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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1486EA it is the complementary color #EB7915. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1486EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1486EA shade: #1986E5, #2A98F8, #3BAAFF, #4CBCFF and #5DCEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1486EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1486EA shade: #1486EA, #0374D7, #0062C4, #0050B1 and #003E9E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1486EA shade: #1486EA, #144CEA, #1514EA, #4F14EA and #8914EA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1486EA shade: #1486EA, #144CEA and #1414EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1486EA shade matches the following richer shades: #1486EA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1486EA shade: #1486EA, #2985D5, #3D83C1, #5282AC and #668198

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1486EA shade: #14EADC, #14BFEA, #1486EA, #144DEA and #1414EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1486EA shade: #0D5A9E, #1170C4, #1486EA, #3A99ED and #60ADF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1486EA shade: #1486EA, #A314EA and #DCEA14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1486EA shade: #1486EA, #EA1486 and #86EA14

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1486EA shade: #1486EA, #A314EA, #EA7814 and #5BEA14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1486EA shade: #1486EA, #E314EA, #EA7814 and #1BEA14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 43 / 0 / 8

HEX #1486EA

RGB 20 134 234

HSL 208.04, 0.84%, 0.5%

LAB 55.22, 7.59, -58.48

 

Complementary color

CMYK 0 / 49 / 91 / 8

HEX #EB7915

RGB 235 121 21

HSL 28.04, 0.84%, 0.5%

LAB 62.84, 38.7, 66.29

 

CMYK 89 / 41 / 0 / 10

HEX #1986E5

RGB 25 134 229

HSL 207.94, 0.8%, 0.5%

LAB 54.98, 5.92, -56.06

 

CMYK 83 / 39 / 0 / 3

HEX #2A98F8

RGB 42 152 248

HSL 207.96, 0.94%, 0.57%

LAB 61.42, 3.4, -56.29

 

CMYK 77 / 33 / 0 / 0

HEX #3BAAFF

RGB 59 170 255

HSL 206.02, 1%, 0.62%

LAB 67.2, -2.9, -50.91

 

CMYK 70 / 26 / 0 / 0

HEX #4CBCFF

RGB 76 188 255

HSL 202.46, 1%, 0.65%

LAB 72.71, -10.78, -42.22

 

CMYK 64 / 19 / 0 / 0

HEX #5DCEFF

RGB 93 206 255

HSL 198.15, 1%, 0.68%

LAB 78.28, -17.74, -33.54

 

CMYK 91 / 43 / 0 / 8

HEX #1486EA

RGB 20 134 234

HSL 208.04, 0.84%, 0.5%

LAB 55.22, 7.59, -58.48

 

CMYK 99 / 46 / 0 / 16

HEX #0374D7

RGB 3 116 215

HSL 208.02, 0.97%, 0.43%

LAB 48.78, 10.79, -58.15

 

CMYK 100 / 50 / 0 / 23

HEX #0062C4

RGB 0 98 196

HSL 210, 1%, 0.38%

LAB 42.34, 14.66, -57.65

 

CMYK 100 / 55 / 0 / 31

HEX #0050B1

RGB 0 80 177

HSL 212.88, 1%, 0.35%

LAB 35.81, 18.88, -57.11

 

CMYK 100 / 61 / 0 / 38

HEX #003E9E

RGB 0 62 158

HSL 216.46, 1%, 0.31%

LAB 29.19, 23.35, -56.52

 

CMYK 91 / 43 / 0 / 8

HEX #1486EA

RGB 20 134 234

HSL 208.04, 0.84%, 0.5%

LAB 55.22, 7.59, -58.48

 

CMYK 91 / 68 / 0 / 8

HEX #144CEA

RGB 20 76 234

HSL 224.3, 0.84%, 0.5%

LAB 40.01, 44.23, -83.2

 

CMYK 91 / 91 / 0 / 8

HEX #1514EA

RGB 21 20 234

HSL 240.28, 0.84%, 0.5%

LAB 30.88, 70.58, -98.36

 

CMYK 66 / 91 / 0 / 8

HEX #4F14EA

RGB 79 20 234

HSL 256.54, 0.84%, 0.5%

LAB 34.2, 72.49, -92.74

 

CMYK 41 / 91 / 0 / 8

HEX #8914EA

RGB 137 20 234

HSL 272.8, 0.84%, 0.5%

LAB 40.83, 77.17, -81.56

 

CMYK 91 / 43 / 0 / 8

HEX #1486EA

RGB 20 134 234

HSL 208.04, 0.84%, 0.5%

LAB 55.22, 7.59, -58.48

 

CMYK 91 / 68 / 0 / 8

HEX #144CEA

RGB 20 76 234

HSL 224.3, 0.84%, 0.5%

LAB 40.01, 44.23, -83.2

 

CMYK 91 / 91 / 0 / 8

HEX #1414EA

RGB 20 20 234

HSL 240, 0.84%, 0.5%

LAB 30.85, 70.57, -98.4

 

CMYK 91 / 43 / 0 / 8

HEX #1486EA

RGB 20 134 234

HSL 208.04, 0.84%, 0.5%

LAB 55.22, 7.59, -58.48

 

CMYK 91 / 43 / 0 / 8

HEX #1486EA

RGB 20 134 234

HSL 208.04, 0.84%, 0.5%

LAB 55.22, 7.59, -58.48

 

CMYK 81 / 38 / 0 / 16

HEX #2985D5

RGB 41 133 213

HSL 207.91, 0.68%, 0.5%

LAB 54.08, 1.69, -48.5

 

