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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #14B9B2 it is the complementary color #EB464D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #14B9B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #14B9B2 shade: #19B9AD, #2ACBC0, #3BDDD3, #4CEFE6 and #5DFFF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #14B9B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #14B9B2 shade: #14B9B2, #03A79F, #00958C, #008379 and #007166

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #14B9B2 shade: #14B7B0, #14B784, #14B758, #14B72C and #28B714

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #14B9B2 shade: #14B7B0, #1492B7, #1466B7, #143AB7 and #1414B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #14B9B2 shade matches the following richer shades: #14B7B0 and #03C8BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #14B9B2 shade: #14B7B0, #24A7A1, #359692, #458683 and #567574

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #14B9B2 shade: #14B758, #14B783, #14B7AF, #1494B7 and #1468B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #14B9B2 shade: #0C6D69, #10928C, #14B7B0, #18DCD4 and #35E8E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #14B9B2 shade: #14B9B2, #2C14B7 and #B76E14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #14B9B2 shade: #14B9B2, #AF14B7 and #B7AF14

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #14B9B2 shade: #14B9B2, #2C14B7, #B7141C and #9FB714

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #14B9B2 shade: #14B9B2, #5D14B7, #B7141C and #6EB714

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 4 / 27

HEX #14B9B2

RGB 20 185 178

HSL 177.45, 0.8%, 0.4%

LAB 68.07, -39.14, -7.39

 

Complementary color

CMYK 0 / 70 / 67 / 8

HEX #EB464D

RGB 235 70 77

HSL 357.45, 0.8%, 0.6%

LAB 54.64, 63.2, 33.43

 

CMYK 86 / 0 / 6 / 27

HEX #19B9AD

RGB 25 185 173

HSL 175.5, 0.76%, 0.41%

LAB 67.96, -40.3, -4.79

 

CMYK 79 / 0 / 5 / 20

HEX #2ACBC0

RGB 42 203 192

HSL 175.9, 0.66%, 0.48%

LAB 74.2, -41.58, -5.93

 

CMYK 73 / 0 / 5 / 13

HEX #3BDDD3

RGB 59 221 211

HSL 176.3, 0.7%, 0.55%

LAB 80.37, -42.54, -6.96

 

CMYK 68 / 0 / 4 / 6

HEX #4CEFE6

RGB 76 239 230

HSL 176.69, 0.84%, 0.62%

LAB 86.5, -43.26, -7.9

 

CMYK 64 / 0 / 2 / 0

HEX #5DFFF9

RGB 93 255 249

HSL 177.78, 1%, 0.68%

LAB 91.99, -42.92, -9.61

 

CMYK 89 / 0 / 4 / 27

HEX #14B9B2

RGB 20 185 178

HSL 177.45, 0.8%, 0.4%

LAB 68.07, -39.14, -7.39

 

CMYK 98 / 0 / 5 / 35

HEX #03A79F

RGB 3 167 159

HSL 177.07, 0.96%, 0.33%

LAB 61.79, -37.35, -6.14

 

CMYK 100 / 0 / 6 / 42

HEX #00958C

RGB 0 149 140

HSL 176.38, 1%, 0.29%

LAB 55.47, -35, -4.73

 

CMYK 100 / 0 / 8 / 49

HEX #008379

RGB 0 131 121

HSL 175.42, 1%, 0.26%

LAB 49.02, -32.49, -3.22

 

CMYK 100 / 0 / 10 / 56

HEX #007166

RGB 0 113 102

HSL 174.16, 1%, 0.22%

LAB 42.41, -29.93, -1.65

 

CMYK 89 / 0 / 4 / 28

HEX #14B7B0

RGB 20 183 176

HSL 177.42, 0.8%, 0.4%

LAB 67.39, -38.83, -7.29

 

CMYK 89 / 0 / 28 / 28

HEX #14B784

RGB 20 183 132

HSL 161.23, 0.8%, 0.4%

LAB 66.28, -50.52, 15.3

 

