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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #14BC32 it is the complementary color #EB43CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #14BC32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #14BC32 shade: #19BC2D, #2ACE40, #3BE053, #4CF266 and #5DFF79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #14BC32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #14BC32 shade: #14BC32, #03AA1F, #00980C, #008600 and #007400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #14BC32 shade: #13BD32, #23BD13, #50BD13, #7EBD13 and #ACBD13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #14BC32 shade: #13BD32, #13BD5F, #13BD8D, #13BDBB and #1391BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #14BC32 shade matches the following richer shades: #13BD32 and #02CE27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #14BC32 shade: #13BD32, #24AC3C, #359B47, #468A52 and #57795D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #14BC32 shade: #51BD13, #24BD13, #13BD30, #13BD5D and #13BD8A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #14BC32 shade: #0C721E, #0F9728, #13BD32, #17E23B and #39EA58

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #14BC32 shade: #14BC32, #137FBD and #BD133B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #14BC32 shade: #14BC32, #3013BD and #BD3013

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #14BC32 shade: #14BC32, #137FBD, #BD13A1 and #BD5113

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #14BC32 shade: #14BC32, #134CBD, #BD13A1 and #BD8413

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 73 / 26

HEX #14BC32

RGB 20 188 50

HSL 130.71, 0.81%, 0.41%

LAB 66.78, -65.25, 55.48

 

Complementary color

CMYK 0 / 71 / 13 / 8

HEX #EB43CD

RGB 235 67 205

HSL 310.71, 0.81%, 0.59%

LAB 58.12, 76.72, -36.45

 

CMYK 87 / 0 / 76 / 26

HEX #19BC2D

RGB 25 188 45

HSL 127.36, 0.77%, 0.42%

LAB 66.8, -65.26, 57.25

 

CMYK 80 / 0 / 69 / 19

HEX #2ACE40

RGB 42 206 64

HSL 128.05, 0.66%, 0.49%

LAB 72.9, -67.35, 56.65

 

CMYK 74 / 0 / 63 / 12

HEX #3BE053

RGB 59 224 83

HSL 128.73, 0.73%, 0.55%

LAB 78.96, -68.82, 55.63

 

CMYK 69 / 0 / 58 / 5

HEX #4CF266

RGB 76 242 102

HSL 129.4, 0.86%, 0.62%

LAB 85, -69.82, 54.41

 

CMYK 64 / 0 / 53 / 0

HEX #5DFF79

RGB 93 255 121

HSL 130.37, 1%, 0.68%

LAB 89.5, -68.76, 51.31

 

CMYK 89 / 0 / 73 / 26

HEX #14BC32

RGB 20 188 50

HSL 130.71, 0.81%, 0.41%

LAB 66.78, -65.25, 55.48

 

CMYK 98 / 0 / 82 / 33

HEX #03AA1F

RGB 3 170 31

HSL 130.06, 0.97%, 0.34%

LAB 60.66, -62.31, 55.67

 

CMYK 100 / 0 / 92 / 40

HEX #00980C

RGB 0 152 12

HSL 124.74, 1%, 0.3%

LAB 54.54, -58.22, 54.62

 

CMYK 100 / 0 / 100 / 47

HEX #008600

RGB 0 134 0

HSL 120, 1%, 0.26%

LAB 48.32, -53.44, 51.58

 

CMYK 100 / 0 / 100 / 55

HEX #007400

RGB 0 116 0

HSL 120, 1%, 0.23%

LAB 41.99, -48.17, 46.5

 

CMYK 90 / 0 / 74 / 26

HEX #13BD32

RGB 19 189 50

HSL 130.94, 0.82%, 0.41%

LAB 67.1, -65.62, 55.8

 

CMYK 81 / 0 / 90 / 26

HEX #23BD13

RGB 35 189 19

HSL 114.35, 0.82%, 0.41%

LAB 67.13, -65.91, 64.29

 

