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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #14C033 it is the complementary color #EB3FCC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #14C033. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #14C033 shade: #19C02E, #2AD241, #3BE454, #4CF667 and #5DFF7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #14C033. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #14C033 shade: #14C033, #03AE20, #009C0D, #008A00 and #007800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #14C033 shade: #14C133, #23C114, #52C114, #81C114 and #B0C114

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #14C033 shade: #14C133, #14C162, #14C191, #14C1BF and #1494C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #14C033 shade matches the following richer shades: #14C133 and #03D328

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #14C033 shade: #14C133, #25B03E, #379F49, #488D54 and #597C5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #14C033 shade: #53C114, #25C114, #14C131, #14C15F and #14C18D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #14C033 shade: #0C771F, #109C29, #14C133, #18E63D and #3DEA5D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #14C033 shade: #14C033, #1482C1 and #C1143C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #14C033 shade: #14C033, #3114C1 and #C13114

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #14C033 shade: #14C033, #1482C1, #C114A4 and #C15314

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #14C033 shade: #14C033, #144EC1, #C114A4 and #C18814

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 73 / 25

HEX #14C033

RGB 20 192 51

HSL 130.81, 0.81%, 0.42%

LAB 68.08, -66.35, 56.44

 

Complementary color

CMYK 0 / 73 / 13 / 8

HEX #EB3FCC

RGB 235 63 204

HSL 310.81, 0.81%, 0.58%

LAB 57.63, 77.83, -36.64

 

CMYK 87 / 0 / 76 / 25

HEX #19C02E

RGB 25 192 46

HSL 127.54, 0.77%, 0.43%

LAB 68.1, -66.37, 58.2

 

CMYK 80 / 0 / 69 / 18

HEX #2AD241

RGB 42 210 65

HSL 128.21, 0.67%, 0.49%

LAB 74.17, -68.49, 57.61

 

CMYK 74 / 0 / 63 / 11

HEX #3BE454

RGB 59 228 84

HSL 128.88, 0.76%, 0.56%

LAB 80.21, -69.99, 56.61

 

CMYK 69 / 0 / 58 / 4

HEX #4CF667

RGB 76 246 103

HSL 129.53, 0.9%, 0.63%

LAB 86.22, -71.02, 55.4

 

CMYK 64 / 0 / 52 / 0

HEX #5DFF7A

RGB 93 255 122

HSL 130.74, 1%, 0.68%

LAB 89.51, -68.62, 50.87

 

CMYK 90 / 0 / 73 / 25

HEX #14C033

RGB 20 192 51

HSL 130.81, 0.81%, 0.42%

LAB 68.08, -66.35, 56.44

 

CMYK 98 / 0 / 82 / 32

HEX #03AE20

RGB 3 174 32

HSL 130.18, 0.97%, 0.35%

LAB 61.99, -63.4, 56.63

 

CMYK 100 / 0 / 92 / 39

HEX #009C0D

RGB 0 156 13

HSL 125, 1%, 0.31%

LAB 55.89, -59.32, 55.61

 

CMYK 100 / 0 / 100 / 46

HEX #008A00

RGB 0 138 0

HSL 120, 1%, 0.27%

LAB 49.71, -54.59, 52.69

 

CMYK 100 / 0 / 100 / 53

HEX #007800

RGB 0 120 0

HSL 120, 1%, 0.24%

LAB 43.41, -49.36, 47.64

 

CMYK 90 / 0 / 74 / 24

HEX #14C133

RGB 20 193 51

HSL 130.75, 0.81%, 0.42%

LAB 68.41, -66.65, 56.77

 

CMYK 82 / 0 / 90 / 24

HEX #23C114

RGB 35 193 20

HSL 114.8, 0.81%, 0.42%

LAB 68.42, -67.04, 65.23

 

CMYK 58 / 0 / 90 / 24

HEX #52C114

RGB 82 193 20

HSL 98.5, 0.81%, 0.42%

LAB 69.46, -58.25, 66.52

 

CMYK 33 / 0 / 90 / 24

HEX #81C114

RGB 129 193 20

HSL 82.2, 0.81%, 0.42%

LAB 71.46, -43.3, 69.01

 

CMYK 9 / 0 / 90 / 24

HEX #B0C114

RGB 176 193 20

HSL 65.9, 0.81%, 0.42%

LAB 74.46, -24.49, 72.69

 

CMYK 90 / 0 / 74 / 24

HEX #14C133

RGB 20 193 51

HSL 130.75, 0.81%, 0.42%

LAB 68.41, -66.65, 56.77

 

CMYK 90 / 0 / 49 / 24

HEX #14C162

RGB 20 193 98

HSL 147.05, 0.81%, 0.42%

LAB 68.87, -60.89, 36.61

 

CMYK 90 / 0 / 25 / 24

HEX #14C191

RGB 20 193 145

HSL 163.35, 0.81%, 0.42%

LAB 69.71, -51.35, 13.04

 

CMYK 90 / 0 / 1 / 24

HEX #14C1BF

RGB 20 193 191

HSL 179.31, 0.81%, 0.42%

LAB 70.91, -38.91, -10.3

 

CMYK 90 / 23 / 0 / 24

HEX #1494C1

RGB 20 148 193

HSL 195.61, 0.81%, 0.42%

LAB 57.25, -15.86, -32.24

 

CMYK 90 / 0 / 74 / 24

HEX #14C133

RGB 20 193 51

HSL 130.75, 0.81%, 0.42%

LAB 68.41, -66.65, 56.77

 

CMYK 99 / 0 / 81 / 17

HEX #03D328

RGB 3 211 40

HSL 130.67, 0.97%, 0.42%

LAB 74.04, -73.32, 65.66

 

