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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #14CB9E it is the complementary color #EB3461. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #14CB9E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #14CB9E shade: #19CB99, #2ADDAC, #3BEFBF, #4CFFD2 and #5DFFE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #14CB9E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #14CB9E shade: #14CB9E, #03B98B, #00A778, #009565 and #008352

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #14CB9E shade: #14CC9E, #14CC6D, #14CC3B, #1ECC14 and #4FCC14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #14CB9E shade: #14CC9E, #14C7CC, #1496CC, #1464CC and #1432CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #14CB9E shade matches the following richer shades: #14CC9E and #02DEA8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #14CB9E shade: #14CC9E, #26BA95, #38A78C, #4A9583 and #5C837A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #14CB9E shade: #14CC3C, #14CC6D, #14CC9E, #14C9CC and #1498CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #14CB9E shade: #0C8164, #10A681, #14CC9E, #20E9B7 and #46ECC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #14CB9E shade: #14CB9E, #141DCC and #CC5414

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #14CB9E shade: #14CB9E, #9E14CC and #CC9E14

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #14CB9E shade: #14CB9E, #141DCC, #CC1442 and #CCC314

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #14CB9E shade: #14CB9E, #4214CC, #CC1442 and #9ECC14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 22 / 20

HEX #14CB9E

RGB 20 203 158

HSL 165.25, 0.82%, 0.44%

LAB 73.11, -52.12, 10.84

 

Complementary color

CMYK 0 / 78 / 59 / 8

HEX #EB3461

RGB 235 52 97

HSL 345.25, 0.82%, 0.56%

LAB 52.93, 70.09, 19.42

 

CMYK 88 / 0 / 25 / 20

HEX #19CB99

RGB 25 203 153

HSL 163.15, 0.78%, 0.45%

LAB 73.04, -53.05, 13.42

 

CMYK 81 / 0 / 22 / 13

HEX #2ADDAC

RGB 42 221 172

HSL 163.58, 0.72%, 0.52%

LAB 79.15, -54.29, 11.96

 

CMYK 75 / 0 / 20 / 6

HEX #3BEFBF

RGB 59 239 191

HSL 164, 0.85%, 0.58%

LAB 85.21, -55.2, 10.63

 

CMYK 70 / 0 / 18 / 0

HEX #4CFFD2

RGB 76 255 210

HSL 164.92, 1%, 0.65%

LAB 90.65, -55.06, 8.58

 

CMYK 64 / 0 / 10 / 0

HEX #5DFFE5

RGB 93 255 229

HSL 170.37, 1%, 0.68%

LAB 91.46, -48.02, -0.03

 

CMYK 90 / 0 / 22 / 20

HEX #14CB9E

RGB 20 203 158

HSL 165.25, 0.82%, 0.44%

LAB 73.11, -52.12, 10.84

 

CMYK 98 / 0 / 25 / 27

HEX #03B98B

RGB 3 185 139

HSL 164.84, 0.97%, 0.37%

LAB 66.96, -50.38, 12.43

 

CMYK 100 / 0 / 28 / 35

HEX #00A778

RGB 0 167 120

HSL 163.11, 1%, 0.33%

LAB 60.78, -48.07, 14.2

 

CMYK 100 / 0 / 32 / 42

HEX #009565

RGB 0 149 101

HSL 160.67, 1%, 0.29%

LAB 54.48, -45.56, 16.09

 

CMYK 100 / 0 / 37 / 49

HEX #008352

RGB 0 131 82

HSL 157.56, 1%, 0.26%

LAB 48.06, -42.95, 18.08

 

CMYK 90 / 0 / 23 / 20

HEX #14CC9E

RGB 20 204 158

HSL 165, 0.82%, 0.44%

LAB 73.42, -52.52, 11.28

 

CMYK 90 / 0 / 47 / 20

HEX #14CC6D

RGB 20 204 109

HSL 149.02, 0.82%, 0.44%

LAB 72.52, -62.73, 35.71

 

