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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #14B772 it is the complementary color #EB488D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #14B772. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #14B772 shade: #19B76D, #2AC980, #3BDB93, #4CEDA6 and #5DFFB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #14B772. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #14B772 shade: #14B772, #03A55F, #00934C, #008139 and #006F26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #14B772 shade: #14B772, #14B746, #14B71A, #3AB714 and #66B714

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #14B772 shade: #14B772, #14B79E, #14A4B7, #1478B7 and #144CB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #14B772 shade matches the following richer shades: #14B772 and #03C875

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #14B772 shade: #14B772, #24A76F, #35966D, #45866A and #567568

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #14B772 shade: #14B719, #14B745, #14B770, #14B79C and #14A7B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #14B772 shade: #0C6D44, #10925B, #14B772, #18DC89 and #35E89C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #14B772 shade: #14B772, #143AB7 and #B72F14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #14B772 shade: #14B772, #7014B7 and #B77014

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #14B772 shade: #14B772, #143AB7, #B7145B and #B79114

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #14B772 shade: #14B772, #1F14B7, #B7145B and #ACB714

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 38 / 28

HEX #14B772

RGB 20 183 114

HSL 154.6, 0.8%, 0.4%

LAB 65.93, -54.46, 24.52

 

Complementary color

CMYK 0 / 69 / 40 / 8

HEX #EB488D

RGB 235 72 141

HSL 334.6, 0.8%, 0.6%

LAB 56.31, 67.3, -2.05

 

CMYK 86 / 0 / 40 / 28

HEX #19B76D

RGB 25 183 109

HSL 151.9, 0.76%, 0.41%

LAB 65.89, -55.1, 27.12

 

CMYK 79 / 0 / 36 / 21

HEX #2AC980

RGB 42 201 128

HSL 152.45, 0.65%, 0.48%

LAB 72.11, -56.31, 25.46

 

CMYK 73 / 0 / 33 / 14

HEX #3BDB93

RGB 59 219 147

HSL 153, 0.69%, 0.55%

LAB 78.29, -57.12, 23.93

 

CMYK 68 / 0 / 30 / 7

HEX #4CEDA6

RGB 76 237 166

HSL 153.54, 0.82%, 0.61%

LAB 84.41, -57.65, 22.53

 

CMYK 64 / 0 / 27 / 0

HEX #5DFFB9

RGB 93 255 185

HSL 154.07, 1%, 0.68%

LAB 90.48, -57.97, 21.24

 

CMYK 89 / 0 / 38 / 28

HEX #14B772

RGB 20 183 114

HSL 154.6, 0.8%, 0.4%

LAB 65.93, -54.46, 24.52

 

CMYK 98 / 0 / 42 / 35

HEX #03A55F

RGB 3 165 95

HSL 154.07, 0.96%, 0.33%

LAB 59.67, -52.64, 26.34

 

CMYK 100 / 0 / 48 / 42

HEX #00934C

RGB 0 147 76

HSL 151.02, 1%, 0.29%

LAB 53.37, -50.03, 28.34

 

CMYK 100 / 0 / 56 / 49

HEX #008139

RGB 0 129 57

HSL 146.51, 1%, 0.25%

LAB 46.97, -47.05, 30.38

 

CMYK 100 / 0 / 66 / 56

HEX #006F26

RGB 0 111 38

HSL 140.54, 1%, 0.22%

LAB 40.42, -43.74, 32.29

 

CMYK 89 / 0 / 38 / 28

HEX #14B772

RGB 20 183 114

HSL 154.6, 0.8%, 0.4%

LAB 65.93, -54.46, 24.52

 

CMYK 89 / 0 / 62 / 28

HEX #14B746

RGB 20 183 70

HSL 138.4, 0.8%, 0.4%

LAB 65.32, -61.67, 45.73

 

CMYK 89 / 0 / 86 / 28

HEX #14B71A

RGB 20 183 26

HSL 122.21, 0.8%, 0.4%

LAB 65.03, -65.33, 60.99

 

CMYK 68 / 0 / 89 / 28

HEX #3AB714

RGB 58 183 20

HSL 106.01, 0.8%, 0.4%

LAB 65.61, -60.4, 62.97

 

CMYK 44 / 0 / 89 / 28

HEX #66B714

RGB 102 183 20

HSL 89.82, 0.8%, 0.4%

LAB 67.08, -48.63, 64.82

 

CMYK 89 / 0 / 38 / 28

HEX #14B772

RGB 20 183 114

HSL 154.6, 0.8%, 0.4%

LAB 65.93, -54.46, 24.52

 

CMYK 89 / 0 / 14 / 28

HEX #14B79E

RGB 20 183 158

HSL 170.8, 0.8%, 0.4%

LAB 66.89, -43.93, 1.91

 

CMYK 89 / 10 / 0 / 28

HEX #14A4B7

RGB 20 164 183

HSL 186.99, 0.8%, 0.4%

LAB 61.76, -27.65, -19.67

 

CMYK 89 / 34 / 0 / 28

HEX #1478B7

RGB 20 120 183

HSL 203.19, 0.8%, 0.4%

LAB 48.26, -3.51, -40.64

 

CMYK 89 / 58 / 0 / 28

HEX #144CB7

RGB 20 76 183

HSL 219.39, 0.8%, 0.4%

LAB 35.47, 24.86, -61.2

 

CMYK 89 / 0 / 38 / 28

HEX #14B772

RGB 20 183 114

HSL 154.6, 0.8%, 0.4%

LAB 65.93, -54.46, 24.52

 

CMYK 99 / 0 / 42 / 22

HEX #03C875

RGB 3 200 117

HSL 154.72, 0.97%, 0.4%

LAB 71.29, -60.65, 30.03

 