CMYK 68 / 32 / 0 / 24

HEX #3D83C1

RGB 61 131 193

HSL 208.18, 0.52%, 0.5%

LAB 53.03, -1.82, -38.78

 

CMYK 52 / 24 / 0 / 33

HEX #5282AC

RGB 82 130 172

HSL 208, 0.35%, 0.5%

LAB 52.66, -4.07, -27.25

 

CMYK 33 / 15 / 0 / 40

HEX #668198

RGB 102 129 152

HSL 207.6, 0.2%, 0.5%

LAB 52.72, -3.87, -15.47

 

CMYK 91 / 0 / 6 / 8

HEX #14EADC

RGB 20 234 220

HSL 176.07, 0.84%, 0.5%

LAB 84.05, -48.52, -6.34

 

CMYK 91 / 18 / 0 / 8

HEX #14BFEA

RGB 20 191 234

HSL 192.06, 0.84%, 0.5%

LAB 71.79, -24.28, -32.38

 

CMYK 91 / 43 / 0 / 8

HEX #1486EA

RGB 20 134 234

HSL 208.04, 0.84%, 0.5%

LAB 55.22, 7.59, -58.48

 

CMYK 91 / 67 / 0 / 8

HEX #144DEA

RGB 20 77 234

HSL 224.02, 0.84%, 0.5%

LAB 40.24, 43.61, -82.83

 

CMYK 91 / 91 / 0 / 8

HEX #1414EA

RGB 20 20 234

HSL 240, 0.84%, 0.5%

LAB 30.85, 70.57, -98.4

 

CMYK 92 / 43 / 0 / 38

HEX #0D5A9E

RGB 13 90 158

HSL 208.14, 0.85%, 0.34%

LAB 37.6, 4.95, -42.9

 

CMYK 91 / 43 / 0 / 23

HEX #1170C4

RGB 17 112 196

HSL 208.16, 0.84%, 0.42%

LAB 46.57, 6.32, -50.83

 

CMYK 91 / 43 / 0 / 8

HEX #1486EA

RGB 20 134 234

HSL 208.04, 0.84%, 0.5%

LAB 55.22, 7.59, -58.48

 

CMYK 76 / 35 / 0 / 7

HEX #3A99ED

RGB 58 153 237

HSL 208.16, 0.83%, 0.58%

LAB 61.48, 0.4, -50.12

 

CMYK 60 / 28 / 0 / 5

HEX #60ADF1

RGB 96 173 241

HSL 208.14, 0.84%, 0.66%

LAB 68.55, -3.88, -41.09

 

CMYK 91 / 43 / 0 / 8

HEX #1486EA

RGB 20 134 234

HSL 208.04, 0.84%, 0.5%

LAB 55.22, 7.59, -58.48

 

CMYK 30 / 91 / 0 / 8

HEX #A314EA

RGB 163 20 234

HSL 280.09, 0.84%, 0.5%

LAB 44.56, 80.19, -75.3

 

CMYK 6 / 0 / 91 / 8

HEX #DCEA14

RGB 220 234 20

HSL 63.93, 0.84%, 0.5%

LAB 88.98, -25.8, 85.49

 

CMYK 91 / 43 / 0 / 8

HEX #1486EA

RGB 20 134 234

HSL 208.04, 0.84%, 0.5%

LAB 55.22, 7.59, -58.48

 

CMYK 0 / 91 / 43 / 8

HEX #EA1486

RGB 234 20 134

HSL 328.04, 0.84%, 0.5%

LAB 51.51, 78.9, -4.97

 

CMYK 43 / 0 / 91 / 8

HEX #86EA14

RGB 134 234 20

HSL 88.04, 0.84%, 0.5%

LAB 83.95, -58.06, 79.37

 

CMYK 91 / 43 / 0 / 8

HEX #1486EA

RGB 20 134 234

HSL 208.04, 0.84%, 0.5%

LAB 55.22, 7.59, -58.48

 

CMYK 30 / 91 / 0 / 8

HEX #A314EA

RGB 163 20 234

HSL 280.09, 0.84%, 0.5%

LAB 44.56, 80.19, -75.3

 

CMYK 0 / 49 / 91 / 8

HEX #EA7814

RGB 234 120 20

HSL 28.04, 0.84%, 0.5%

LAB 62.49, 38.79, 66.22

 

CMYK 61 / 0 / 91 / 8

HEX #5BEA14

RGB 91 234 20

HSL 100.09, 0.84%, 0.5%

LAB 82.44, -69.86, 77.51

 

CMYK 91 / 43 / 0 / 8

HEX #1486EA

RGB 20 134 234

HSL 208.04, 0.84%, 0.5%

LAB 55.22, 7.59, -58.48

 

CMYK 3 / 91 / 0 / 8

HEX #E314EA

RGB 227 20 234

HSL 298.04, 0.84%, 0.5%

LAB 54.84, 89.44, -58.17

 

CMYK 0 / 49 / 91 / 8

HEX #EA7814

RGB 234 120 20

HSL 28.04, 0.84%, 0.5%

LAB 62.49, 38.79, 66.22

 

CMYK 88 / 0 / 91 / 8

HEX #1BEA14

RGB 27 234 20

HSL 118.04, 0.84%, 0.5%

LAB 81.36, -79.23, 76.17

 

Description

Color code: HEX #1486EA | qconv.com Color code: HEX #1486EA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 134 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 134 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 43 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 43% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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