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Color name
HEX #149B82

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #149B82 it is the complementary color #EB647D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #149B82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #149B82 shade: #199B7D, #2AAD90, #3BBFA3, #4CD1B6 and #5DE3C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #149B82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #149B82 shade: #149B82, #03896F, #00775C, #006549 and #005336

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #149B82 shade: #139980, #13995C, #139938, #139914 and #379913

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #149B82 shade: #139980, #138E99, #136A99, #134699 and #132299

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #149B82 shade matches the following richer shades: #139980 and #05A789

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #149B82 shade: #139980, #218B77, #2F7D6F, #3E6F66 and #4C615D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #149B82 shade: #139937, #13995B, #13997E, #139099 and #136C99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #149B82 shade: #0A5043, #0F7462, #139980, #18BD9F and #1EE1BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #149B82 shade: #149B82, #131399 and #994913

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #149B82 shade: #149B82, #7E1399 and #997E13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #149B82 shade: #149B82, #131399, #99132E and #999913

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #149B82 shade: #149B82, #3B1399, #99132E and #719913

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 16 / 39

HEX #149B82

RGB 20 155 130

HSL 168.89, 0.77%, 0.34%

LAB 57.27, -39.53, 3.64

 

Complementary color

CMYK 0 / 57 / 47 / 8

HEX #EB647D

RGB 235 100 125

HSL 348.89, 0.77%, 0.66%

LAB 60.12, 54.3, 12.8

 

CMYK 84 / 0 / 19 / 39

HEX #199B7D

RGB 25 155 125

HSL 166.15, 0.72%, 0.35%

LAB 57.2, -40.46, 6.38

 

CMYK 76 / 0 / 17 / 32

HEX #2AAD90

RGB 42 173 144

HSL 166.72, 0.61%, 0.42%

LAB 63.67, -41.44, 5.03

 

CMYK 69 / 0 / 15 / 25

HEX #3BBFA3

RGB 59 191 163

HSL 167.27, 0.53%, 0.49%

LAB 70.06, -42.08, 3.83

 

CMYK 64 / 0 / 13 / 18

HEX #4CD1B6

RGB 76 209 182

HSL 167.82, 0.59%, 0.56%

LAB 76.38, -42.49, 2.75

 

CMYK 59 / 0 / 11 / 11

HEX #5DE3C9

RGB 93 227 201

HSL 168.36, 0.71%, 0.63%

LAB 82.64, -42.74, 1.76

 

CMYK 87 / 0 / 16 / 39

HEX #149B82

RGB 20 155 130

HSL 168.89, 0.77%, 0.34%

LAB 57.27, -39.53, 3.64

 

CMYK 98 / 0 / 19 / 46

HEX #03896F

RGB 3 137 111

HSL 168.36, 0.96%, 0.27%

LAB 50.76, -37.94, 5.14

 

CMYK 100 / 0 / 23 / 53

HEX #00775C

RGB 0 119 92

HSL 166.39, 1%, 0.23%

LAB 44.18, -35.57, 6.9

 

CMYK 100 / 0 / 28 / 60

HEX #006549

RGB 0 101 73

HSL 163.37, 1%, 0.2%

LAB 37.46, -32.95, 8.81

 

CMYK 100 / 0 / 35 / 67

HEX #005336

RGB 0 83 54

HSL 159.04, 1%, 0.16%

LAB 30.53, -30.2, 10.88

 

CMYK 88 / 0 / 16 / 40

HEX #139980

RGB 19 153 128

HSL 168.81, 0.78%, 0.34%

LAB 56.56, -39.28, 3.75

 

CMYK 88 / 0 / 40 / 40

HEX #13995C

RGB 19 153 92

HSL 152.69, 0.78%, 0.34%

LAB 55.78, -47.93, 22.86

 

CMYK 88 / 0 / 63 / 40

HEX #139938

RGB 19 153 56

HSL 136.57, 0.78%, 0.34%

LAB 55.28, -53.85, 40.67

 

CMYK 88 / 0 / 87 / 40

HEX #139914

RGB 19 153 20

HSL 120.45, 0.78%, 0.34%

LAB 55.04, -56.89, 53.47

 

CMYK 64 / 0 / 88 / 40

HEX #379913

RGB 55 153 19

HSL 103.88, 0.78%, 0.34%

LAB 55.73, -51, 54.57

 

CMYK 88 / 0 / 16 / 40

HEX #139980

RGB 19 153 128

HSL 168.81, 0.78%, 0.34%

LAB 56.56, -39.28, 3.75

 

CMYK 88 / 7 / 0 / 40

HEX #138E99

RGB 19 142 153

HSL 184.93, 0.78%, 0.34%

LAB 53.8, -26.56, -14.7

 

CMYK 88 / 31 / 0 / 40

HEX #136A99

RGB 19 106 153

HSL 201.04, 0.78%, 0.34%

LAB 42.38, -6.7, -32.33

 

CMYK 88 / 54 / 0 / 40

HEX #134699

RGB 19 70 153

HSL 217.16, 0.78%, 0.34%

LAB 31.39, 16.74, -49.89

 

CMYK 88 / 78 / 0 / 40

HEX #132299

RGB 19 34 153

HSL 233.28, 0.78%, 0.34%

LAB 22.24, 40.59, -64.9

 

CMYK 88 / 0 / 16 / 40

HEX #139980

RGB 19 153 128

HSL 168.81, 0.78%, 0.34%

LAB 56.56, -39.28, 3.75

 

CMYK 97 / 0 / 18 / 35

HEX #05A789

RGB 5 167 137

HSL 168.89, 0.94%, 0.34%

LAB 61.2, -43.53, 5.34

 