CMYK 89 / 0 / 52 / 28

HEX #14B758

RGB 20 183 88

HSL 145.03, 0.8%, 0.4%

LAB 65.53, -59.16, 37.43

 

CMYK 89 / 0 / 76 / 28

HEX #14B72C

RGB 20 183 44

HSL 128.83, 0.8%, 0.4%

LAB 65.12, -64.25, 55.91

 

CMYK 78 / 0 / 89 / 28

HEX #28B714

RGB 40 183 20

HSL 112.64, 0.8%, 0.4%

LAB 65.25, -63.45, 62.53

 

CMYK 89 / 0 / 4 / 28

HEX #14B7B0

RGB 20 183 176

HSL 177.42, 0.8%, 0.4%

LAB 67.39, -38.83, -7.29

 

CMYK 89 / 20 / 0 / 28

HEX #1492B7

RGB 20 146 183

HSL 193.62, 0.8%, 0.4%

LAB 56.21, -18.32, -28.18

 

CMYK 89 / 44 / 0 / 28

HEX #1466B7

RGB 20 102 183

HSL 209.82, 0.8%, 0.4%

LAB 42.87, 7.69, -49.23

 

CMYK 89 / 68 / 0 / 28

HEX #143AB7

RGB 20 58 183

HSL 226.01, 0.8%, 0.4%

LAB 30.86, 36.76, -68.76

 

CMYK 89 / 89 / 0 / 28

HEX #1414B7

RGB 20 20 183

HSL 240, 0.8%, 0.4%

LAB 23.89, 56.66, -80.31

 

CMYK 89 / 0 / 4 / 28

HEX #14B7B0

RGB 20 183 176

HSL 177.42, 0.8%, 0.4%

LAB 67.39, -38.83, -7.29

 

CMYK 99 / 0 / 5 / 22

HEX #03C8BF

RGB 3 200 191

HSL 177.26, 0.97%, 0.4%

LAB 72.95, -42.61, -7.26

 

CMYK 89 / 0 / 4 / 28

HEX #14B7B0

RGB 20 183 176

HSL 177.42, 0.8%, 0.4%

LAB 67.39, -38.83, -7.29

 

CMYK 78 / 0 / 4 / 35

HEX #24A7A1

RGB 36 167 161

HSL 177.25, 0.65%, 0.4%

LAB 62.16, -34.71, -6.69

 

CMYK 65 / 0 / 3 / 41

HEX #359692

RGB 53 150 146

HSL 177.53, 0.48%, 0.4%

LAB 56.73, -28.69, -6.22

 

CMYK 49 / 0 / 2 / 47

HEX #458683

RGB 69 134 131

HSL 177.23, 0.32%, 0.4%

LAB 51.79, -21.52, -4.82

 

CMYK 26 / 0 / 1 / 54

HEX #567574

RGB 86 117 116

HSL 178.06, 0.15%, 0.4%

LAB 46.92, -11.31, -3.08

 

CMYK 89 / 0 / 52 / 28

HEX #14B758

RGB 20 183 88

HSL 145.03, 0.8%, 0.4%

LAB 65.53, -59.16, 37.43

 

CMYK 89 / 0 / 28 / 28

HEX #14B783

RGB 20 183 131

HSL 160.86, 0.8%, 0.4%

LAB 66.26, -50.75, 15.81

 

CMYK 89 / 0 / 4 / 28

HEX #14B7AF

RGB 20 183 175

HSL 177.06, 0.8%, 0.4%

LAB 67.36, -39.12, -6.79

 

CMYK 89 / 19 / 0 / 28

HEX #1494B7

RGB 20 148 183

HSL 192.88, 0.8%, 0.4%

LAB 56.83, -19.4, -27.23

 

CMYK 89 / 43 / 0 / 28

HEX #1468B7

RGB 20 104 183

HSL 209.08, 0.8%, 0.4%

LAB 43.46, 6.41, -48.28

 