CMYK 58 / 0 / 90 / 26

HEX #50BD13

RGB 80 189 19

HSL 98.47, 0.82%, 0.41%

LAB 68.13, -57.39, 65.55

 

CMYK 33 / 0 / 90 / 26

HEX #7EBD13

RGB 126 189 19

HSL 82.24, 0.82%, 0.41%

LAB 70.09, -42.72, 67.98

 

CMYK 9 / 0 / 90 / 26

HEX #ACBD13

RGB 172 189 19

HSL 66, 0.82%, 0.41%

LAB 73.03, -24.26, 71.59

 

CMYK 90 / 0 / 74 / 26

HEX #13BD32

RGB 19 189 50

HSL 130.94, 0.82%, 0.41%

LAB 67.1, -65.62, 55.8

 

CMYK 90 / 0 / 50 / 26

HEX #13BD5F

RGB 19 189 95

HSL 146.82, 0.82%, 0.41%

LAB 67.55, -60.11, 36.44

 

CMYK 90 / 0 / 25 / 26

HEX #13BD8D

RGB 19 189 141

HSL 163.06, 0.82%, 0.41%

LAB 68.36, -50.79, 13.31

 

CMYK 90 / 0 / 1 / 26

HEX #13BDBB

RGB 19 189 187

HSL 179.29, 0.82%, 0.41%

LAB 69.56, -38.33, -10.12

 

CMYK 90 / 23 / 0 / 26

HEX #1391BD

RGB 19 145 189

HSL 195.53, 0.82%, 0.41%

LAB 56.15, -15.7, -31.69

 

CMYK 90 / 0 / 74 / 26

HEX #13BD32

RGB 19 189 50

HSL 130.94, 0.82%, 0.41%

LAB 67.1, -65.62, 55.8

 

CMYK 99 / 0 / 81 / 19

HEX #02CE27

RGB 2 206 39

HSL 130.88, 0.98%, 0.41%

LAB 72.43, -72.03, 64.43

 

CMYK 90 / 0 / 74 / 26

HEX #13BD32

RGB 19 189 50

HSL 130.94, 0.82%, 0.41%

LAB 67.1, -65.62, 55.8

 

CMYK 79 / 0 / 65 / 33

HEX #24AC3C

RGB 36 172 60

HSL 130.59, 0.65%, 0.41%

LAB 61.83, -57.71, 46.28

 

CMYK 66 / 0 / 54 / 39

HEX #359B47

RGB 53 155 71

HSL 130.59, 0.49%, 0.41%

LAB 56.74, -47.42, 35.28

 

CMYK 49 / 0 / 41 / 46

HEX #468A52

RGB 70 138 82

HSL 130.59, 0.33%, 0.41%

LAB 51.94, -34.31, 23.51

 

CMYK 28 / 0 / 23 / 53

HEX #57795D

RGB 87 121 93

HSL 130.59, 0.16%, 0.41%

LAB 47.61, -18.28, 11.53

 

CMYK 57 / 0 / 90 / 26

HEX #51BD13

RGB 81 189 19

HSL 98.12, 0.82%, 0.41%

LAB 68.16, -57.13, 65.59

 

CMYK 81 / 0 / 90 / 26

HEX #24BD13

RGB 36 189 19

HSL 114, 0.82%, 0.41%

LAB 67.14, -65.79, 64.31

 

CMYK 90 / 0 / 75 / 26

HEX #13BD30

RGB 19 189 48

HSL 130.24, 0.82%, 0.41%

LAB 67.09, -65.78, 56.5

 

CMYK 90 / 0 / 51 / 26

HEX #13BD5D

RGB 19 189 93

HSL 146.12, 0.82%, 0.41%

LAB 67.52, -60.43, 37.41

 

CMYK 90 / 0 / 27 / 26

HEX #13BD8A

RGB 19 189 138

HSL 162, 0.82%, 0.41%

LAB 68.29, -51.51, 14.85

 

