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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #15843E it is the complementary color #EA7BC1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #15843E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #15843E shade: #1A8439, #2B964C, #3CA85F, #4DBA72 and #5ECC85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #15843E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #15843E shade: #15843E, #04722B, #006018, #004E05 and #003C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #15843E shade: #14843D, #14841F, #278414, #458414 and #638414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #15843E shade: #14843D, #14845C, #14847A, #147084 and #145284

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #15843E shade matches the following richer shades: #14843D and #08903A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #15843E shade: #14843D, #217741, #2D6B44, #395F47 and #46524A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #15843E shade: #278414, #14841F, #14843D, #14845B and #148479

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #15843E shade: #093C1C, #0F602D, #14843D, #1AA84E and #1FCB5F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #15843E shade: #15843E, #144584 and #841418

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #15843E shade: #15843E, #3D1484 and #843D14

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #15843E shade: #15843E, #144584, #84145B and #845314

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #15843E shade: #15843E, #142384, #84145B and #847514

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 53 / 48

HEX #15843E

RGB 21 132 62

HSL 142.16, 0.73%, 0.3%

LAB 48.27, -45.57, 29.4

 

Complementary color

CMYK 0 / 47 / 18 / 8

HEX #EA7BC1

RGB 234 123 193

HSL 322.16, 0.73%, 0.7%

LAB 66.14, 51.28, -17.3

 

CMYK 80 / 0 / 57 / 48

HEX #1A8439

RGB 26 132 57

HSL 137.55, 0.67%, 0.31%

LAB 48.28, -45.72, 32.03

 

CMYK 71 / 0 / 49 / 41

HEX #2B964C

RGB 43 150 76

HSL 138.5, 0.55%, 0.38%

LAB 54.92, -46.69, 30.4

 

CMYK 64 / 0 / 43 / 34

HEX #3CA85F

RGB 60 168 95

HSL 139.44, 0.47%, 0.45%

LAB 61.47, -47.17, 28.85

 

CMYK 59 / 0 / 39 / 27

HEX #4DBA72

RGB 77 186 114

HSL 140.37, 0.44%, 0.52%

LAB 67.95, -47.36, 27.41

 

CMYK 54 / 0 / 35 / 20

HEX #5ECC85

RGB 94 204 133

HSL 141.27, 0.52%, 0.58%

LAB 74.36, -47.36, 26.07

 

CMYK 84 / 0 / 53 / 48

HEX #15843E

RGB 21 132 62

HSL 142.16, 0.73%, 0.3%

LAB 48.27, -45.57, 29.4

 

CMYK 96 / 0 / 62 / 55

HEX #04722B

RGB 4 114 43

HSL 141.27, 0.93%, 0.23%

LAB 41.59, -43.71, 31.16

 

CMYK 100 / 0 / 75 / 62

HEX #006018

RGB 0 96 24

HSL 135, 1%, 0.19%

LAB 34.87, -40.43, 32.72

 

CMYK 100 / 0 / 94 / 69

HEX #004E05

RGB 0 78 5

HSL 123.85, 1%, 0.15%

LAB 28.01, -36.15, 33.27

 

CMYK 100 / 0 / 100 / 76

HEX #003C00

RGB 0 60 0

HSL 120, 1%, 0.12%

LAB 20.95, -30.7, 28.41

 

CMYK 85 / 0 / 54 / 48

HEX #14843D

RGB 20 132 61

HSL 141.96, 0.74%, 0.3%

LAB 48.25, -45.84, 29.89

 

CMYK 85 / 0 / 77 / 48

HEX #14841F

RGB 20 132 31

HSL 125.89, 0.74%, 0.3%

LAB 47.94, -49.53, 43.4

 

CMYK 70 / 0 / 85 / 48

HEX #278414

RGB 39 132 20

HSL 109.82, 0.74%, 0.3%

LAB 48.24, -47.21, 47.44

 

CMYK 48 / 0 / 85 / 48

HEX #458414

RGB 69 132 20

HSL 93.75, 0.74%, 0.3%

LAB 49.27, -38.94, 48.77

 

CMYK 25 / 0 / 85 / 48

HEX #638414

RGB 99 132 20

HSL 77.68, 0.74%, 0.3%

LAB 50.93, -27.45, 50.87

 

CMYK 85 / 0 / 54 / 48

HEX #14843D

RGB 20 132 61

HSL 141.96, 0.74%, 0.3%

LAB 48.25, -45.84, 29.89

 

CMYK 85 / 0 / 30 / 48

HEX #14845C

RGB 20 132 92

HSL 158.57, 0.74%, 0.3%

LAB 48.79, -39.57, 13.39

 

CMYK 85 / 0 / 8 / 48

HEX #14847A

RGB 20 132 122

HSL 174.64, 0.74%, 0.3%

LAB 49.56, -31.41, -2.99

 

CMYK 85 / 15 / 0 / 48

HEX #147084

RGB 20 112 132

HSL 190.71, 0.74%, 0.3%

LAB 43.36, -17.91, -18.25

 

CMYK 85 / 38 / 0 / 48

HEX #145284

RGB 20 82 132

HSL 206.79, 0.74%, 0.3%

LAB 33.67, 0.1, -33.39

 

CMYK 85 / 0 / 54 / 48

HEX #14843D

RGB 20 132 61

HSL 141.96, 0.74%, 0.3%

LAB 48.25, -45.84, 29.89

 

CMYK 94 / 0 / 60 / 44

HEX #08903A

RGB 8 144 58

HSL 142.06, 0.89%, 0.3%

LAB 52.18, -51.42, 36.11

 

