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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #155F3F it is the complementary color #EAA0C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #155F3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #155F3F shade: #1A5F3A, #2B714D, #3C8360, #4D9573 and #5EA786

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #155F3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #155F3F shade: #155F3F, #044D2C, #003B19, #002906 and #001700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #155F3F shade: #15603F, #15602B, #156017, #276015 and #3B6015

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #155F3F shade: #15603F, #156053, #155860, #154360 and #152F60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #155F3F shade matches the following richer shades: #15603F, #0B6940 and #027342

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #155F3F shade: #15603F, #1E563E, #284D3D, #31433B and #3B3A3A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #155F3F shade: #156017, #15602B, #15603F, #156053 and #155860

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #155F3F shade: #061C12, #0D3E29, #15603F, #1C8256 and #23A36C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #155F3F shade: #155F3F, #152660 and #602115

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #155F3F shade: #155F3F, #3F1560 and #603F15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #155F3F shade: #155F3F, #152660, #601535 and #604E15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #155F3F shade: #155F3F, #1A1560, #601535 and #5B6015

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 34 / 63

HEX #155F3F

RGB 21 95 63

HSL 154.05, 0.64%, 0.23%

LAB 35.41, -30.57, 12.09

 

Complementary color

CMYK 0 / 32 / 18 / 8

HEX #EAA0C0

RGB 234 160 192

HSL 334.05, 0.64%, 0.77%

LAB 73.83, 32.01, -5.25

 

CMYK 73 / 0 / 39 / 63

HEX #1A5F3A

RGB 26 95 58

HSL 147.83, 0.57%, 0.24%

LAB 35.42, -30.83, 15.15

 

CMYK 62 / 0 / 32 / 56

HEX #2B714D

RGB 43 113 77

HSL 149.14, 0.45%, 0.31%

LAB 42.55, -31.07, 13.61

 

CMYK 54 / 0 / 27 / 49

HEX #3C8360

RGB 60 131 96

HSL 150.42, 0.37%, 0.37%

LAB 49.54, -31.04, 12.27

 

CMYK 48 / 0 / 23 / 42

HEX #4D9573

RGB 77 149 115

HSL 151.67, 0.32%, 0.44%

LAB 56.4, -30.88, 11.09

 

CMYK 44 / 0 / 20 / 35

HEX #5EA786

RGB 94 167 134

HSL 152.88, 0.29%, 0.51%

LAB 63.13, -30.67, 10.03

 

CMYK 78 / 0 / 34 / 63

HEX #155F3F

RGB 21 95 63

HSL 154.05, 0.64%, 0.23%

LAB 35.41, -30.57, 12.09

 

CMYK 95 / 0 / 43 / 70

HEX #044D2C

RGB 4 77 44

HSL 152.88, 0.9%, 0.16%

LAB 28.16, -29.57, 13.89

 

CMYK 100 / 0 / 58 / 77

HEX #003B19

RGB 0 59 25

HSL 145.42, 1%, 0.12%

LAB 20.82, -26.95, 16.13

 

CMYK 100 / 0 / 85 / 84

HEX #002906

RGB 0 41 6

HSL 128.78, 1%, 0.08%

LAB 13.22, -23.17, 16.54

 

CMYK 100 / 0 / 100 / 91

HEX #001700

RGB 0 23 0

HSL 120, 1%, 0.05%

LAB 5.54, -11.31, 8.08

 

CMYK 78 / 0 / 34 / 62

HEX #15603F

RGB 21 96 63

HSL 153.6, 0.64%, 0.23%

LAB 35.76, -31.01, 12.57

 

CMYK 78 / 0 / 55 / 62

HEX #15602B

RGB 21 96 43

HSL 137.6, 0.64%, 0.23%

LAB 35.4, -35.1, 23.81

 

CMYK 78 / 0 / 76 / 62

HEX #156017

RGB 21 96 23

HSL 121.6, 0.64%, 0.23%

LAB 35.18, -37.76, 33.57

 