CMYK 89 / 0 / 38 / 28

HEX #14B772

RGB 20 183 114

HSL 154.6, 0.8%, 0.4%

LAB 65.93, -54.46, 24.52

 

CMYK 78 / 0 / 34 / 35

HEX #24A76F

RGB 36 167 111

HSL 154.35, 0.65%, 0.4%

LAB 60.92, -47.57, 19.41

 

CMYK 65 / 0 / 27 / 41

HEX #35966D

RGB 53 150 109

HSL 154.64, 0.48%, 0.4%

LAB 55.76, -38.3, 13.47

 

CMYK 49 / 0 / 21 / 47

HEX #45866A

RGB 69 134 106

HSL 154.15, 0.32%, 0.4%

LAB 51.1, -27.83, 8.73

 

CMYK 26 / 0 / 11 / 54

HEX #567568

RGB 86 117 104

HSL 154.84, 0.15%, 0.4%

LAB 46.58, -14.13, 3.56

 

CMYK 89 / 0 / 86 / 28

HEX #14B719

RGB 20 183 25

HSL 121.84, 0.8%, 0.4%

LAB 65.03, -65.38, 61.22

 

CMYK 89 / 0 / 62 / 28

HEX #14B745

RGB 20 183 69

HSL 138.04, 0.8%, 0.4%

LAB 65.31, -61.8, 46.17

 

CMYK 89 / 0 / 39 / 28

HEX #14B770

RGB 20 183 112

HSL 153.87, 0.8%, 0.4%

LAB 65.89, -54.87, 25.53

 

CMYK 89 / 0 / 15 / 28

HEX #14B79C

RGB 20 183 156

HSL 170.06, 0.8%, 0.4%

LAB 66.84, -44.47, 2.93

 

CMYK 89 / 9 / 0 / 28

HEX #14A7B7

RGB 20 167 183

HSL 185.89, 0.8%, 0.4%

LAB 62.68, -29.13, -18.26

 

CMYK 89 / 0 / 38 / 57

HEX #0C6D44

RGB 12 109 68

HSL 154.64, 0.8%, 0.24%

LAB 40.3, -36.5, 15.73

 

CMYK 89 / 0 / 38 / 43

HEX #10925B

RGB 16 146 91

HSL 154.62, 0.8%, 0.32%

LAB 53.41, -45.72, 20.24

 

CMYK 89 / 0 / 38 / 28

HEX #14B772

RGB 20 183 114

HSL 154.6, 0.8%, 0.4%

LAB 65.93, -54.46, 24.52

 

CMYK 89 / 0 / 38 / 14

HEX #18DC89

RGB 24 220 137

HSL 154.59, 0.8%, 0.48%

LAB 77.99, -62.85, 28.62

 

CMYK 77 / 0 / 33 / 9

HEX #35E89C

RGB 53 232 156

HSL 154.53, 0.8%, 0.56%

LAB 82.31, -60.9, 24.74

 

CMYK 89 / 0 / 38 / 28

HEX #14B772

RGB 20 183 114

HSL 154.6, 0.8%, 0.4%

LAB 65.93, -54.46, 24.52

 

CMYK 89 / 68 / 0 / 28

HEX #143AB7

RGB 20 58 183

HSL 226.01, 0.8%, 0.4%

LAB 30.86, 36.76, -68.76

 

CMYK 0 / 74 / 89 / 28

HEX #B72F14

RGB 183 47 20

HSL 9.94, 0.8%, 0.4%

LAB 41.45, 53.04, 47.02

 

CMYK 89 / 0 / 38 / 28

HEX #14B772

RGB 20 183 114

HSL 154.6, 0.8%, 0.4%

LAB 65.93, -54.46, 24.52

 

CMYK 39 / 89 / 0 / 28

HEX #7014B7

RGB 112 20 183

HSL 273.87, 0.8%, 0.4%

LAB 32.62, 63.47, -65.59

 

CMYK 0 / 39 / 89 / 28

HEX #B77014

RGB 183 112 20

HSL 33.87, 0.8%, 0.4%

LAB 53.71, 21.77, 56.54

 

CMYK 89 / 0 / 38 / 28

HEX #14B772

RGB 20 183 114

HSL 154.6, 0.8%, 0.4%

LAB 65.93, -54.46, 24.52

 

CMYK 89 / 68 / 0 / 28

HEX #143AB7

RGB 20 58 183

HSL 226.01, 0.8%, 0.4%

LAB 30.86, 36.76, -68.76

 

CMYK 0 / 89 / 50 / 28

HEX #B7145B

RGB 183 20 91

HSL 333.87, 0.8%, 0.4%

LAB 40.12, 63.55, 3.78

 

CMYK 0 / 21 / 89 / 28

HEX #B79114

RGB 183 145 20

HSL 46.01, 0.8%, 0.4%

LAB 61.97, 3.52, 63.03

 

CMYK 89 / 0 / 38 / 28

HEX #14B772

RGB 20 183 114

HSL 154.6, 0.8%, 0.4%

LAB 65.93, -54.46, 24.52

 

CMYK 83 / 89 / 0 / 28

HEX #1F14B7

RGB 31 20 183

HSL 244.05, 0.8%, 0.4%

LAB 24.36, 56.97, -79.53

 

CMYK 0 / 89 / 50 / 28

HEX #B7145B

RGB 183 20 91

HSL 333.87, 0.8%, 0.4%

LAB 40.12, 63.55, 3.78

 

CMYK 6 / 0 / 89 / 28

HEX #ACB714

RGB 172 183 20

HSL 64.05, 0.8%, 0.4%

LAB 71.34, -21.29, 70.07

 

Description

Color code: HEX #14B772 | qconv.com Color code: HEX #14B772 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 183 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 183 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 38 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 38% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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