CMYK 89 / 0 / 4 / 57

HEX #0C6D69

RGB 12 109 105

HSL 177.53, 0.8%, 0.24%

LAB 41.27, -26.2, -5.14

 

CMYK 89 / 0 / 4 / 43

HEX #10928C

RGB 16 146 140

HSL 177.23, 0.8%, 0.32%

LAB 54.62, -32.83, -5.98

 

CMYK 89 / 0 / 4 / 28

HEX #14B7B0

RGB 20 183 176

HSL 177.42, 0.8%, 0.4%

LAB 67.39, -38.83, -7.29

 

CMYK 89 / 0 / 4 / 14

HEX #18DCD4

RGB 24 220 212

HSL 177.55, 0.8%, 0.48%

LAB 79.69, -44.59, -8.55

 

CMYK 77 / 0 / 3 / 9

HEX #35E8E1

RGB 53 232 225

HSL 177.65, 0.8%, 0.56%

LAB 83.92, -44.14, -9.14

 

CMYK 89 / 0 / 4 / 27

HEX #14B9B2

RGB 20 185 178

HSL 177.45, 0.8%, 0.4%

LAB 68.07, -39.14, -7.39

 

CMYK 76 / 89 / 0 / 28

HEX #2C14B7

RGB 44 20 183

HSL 248.83, 0.8%, 0.4%

LAB 25.12, 57.5, -78.23

 

CMYK 0 / 40 / 89 / 28

HEX #B76E14

RGB 183 110 20

HSL 33.13, 0.8%, 0.4%

LAB 53.24, 22.88, 56.17

 

CMYK 89 / 0 / 4 / 27

HEX #14B9B2

RGB 20 185 178

HSL 177.45, 0.8%, 0.4%

LAB 68.07, -39.14, -7.39

 

CMYK 4 / 89 / 0 / 28

HEX #AF14B7

RGB 175 20 183

HSL 297.06, 0.8%, 0.4%

LAB 42.81, 73.04, -48.58

 

CMYK 0 / 4 / 89 / 28

HEX #B7AF14

RGB 183 175 20

HSL 57.06, 0.8%, 0.4%

LAB 70.02, -12.45, 69.4

 

CMYK 89 / 0 / 4 / 27

HEX #14B9B2

RGB 20 185 178

HSL 177.45, 0.8%, 0.4%

LAB 68.07, -39.14, -7.39

 

CMYK 76 / 89 / 0 / 28

HEX #2C14B7

RGB 44 20 183

HSL 248.83, 0.8%, 0.4%

LAB 25.12, 57.5, -78.23

 

CMYK 0 / 89 / 85 / 28

HEX #B7141C

RGB 183 20 28

HSL 357.06, 0.8%, 0.4%

LAB 38.99, 60.32, 41.16

 

CMYK 13 / 0 / 89 / 28

HEX #9FB714

RGB 159 183 20

HSL 68.83, 0.8%, 0.4%

LAB 70.38, -26.82, 68.89

 

CMYK 89 / 0 / 4 / 27

HEX #14B9B2

RGB 20 185 178

HSL 177.45, 0.8%, 0.4%

LAB 68.07, -39.14, -7.39

 

CMYK 49 / 89 / 0 / 28

HEX #5D14B7

RGB 93 20 183

HSL 266.87, 0.8%, 0.4%

LAB 30.03, 61.27, -69.96

 

CMYK 0 / 89 / 85 / 28

HEX #B7141C

RGB 183 20 28

HSL 357.06, 0.8%, 0.4%

LAB 38.99, 60.32, 41.16

 

CMYK 40 / 0 / 89 / 28

HEX #6EB714

RGB 110 183 20

HSL 86.87, 0.8%, 0.4%

LAB 67.45, -45.93, 65.28

 

Description

Color code: HEX #14B9B2 | qconv.com Color code: HEX #14B9B2 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 185 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 185 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 4 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 4% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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