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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #146C06 it is the complementary color #EB93F9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #146C06. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #146C06 shade: #196C01, #2A7E14, #3B9027, #4CA23A and #5DB44D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #146C06. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #146C06 shade: #146C06, #035A00, #004800, #003600 and #002400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #146C06 shade: #136A06, #2E6A06, #496A06, #646A06 and #6A5406

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #146C06 shade: #136A06, #066A13, #066A2E, #066A49 and #066A64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #146C06 shade matches the following richer shades: #136A06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #146C06 shade: #136A06, #1A600F, #215718, #274E21 and #2E452A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #146C06 shade: #4A6A06, #2F6A06, #156A06, #066A11 and #066A2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #146C06 shade: #051C01, #0C4303, #136A06, #1B9108 and #22B80A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #146C06 shade: #146C06, #06656A and #6A063D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #146C06 shade: #146C06, #06156A and #6A0615

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #146C06 shade: #146C06, #06656A, #5B066A and #6A0B06

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #146C06 shade: #146C06, #06476A, #5B066A and #6A2906

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 94 / 58

HEX #146C06

RGB 20 108 6

HSL 111.76, 0.89%, 0.22%

LAB 39.39, -43.22, 42.96

 

Complementary color

CMYK 6 / 41 / 0 / 2

HEX #EB93F9

RGB 235 147 249

HSL 291.76, 0.89%, 0.78%

LAB 73.13, 48.95, -37.51

 

CMYK 77 / 0 / 99 / 58

HEX #196C01

RGB 25 108 1

HSL 106.54, 0.98%, 0.21%

LAB 39.47, -42.59, 44.36

 

CMYK 67 / 0 / 84 / 51

HEX #2A7E14

RGB 42 126 20

HSL 107.55, 0.73%, 0.29%

LAB 46.26, -44.42, 45.65

 

CMYK 59 / 0 / 73 / 44

HEX #3B9027

RGB 59 144 39

HSL 108.57, 0.57%, 0.36%

LAB 52.97, -45.48, 45.73

 

CMYK 53 / 0 / 64 / 36

HEX #4CA23A

RGB 76 162 58

HSL 109.62, 0.47%, 0.43%

LAB 59.6, -46.02, 44.98

 

CMYK 48 / 0 / 57 / 29

HEX #5DB44D

RGB 93 180 77

HSL 110.68, 0.41%, 0.5%

LAB 66.14, -46.25, 43.89

 

CMYK 81 / 0 / 94 / 58

HEX #146C06

RGB 20 108 6

HSL 111.76, 0.89%, 0.22%

LAB 39.39, -43.22, 42.96

 

CMYK 97 / 0 / 100 / 65

HEX #035A00

RGB 3 90 0

HSL 118, 1%, 0.18%

LAB 32.55, -39.91, 38.95

 

CMYK 100 / 0 / 100 / 72

HEX #004800

RGB 0 72 0

HSL 120, 1%, 0.14%

LAB 25.67, -34.62, 33.21

 

CMYK 100 / 0 / 100 / 79

HEX #003600

RGB 0 54 0

HSL 120, 1%, 0.11%

LAB 18.53, -28.69, 25.66

 

CMYK 100 / 0 / 100 / 86

HEX #002400

RGB 0 36 0

HSL 120, 1%, 0.07%

LAB 11.01, -21.59, 15.97

 

CMYK 82 / 0 / 94 / 58

HEX #136A06

RGB 19 106 6

HSL 112.2, 0.89%, 0.22%

LAB 38.66, -42.71, 42.32

 

CMYK 57 / 0 / 94 / 58

HEX #2E6A06

RGB 46 106 6

HSL 96, 0.89%, 0.22%

LAB 39.42, -36.36, 43.27

 

CMYK 31 / 0 / 94 / 58

HEX #496A06

RGB 73 106 6

HSL 79.8, 0.89%, 0.22%

LAB 40.8, -26.29, 44.98

 

CMYK 6 / 0 / 94 / 58

HEX #646A06

RGB 100 106 6

HSL 63.6, 0.89%, 0.22%

LAB 42.81, -14.01, 47.45

 

CMYK 0 / 21 / 94 / 58

HEX #6A5406

RGB 106 84 6

HSL 46.8, 0.89%, 0.22%

LAB 36.78, 1.64, 42.96

 

CMYK 82 / 0 / 94 / 58

HEX #136A06

RGB 19 106 6

HSL 112.2, 0.89%, 0.22%

LAB 38.66, -42.71, 42.32

 

CMYK 94 / 0 / 82 / 58

HEX #066A13

RGB 6 106 19

HSL 127.8, 0.89%, 0.22%

LAB 38.54, -43.51, 38.43

 

CMYK 94 / 0 / 57 / 58

HEX #066A2E

RGB 6 106 46

HSL 144, 0.89%, 0.22%

LAB 38.8, -40.25, 26.28

 

CMYK 94 / 0 / 31 / 58

HEX #066A49

RGB 6 106 73

HSL 160.2, 0.89%, 0.22%

LAB 39.29, -34.56, 11.37

 

CMYK 94 / 0 / 6 / 58

HEX #066A64

RGB 6 106 100

HSL 176.4, 0.89%, 0.22%

LAB 40.03, -26.75, -3.95

 

CMYK 82 / 0 / 94 / 58

HEX #136A06

RGB 19 106 6

HSL 112.2, 0.89%, 0.22%

LAB 38.66, -42.71, 42.32

 

CMYK 82 / 0 / 94 / 58

HEX #136A06

RGB 19 106 6

HSL 112.2, 0.89%, 0.22%

LAB 38.66, -42.71, 42.32

 

