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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #149936 it is the complementary color #EB66C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #149936. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #149936 shade: #199931, #2AAB44, #3BBD57, #4CCF6A and #5DE17D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #149936. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #149936 shade: #149936, #038723, #007510, #006300 and #005100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #149936 shade: #139936, #159913, #399913, #5D9913 and #819913

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #149936 shade: #139936, #13995A, #13997E, #139099 and #136C99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #149936 shade matches the following richer shades: #139936 and #05A72F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #149936 shade: #139936, #218B3C, #2F7D43, #3E6F4A and #4C6151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #149936 shade: #399913, #169913, #139935, #139958 and #13997C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #149936 shade: #0A501C, #0F7429, #139936, #18BD42 and #1EE150

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #149936 shade: #149936, #135D99 and #991327

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #149936 shade: #149936, #351399 and #993513

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #149936 shade: #149936, #135D99, #991378 and #995013

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #149936 shade: #149936, #133599, #991378 and #997813

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 65 / 40

HEX #149936

RGB 20 153 54

HSL 135.34, 0.77%, 0.34%

LAB 55.28, -54, 41.58

 

Complementary color

CMYK 0 / 57 / 14 / 8

HEX #EB66C9

RGB 235 102 201

HSL 315.34, 0.77%, 0.66%

LAB 62.83, 62.65, -26.87

 

CMYK 84 / 0 / 68 / 40

HEX #199931

RGB 25 153 49

HSL 131.25, 0.72%, 0.35%

LAB 55.29, -54.06, 43.82

 

CMYK 75 / 0 / 60 / 33

HEX #2AAB44

RGB 42 171 68

HSL 132.09, 0.61%, 0.42%

LAB 61.68, -55.58, 42.54

 

CMYK 69 / 0 / 54 / 26

HEX #3BBD57

RGB 59 189 87

HSL 132.92, 0.52%, 0.49%

LAB 68.03, -56.51, 41.11

 

CMYK 63 / 0 / 49 / 19

HEX #4CCF6A

RGB 76 207 106

HSL 133.74, 0.58%, 0.55%

LAB 74.32, -57.03, 39.66

 

CMYK 59 / 0 / 44 / 12

HEX #5DE17D

RGB 93 225 125

HSL 134.55, 0.69%, 0.62%

LAB 80.55, -57.29, 38.26

 

CMYK 87 / 0 / 65 / 40

HEX #149936

RGB 20 153 54

HSL 135.34, 0.77%, 0.34%

LAB 55.28, -54, 41.58

 

CMYK 98 / 0 / 74 / 47

HEX #038723

RGB 3 135 35

HSL 134.55, 0.96%, 0.27%

LAB 48.85, -51.57, 42.72

 

CMYK 100 / 0 / 86 / 54

HEX #007510

RGB 0 117 16

HSL 128.21, 1%, 0.23%

LAB 42.4, -47.73, 43

 

CMYK 100 / 0 / 100 / 61

HEX #006300

RGB 0 99 0

HSL 120, 1%, 0.19%

LAB 35.84, -43.07, 41.57

 

CMYK 100 / 0 / 100 / 68

HEX #005100

RGB 0 81 0

HSL 120, 1%, 0.16%

LAB 29.12, -37.49, 36.18

 

CMYK 88 / 0 / 65 / 40

HEX #139936

RGB 19 153 54

HSL 135.67, 0.78%, 0.34%

LAB 55.26, -54.09, 41.56

 

CMYK 86 / 0 / 88 / 40

HEX #159913

RGB 21 153 19

HSL 119.1, 0.78%, 0.34%

LAB 55.06, -56.74, 53.73

 

CMYK 63 / 0 / 88 / 40

HEX #399913

RGB 57 153 19

HSL 102.99, 0.78%, 0.34%

LAB 55.79, -50.52, 54.65

 

CMYK 39 / 0 / 88 / 40

HEX #5D9913

RGB 93 153 19

HSL 86.87, 0.78%, 0.34%

LAB 57.23, -39.43, 56.46

 

CMYK 16 / 0 / 88 / 40

HEX #819913

RGB 129 153 19

HSL 70.75, 0.78%, 0.34%

LAB 59.43, -24.98, 59.21

 

CMYK 88 / 0 / 65 / 40

HEX #139936

RGB 19 153 54

HSL 135.67, 0.78%, 0.34%

LAB 55.26, -54.09, 41.56

 

CMYK 88 / 0 / 41 / 40

HEX #13995A

RGB 19 153 90

HSL 151.79, 0.78%, 0.34%

LAB 55.74, -48.33, 23.9

 

CMYK 88 / 0 / 18 / 40

HEX #13997E

RGB 19 153 126

HSL 167.91, 0.78%, 0.34%

LAB 56.51, -39.82, 4.82

 

CMYK 88 / 6 / 0 / 40

HEX #139099

RGB 19 144 153

HSL 184.03, 0.78%, 0.34%

LAB 54.43, -27.56, -13.74

 

CMYK 88 / 29 / 0 / 40

HEX #136C99

RGB 19 108 153

HSL 200.15, 0.78%, 0.34%

LAB 43.01, -7.9, -31.34

 

CMYK 88 / 0 / 65 / 40

HEX #139936

RGB 19 153 54

HSL 135.67, 0.78%, 0.34%

LAB 55.26, -54.09, 41.56

 

CMYK 97 / 0 / 72 / 35

HEX #05A72F

RGB 5 167 47

HSL 135.56, 0.94%, 0.34%

LAB 59.78, -60.1, 49.36

 