CMYK 88 / 0 / 16 / 40

HEX #139980

RGB 19 153 128

HSL 168.81, 0.78%, 0.34%

LAB 56.56, -39.28, 3.75

 

CMYK 76 / 0 / 14 / 45

HEX #218B77

RGB 33 139 119

HSL 168.68, 0.62%, 0.34%

LAB 51.97, -34.13, 2.3

 

CMYK 62 / 0 / 11 / 51

HEX #2F7D6F

RGB 47 125 111

HSL 169.23, 0.45%, 0.34%

LAB 47.52, -27.39, 0.55

 

CMYK 44 / 0 / 8 / 56

HEX #3E6F66

RGB 62 111 102

HSL 168.98, 0.28%, 0.34%

LAB 43.29, -18.97, -0.18

 

CMYK 22 / 0 / 4 / 62

HEX #4C615D

RGB 76 97 93

HSL 168.57, 0.12%, 0.34%

LAB 39.37, -8.84, -0.34

 

CMYK 88 / 0 / 64 / 40

HEX #139937

RGB 19 153 55

HSL 136.12, 0.78%, 0.34%

LAB 55.27, -53.97, 41.12

 

CMYK 88 / 0 / 41 / 40

HEX #13995B

RGB 19 153 91

HSL 152.24, 0.78%, 0.34%

LAB 55.76, -48.13, 23.38

 

CMYK 88 / 0 / 18 / 40

HEX #13997E

RGB 19 153 126

HSL 167.91, 0.78%, 0.34%

LAB 56.51, -39.82, 4.82

 

CMYK 88 / 6 / 0 / 40

HEX #139099

RGB 19 144 153

HSL 184.03, 0.78%, 0.34%

LAB 54.43, -27.56, -13.74

 

CMYK 88 / 29 / 0 / 40

HEX #136C99

RGB 19 108 153

HSL 200.15, 0.78%, 0.34%

LAB 43.01, -7.9, -31.34

 

CMYK 88 / 0 / 16 / 69

HEX #0A5043

RGB 10 80 67

HSL 168.86, 0.78%, 0.18%

LAB 29.93, -23.95, 1.84

 

CMYK 87 / 0 / 16 / 55

HEX #0F7462

RGB 15 116 98

HSL 169.31, 0.77%, 0.26%

LAB 43.47, -31.46, 2.31

 

CMYK 88 / 0 / 16 / 40

HEX #139980

RGB 19 153 128

HSL 168.81, 0.78%, 0.34%

LAB 56.56, -39.28, 3.75

 

CMYK 87 / 0 / 16 / 26

HEX #18BD9F

RGB 24 189 159

HSL 169.09, 0.77%, 0.42%

LAB 68.82, -45.95, 4.16

 

CMYK 87 / 0 / 16 / 12

HEX #1EE1BD

RGB 30 225 189

HSL 168.92, 0.76%, 0.5%

LAB 80.63, -52.58, 5.06

 

CMYK 87 / 0 / 16 / 39

HEX #149B82

RGB 20 155 130

HSL 168.89, 0.77%, 0.34%

LAB 57.27, -39.53, 3.64

 

CMYK 88 / 88 / 0 / 40

HEX #131399

RGB 19 19 153

HSL 240, 0.78%, 0.34%

LAB 19.66, 48.14, -69.2

 

CMYK 0 / 52 / 88 / 40

HEX #994913

RGB 153 73 19

HSL 24.18, 0.78%, 0.34%

LAB 40.55, 30.23, 44.48

 

CMYK 87 / 0 / 16 / 39

HEX #149B82

RGB 20 155 130

HSL 168.89, 0.77%, 0.34%

LAB 57.27, -39.53, 3.64

 

CMYK 18 / 88 / 0 / 40

HEX #7E1399

RGB 126 19 153

HSL 287.91, 0.78%, 0.34%

LAB 32.26, 59.68, -48.02

 

CMYK 0 / 18 / 88 / 40

HEX #997E13

RGB 153 126 19

HSL 47.91, 0.78%, 0.34%

LAB 53.75, 0.25, 55.36

 

CMYK 87 / 0 / 16 / 39

HEX #149B82

RGB 20 155 130

HSL 168.89, 0.77%, 0.34%

LAB 57.27, -39.53, 3.64

 

CMYK 88 / 88 / 0 / 40

HEX #131399

RGB 19 19 153

HSL 240, 0.78%, 0.34%

LAB 19.66, 48.14, -69.2

 

CMYK 0 / 88 / 70 / 40

HEX #99132E

RGB 153 19 46

HSL 347.91, 0.78%, 0.34%

LAB 32.78, 52.94, 21.81

 

CMYK 0 / 0 / 88 / 40

HEX #999913

RGB 153 153 19

HSL 60, 0.78%, 0.34%

LAB 61.31, -14.39, 61.52

 

CMYK 87 / 0 / 16 / 39

HEX #149B82

RGB 20 155 130

HSL 168.89, 0.77%, 0.34%

LAB 57.27, -39.53, 3.64

 

CMYK 61 / 88 / 0 / 40

HEX #3B1399

RGB 59 19 153

HSL 257.91, 0.78%, 0.34%

LAB 22.64, 50.61, -64.16

 

CMYK 0 / 88 / 70 / 40

HEX #99132E

RGB 153 19 46

HSL 347.91, 0.78%, 0.34%

LAB 32.78, 52.94, 21.81

 

CMYK 26 / 0 / 88 / 40

HEX #719913

RGB 113 153 19

HSL 77.91, 0.78%, 0.34%

LAB 58.36, -31.69, 57.87

 

Description

Color code: HEX #149B82 | qconv.com Color code: HEX #149B82 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 155 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 155 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 16 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 16% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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