

LAB 38.7, -7.65, -27.89

 

CMYK 85 / 51 / 0 / 47

HEX #154288

RGB 21 66 136

HSL 216.52, 0.73%, 0.31%

LAB 28.99, 12.64, -43.36

 

CMYK 85 / 74 / 0 / 47

HEX #152388

RGB 21 35 136

HSL 232.7, 0.73%, 0.31%

LAB 20.59, 33.94, -57.08

 

CMYK 85 / 0 / 17 / 47

HEX #158871

RGB 21 136 113

HSL 168, 0.73%, 0.31%

LAB 50.64, -35.76, 3.84

 

CMYK 95 / 0 / 19 / 42

HEX #089579

RGB 8 149 121

HSL 168.09, 0.9%, 0.31%

LAB 55, -40.1, 5.48

 

CMYK 85 / 0 / 17 / 47

HEX #158871

RGB 21 136 113

HSL 168, 0.73%, 0.31%

LAB 50.64, -35.76, 3.84

 

CMYK 72 / 0 / 15 / 52

HEX #227B69

RGB 34 123 105

HSL 167.87, 0.57%, 0.31%

LAB 46.35, -30.41, 2.35

 

CMYK 59 / 0 / 12 / 56

HEX #2E6F62

RGB 46 111 98

HSL 168, 0.41%, 0.31%

LAB 42.51, -24.16, 1.01

 

CMYK 40 / 0 / 8 / 62

HEX #3B625A

RGB 59 98 90

HSL 167.69, 0.25%, 0.31%

LAB 38.56, -15.88, 0.19

 

CMYK 15 / 0 / 4 / 67

HEX #485552

RGB 72 85 82

HSL 166.15, 0.08%, 0.31%

LAB 34.97, -5.78, 0.03

 

CMYK 85 / 0 / 62 / 47

HEX #158834

RGB 21 136 52

HSL 136.17, 0.73%, 0.31%

LAB 49.52, -48.47, 35.96

 

CMYK 85 / 0 / 40 / 47

HEX #158852

RGB 21 136 82

HSL 151.83, 0.73%, 0.31%

LAB 49.95, -43.32, 20.65

 

CMYK 85 / 0 / 17 / 47

HEX #158871

RGB 21 136 113

HSL 168, 0.73%, 0.31%

LAB 50.64, -35.76, 3.84

 

CMYK 85 / 5 / 0 / 47

HEX #158188

RGB 21 129 136

HSL 183.65, 0.73%, 0.31%

LAB 49.05, -25.43, -11.97

 

CMYK 85 / 28 / 0 / 47

HEX #156288

RGB 21 98 136

HSL 199.83, 0.73%, 0.31%

LAB 39.02, -8.26, -27.39

 

CMYK 85 / 0 / 17 / 75

HEX #0A4136

RGB 10 65 54

HSL 168, 0.73%, 0.15%

LAB 24.04, -20.36, 1.76

 

CMYK 85 / 0 / 17 / 60

HEX #0F6554

RGB 15 101 84

HSL 168.14, 0.74%, 0.23%

LAB 37.93, -28.5, 2.79

 

CMYK 85 / 0 / 17 / 47

HEX #158871

RGB 21 136 113

HSL 168, 0.73%, 0.31%

LAB 50.64, -35.76, 3.84

 

CMYK 85 / 0 / 17 / 33

HEX #1AAC8F

RGB 26 172 143

HSL 168.08, 0.74%, 0.39%

LAB 63.1, -42.88, 4.74

 

CMYK 85 / 0 / 17 / 18

HEX #20D0AD

RGB 32 208 173

HSL 168.07, 0.73%, 0.47%

LAB 75.1, -49.63, 5.63

 

CMYK 85 / 0 / 17 / 47

HEX #158871

RGB 21 136 113

HSL 168, 0.73%, 0.31%

LAB 50.64, -35.76, 3.84

 

CMYK 85 / 85 / 0 / 47

HEX #151588

RGB 21 21 136

HSL 240, 0.73%, 0.31%

LAB 17.8, 41.93, -61.71

 

CMYK 0 / 51 / 85 / 47

HEX #884315

RGB 136 67 21

HSL 24, 0.73%, 0.31%

LAB 36.56, 26.32, 39.14

 

CMYK 85 / 0 / 17 / 47

HEX #158871

RGB 21 136 113

HSL 168, 0.73%, 0.31%

LAB 50.64, -35.76, 3.84

 

CMYK 17 / 85 / 0 / 47

HEX #711588

RGB 113 21 136

HSL 288, 0.73%, 0.31%

LAB 28.97, 53.64, -42.97

 

CMYK 0 / 17 / 85 / 47

HEX #887115

RGB 136 113 21

HSL 48, 0.73%, 0.31%

LAB 48.38, -0.33, 49.57

 

CMYK 85 / 0 / 17 / 47

HEX #158871

RGB 21 136 113

HSL 168, 0.73%, 0.31%

LAB 50.64, -35.76, 3.84

 

CMYK 85 / 85 / 0 / 47

HEX #151588

RGB 21 21 136

HSL 240, 0.73%, 0.31%

LAB 17.8, 41.93, -61.71

 

CMYK 0 / 85 / 68 / 47

HEX #88152C

RGB 136 21 44

HSL 348, 0.73%, 0.31%

LAB 29.29, 47.52, 17.96

 

CMYK 0 / 0 / 85 / 47

HEX #888815

RGB 136 136 21

HSL 60, 0.73%, 0.31%

LAB 54.97, -13.06, 55.2

 

CMYK 85 / 0 / 17 / 47

HEX #158871

RGB 21 136 113

HSL 168, 0.73%, 0.31%

LAB 50.64, -35.76, 3.84

 

CMYK 60 / 85 / 0 / 47

HEX #371588

RGB 55 21 136

HSL 257.74, 0.73%, 0.31%

LAB 20.54, 44.71, -57.07

 

CMYK 0 / 85 / 68 / 47

HEX #88152C

RGB 136 21 44

HSL 348, 0.73%, 0.31%

LAB 29.29, 47.52, 17.96

 

CMYK 25 / 0 / 85 / 47

HEX #668815

RGB 102 136 21

HSL 77.74, 0.73%, 0.31%

LAB 52.38, -28.09, 51.95

 

Description

Color code: HEX #158871 | qconv.com Color code: HEX #158871 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 136 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 136 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 17 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 17% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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