CMYK 89 / 0 / 74 / 55

HEX #0C721E

RGB 12 114 30

HSL 130.59, 0.81%, 0.25%

LAB 41.54, -44.58, 37.19

 

CMYK 90 / 0 / 74 / 41

HEX #0F9728

RGB 15 151 40

HSL 131.03, 0.82%, 0.33%

LAB 54.44, -55.26, 46.56

 

CMYK 90 / 0 / 74 / 26

HEX #13BD32

RGB 19 189 50

HSL 130.94, 0.82%, 0.41%

LAB 67.1, -65.62, 55.8

 

CMYK 90 / 0 / 74 / 11

HEX #17E23B

RGB 23 226 59

HSL 130.64, 0.82%, 0.49%

LAB 78.98, -75.36, 64.67

 

CMYK 76 / 0 / 62 / 8

HEX #39EA58

RGB 57 234 88

HSL 130.51, 0.81%, 0.57%

LAB 82.07, -71.73, 57

 

CMYK 89 / 0 / 73 / 26

HEX #14BC32

RGB 20 188 50

HSL 130.71, 0.81%, 0.41%

LAB 66.78, -65.25, 55.48

 

CMYK 90 / 33 / 0 / 26

HEX #137FBD

RGB 19 127 189

HSL 201.88, 0.82%, 0.41%

LAB 50.68, -5.45, -40.27

 

CMYK 0 / 90 / 69 / 26

HEX #BD133B

RGB 189 19 59

HSL 345.88, 0.82%, 0.41%

LAB 40.57, 63.18, 24.9

 

CMYK 89 / 0 / 73 / 26

HEX #14BC32

RGB 20 188 50

HSL 130.71, 0.81%, 0.41%

LAB 66.78, -65.25, 55.48

 

CMYK 75 / 90 / 0 / 26

HEX #3013BD

RGB 48 19 189

HSL 250.24, 0.82%, 0.41%

LAB 26.06, 59.64, -80.22

 

CMYK 0 / 75 / 90 / 26

HEX #BD3013

RGB 189 48 19

HSL 10.24, 0.82%, 0.41%

LAB 42.73, 54.58, 48.91

 

CMYK 89 / 0 / 73 / 26

HEX #14BC32

RGB 20 188 50

HSL 130.71, 0.81%, 0.41%

LAB 66.78, -65.25, 55.48

 

CMYK 90 / 33 / 0 / 26

HEX #137FBD

RGB 19 127 189

HSL 201.88, 0.82%, 0.41%

LAB 50.68, -5.45, -40.27

 

CMYK 0 / 90 / 15 / 26

HEX #BD13A1

RGB 189 19 161

HSL 309.88, 0.82%, 0.41%

LAB 44.03, 72.57, -33.42

 

CMYK 0 / 57 / 90 / 26

HEX #BD5113

RGB 189 81 19

HSL 21.88, 0.82%, 0.41%

LAB 47.94, 40.61, 52.79

 

CMYK 89 / 0 / 73 / 26

HEX #14BC32

RGB 20 188 50

HSL 130.71, 0.81%, 0.41%

LAB 66.78, -65.25, 55.48

 

CMYK 90 / 60 / 0 / 26

HEX #134CBD

RGB 19 76 189

HSL 219.88, 0.82%, 0.41%

LAB 35.95, 27.18, -63.95

 

CMYK 0 / 90 / 15 / 26

HEX #BD13A1

RGB 189 19 161

HSL 309.88, 0.82%, 0.41%

LAB 44.03, 72.57, -33.42

 

CMYK 0 / 30 / 90 / 26

HEX #BD8413

RGB 189 132 19

HSL 39.88, 0.82%, 0.41%

LAB 59.31, 13.35, 61.47

 

Description

Color code: HEX #14BC32 | qconv.com Color code: HEX #14BC32 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 188 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 188 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 73 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 73% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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