CMYK 59 / 0 / 78 / 62

HEX #276015

RGB 39 96 21

HSL 105.6, 0.64%, 0.23%

LAB 35.7, -33.57, 35.11

 

CMYK 39 / 0 / 78 / 62

HEX #3B6015

RGB 59 96 21

HSL 89.6, 0.64%, 0.23%

LAB 36.65, -26.51, 36.37

 

CMYK 78 / 0 / 34 / 62

HEX #15603F

RGB 21 96 63

HSL 153.6, 0.64%, 0.23%

LAB 35.76, -31.01, 12.57

 

CMYK 78 / 0 / 14 / 62

HEX #156053

RGB 21 96 83

HSL 169.6, 0.64%, 0.23%

LAB 36.27, -25.63, 1.01

 

CMYK 78 / 8 / 0 / 62

HEX #155860

RGB 21 88 96

HSL 186.4, 0.64%, 0.23%

LAB 33.95, -17.21, -10.55

 

CMYK 78 / 30 / 0 / 62

HEX #154360

RGB 21 67 96

HSL 203.2, 0.64%, 0.23%

LAB 26.79, -4.52, -21.59

 

CMYK 78 / 51 / 0 / 62

HEX #152F60

RGB 21 47 96

HSL 219.2, 0.64%, 0.23%

LAB 20.19, 9.35, -32.06

 

CMYK 78 / 0 / 34 / 62

HEX #15603F

RGB 21 96 63

HSL 153.6, 0.64%, 0.23%

LAB 35.76, -31.01, 12.57

 

CMYK 90 / 0 / 39 / 59

HEX #0B6940

RGB 11 105 64

HSL 153.83, 0.81%, 0.23%

LAB 38.8, -35.87, 16.07

 

CMYK 98 / 0 / 43 / 55

HEX #027342

RGB 2 115 66

HSL 153.98, 0.97%, 0.23%

LAB 42.26, -40.15, 19.48

 

CMYK 78 / 0 / 34 / 62

HEX #15603F

RGB 21 96 63

HSL 153.6, 0.64%, 0.23%

LAB 35.76, -31.01, 12.57

 

CMYK 65 / 0 / 28 / 66

HEX #1E563E

RGB 30 86 62

HSL 154.29, 0.48%, 0.23%

LAB 32.43, -24.82, 8.63

 

CMYK 48 / 0 / 21 / 70

HEX #284D3D

RGB 40 77 61

HSL 154.05, 0.32%, 0.23%

LAB 29.65, -17.64, 5.41

 

CMYK 27 / 0 / 12 / 74

HEX #31433B

RGB 49 67 59

HSL 153.33, 0.16%, 0.23%

LAB 26.69, -9.16, 2.53

 

CMYK 0 / 2 / 2 / 77

HEX #3B3A3A

RGB 59 58 58

HSL 0, 0.01%, 0.23%

LAB 24.52, 0.43, 0.15

 

CMYK 78 / 0 / 76 / 62

HEX #156017

RGB 21 96 23

HSL 121.6, 0.64%, 0.23%

LAB 35.18, -37.76, 33.57

 

CMYK 78 / 0 / 55 / 62

HEX #15602B

RGB 21 96 43

HSL 137.6, 0.64%, 0.23%

LAB 35.4, -35.1, 23.81

 

CMYK 78 / 0 / 34 / 62

HEX #15603F

RGB 21 96 63

HSL 153.6, 0.64%, 0.23%

LAB 35.76, -31.01, 12.57

 

CMYK 78 / 0 / 14 / 62

HEX #156053

RGB 21 96 83

HSL 169.6, 0.64%, 0.23%

LAB 36.27, -25.63, 1.01

 

CMYK 78 / 8 / 0 / 62

HEX #155860

RGB 21 88 96

HSL 186.4, 0.64%, 0.23%

LAB 33.95, -17.21, -10.55

 

