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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #157E64 it is the complementary color #EA819B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #157E64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #157E64 shade: #1A7E5F, #2B9072, #3CA285, #4DB498 and #5EC6AB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #157E64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #157E64 shade: #157E64, #046C51, #005A3E, #00482B and #003618

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #157E64 shade: #157E64, #157E48, #157E2B, #1B7E15 and #377E15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #157E64 shade: #157E64, #157C7E, #155F7E, #15437E and #15277E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #157E64 shade matches the following richer shades: #157E64 and #098A6A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #157E64 shade: #157E64, #21725E, #2D6658, #395A52 and #454E4C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #157E64 shade: #157E2C, #157E48, #157E64, #157C7E and #15607E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #157E64 shade: #09372C, #0F5B48, #157E64, #1BA180 and #21C59C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #157E64 shade: #157E64, #151A7E and #7E3A15

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #157E64 shade: #157E64, #64157E and #7E6415

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #157E64 shade: #157E64, #151A7E, #7E152F and #7E7915

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #157E64 shade: #157E64, #2F157E, #7E152F and #647E15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 21 / 51

HEX #157E64

RGB 21 126 100

HSL 165.14, 0.71%, 0.29%

LAB 46.98, -34.85, 6.18

 

Complementary color

CMYK 0 / 45 / 34 / 8

HEX #EA819B

RGB 234 129 155

HSL 345.14, 0.71%, 0.71%

LAB 66.18, 43.1, 4.22

 

CMYK 79 / 0 / 25 / 51

HEX #1A7E5F

RGB 26 126 95

HSL 161.4, 0.66%, 0.3%

LAB 46.93, -35.59, 9.06

 

CMYK 70 / 0 / 21 / 44

HEX #2B9072

RGB 43 144 114

HSL 162.18, 0.54%, 0.37%

LAB 53.68, -36.25, 7.67

 

CMYK 63 / 0 / 18 / 36

HEX #3CA285

RGB 60 162 133

HSL 162.94, 0.46%, 0.44%

LAB 60.33, -36.58, 6.44

 

CMYK 57 / 0 / 16 / 29

HEX #4DB498

RGB 77 180 152

HSL 163.69, 0.41%, 0.5%

LAB 66.89, -36.72, 5.35

 

CMYK 53 / 0 / 14 / 22

HEX #5EC6AB

RGB 94 198 171

HSL 164.42, 0.48%, 0.57%

LAB 73.36, -36.74, 4.37

 

CMYK 83 / 0 / 21 / 51

HEX #157E64

RGB 21 126 100

HSL 165.14, 0.71%, 0.29%

LAB 46.98, -34.85, 6.18

 

CMYK 96 / 0 / 25 / 58

HEX #046C51

RGB 4 108 81

HSL 164.42, 0.93%, 0.22%

LAB 40.16, -33.49, 7.77

 

CMYK 100 / 0 / 31 / 65

HEX #005A3E

RGB 0 90 62

HSL 161.33, 1%, 0.18%

LAB 33.26, -31.12, 9.7

 

CMYK 100 / 0 / 40 / 72

HEX #00482B

RGB 0 72 43

HSL 155.83, 1%, 0.14%

LAB 26.18, -28.27, 11.87

 

CMYK 100 / 0 / 56 / 79

HEX #003618

RGB 0 54 24

HSL 146.67, 1%, 0.11%

LAB 18.82, -25.11, 14.23

 

CMYK 83 / 0 / 21 / 51

HEX #157E64

RGB 21 126 100

HSL 165.14, 0.71%, 0.29%

LAB 46.98, -34.85, 6.18

 

CMYK 83 / 0 / 43 / 51

HEX #157E48

RGB 21 126 72

HSL 149.14, 0.71%, 0.29%

LAB 46.38, -41.48, 21.53

 

CMYK 83 / 0 / 66 / 51

HEX #157E2B

RGB 21 126 43

HSL 132.57, 0.71%, 0.29%

LAB 45.98, -46.18, 36.23

 

CMYK 79 / 0 / 83 / 51

HEX #1B7E15

RGB 27 126 21

HSL 116.57, 0.71%, 0.29%

LAB 45.92, -47.33, 44.9

 

CMYK 56 / 0 / 83 / 51

HEX #377E15

RGB 55 126 21

HSL 100.57, 0.71%, 0.29%

LAB 46.7, -40.9, 45.91

 

CMYK 83 / 0 / 21 / 51

HEX #157E64

RGB 21 126 100

HSL 165.14, 0.71%, 0.29%

LAB 46.98, -34.85, 6.18

 

CMYK 83 / 2 / 0 / 51

HEX #157C7E

RGB 21 124 126

HSL 181.14, 0.71%, 0.29%

LAB 47.08, -26.17, -9.04

 

CMYK 83 / 25 / 0 / 51

HEX #155F7E

RGB 21 95 126

HSL 197.71, 0.71%, 0.29%

LAB 37.57, -10.27, -23.57

 

CMYK 83 / 47 / 0 / 51

HEX #15437E

RGB 21 67 126

HSL 213.71, 0.71%, 0.29%

LAB 28.59, 7.79, -37.78

 

CMYK 83 / 69 / 0 / 51

HEX #15277E

RGB 21 39 126

HSL 229.71, 0.71%, 0.29%

LAB 20.51, 27.47, -50.91

 

CMYK 83 / 0 / 21 / 51

HEX #157E64

RGB 21 126 100

HSL 165.14, 0.71%, 0.29%

LAB 46.98, -34.85, 6.18

 

CMYK 93 / 0 / 23 / 46

HEX #098A6A

RGB 9 138 106

HSL 165.12, 0.88%, 0.29%

LAB 51.01, -39.38, 8.4

 