CMYK 85 / 0 / 54 / 48

HEX #14843D

RGB 20 132 61

HSL 141.96, 0.74%, 0.3%

LAB 48.25, -45.84, 29.89

 

CMYK 72 / 0 / 45 / 53

HEX #217741

RGB 33 119 65

HSL 142.33, 0.57%, 0.3%

LAB 44.09, -38.26, 22.53

 

CMYK 58 / 0 / 36 / 58

HEX #2D6B44

RGB 45 107 68

HSL 142.26, 0.41%, 0.3%

LAB 40.39, -29.74, 15.99

 

CMYK 40 / 0 / 25 / 63

HEX #395F47

RGB 57 95 71

HSL 142.11, 0.25%, 0.3%

LAB 36.95, -19.47, 9.55

 

CMYK 15 / 0 / 10 / 68

HEX #46524A

RGB 70 82 74

HSL 140, 0.08%, 0.3%

LAB 33.63, -6.56, 3.1

 

CMYK 70 / 0 / 85 / 48

HEX #278414

RGB 39 132 20

HSL 109.82, 0.74%, 0.3%

LAB 48.24, -47.21, 47.44

 

CMYK 85 / 0 / 77 / 48

HEX #14841F

RGB 20 132 31

HSL 125.89, 0.74%, 0.3%

LAB 47.94, -49.53, 43.4

 

CMYK 85 / 0 / 54 / 48

HEX #14843D

RGB 20 132 61

HSL 141.96, 0.74%, 0.3%

LAB 48.25, -45.84, 29.89

 

CMYK 85 / 0 / 31 / 48

HEX #14845B

RGB 20 132 91

HSL 158.04, 0.74%, 0.3%

LAB 48.77, -39.81, 13.93

 

CMYK 85 / 0 / 8 / 48

HEX #148479

RGB 20 132 121

HSL 174.11, 0.74%, 0.3%

LAB 49.53, -31.71, -2.45

 

CMYK 85 / 0 / 53 / 76

HEX #093C1C

RGB 9 60 28

HSL 142.35, 0.74%, 0.14%

LAB 21.48, -24.96, 15.16

 

CMYK 84 / 0 / 53 / 62

HEX #0F602D

RGB 15 96 45

HSL 142.22, 0.73%, 0.22%

LAB 35.31, -35.69, 22.56

 

CMYK 85 / 0 / 54 / 48

HEX #14843D

RGB 20 132 61

HSL 141.96, 0.74%, 0.3%

LAB 48.25, -45.84, 29.89

 

CMYK 85 / 0 / 54 / 34

HEX #1AA84E

RGB 26 168 78

HSL 141.97, 0.73%, 0.38%

LAB 60.58, -55.15, 36.34

 

CMYK 85 / 0 / 53 / 20

HEX #1FCB5F

RGB 31 203 95

HSL 142.33, 0.74%, 0.46%

LAB 72.11, -63.83, 42.11

 

CMYK 84 / 0 / 53 / 48

HEX #15843E

RGB 21 132 62

HSL 142.16, 0.73%, 0.3%

LAB 48.27, -45.57, 29.4

 

CMYK 85 / 48 / 0 / 48

HEX #144584

RGB 20 69 132

HSL 213.75, 0.74%, 0.3%

LAB 29.59, 8.81, -39.91

 

CMYK 0 / 85 / 82 / 48

HEX #841418

RGB 132 20 24

HSL 357.86, 0.74%, 0.3%

LAB 28.04, 45.67, 29.11

 

CMYK 84 / 0 / 53 / 48

HEX #15843E

RGB 21 132 62

HSL 142.16, 0.73%, 0.3%

LAB 48.27, -45.57, 29.4

 

CMYK 54 / 85 / 0 / 48

HEX #3D1484

RGB 61 20 132

HSL 261.96, 0.74%, 0.3%

LAB 20.67, 44.72, -54.33

 

CMYK 0 / 54 / 85 / 48

HEX #843D14

RGB 132 61 20

HSL 21.96, 0.74%, 0.3%

LAB 34.59, 27.89, 37.56

 

CMYK 84 / 0 / 53 / 48

HEX #15843E

RGB 21 132 62

HSL 142.16, 0.73%, 0.3%

LAB 48.27, -45.57, 29.4

 

CMYK 85 / 48 / 0 / 48

HEX #144584

RGB 20 69 132

HSL 213.75, 0.74%, 0.3%

LAB 29.59, 8.81, -39.91

 

CMYK 0 / 85 / 31 / 48

HEX #84145B

RGB 132 20 91

HSL 321.96, 0.74%, 0.3%

LAB 29.82, 50.92, -12.64

 

CMYK 0 / 37 / 85 / 48

HEX #845314

RGB 132 83 20

HSL 33.75, 0.74%, 0.3%

LAB 39.82, 15.25, 42.26

 

CMYK 84 / 0 / 53 / 48

HEX #15843E

RGB 21 132 62

HSL 142.16, 0.73%, 0.3%

LAB 48.27, -45.57, 29.4

 

CMYK 85 / 73 / 0 / 48

HEX #142384

RGB 20 35 132

HSL 231.96, 0.74%, 0.3%

LAB 20.11, 32.37, -55.36

 

CMYK 0 / 85 / 31 / 48

HEX #84145B

RGB 132 20 91

HSL 321.96, 0.74%, 0.3%

LAB 29.82, 50.92, -12.64

 

CMYK 0 / 11 / 85 / 48

HEX #847514

RGB 132 117 20

HSL 51.96, 0.74%, 0.3%

LAB 49.1, -4.52, 50.33

 

Description

Color code: HEX #15843E | qconv.com Color code: HEX #15843E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 132 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 132 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 53 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 53% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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