CMYK 90 / 0 / 74 / 24

HEX #14C133

RGB 20 193 51

HSL 130.75, 0.81%, 0.42%

LAB 68.41, -66.65, 56.77

 

CMYK 79 / 0 / 65 / 31

HEX #25B03E

RGB 37 176 62

HSL 130.79, 0.65%, 0.42%

LAB 63.17, -58.67, 46.9

 

CMYK 65 / 0 / 54 / 38

HEX #379F49

RGB 55 159 73

HSL 130.38, 0.49%, 0.42%

LAB 58.12, -48.24, 35.97

 

CMYK 49 / 0 / 40 / 45

HEX #488D54

RGB 72 141 84

HSL 130.43, 0.32%, 0.42%

LAB 53.02, -34.73, 23.85

 

CMYK 28 / 0 / 23 / 51

HEX #597C5F

RGB 89 124 95

HSL 130.29, 0.16%, 0.42%

LAB 48.72, -18.77, 11.92

 

CMYK 57 / 0 / 90 / 24

HEX #53C114

RGB 83 193 20

HSL 98.15, 0.81%, 0.42%

LAB 69.49, -57.99, 66.56

 

CMYK 81 / 0 / 90 / 24

HEX #25C114

RGB 37 193 20

HSL 114.1, 0.81%, 0.42%

LAB 68.45, -66.81, 65.26

 

CMYK 90 / 0 / 75 / 24

HEX #14C131

RGB 20 193 49

HSL 130.06, 0.81%, 0.42%

LAB 68.4, -66.81, 57.46

 

CMYK 90 / 0 / 51 / 24

HEX #14C15F

RGB 20 193 95

HSL 146.01, 0.81%, 0.42%

LAB 68.83, -61.37, 38.05

 

CMYK 90 / 0 / 27 / 24

HEX #14C18D

RGB 20 193 141

HSL 161.97, 0.81%, 0.42%

LAB 69.62, -52.29, 15.08

 

CMYK 90 / 0 / 74 / 53

HEX #0C771F

RGB 12 119 31

HSL 130.65, 0.82%, 0.26%

LAB 43.32, -46.13, 38.63

 

CMYK 90 / 0 / 74 / 39

HEX #109C29

RGB 16 156 41

HSL 130.71, 0.81%, 0.34%

LAB 56.14, -56.64, 47.92

 

CMYK 90 / 0 / 74 / 24

HEX #14C133

RGB 20 193 51

HSL 130.75, 0.81%, 0.42%

LAB 68.41, -66.65, 56.77

 

CMYK 90 / 0 / 73 / 10

HEX #18E63D

RGB 24 230 61

HSL 130.78, 0.81%, 0.5%

LAB 80.25, -76.28, 65.28

 

CMYK 74 / 0 / 60 / 8

HEX #3DEA5D

RGB 61 234 93

HSL 131.1, 0.8%, 0.58%

LAB 82.18, -70.62, 55.01

 

CMYK 90 / 0 / 73 / 25

HEX #14C033

RGB 20 192 51

HSL 130.81, 0.81%, 0.42%

LAB 68.08, -66.35, 56.44

 

CMYK 90 / 33 / 0 / 24

HEX #1482C1

RGB 20 130 193

HSL 201.85, 0.81%, 0.42%

LAB 51.8, -5.65, -40.79

 

CMYK 0 / 90 / 69 / 24

HEX #C1143C

RGB 193 20 60

HSL 346.13, 0.81%, 0.42%

LAB 41.48, 64.1, 25.58

 

CMYK 90 / 0 / 73 / 25

HEX #14C033

RGB 20 192 51

HSL 130.81, 0.81%, 0.42%

LAB 68.08, -66.35, 56.44

 

CMYK 75 / 90 / 0 / 24

HEX #3114C1

RGB 49 20 193

HSL 250.06, 0.81%, 0.42%

LAB 26.74, 60.46, -81.45

 

CMYK 0 / 75 / 90 / 24

HEX #C13114

RGB 193 49 20

HSL 10.06, 0.81%, 0.42%

LAB 43.63, 55.52, 49.52

 

CMYK 90 / 0 / 73 / 25

HEX #14C033

RGB 20 192 51

HSL 130.81, 0.81%, 0.42%

LAB 68.08, -66.35, 56.44

 

CMYK 90 / 33 / 0 / 24

HEX #1482C1

RGB 20 130 193

HSL 201.85, 0.81%, 0.42%

LAB 51.8, -5.65, -40.79

 

CMYK 0 / 90 / 15 / 24

HEX #C114A4

RGB 193 20 164

HSL 310.06, 0.81%, 0.42%

LAB 44.97, 73.6, -33.69

 

CMYK 0 / 57 / 90 / 24

HEX #C15314

RGB 193 83 20

HSL 21.85, 0.81%, 0.42%

LAB 48.98, 41.19, 53.52

 

CMYK 90 / 0 / 73 / 25

HEX #14C033

RGB 20 192 51

HSL 130.81, 0.81%, 0.42%

LAB 68.08, -66.35, 56.44

 

CMYK 90 / 60 / 0 / 24

HEX #144EC1

RGB 20 78 193

HSL 219.88, 0.81%, 0.42%

LAB 36.83, 27.48, -64.85

 

CMYK 0 / 90 / 15 / 24

HEX #C114A4

RGB 193 20 164

HSL 310.06, 0.81%, 0.42%

LAB 44.97, 73.6, -33.69

 

CMYK 0 / 30 / 90 / 24

HEX #C18814

RGB 193 136 20

HSL 40.23, 0.81%, 0.42%

LAB 60.78, 12.95, 62.57

 

Description

Color code: HEX #14C033 | qconv.com Color code: HEX #14C033 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 192 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 192 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 73 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 73% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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