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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #157593 it is the complementary color #EA8A6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #157593. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #157593 shade: #1A758E, #2B87A1, #3C99B4, #4DABC7 and #5EBDDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #157593. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #157593 shade: #157593, #046380, #00516D, #003F5A and #002D47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #157593 shade: #157593, #155393, #153193, #1A1593 and #3D1593

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #157593 shade: #157593, #155393, #153193 and #151593

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #157593 shade matches the following richer shades: #157593 and #077CA0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #157593 shade: #157593, #226E85, #306678, #3D5F6A and #4B585C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #157593 shade: #15936D, #15938F, #157593, #155493 and #153293

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #157593 shade: #0A3B4B, #0F586F, #157593, #1A91B7 and #1FAEDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #157593 shade: #157593, #4B1593 and #937E15

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #157593 shade: #157593, #931575 and #759315

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #157593 shade: #157593, #4B1593, #933215 and #5C9315

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #157593 shade: #157593, #711593, #933215 and #369315

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 20 / 0 / 42

HEX #157593

RGB 21 117 147

HSL 194.29, 0.75%, 0.33%

LAB 45.62, -15.2, -23.71

 

Complementary color

CMYK 0 / 41 / 54 / 8

HEX #EA8A6C

RGB 234 138 108

HSL 14.29, 0.75%, 0.67%

LAB 67.09, 33.64, 31.75

 

CMYK 82 / 18 / 0 / 44

HEX #1A758E

RGB 26 117 142

HSL 192.93, 0.69%, 0.33%

LAB 45.49, -16.53, -20.94

 

CMYK 73 / 16 / 0 / 37

HEX #2B87A1

RGB 43 135 161

HSL 193.22, 0.58%, 0.4%

LAB 52.3, -17.8, -21.56

 

CMYK 67 / 15 / 0 / 29

HEX #3C99B4

RGB 60 153 180

HSL 193.5, 0.5%, 0.47%

LAB 59.01, -18.7, -22.11

 

CMYK 61 / 14 / 0 / 22

HEX #4DABC7

RGB 77 171 199

HSL 193.77, 0.52%, 0.54%

LAB 65.61, -19.36, -22.6

 

CMYK 57 / 13 / 0 / 15

HEX #5EBDDA

RGB 94 189 218

HSL 194.03, 0.63%, 0.61%

LAB 72.12, -19.85, -23.05

 

CMYK 86 / 20 / 0 / 42

HEX #157593

RGB 21 117 147

HSL 194.29, 0.75%, 0.33%

LAB 45.62, -15.2, -23.71

 

CMYK 97 / 23 / 0 / 50

HEX #046380

RGB 4 99 128

HSL 194.03, 0.94%, 0.26%

LAB 38.74, -13.16, -22.99

 

CMYK 100 / 26 / 0 / 57

HEX #00516D

RGB 0 81 109

HSL 195.41, 1%, 0.21%

LAB 31.78, -10.21, -22.08

 

CMYK 100 / 30 / 0 / 65

HEX #003F5A

RGB 0 63 90

HSL 198, 1%, 0.18%

LAB 24.62, -6.81, -21.13

 

CMYK 100 / 37 / 0 / 72

HEX #002D47

RGB 0 45 71

HSL 201.97, 1%, 0.14%

LAB 17.14, -3.08, -20.23

 

CMYK 86 / 20 / 0 / 42

HEX #157593

RGB 21 117 147

HSL 194.29, 0.75%, 0.33%

LAB 45.62, -15.2, -23.71

 

CMYK 86 / 44 / 0 / 42

HEX #155393

RGB 21 83 147

HSL 210.48, 0.75%, 0.33%

LAB 34.91, 5.64, -40.58

 

CMYK 86 / 67 / 0 / 42

HEX #153193

RGB 21 49 147

HSL 226.67, 0.75%, 0.33%

LAB 25.15, 28.93, -56.41

 

CMYK 82 / 86 / 0 / 42

HEX #1A1593

RGB 26 21 147

HSL 242.38, 0.75%, 0.33%

LAB 19.48, 45.7, -65.76

 

CMYK 59 / 86 / 0 / 42

HEX #3D1593

RGB 61 21 147

HSL 259.05, 0.75%, 0.33%

LAB 22.43, 48.44, -60.8

 

CMYK 86 / 20 / 0 / 42

HEX #157593

RGB 21 117 147

HSL 194.29, 0.75%, 0.33%

LAB 45.62, -15.2, -23.71

 

CMYK 86 / 44 / 0 / 42

HEX #155393

RGB 21 83 147

HSL 210.48, 0.75%, 0.33%

LAB 34.91, 5.64, -40.58

 

CMYK 86 / 67 / 0 / 42

HEX #153193

RGB 21 49 147

HSL 226.67, 0.75%, 0.33%

LAB 25.15, 28.93, -56.41

 

CMYK 86 / 86 / 0 / 42

HEX #151593

RGB 21 21 147

HSL 240, 0.75%, 0.33%

LAB 19.23, 45.47, -66.19

 

CMYK 86 / 20 / 0 / 42

HEX #157593

RGB 21 117 147

HSL 194.29, 0.75%, 0.33%

LAB 45.62, -15.2, -23.71

 

CMYK 96 / 23 / 0 / 37

HEX #077CA0

RGB 7 124 160

HSL 194.12, 0.92%, 0.33%

LAB 48.26, -15.2, -27.28

 

CMYK 86 / 20 / 0 / 42

HEX #157593

RGB 21 117 147

HSL 194.29, 0.75%, 0.33%

LAB 45.62, -15.2, -23.71

 

