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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1495C5 it is the complementary color #EB6A3A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1495C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1495C5 shade: #1995C0, #2AA7D3, #3BB9E6, #4CCBF9 and #5DDDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1495C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1495C5 shade: #1495C5, #0383B2, #00719F, #005F8C and #004D79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1495C5 shade: #1396C7, #1366C7, #1335C7, #2213C7 and #5213C7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1495C5 shade: #1396C7, #1366C7, #1335C7 and #1313C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1495C5 shade matches the following richer shades: #1396C7 and #019ED9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1495C5 shade: #1396C7, #258EB5, #3786A4, #487E92 and #5A7680

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1495C5 shade: #13C797, #13C7C7, #1397C7, #1367C7 and #1337C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1495C5 shade: #0C5E7C, #107AA2, #1396C7, #1CB1E8 and #41BDEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1495C5 shade: #1495C5, #6713C7 and #C7AF13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1495C5 shade: #1495C5, #C71397 and #97C713

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1495C5 shade: #1495C5, #6713C7, #C74313 and #73C713

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1495C5 shade: #1495C5, #9D13C7, #C74313 and #3DC713

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 24 / 0 / 23

HEX #1495C5

RGB 20 149 197

HSL 196.27, 0.82%, 0.43%

LAB 57.73, -14.97, -33.76

 

Complementary color

CMYK 0 / 55 / 75 / 8

HEX #EB6A3A

RGB 235 106 58

HSL 16.27, 0.82%, 0.57%

LAB 60.14, 47.07, 49.86

 

CMYK 87 / 22 / 0 / 25

HEX #1995C0

RGB 25 149 192

HSL 195.45, 0.77%, 0.43%

LAB 57.57, -16.45, -31.18

 

CMYK 80 / 21 / 0 / 17

HEX #2AA7D3

RGB 42 167 211

HSL 195.62, 0.67%, 0.5%

LAB 64.03, -18.17, -31.77

 

CMYK 74 / 20 / 0 / 10

HEX #3BB9E6

RGB 59 185 230

HSL 195.79, 0.77%, 0.57%

LAB 70.41, -19.51, -32.29

 

CMYK 69 / 18 / 0 / 2

HEX #4CCBF9

RGB 76 203 249

HSL 195.95, 0.94%, 0.64%

LAB 76.73, -20.58, -32.76

 

CMYK 64 / 13 / 0 / 0

HEX #5DDDFF

RGB 93 221 255

HSL 192.59, 1%, 0.68%

LAB 82.52, -25.32, -27.03

 

CMYK 90 / 24 / 0 / 23

HEX #1495C5

RGB 20 149 197

HSL 196.27, 0.82%, 0.43%

LAB 57.73, -14.97, -33.76

 

CMYK 98 / 26 / 0 / 30

HEX #0383B2

RGB 3 131 178

HSL 196.11, 0.97%, 0.35%

LAB 51.23, -12.61, -33.09

 

CMYK 100 / 29 / 0 / 38

HEX #00719F

RGB 0 113 159

HSL 197.36, 1%, 0.31%

LAB 44.68, -9.58, -32.28

 

CMYK 100 / 32 / 0 / 45

HEX #005F8C

RGB 0 95 140

HSL 199.29, 1%, 0.27%

LAB 37.98, -6.26, -31.47

 

CMYK 100 / 36 / 0 / 53

HEX #004D79

RGB 0 77 121

HSL 201.82, 1%, 0.24%

LAB 31.09, -2.72, -30.69

 

CMYK 90 / 25 / 0 / 22

HEX #1396C7

RGB 19 150 199

HSL 196.33, 0.83%, 0.43%

LAB 58.11, -14.86, -34.29

 

CMYK 90 / 49 / 0 / 22

HEX #1366C7

RGB 19 102 199

HSL 212.33, 0.83%, 0.43%

LAB 43.89, 14, -56.86

 

CMYK 90 / 73 / 0 / 22

HEX #1335C7

RGB 19 53 199

HSL 228.67, 0.83%, 0.43%

LAB 31.37, 45.62, -77.35

 

CMYK 83 / 90 / 0 / 22

HEX #2213C7

RGB 34 19 199

HSL 245, 0.83%, 0.43%

LAB 26.53, 61.81, -85.36

 

CMYK 59 / 90 / 0 / 22

HEX #5213C7

RGB 82 19 199

HSL 261, 0.83%, 0.43%

LAB 30.36, 64.37, -78.89

 

CMYK 90 / 25 / 0 / 22

HEX #1396C7

RGB 19 150 199

HSL 196.33, 0.83%, 0.43%

LAB 58.11, -14.86, -34.29

 

CMYK 90 / 49 / 0 / 22

HEX #1366C7

RGB 19 102 199

HSL 212.33, 0.83%, 0.43%

LAB 43.89, 14, -56.86

 

CMYK 90 / 73 / 0 / 22

HEX #1335C7

RGB 19 53 199

HSL 228.67, 0.83%, 0.43%

LAB 31.37, 45.62, -77.35

 

CMYK 90 / 90 / 0 / 22

HEX #1313C7

RGB 19 19 199

HSL 240, 0.83%, 0.43%

LAB 25.94, 61.46, -86.36

 

CMYK 90 / 25 / 0 / 22

HEX #1396C7

RGB 19 150 199

HSL 196.33, 0.83%, 0.43%

LAB 58.11, -14.86, -34.29

 

CMYK 100 / 27 / 0 / 15

HEX #019ED9

RGB 1 158 217

HSL 196.39, 0.99%, 0.43%

LAB 61.19, -13.39, -39.54

 