CMYK 83 / 0 / 21 / 51

HEX #157E64

RGB 21 126 100

HSL 165.14, 0.71%, 0.29%

LAB 46.98, -34.85, 6.18

 

CMYK 71 / 0 / 18 / 55

HEX #21725E

RGB 33 114 94

HSL 165.19, 0.55%, 0.29%

LAB 43.01, -29.33, 4.09

 

CMYK 56 / 0 / 14 / 60

HEX #2D6658

RGB 45 102 88

HSL 165.26, 0.39%, 0.29%

LAB 39.18, -22.49, 2.25

 

CMYK 37 / 0 / 9 / 65

HEX #395A52

RGB 57 90 82

HSL 165.45, 0.22%, 0.29%

LAB 35.58, -14.08, 0.8

 

CMYK 12 / 0 / 3 / 69

HEX #454E4C

RGB 69 78 76

HSL 166.67, 0.06%, 0.29%

LAB 32.34, -4.06, -0.05

 

CMYK 83 / 0 / 65 / 51

HEX #157E2C

RGB 21 126 44

HSL 133.14, 0.71%, 0.29%

LAB 45.99, -46.05, 35.77

 

CMYK 83 / 0 / 43 / 51

HEX #157E48

RGB 21 126 72

HSL 149.14, 0.71%, 0.29%

LAB 46.38, -41.48, 21.53

 

CMYK 83 / 0 / 21 / 51

HEX #157E64

RGB 21 126 100

HSL 165.14, 0.71%, 0.29%

LAB 46.98, -34.85, 6.18

 

CMYK 83 / 2 / 0 / 51

HEX #157C7E

RGB 21 124 126

HSL 181.14, 0.71%, 0.29%

LAB 47.08, -26.17, -9.04

 

CMYK 83 / 24 / 0 / 51

HEX #15607E

RGB 21 96 126

HSL 197.14, 0.71%, 0.29%

LAB 37.9, -10.87, -23.06

 

CMYK 84 / 0 / 20 / 78

HEX #09372C

RGB 9 55 44

HSL 165.65, 0.72%, 0.13%

LAB 19.93, -18.39, 2.54

 

CMYK 84 / 0 / 21 / 64

HEX #0F5B48

RGB 15 91 72

HSL 165, 0.72%, 0.21%

LAB 34.09, -27.22, 4.69

 

CMYK 83 / 0 / 21 / 51

HEX #157E64

RGB 21 126 100

HSL 165.14, 0.71%, 0.29%

LAB 46.98, -34.85, 6.18

 

CMYK 83 / 0 / 20 / 37

HEX #1BA180

RGB 27 161 128

HSL 165.22, 0.71%, 0.37%

LAB 59.23, -42.06, 7.59

 

CMYK 83 / 0 / 21 / 23

HEX #21C59C

RGB 33 197 156

HSL 165, 0.71%, 0.45%

LAB 71.32, -49.35, 9.39

 

CMYK 83 / 0 / 21 / 51

HEX #157E64

RGB 21 126 100

HSL 165.14, 0.71%, 0.29%

LAB 46.98, -34.85, 6.18

 

CMYK 83 / 79 / 0 / 51

HEX #151A7E

RGB 21 26 126

HSL 237.14, 0.71%, 0.29%

LAB 17.48, 35.82, -55.9

 

CMYK 0 / 54 / 83 / 51

HEX #7E3A15

RGB 126 58 21

HSL 21.14, 0.71%, 0.29%

LAB 32.95, 27.01, 35.21

 

CMYK 83 / 0 / 21 / 51

HEX #157E64

RGB 21 126 100

HSL 165.14, 0.71%, 0.29%

LAB 46.98, -34.85, 6.18

 

CMYK 21 / 83 / 0 / 51

HEX #64157E

RGB 100 21 126

HSL 285.14, 0.71%, 0.29%

LAB 26.02, 49.21, -41.56

 

CMYK 0 / 21 / 83 / 51

HEX #7E6415

RGB 126 100 21

HSL 45.14, 0.71%, 0.29%

LAB 43.66, 2.41, 45.02

 

CMYK 83 / 0 / 21 / 51

HEX #157E64

RGB 21 126 100

HSL 165.14, 0.71%, 0.29%

LAB 46.98, -34.85, 6.18

 

CMYK 83 / 79 / 0 / 51

HEX #151A7E

RGB 21 26 126

HSL 237.14, 0.71%, 0.29%

LAB 17.48, 35.82, -55.9

 

CMYK 0 / 83 / 63 / 51

HEX #7E152F

RGB 126 21 47

HSL 345.14, 0.71%, 0.29%

LAB 27.23, 44.75, 12.86

 

CMYK 0 / 4 / 83 / 51

HEX #7E7915

RGB 126 121 21

HSL 57.14, 0.71%, 0.29%

LAB 49.7, -9.55, 50.32

 

CMYK 83 / 0 / 21 / 51

HEX #157E64

RGB 21 126 100

HSL 165.14, 0.71%, 0.29%

LAB 46.98, -34.85, 6.18

 

CMYK 63 / 83 / 0 / 51

HEX #2F157E

RGB 47 21 126

HSL 254.86, 0.71%, 0.29%

LAB 18.57, 40.88, -54.04

 

CMYK 0 / 83 / 63 / 51

HEX #7E152F

RGB 126 21 47

HSL 345.14, 0.71%, 0.29%

LAB 27.23, 44.75, 12.86

 

CMYK 21 / 0 / 83 / 51

HEX #647E15

RGB 100 126 21

HSL 74.86, 0.71%, 0.29%

LAB 49.11, -24.02, 49

 

Description

Color code: HEX #157E64 | qconv.com Color code: HEX #157E64 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 126 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 126 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 21 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 21% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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