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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #14A028 it is the complementary color #EB5FD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #14A028. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #14A028 shade: #19A023, #2AB236, #3BC449, #4CD65C and #5DE86F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #14A028. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #14A028 shade: #14A028, #038E15, #007C02, #006A00 and #005800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #14A028 shade: #139E27, #259E13, #4A9E13, #709E13 and #959E13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #14A028 shade: #139E27, #139E4D, #139E72, #139E98 and #13809E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #14A028 shade matches the following richer shades: #139E27 and #05AD1D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #14A028 shade: #139E27, #229031, #30813C, #3E7346 and #4D6550

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #14A028 shade: #4B9E13, #269E13, #139E26, #139E4B and #139E70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #14A028 shade: #0A5515, #0F7A1E, #139E27, #18C330 and #21E33D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #14A028 shade: #14A028, #13709E and #9E1338

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #14A028 shade: #14A028, #26139E and #9E2613

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #14A028 shade: #14A028, #13709E, #9E138C and #9E4213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #14A028 shade: #14A028, #13469E, #9E138C and #9E6B13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 75 / 37

HEX #14A028

RGB 20 160 40

HSL 128.57, 0.78%, 0.35%

LAB 57.51, -57.63, 49.7

 

Complementary color

CMYK 0 / 60 / 9 / 8

HEX #EB5FD7

RGB 235 95 215

HSL 308.57, 0.78%, 0.65%

LAB 62.3, 67.79, -35.59

 

CMYK 84 / 0 / 78 / 37

HEX #19A023

RGB 25 160 35

HSL 124.44, 0.73%, 0.36%

LAB 57.53, -57.52, 51.5

 

CMYK 76 / 0 / 70 / 30

HEX #2AB236

RGB 42 178 54

HSL 125.29, 0.62%, 0.43%

LAB 63.84, -59.45, 50.99

 

CMYK 70 / 0 / 63 / 23

HEX #3BC449

RGB 59 196 73

HSL 126.13, 0.54%, 0.5%

LAB 70.1, -60.69, 49.97

 

CMYK 64 / 0 / 57 / 16

HEX #4CD65C

RGB 76 214 92

HSL 126.96, 0.63%, 0.57%

LAB 76.32, -61.46, 48.74

 

CMYK 60 / 0 / 52 / 9

HEX #5DE86F

RGB 93 232 111

HSL 127.77, 0.75%, 0.64%

LAB 82.48, -61.92, 47.42

 

CMYK 88 / 0 / 75 / 37

HEX #14A028

RGB 20 160 40

HSL 128.57, 0.78%, 0.35%

LAB 57.51, -57.63, 49.7

 

CMYK 98 / 0 / 85 / 44

HEX #038E15

RGB 3 142 21

HSL 127.77, 0.96%, 0.28%

LAB 51.17, -54.72, 49.67

 

CMYK 100 / 0 / 98 / 51

HEX #007C02

RGB 0 124 2

HSL 120.97, 1%, 0.24%

LAB 44.83, -50.45, 48.34

 

CMYK 100 / 0 / 100 / 58

HEX #006A00

RGB 0 106 0

HSL 120, 1%, 0.21%

LAB 38.39, -45.19, 43.61

 

CMYK 100 / 0 / 100 / 65

HEX #005800

RGB 0 88 0

HSL 120, 1%, 0.17%

LAB 31.76, -39.68, 38.3

 

CMYK 88 / 0 / 75 / 38

HEX #139E27

RGB 19 158 39

HSL 128.63, 0.79%, 0.35%

LAB 56.82, -57.18, 49.37

 

CMYK 77 / 0 / 88 / 38

HEX #259E13

RGB 37 158 19

HSL 112.23, 0.79%, 0.35%

LAB 56.97, -56.21, 55.51

 

CMYK 53 / 0 / 88 / 38

HEX #4A9E13

RGB 74 158 19

HSL 96.26, 0.79%, 0.35%

LAB 58, -47.74, 56.8

 

CMYK 29 / 0 / 88 / 38

HEX #709E13

RGB 112 158 19

HSL 79.86, 0.79%, 0.35%

LAB 59.84, -34.4, 59.1

 

CMYK 6 / 0 / 88 / 38

HEX #959E13

RGB 149 158 19

HSL 63.88, 0.79%, 0.35%

LAB 62.41, -18.76, 62.29

 

CMYK 88 / 0 / 75 / 38

HEX #139E27

RGB 19 158 39

HSL 128.63, 0.79%, 0.35%

LAB 56.82, -57.18, 49.37

 

CMYK 88 / 0 / 51 / 38

HEX #139E4D

RGB 19 158 77

HSL 145.04, 0.79%, 0.35%

LAB 57.2, -52.5, 32.66

 

CMYK 88 / 0 / 28 / 38

HEX #139E72

RGB 19 158 114

HSL 161.01, 0.79%, 0.35%

LAB 57.85, -44.97, 13.49

 

CMYK 88 / 0 / 4 / 38

HEX #139E98

RGB 19 158 152

HSL 177.41, 0.79%, 0.35%

LAB 58.84, -34.61, -6.56

 

CMYK 88 / 19 / 0 / 38

HEX #13809E

RGB 19 128 158

HSL 192.95, 0.79%, 0.35%

LAB 49.55, -17.49, -24.09

 

CMYK 88 / 0 / 75 / 38

HEX #139E27

RGB 19 158 39

HSL 128.63, 0.79%, 0.35%

LAB 56.82, -57.18, 49.37

 

CMYK 97 / 0 / 83 / 32

HEX #05AD1D

RGB 5 173 29

HSL 128.57, 0.94%, 0.35%

LAB 61.66, -63.18, 57.15

 