CMYK 73 / 0 / 84 / 62

HEX #1A600F

RGB 26 96 15

HSL 111.85, 0.73%, 0.22%

LAB 35.24, -37.41, 36.76

 

CMYK 62 / 0 / 72 / 66

HEX #215718

RGB 33 87 24

HSL 111.43, 0.57%, 0.22%

LAB 32.27, -31.29, 30.16

 

CMYK 50 / 0 / 58 / 69

HEX #274E21

RGB 39 78 33

HSL 112, 0.41%, 0.22%

LAB 29.39, -24.13, 22.23

 

CMYK 33 / 0 / 39 / 73

HEX #2E452A

RGB 46 69 42

HSL 111.11, 0.24%, 0.22%

LAB 26.75, -15.21, 13.55

 

CMYK 30 / 0 / 94 / 58

HEX #4A6A06

RGB 74 106 6

HSL 79.2, 0.89%, 0.22%

LAB 40.86, -25.86, 45.06

 

CMYK 56 / 0 / 94 / 58

HEX #2F6A06

RGB 47 106 6

HSL 95.4, 0.89%, 0.22%

LAB 39.45, -36.05, 43.32

 

CMYK 80 / 0 / 94 / 58

HEX #156A06

RGB 21 106 6

HSL 111, 0.89%, 0.22%

LAB 38.69, -42.39, 42.37

 

CMYK 94 / 0 / 84 / 58

HEX #066A11

RGB 6 106 17

HSL 126.6, 0.89%, 0.22%

LAB 38.53, -43.65, 39.1

 

CMYK 94 / 0 / 58 / 58

HEX #066A2C

RGB 6 106 44

HSL 142.8, 0.89%, 0.22%

LAB 38.77, -40.57, 27.32

 

CMYK 82 / 0 / 96 / 89

HEX #051C01

RGB 5 28 1

HSL 111.11, 0.93%, 0.06%

LAB 7.81, -13.88, 11.04

 

CMYK 82 / 0 / 96 / 74

HEX #0C4303

RGB 12 67 3

HSL 111.56, 0.91%, 0.14%

LAB 24, -30.44, 30.46

 

CMYK 82 / 0 / 94 / 58

HEX #136A06

RGB 19 106 6

HSL 112.2, 0.89%, 0.22%

LAB 38.66, -42.71, 42.32

 

CMYK 81 / 0 / 94 / 43

HEX #1B9108

RGB 27 145 8

HSL 111.68, 0.9%, 0.3%

LAB 52.4, -53.99, 53.58

 

CMYK 82 / 0 / 95 / 28

HEX #22B80A

RGB 34 184 10

HSL 111.72, 0.9%, 0.38%

LAB 65.47, -64.8, 64.22

 

CMYK 81 / 0 / 94 / 58

HEX #146C06

RGB 20 108 6

HSL 111.76, 0.89%, 0.22%

LAB 39.39, -43.22, 42.96

 

CMYK 94 / 5 / 0 / 58

HEX #06656A

RGB 6 101 106

HSL 183, 0.89%, 0.22%

LAB 38.53, -22.2, -9.86

 

CMYK 0 / 94 / 42 / 58

HEX #6A063D

RGB 106 6 61

HSL 327, 0.89%, 0.22%

LAB 22.06, 44.05, -4.72

 

CMYK 81 / 0 / 94 / 58

HEX #146C06

RGB 20 108 6

HSL 111.76, 0.89%, 0.22%

LAB 39.39, -43.22, 42.96

 

CMYK 94 / 80 / 0 / 58

HEX #06156A

RGB 6 21 106

HSL 231, 0.89%, 0.22%

LAB 13.33, 30.64, -49.88

 

CMYK 0 / 94 / 80 / 58

HEX #6A0615

RGB 106 6 21

HSL 351, 0.89%, 0.22%

LAB 21.01, 41.13, 21.76

 

CMYK 81 / 0 / 94 / 58

HEX #146C06

RGB 20 108 6

HSL 111.76, 0.89%, 0.22%

LAB 39.39, -43.22, 42.96

 

CMYK 94 / 5 / 0 / 58

HEX #06656A

RGB 6 101 106

HSL 183, 0.89%, 0.22%

LAB 38.53, -22.2, -9.86

 

CMYK 14 / 94 / 0 / 58

HEX #5B066A

RGB 91 6 106

HSL 291, 0.89%, 0.22%

LAB 21.56, 47.49, -36

 

CMYK 0 / 90 / 94 / 58

HEX #6A0B06

RGB 106 11 6

HSL 3, 0.89%, 0.22%

LAB 21.27, 39.5, 29.65

 

CMYK 81 / 0 / 94 / 58

HEX #146C06

RGB 20 108 6

HSL 111.76, 0.89%, 0.22%

LAB 39.39, -43.22, 42.96

 

CMYK 94 / 33 / 0 / 58

HEX #06476A

RGB 6 71 106

HSL 201, 0.89%, 0.22%

LAB 28.34, -4.66, -25.57

 

CMYK 14 / 94 / 0 / 58

HEX #5B066A

RGB 91 6 106

HSL 291, 0.89%, 0.22%

LAB 21.56, 47.49, -36

 

CMYK 0 / 61 / 94 / 58

HEX #6A2906

RGB 106 41 6

HSL 21, 0.89%, 0.22%

LAB 25.75, 27.29, 34.17

 

Description

Color code: HEX #146C06 | qconv.com Color code: HEX #146C06 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 108 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 108 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 94 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 94% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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