CMYK 79 / 0 / 36 / 89

HEX #061C12

RGB 6 28 18

HSL 152.73, 0.65%, 0.07%

LAB 8.24, -10.97, 3.96

 

CMYK 79 / 0 / 34 / 76

HEX #0D3E29

RGB 13 62 41

HSL 154.29, 0.65%, 0.15%

LAB 22.62, -22.09, 8.34

 

CMYK 78 / 0 / 34 / 62

HEX #15603F

RGB 21 96 63

HSL 153.6, 0.64%, 0.23%

LAB 35.76, -31.01, 12.57

 

CMYK 78 / 0 / 34 / 49

HEX #1C8256

RGB 28 130 86

HSL 154.12, 0.65%, 0.31%

LAB 48.11, -39.2, 15.92

 

CMYK 79 / 0 / 34 / 36

HEX #23A36C

RGB 35 163 108

HSL 154.22, 0.65%, 0.39%

LAB 59.56, -46.77, 19.2

 

CMYK 78 / 0 / 34 / 63

HEX #155F3F

RGB 21 95 63

HSL 154.05, 0.64%, 0.23%

LAB 35.41, -30.57, 12.09

 

CMYK 78 / 60 / 0 / 62

HEX #152660

RGB 21 38 96

HSL 226.4, 0.64%, 0.23%

LAB 17.41, 15.96, -36.55

 

CMYK 0 / 66 / 78 / 62

HEX #602115

RGB 96 33 21

HSL 9.6, 0.64%, 0.23%

LAB 22.4, 27.9, 22.72

 

CMYK 78 / 0 / 34 / 63

HEX #155F3F

RGB 21 95 63

HSL 154.05, 0.64%, 0.23%

LAB 35.41, -30.57, 12.09

 

CMYK 34 / 78 / 0 / 62

HEX #3F1560

RGB 63 21 96

HSL 273.6, 0.64%, 0.23%

LAB 17.63, 34.96, -36.01

 

CMYK 0 / 34 / 78 / 62

HEX #603F15

RGB 96 63 21

HSL 33.6, 0.64%, 0.23%

LAB 29.65, 10.14, 30.44

 

CMYK 78 / 0 / 34 / 63

HEX #155F3F

RGB 21 95 63

HSL 154.05, 0.64%, 0.23%

LAB 35.41, -30.57, 12.09

 

CMYK 78 / 60 / 0 / 62

HEX #152660

RGB 21 38 96

HSL 226.4, 0.64%, 0.23%

LAB 17.41, 15.96, -36.55

 

CMYK 0 / 78 / 45 / 62

HEX #601535

RGB 96 21 53

HSL 334.4, 0.64%, 0.23%

LAB 21.13, 36.05, -0.75

 

CMYK 0 / 19 / 78 / 62

HEX #604E15

RGB 96 78 21

HSL 45.6, 0.64%, 0.23%

LAB 33.96, 0.84, 34.76

 

CMYK 78 / 0 / 34 / 63

HEX #155F3F

RGB 21 95 63

HSL 154.05, 0.64%, 0.23%

LAB 35.41, -30.57, 12.09

 

CMYK 73 / 78 / 0 / 62

HEX #1A1560

RGB 26 21 96

HSL 244, 0.64%, 0.23%

LAB 13.23, 28.52, -43.38

 

CMYK 0 / 78 / 45 / 62

HEX #601535

RGB 96 21 53

HSL 334.4, 0.64%, 0.23%

LAB 21.13, 36.05, -0.75

 

CMYK 5 / 0 / 78 / 62

HEX #5B6015

RGB 91 96 21

HSL 64, 0.64%, 0.23%

LAB 38.97, -12.21, 39.42

 

Description

Color code: HEX #155F3F | qconv.com Color code: HEX #155F3F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 95 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 95 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 34 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 34% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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