CMYK 88 / 0 / 75 / 38

HEX #139E27

RGB 19 158 39

HSL 128.63, 0.79%, 0.35%

LAB 56.82, -57.18, 49.37

 

CMYK 76 / 0 / 66 / 44

HEX #229031

RGB 34 144 49

HSL 128.18, 0.62%, 0.35%

LAB 52.41, -49.82, 40.69

 

CMYK 63 / 0 / 53 / 49

HEX #30813C

RGB 48 129 60

HSL 128.89, 0.46%, 0.35%

LAB 47.82, -39.96, 30.04

 

CMYK 46 / 0 / 39 / 55

HEX #3E7346

RGB 62 115 70

HSL 129.06, 0.3%, 0.35%

LAB 43.84, -28.17, 19.55

 

CMYK 24 / 0 / 21 / 60

HEX #4D6550

RGB 77 101 80

HSL 127.5, 0.13%, 0.35%

LAB 40.35, -13.64, 9.02

 

CMYK 53 / 0 / 88 / 38

HEX #4B9E13

RGB 75 158 19

HSL 95.83, 0.79%, 0.35%

LAB 58.03, -47.44, 56.84

 

CMYK 76 / 0 / 88 / 38

HEX #269E13

RGB 38 158 19

HSL 111.8, 0.79%, 0.35%

LAB 56.99, -56.05, 55.53

 

CMYK 88 / 0 / 76 / 38

HEX #139E26

RGB 19 158 38

HSL 128.2, 0.79%, 0.35%

LAB 56.81, -57.26, 49.73

 

CMYK 88 / 0 / 53 / 38

HEX #139E4B

RGB 19 158 75

HSL 144.17, 0.79%, 0.35%

LAB 57.17, -52.83, 33.65

 

CMYK 88 / 0 / 29 / 38

HEX #139E70

RGB 19 158 112

HSL 160.14, 0.79%, 0.35%

LAB 57.81, -45.45, 14.55

 

CMYK 88 / 0 / 75 / 67

HEX #0A5515

RGB 10 85 21

HSL 128.8, 0.79%, 0.19%

LAB 30.92, -35.73, 29.93

 

CMYK 88 / 0 / 75 / 52

HEX #0F7A1E

RGB 15 122 30

HSL 128.41, 0.78%, 0.27%

LAB 44.4, -46.92, 40.16

 

CMYK 88 / 0 / 75 / 38

HEX #139E27

RGB 19 158 39

HSL 128.63, 0.79%, 0.35%

LAB 56.82, -57.18, 49.37

 

CMYK 88 / 0 / 75 / 24

HEX #18C330

RGB 24 195 48

HSL 128.42, 0.78%, 0.43%

LAB 69.07, -67.18, 58.49

 

CMYK 85 / 0 / 73 / 11

HEX #21E33D

RGB 33 227 61

HSL 128.66, 0.78%, 0.51%

LAB 79.38, -74.77, 64.43

 

CMYK 88 / 0 / 75 / 37

HEX #14A028

RGB 20 160 40

HSL 128.57, 0.78%, 0.35%

LAB 57.51, -57.63, 49.7

 

CMYK 88 / 29 / 0 / 38

HEX #13709E

RGB 19 112 158

HSL 199.86, 0.79%, 0.35%

LAB 44.51, -8.37, -31.94

 

CMYK 0 / 88 / 65 / 38

HEX #9E1338

RGB 158 19 56

HSL 344.03, 0.79%, 0.35%

LAB 34.03, 54.86, 17.12

 

CMYK 88 / 0 / 75 / 37

HEX #14A028

RGB 20 160 40

HSL 128.57, 0.78%, 0.35%

LAB 57.51, -57.63, 49.7

 

CMYK 76 / 88 / 0 / 38

HEX #26139E

RGB 38 19 158

HSL 248.2, 0.79%, 0.35%

LAB 21.38, 50.47, -69.37

 

CMYK 0 / 76 / 88 / 38

HEX #9E2613

RGB 158 38 19

HSL 8.2, 0.79%, 0.35%

LAB 35.4, 48.09, 40.58

 

CMYK 88 / 0 / 75 / 37

HEX #14A028

RGB 20 160 40

HSL 128.57, 0.78%, 0.35%

LAB 57.51, -57.63, 49.7

 

CMYK 88 / 29 / 0 / 38

HEX #13709E

RGB 19 112 158

HSL 199.86, 0.79%, 0.35%

LAB 44.51, -8.37, -31.94

 

CMYK 0 / 88 / 11 / 38

HEX #9E138C

RGB 158 19 140

HSL 307.77, 0.79%, 0.35%

LAB 37.17, 63.53, -31.88

 

CMYK 0 / 58 / 88 / 38

HEX #9E4213

RGB 158 66 19

HSL 20.29, 0.79%, 0.35%

LAB 39.94, 35.93, 44.31

 

CMYK 88 / 0 / 75 / 37

HEX #14A028

RGB 20 160 40

HSL 128.57, 0.78%, 0.35%

LAB 57.51, -57.63, 49.7

 

CMYK 88 / 56 / 0 / 38

HEX #13469E

RGB 19 70 158

HSL 217.99, 0.79%, 0.35%

LAB 31.78, 18.79, -52.29

 

CMYK 0 / 88 / 11 / 38

HEX #9E138C

RGB 158 19 140

HSL 307.77, 0.79%, 0.35%

LAB 37.17, 63.53, -31.88

 

CMYK 0 / 32 / 88 / 38

HEX #9E6B13

RGB 158 107 19

HSL 37.99, 0.79%, 0.35%

LAB 49.29, 13.35, 51.95

 

Description

Color code: HEX #14A028 | qconv.com Color code: HEX #14A028 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 160 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 160 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 75 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 75% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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