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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #14A285 it is the complementary color #EB5D7A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #14A285. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #14A285 shade: #19A280, #2AB493, #3BC6A6, #4CD8B9 and #5DEACC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #14A285. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #14A285 shade: #14A285, #039072, #007E5F, #006C4C and #005A39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #14A285 shade: #14A386, #14A35F, #14A338, #16A314 and #3CA314

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #14A285 shade: #14A386, #149AA3, #1473A3, #144CA3 and #1426A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #14A285 shade matches the following richer shades: #14A386 and #05B28E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #14A285 shade: #14A386, #23947D, #318574, #40766B and #4F6763

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #14A285 shade: #14A337, #14A35E, #14A384, #149CA3 and #1476A3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #14A285 shade: #0B5949, #0F7E68, #14A386, #18C8A4 and #25E4BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #14A285 shade: #14A285, #1416A3 and #A34B14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #14A285 shade: #14A285, #8414A3 and #A38414

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #14A285 shade: #14A285, #1416A3, #A31433 and #A3A114

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #14A285 shade: #14A285, #3C14A3, #A31433 and #7AA314

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 18 / 36

HEX #14A285

RGB 20 162 133

HSL 167.75, 0.78%, 0.36%

LAB 59.6, -41.73, 5.3

 

Complementary color

CMYK 0 / 60 / 48 / 8

HEX #EB5D7A

RGB 235 93 122

HSL 347.75, 0.78%, 0.64%

LAB 58.88, 57.14, 12.81

 

CMYK 85 / 0 / 21 / 36

HEX #19A280

RGB 25 162 128

HSL 165.11, 0.73%, 0.37%

LAB 59.53, -42.66, 8.01

 

CMYK 77 / 0 / 18 / 29

HEX #2AB493

RGB 42 180 147

HSL 165.65, 0.62%, 0.44%

LAB 65.94, -43.67, 6.63

 

CMYK 70 / 0 / 16 / 22

HEX #3BC6A6

RGB 59 198 166

HSL 166.19, 0.55%, 0.5%

LAB 72.28, -44.36, 5.4

 

CMYK 65 / 0 / 14 / 15

HEX #4CD8B9

RGB 76 216 185

HSL 166.71, 0.64%, 0.57%

LAB 78.55, -44.8, 4.28

 

CMYK 60 / 0 / 13 / 8

HEX #5DEACC

RGB 93 234 204

HSL 167.23, 0.77%, 0.64%

LAB 84.76, -45.07, 3.26

 

CMYK 88 / 0 / 18 / 36

HEX #14A285

RGB 20 162 133

HSL 167.75, 0.78%, 0.36%

LAB 59.6, -41.73, 5.3

 

CMYK 98 / 0 / 21 / 44

HEX #039072

RGB 3 144 114

HSL 167.23, 0.96%, 0.29%

LAB 53.15, -40.11, 6.83

 

CMYK 100 / 0 / 25 / 51

HEX #007E5F

RGB 0 126 95

HSL 165.24, 1%, 0.25%

LAB 46.64, -37.75, 8.61

 

CMYK 100 / 0 / 30 / 58

HEX #006C4C

RGB 0 108 76

HSL 162.22, 1%, 0.21%

LAB 39.99, -35.14, 10.54

 

CMYK 100 / 0 / 37 / 65

HEX #005A39

RGB 0 90 57

HSL 158, 1%, 0.18%

LAB 33.15, -32.4, 12.61

 

CMYK 88 / 0 / 18 / 36

HEX #14A386

RGB 20 163 134

HSL 167.83, 0.78%, 0.36%

LAB 59.95, -41.89, 5.23

 

CMYK 88 / 0 / 42 / 36

HEX #14A35F

RGB 20 163 95

HSL 151.47, 0.78%, 0.36%

LAB 59.13, -50.96, 25.66

 

CMYK 88 / 0 / 66 / 36

HEX #14A338

RGB 20 163 56

HSL 135.1, 0.78%, 0.36%

LAB 58.63, -56.99, 44.42

 

CMYK 87 / 0 / 88 / 36

HEX #16A314

RGB 22 163 20

HSL 119.16, 0.78%, 0.36%

LAB 58.43, -59.59, 56.49

 

CMYK 63 / 0 / 88 / 36

HEX #3CA314

RGB 60 163 20

HSL 103.22, 0.78%, 0.36%

LAB 59.16, -53.26, 57.42

 

CMYK 88 / 0 / 18 / 36

HEX #14A386

RGB 20 163 134

HSL 167.83, 0.78%, 0.36%

LAB 59.95, -41.89, 5.23

 

CMYK 88 / 6 / 0 / 36

HEX #149AA3

RGB 20 154 163

HSL 183.78, 0.78%, 0.36%

LAB 57.95, -29.2, -14.15

 

CMYK 88 / 29 / 0 / 36

HEX #1473A3

RGB 20 115 163

HSL 200.14, 0.78%, 0.36%

LAB 45.71, -8.17, -33.01

 

CMYK 88 / 53 / 0 / 36

HEX #144CA3

RGB 20 76 163

HSL 216.5, 0.78%, 0.36%

LAB 33.9, 16.81, -51.85

 

CMYK 88 / 77 / 0 / 36

HEX #1426A3

RGB 20 38 163

HSL 232.45, 0.78%, 0.36%

LAB 24.26, 41.82, -67.67

 

CMYK 88 / 0 / 18 / 36

HEX #14A386

RGB 20 163 134

HSL 167.83, 0.78%, 0.36%

LAB 59.95, -41.89, 5.23

 

CMYK 97 / 0 / 20 / 30

HEX #05B28E

RGB 5 178 142

HSL 167.51, 0.95%, 0.36%

LAB 64.82, -46.76, 7.75

 