CMYK 90 / 25 / 0 / 22

HEX #1396C7

RGB 19 150 199

HSL 196.33, 0.83%, 0.43%

LAB 58.11, -14.86, -34.29

 

CMYK 80 / 22 / 0 / 29

HEX #258EB5

RGB 37 142 181

HSL 196.25, 0.66%, 0.43%

LAB 55.15, -15.48, -28.67

 

CMYK 66 / 18 / 0 / 36

HEX #3786A4

RGB 55 134 164

HSL 196.51, 0.5%, 0.43%

LAB 52.45, -14.41, -23.05

 

CMYK 51 / 14 / 0 / 43

HEX #487E92

RGB 72 126 146

HSL 196.22, 0.34%, 0.43%

LAB 49.95, -12.14, -16.34

 

CMYK 30 / 8 / 0 / 50

HEX #5A7680

RGB 90 118 128

HSL 195.79, 0.17%, 0.43%

LAB 47.87, -7.56, -8.78

 

CMYK 90 / 0 / 24 / 22

HEX #13C797

RGB 19 199 151

HSL 164, 0.83%, 0.43%

LAB 71.7, -52.31, 12.62

 

CMYK 90 / 0 / 0 / 22

HEX #13C7C7

RGB 19 199 199

HSL 180, 0.83%, 0.43%

LAB 72.96, -39.29, -11.58

 

CMYK 90 / 24 / 0 / 22

HEX #1397C7

RGB 19 151 199

HSL 196, 0.83%, 0.43%

LAB 58.41, -15.4, -33.82

 

CMYK 90 / 48 / 0 / 22

HEX #1367C7

RGB 19 103 199

HSL 212, 0.83%, 0.43%

LAB 44.18, 13.35, -56.4

 

CMYK 90 / 72 / 0 / 22

HEX #1337C7

RGB 19 55 199

HSL 228, 0.83%, 0.43%

LAB 31.79, 44.43, -76.64

 

CMYK 90 / 24 / 0 / 51

HEX #0C5E7C

RGB 12 94 124

HSL 196.07, 0.82%, 0.27%

LAB 37, -11.24, -23.25

 

CMYK 90 / 25 / 0 / 36

HEX #107AA2

RGB 16 122 162

HSL 196.44, 0.82%, 0.35%

LAB 47.8, -12.88, -29.15

 

CMYK 90 / 25 / 0 / 22

HEX #1396C7

RGB 19 150 199

HSL 196.33, 0.83%, 0.43%

LAB 58.11, -14.86, -34.29

 

CMYK 88 / 24 / 0 / 9

HEX #1CB1E8

RGB 28 177 232

HSL 196.18, 0.82%, 0.51%

LAB 67.66, -17.31, -37.69

 

CMYK 72 / 20 / 0 / 7

HEX #41BDEC

RGB 65 189 236

HSL 196.49, 0.82%, 0.59%

LAB 71.94, -18.93, -33.17

 

CMYK 90 / 24 / 0 / 23

HEX #1495C5

RGB 20 149 197

HSL 196.27, 0.82%, 0.43%

LAB 57.73, -14.97, -33.76

 

CMYK 48 / 90 / 0 / 22

HEX #6713C7

RGB 103 19 199

HSL 268, 0.83%, 0.43%

LAB 32.86, 66.25, -74.68

 

CMYK 0 / 12 / 90 / 22

HEX #C7AF13

RGB 199 175 19

HSL 52, 0.83%, 0.43%

LAB 71.45, -5.4, 71.31

 

CMYK 90 / 24 / 0 / 23

HEX #1495C5

RGB 20 149 197

HSL 196.27, 0.82%, 0.43%

LAB 57.73, -14.97, -33.76

 

CMYK 0 / 90 / 24 / 22

HEX #C71397

RGB 199 19 151

HSL 316, 0.83%, 0.43%

LAB 45.42, 73.31, -25.1

 

CMYK 24 / 0 / 90 / 22

HEX #97C713

RGB 151 199 19

HSL 76, 0.83%, 0.43%

LAB 74.49, -37.55, 72.17

 

CMYK 90 / 24 / 0 / 23

HEX #1495C5

RGB 20 149 197

HSL 196.27, 0.82%, 0.43%

LAB 57.73, -14.97, -33.76

 

CMYK 48 / 90 / 0 / 22

HEX #6713C7

RGB 103 19 199

HSL 268, 0.83%, 0.43%

LAB 32.86, 66.25, -74.68

 

CMYK 0 / 66 / 90 / 22

HEX #C74313

RGB 199 67 19

HSL 16, 0.83%, 0.43%

LAB 47.24, 50.64, 53.03

 

CMYK 42 / 0 / 90 / 22

HEX #73C713

RGB 115 199 19

HSL 88, 0.83%, 0.43%

LAB 72.59, -50.7, 69.82

 

CMYK 90 / 24 / 0 / 23

HEX #1495C5

RGB 20 149 197

HSL 196.27, 0.82%, 0.43%

LAB 57.73, -14.97, -33.76

 

CMYK 21 / 90 / 0 / 22

HEX #9D13C7

RGB 157 19 199

HSL 286, 0.83%, 0.43%

LAB 40.83, 73.03, -61.32

 

CMYK 0 / 66 / 90 / 22

HEX #C74313

RGB 199 67 19

HSL 16, 0.83%, 0.43%

LAB 47.24, 50.64, 53.03

 

CMYK 69 / 0 / 90 / 22

HEX #3DC713

RGB 61 199 19

HSL 106, 0.83%, 0.43%

LAB 70.79, -64.96, 67.6

 

Description

Color code: HEX #1495C5 | qconv.com Color code: HEX #1495C5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 149 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 149 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 24 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 24% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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