CMYK 90 / 0 / 71 / 20

HEX #14CC3B

RGB 20 204 59

HSL 132.72, 0.82%, 0.44%

LAB 71.99, -69.2, 57.54

 

CMYK 85 / 0 / 90 / 20

HEX #1ECC14

RGB 30 204 20

HSL 116.74, 0.82%, 0.44%

LAB 71.9, -70.71, 68.18

 

CMYK 61 / 0 / 90 / 20

HEX #4FCC14

RGB 79 204 20

HSL 100.76, 0.82%, 0.44%

LAB 72.83, -62.75, 69.33

 

CMYK 90 / 0 / 23 / 20

HEX #14CC9E

RGB 20 204 158

HSL 165, 0.82%, 0.44%

LAB 73.42, -52.52, 11.28

 

CMYK 90 / 2 / 0 / 20

HEX #14C7CC

RGB 20 199 204

HSL 181.63, 0.82%, 0.44%

LAB 73.13, -37.74, -14.06

 

CMYK 90 / 26 / 0 / 20

HEX #1496CC

RGB 20 150 204

HSL 197.61, 0.82%, 0.44%

LAB 58.34, -13, -36.74

 

CMYK 90 / 51 / 0 / 20

HEX #1464CC

RGB 20 100 204

HSL 213.91, 0.82%, 0.44%

LAB 43.69, 17.33, -60.08

 

CMYK 90 / 75 / 0 / 20

HEX #1432CC

RGB 20 50 204

HSL 230.22, 0.82%, 0.44%

LAB 31.32, 49.12, -80.34

 

CMYK 90 / 0 / 23 / 20

HEX #14CC9E

RGB 20 204 158

HSL 165, 0.82%, 0.44%

LAB 73.42, -52.52, 11.28

 

CMYK 99 / 0 / 24 / 13

HEX #02DEA8

RGB 2 222 168

HSL 165.27, 0.98%, 0.44%

LAB 79.09, -57.69, 13.95

 

CMYK 90 / 0 / 23 / 20

HEX #14CC9E

RGB 20 204 158

HSL 165, 0.82%, 0.44%

LAB 73.42, -52.52, 11.28

 

CMYK 80 / 0 / 20 / 27

HEX #26BA95

RGB 38 186 149

HSL 165, 0.66%, 0.44%

LAB 67.8, -46.13, 8.19

 

CMYK 66 / 0 / 16 / 35

HEX #38A78C

RGB 56 167 140

HSL 165.41, 0.5%, 0.44%

LAB 61.97, -37.79, 4.86

 

CMYK 50 / 0 / 12 / 42

HEX #4A9583

RGB 74 149 131

HSL 165.6, 0.34%, 0.44%

LAB 56.67, -27.89, 2.36

 

CMYK 30 / 0 / 7 / 49

HEX #5C837A

RGB 92 131 122

HSL 166.15, 0.17%, 0.44%

LAB 51.74, -15.65, 0.49

 

CMYK 90 / 0 / 71 / 20

HEX #14CC3C

RGB 20 204 60

HSL 133.04, 0.82%, 0.44%

LAB 72, -69.11, 57.17

 

CMYK 90 / 0 / 47 / 20

HEX #14CC6D

RGB 20 204 109

HSL 149.02, 0.82%, 0.44%

LAB 72.52, -62.73, 35.71

 

CMYK 90 / 0 / 23 / 20

HEX #14CC9E

RGB 20 204 158

HSL 165, 0.82%, 0.44%

LAB 73.42, -52.52, 11.28

 

CMYK 90 / 1 / 0 / 20

HEX #14C9CC

RGB 20 201 204

HSL 180.98, 0.82%, 0.44%

LAB 73.73, -38.65, -13.15

 

CMYK 90 / 25 / 0 / 20

HEX #1498CC

RGB 20 152 204

HSL 196.96, 0.82%, 0.44%

LAB 58.94, -14.11, -35.8

 