CMYK 88 / 0 / 18 / 36

HEX #14A386

RGB 20 163 134

HSL 167.83, 0.78%, 0.36%

LAB 59.95, -41.89, 5.23

 

CMYK 76 / 0 / 16 / 42

HEX #23947D

RGB 35 148 125

HSL 167.79, 0.62%, 0.36%

LAB 55.09, -36.32, 3.36

 

CMYK 63 / 0 / 13 / 48

HEX #318574

RGB 49 133 116

HSL 167.86, 0.46%, 0.36%

LAB 50.32, -29.54, 1.7

 

CMYK 46 / 0 / 9 / 54

HEX #40766B

RGB 64 118 107

HSL 167.78, 0.3%, 0.36%

LAB 45.78, -20.83, 0.47

 

CMYK 23 / 0 / 4 / 60

HEX #4F6763

RGB 79 103 99

HSL 170, 0.13%, 0.36%

LAB 41.63, -9.83, -0.68

 

CMYK 88 / 0 / 66 / 36

HEX #14A337

RGB 20 163 55

HSL 134.69, 0.78%, 0.36%

LAB 58.62, -57.11, 44.85

 

CMYK 88 / 0 / 42 / 36

HEX #14A35E

RGB 20 163 94

HSL 151.05, 0.78%, 0.36%

LAB 59.11, -51.15, 26.17

 

CMYK 88 / 0 / 19 / 36

HEX #14A384

RGB 20 163 132

HSL 166.99, 0.78%, 0.36%

LAB 59.9, -42.42, 6.28

 

CMYK 88 / 4 / 0 / 36

HEX #149CA3

RGB 20 156 163

HSL 182.94, 0.78%, 0.36%

LAB 58.57, -30.18, -13.2

 

CMYK 88 / 28 / 0 / 36

HEX #1476A3

RGB 20 118 163

HSL 198.88, 0.78%, 0.36%

LAB 46.64, -9.93, -31.54

 

CMYK 88 / 0 / 18 / 65

HEX #0B5949

RGB 11 89 73

HSL 167.69, 0.78%, 0.2%

LAB 33.34, -26.43, 2.98

 

CMYK 88 / 0 / 17 / 51

HEX #0F7E68

RGB 15 126 104

HSL 168.11, 0.79%, 0.28%

LAB 47, -34.3, 3.85

 

CMYK 88 / 0 / 18 / 36

HEX #14A386

RGB 20 163 134

HSL 167.83, 0.78%, 0.36%

LAB 59.95, -41.89, 5.23

 

CMYK 88 / 0 / 18 / 22

HEX #18C8A4

RGB 24 200 164

HSL 167.73, 0.79%, 0.44%

LAB 72.35, -49.19, 6.52

 

CMYK 84 / 0 / 17 / 11

HEX #25E4BD

RGB 37 228 189

HSL 167.75, 0.78%, 0.52%

LAB 81.6, -53.33, 6.47

 

CMYK 88 / 0 / 18 / 36

HEX #14A285

RGB 20 162 133

HSL 167.75, 0.78%, 0.36%

LAB 59.6, -41.73, 5.3

 

CMYK 88 / 87 / 0 / 36

HEX #1416A3

RGB 20 22 163

HSL 239.16, 0.78%, 0.36%

LAB 21.46, 49.97, -72.32

 

CMYK 0 / 54 / 88 / 36

HEX #A34B14

RGB 163 75 20

HSL 23.08, 0.78%, 0.36%

LAB 42.57, 33.34, 46.42

 

CMYK 88 / 0 / 18 / 36

HEX #14A285

RGB 20 162 133

HSL 167.75, 0.78%, 0.36%

LAB 59.6, -41.73, 5.3

 

CMYK 19 / 88 / 0 / 36

HEX #8414A3

RGB 132 20 163

HSL 286.99, 0.78%, 0.36%

LAB 34.09, 62.33, -51.09

 

CMYK 0 / 19 / 88 / 36

HEX #A38414

RGB 163 132 20

HSL 46.99, 0.78%, 0.36%

LAB 56.43, 1.56, 57.72

 

CMYK 88 / 0 / 18 / 36

HEX #14A285

RGB 20 162 133

HSL 167.75, 0.78%, 0.36%

LAB 59.6, -41.73, 5.3

 

CMYK 88 / 87 / 0 / 36

HEX #1416A3

RGB 20 22 163

HSL 239.16, 0.78%, 0.36%

LAB 21.46, 49.97, -72.32

 

CMYK 0 / 88 / 69 / 36

HEX #A31433

RGB 163 20 51

HSL 346.99, 0.78%, 0.36%

LAB 35.05, 55.74, 21.89

 

CMYK 0 / 1 / 88 / 36

HEX #A3A114

RGB 163 161 20

HSL 59.16, 0.78%, 0.36%

LAB 64.42, -14.06, 64.2

 

CMYK 88 / 0 / 18 / 36

HEX #14A285

RGB 20 162 133

HSL 167.75, 0.78%, 0.36%

LAB 59.6, -41.73, 5.3

 

CMYK 63 / 88 / 0 / 36

HEX #3C14A3

RGB 60 20 163

HSL 256.78, 0.78%, 0.36%

LAB 24.02, 53.06, -67.99

 

CMYK 0 / 88 / 69 / 36

HEX #A31433

RGB 163 20 51

HSL 346.99, 0.78%, 0.36%

LAB 35.05, 55.74, 21.89

 

CMYK 25 / 0 / 88 / 36

HEX #7AA314

RGB 122 163 20

HSL 77.2, 0.78%, 0.36%

LAB 61.98, -32.67, 60.94

 

Description

Color code: HEX #14A285 | qconv.com Color code: HEX #14A285 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 162 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 162 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 18 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 18% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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