CMYK 74 / 17 / 0 / 48

HEX #226E85

RGB 34 110 133

HSL 193.94, 0.59%, 0.33%

LAB 43.04, -14.81, -19.32

 

CMYK 60 / 15 / 0 / 53

HEX #306678

RGB 48 102 120

HSL 195, 0.43%, 0.33%

LAB 40.39, -12.16, -15.5

 

CMYK 42 / 10 / 0 / 58

HEX #3D5F6A

RGB 61 95 106

HSL 194.67, 0.27%, 0.33%

LAB 38.23, -9.12, -10.15

 

CMYK 18 / 4 / 0 / 64

HEX #4B585C

RGB 75 88 92

HSL 194.12, 0.1%, 0.33%

LAB 36.46, -4.08, -4.02

 

CMYK 86 / 0 / 26 / 42

HEX #15936D

RGB 21 147 109

HSL 161.9, 0.75%, 0.33%

LAB 54.17, -41.54, 11.15

 

CMYK 86 / 0 / 3 / 42

HEX #15938F

RGB 21 147 143

HSL 178.1, 0.75%, 0.33%

LAB 55.08, -32.04, -7.01

 

CMYK 86 / 20 / 0 / 42

HEX #157593

RGB 21 117 147

HSL 194.29, 0.75%, 0.33%

LAB 45.62, -15.2, -23.71

 

CMYK 86 / 43 / 0 / 42

HEX #155493

RGB 21 84 147

HSL 210, 0.75%, 0.33%

LAB 35.22, 4.98, -40.09

 

CMYK 86 / 66 / 0 / 42

HEX #153293

RGB 21 50 147

HSL 226.19, 0.75%, 0.33%

LAB 25.4, 28.25, -55.99

 

CMYK 87 / 21 / 0 / 71

HEX #0A3B4B

RGB 10 59 75

HSL 194.77, 0.76%, 0.17%

LAB 22.66, -9.32, -14.28

 

CMYK 86 / 21 / 0 / 56

HEX #0F586F

RGB 15 88 111

HSL 194.38, 0.76%, 0.25%

LAB 34.45, -12.42, -19.16

 

CMYK 86 / 20 / 0 / 42

HEX #157593

RGB 21 117 147

HSL 194.29, 0.75%, 0.33%

LAB 45.62, -15.2, -23.71

 

CMYK 86 / 21 / 0 / 28

HEX #1A91B7

RGB 26 145 183

HSL 194.52, 0.75%, 0.41%

LAB 55.98, -17.39, -28.54

 

CMYK 86 / 21 / 0 / 14

HEX #1FAEDB

RGB 31 174 219

HSL 194.36, 0.75%, 0.49%

LAB 66.27, -20.01, -32.72

 

CMYK 86 / 20 / 0 / 42

HEX #157593

RGB 21 117 147

HSL 194.29, 0.75%, 0.33%

LAB 45.62, -15.2, -23.71

 

CMYK 49 / 86 / 0 / 42

HEX #4B1593

RGB 75 21 147

HSL 265.71, 0.75%, 0.33%

LAB 24.13, 50.08, -57.94

 

CMYK 0 / 14 / 86 / 42

HEX #937E15

RGB 147 126 21

HSL 50, 0.75%, 0.33%

LAB 53.14, -2.49, 54.07

 

CMYK 86 / 20 / 0 / 42

HEX #157593

RGB 21 117 147

HSL 194.29, 0.75%, 0.33%

LAB 45.62, -15.2, -23.71

 

CMYK 0 / 86 / 20 / 42

HEX #931575

RGB 147 21 117

HSL 314.29, 0.75%, 0.33%

LAB 34.03, 57.58, -22.6

 

CMYK 20 / 0 / 86 / 42

HEX #759315

RGB 117 147 21

HSL 74.29, 0.75%, 0.33%

LAB 56.79, -27.1, 56.17

 

CMYK 86 / 20 / 0 / 42

HEX #157593

RGB 21 117 147

HSL 194.29, 0.75%, 0.33%

LAB 45.62, -15.2, -23.71

 

CMYK 49 / 86 / 0 / 42

HEX #4B1593

RGB 75 21 147

HSL 265.71, 0.75%, 0.33%

LAB 24.13, 50.08, -57.94

 

CMYK 0 / 66 / 86 / 42

HEX #933215

RGB 147 50 21

HSL 13.81, 0.75%, 0.33%

LAB 35.08, 39.47, 38.52

 

CMYK 37 / 0 / 86 / 42

HEX #5C9315

RGB 92 147 21

HSL 86.19, 0.75%, 0.33%

LAB 55.27, -37.12, 54.27

 

CMYK 86 / 20 / 0 / 42

HEX #157593

RGB 21 117 147

HSL 194.29, 0.75%, 0.33%

LAB 45.62, -15.2, -23.71

 

CMYK 23 / 86 / 0 / 42

HEX #711593

RGB 113 21 147

HSL 283.81, 0.75%, 0.33%

LAB 29.8, 55.81, -48.44

 

CMYK 0 / 66 / 86 / 42

HEX #933215

RGB 147 50 21

HSL 13.81, 0.75%, 0.33%

LAB 35.08, 39.47, 38.52

 

CMYK 63 / 0 / 86 / 42

HEX #369315

RGB 54 147 21

HSL 104.29, 0.75%, 0.33%

LAB 53.71, -49.03, 52.29

 

Description

Color code: HEX #157593 | qconv.com Color code: HEX #157593 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 117 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 117 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 20 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 20% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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