CMYK 91 / 0 / 22 / 49

HEX #0C8164

RGB 12 129 100

HSL 165.13, 0.83%, 0.28%

LAB 47.88, -36.94, 7.45

 

CMYK 90 / 0 / 22 / 35

HEX #10A681

RGB 16 166 129

HSL 165.2, 0.82%, 0.36%

LAB 60.75, -44.7, 9.18

 

CMYK 90 / 0 / 23 / 20

HEX #14CC9E

RGB 20 204 158

HSL 165, 0.82%, 0.44%

LAB 73.42, -52.52, 11.28

 

CMYK 86 / 0 / 21 / 9

HEX #20E9B7

RGB 32 233 183

HSL 165.07, 0.82%, 0.52%

LAB 82.92, -57.11, 11.5

 

CMYK 70 / 0 / 17 / 7

HEX #46ECC3

RGB 70 236 195

HSL 165.18, 0.81%, 0.6%

LAB 84.6, -51.68, 7.7

 

CMYK 90 / 0 / 22 / 20

HEX #14CB9E

RGB 20 203 158

HSL 165.25, 0.82%, 0.44%

LAB 73.11, -52.12, 10.84

 

CMYK 90 / 86 / 0 / 20

HEX #141DCC

RGB 20 29 204

HSL 237.07, 0.82%, 0.44%

LAB 27.81, 59.37, -86.17

 

CMYK 0 / 59 / 90 / 20

HEX #CC5414

RGB 204 84 20

HSL 20.87, 0.82%, 0.44%

LAB 50.95, 44.88, 55.8

 

CMYK 90 / 0 / 22 / 20

HEX #14CB9E

RGB 20 203 158

HSL 165.25, 0.82%, 0.44%

LAB 73.11, -52.12, 10.84

 

CMYK 23 / 90 / 0 / 20

HEX #9E14CC

RGB 158 20 204

HSL 285, 0.82%, 0.44%

LAB 41.42, 73.92, -63.25

 

CMYK 0 / 23 / 90 / 20

HEX #CC9E14

RGB 204 158 20

HSL 45, 0.82%, 0.44%

LAB 67.53, 5.87, 68.31

 

CMYK 90 / 0 / 22 / 20

HEX #14CB9E

RGB 20 203 158

HSL 165.25, 0.82%, 0.44%

LAB 73.11, -52.12, 10.84

 

CMYK 90 / 86 / 0 / 20

HEX #141DCC

RGB 20 29 204

HSL 237.07, 0.82%, 0.44%

LAB 27.81, 59.37, -86.17

 

CMYK 0 / 90 / 68 / 20

HEX #CC1442

RGB 204 20 66

HSL 345, 0.82%, 0.44%

LAB 43.84, 67.19, 25.31

 

CMYK 0 / 4 / 90 / 20

HEX #CCC314

RGB 204 195 20

HSL 57.07, 0.82%, 0.44%

LAB 77.23, -13.49, 75.82

 

CMYK 90 / 0 / 22 / 20

HEX #14CB9E

RGB 20 203 158

HSL 165.25, 0.82%, 0.44%

LAB 73.11, -52.12, 10.84

 

CMYK 68 / 90 / 0 / 20

HEX #4214CC

RGB 66 20 204

HSL 255, 0.82%, 0.44%

LAB 29.46, 64.26, -83.36

 

CMYK 0 / 90 / 68 / 20

HEX #CC1442

RGB 204 20 66

HSL 345, 0.82%, 0.44%

LAB 43.84, 67.19, 25.31

 

CMYK 23 / 0 / 90 / 20

HEX #9ECC14

RGB 158 204 20

HSL 75, 0.82%, 0.44%

LAB 76.38, -37.02, 73.72

 

Description

Color code: HEX #14CB9E | qconv.com Color code: HEX #14CB9E | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 203 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 203 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 22 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 22% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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