CMYK 88 / 0 / 65 / 40

HEX #139936

RGB 19 153 54

HSL 135.67, 0.78%, 0.34%

LAB 55.26, -54.09, 41.56

 

CMYK 76 / 0 / 57 / 45

HEX #218B3C

RGB 33 139 60

HSL 135.28, 0.62%, 0.34%

LAB 50.82, -46.78, 33.58

 

CMYK 62 / 0 / 46 / 51

HEX #2F7D43

RGB 47 125 67

HSL 135.38, 0.45%, 0.34%

LAB 46.55, -37.41, 24.66

 

CMYK 44 / 0 / 33 / 56

HEX #3E6F4A

RGB 62 111 74

HSL 134.69, 0.28%, 0.34%

LAB 42.59, -25.45, 15.56

 

CMYK 22 / 0 / 16 / 62

HEX #4C6151

RGB 76 97 81

HSL 134.29, 0.12%, 0.34%

LAB 39.04, -11.54, 6.54

 

CMYK 63 / 0 / 88 / 40

HEX #399913

RGB 57 153 19

HSL 102.99, 0.78%, 0.34%

LAB 55.79, -50.52, 54.65

 

CMYK 86 / 0 / 88 / 40

HEX #169913

RGB 22 153 19

HSL 118.66, 0.78%, 0.34%

LAB 55.07, -56.64, 53.74

 

CMYK 88 / 0 / 65 / 40

HEX #139935

RGB 19 153 53

HSL 135.22, 0.78%, 0.34%

LAB 55.26, -54.21, 42

 

CMYK 88 / 0 / 42 / 40

HEX #139958

RGB 19 153 88

HSL 150.9, 0.78%, 0.34%

LAB 55.71, -48.73, 24.94

 

CMYK 88 / 0 / 19 / 40

HEX #13997C

RGB 19 153 124

HSL 167.01, 0.78%, 0.34%

LAB 56.46, -40.36, 5.88

 

CMYK 88 / 0 / 65 / 69

HEX #0A501C

RGB 10 80 28

HSL 135.43, 0.78%, 0.18%

LAB 29.12, -32.98, 24.45

 

CMYK 87 / 0 / 65 / 55

HEX #0F7429

RGB 15 116 41

HSL 135.45, 0.77%, 0.26%

LAB 42.39, -43.67, 33.1

 

CMYK 88 / 0 / 65 / 40

HEX #139936

RGB 19 153 54

HSL 135.67, 0.78%, 0.34%

LAB 55.26, -54.09, 41.56

 

CMYK 87 / 0 / 65 / 26

HEX #18BD42

RGB 24 189 66

HSL 135.27, 0.77%, 0.42%

LAB 67.26, -63.71, 49.68

 

CMYK 87 / 0 / 64 / 12

HEX #1EE150

RGB 30 225 80

HSL 135.38, 0.76%, 0.5%

LAB 78.87, -72.68, 56.67

 

CMYK 87 / 0 / 65 / 40

HEX #149936

RGB 20 153 54

HSL 135.34, 0.77%, 0.34%

LAB 55.28, -54, 41.58

 

CMYK 88 / 39 / 0 / 40

HEX #135D99

RGB 19 93 153

HSL 206.87, 0.78%, 0.34%

LAB 38.32, 1.38, -38.76

 

CMYK 0 / 88 / 75 / 40

HEX #991327

RGB 153 19 39

HSL 351.04, 0.78%, 0.34%

LAB 32.67, 52.62, 26.16

 

CMYK 87 / 0 / 65 / 40

HEX #149936

RGB 20 153 54

HSL 135.34, 0.77%, 0.34%

LAB 55.28, -54, 41.58

 

CMYK 65 / 88 / 0 / 40

HEX #351399

RGB 53 19 153

HSL 255.22, 0.78%, 0.34%

LAB 22.03, 50.09, -65.19

 

CMYK 0 / 65 / 88 / 40

HEX #993513

RGB 153 53 19

HSL 15.22, 0.78%, 0.34%

LAB 36.68, 40.27, 41.25

 

CMYK 87 / 0 / 65 / 40

HEX #149936

RGB 20 153 54

HSL 135.34, 0.77%, 0.34%

LAB 55.28, -54, 41.58

 

CMYK 88 / 39 / 0 / 40

HEX #135D99

RGB 19 93 153

HSL 206.87, 0.78%, 0.34%

LAB 38.32, 1.38, -38.76

 

CMYK 0 / 88 / 22 / 40

HEX #991378

RGB 153 19 120

HSL 314.78, 0.78%, 0.34%

LAB 35.19, 59.73, -22.6

 

CMYK 0 / 48 / 88 / 40

HEX #995013

RGB 153 80 19

HSL 27.31, 0.78%, 0.34%

LAB 42.09, 26.41, 45.76

 

CMYK 87 / 0 / 65 / 40

HEX #149936

RGB 20 153 54

HSL 135.34, 0.77%, 0.34%

LAB 55.28, -54, 41.58

 

CMYK 88 / 65 / 0 / 40

HEX #133599

RGB 19 53 153

HSL 224.78, 0.78%, 0.34%

LAB 26.69, 28.44, -57.56

 

CMYK 0 / 88 / 22 / 40

HEX #991378

RGB 153 19 120

HSL 314.78, 0.78%, 0.34%

LAB 35.19, 59.73, -22.6

 

CMYK 0 / 22 / 88 / 40

HEX #997813

RGB 153 120 19

HSL 45.22, 0.78%, 0.34%

LAB 52.12, 3.62, 54.03

 

Description

Color code: HEX #149936 | qconv.com Color code: HEX #149936 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 153 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 153 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 65 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 65% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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