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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #145C9D it is the complementary color #EBA362. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #145C9D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #145C9D shade: #195C98, #2A6EAB, #3B80BE, #4C92D1 and #5DA4E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #145C9D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #145C9D shade: #145C9D, #034A8A, #003877, #002664 and #001451

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #145C9D shade: #145C9D, #14379D, #16149D, #3B149D and #60149D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #145C9D shade: #145C9D, #14379D and #14149D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #145C9D shade matches the following richer shades: #145C9D and #065DAC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #145C9D shade: #145C9D, #225C8F, #315B81, #3F5A72 and #4E5964

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #145C9D shade: #149D94, #14829D, #145D9D, #14399D and #14149D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #145C9D shade: #0B3154, #0F4779, #145C9D, #1972C2 and #2287E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #145C9D shade: #145C9D, #70149D and #949D14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #145C9D shade: #145C9D, #9D145D and #5D9D14

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #145C9D shade: #145C9D, #70149D, #9D5414 and #429D14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #145C9D shade: #145C9D, #99149D, #9D5414 and #199D14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 41 / 0 / 38

HEX #145C9D

RGB 20 92 157

HSL 208.47, 0.77%, 0.35%

LAB 38.27, 3.72, -41.24

 

Complementary color

CMYK 0 / 31 / 58 / 8

HEX #EBA362

RGB 235 163 98

HSL 28.47, 0.77%, 0.65%

LAB 72.72, 20.04, 44.06

 

CMYK 84 / 39 / 0 / 40

HEX #195C98

RGB 25 92 152

HSL 208.35, 0.72%, 0.35%

LAB 38.07, 2.15, -38.54

 

CMYK 75 / 36 / 0 / 33

HEX #2A6EAB

RGB 42 110 171

HSL 208.37, 0.61%, 0.42%

LAB 45.06, 0.12, -38.69

 

CMYK 69 / 33 / 0 / 25

HEX #3B80BE

RGB 59 128 190

HSL 208.4, 0.53%, 0.49%

LAB 51.93, -1.41, -38.8

 

CMYK 64 / 30 / 0 / 18

HEX #4C92D1

RGB 76 146 209

HSL 208.42, 0.59%, 0.56%

LAB 58.69, -2.59, -38.9

 

CMYK 59 / 28 / 0 / 11

HEX #5DA4E4

RGB 93 164 228

HSL 208.44, 0.71%, 0.63%

LAB 65.34, -3.52, -39

 

CMYK 87 / 41 / 0 / 38

HEX #145C9D

RGB 20 92 157

HSL 208.47, 0.77%, 0.35%

LAB 38.27, 3.72, -41.24

 

CMYK 98 / 46 / 0 / 46

HEX #034A8A

RGB 3 74 138

HSL 208.44, 0.96%, 0.28%

LAB 31.24, 6.72, -40.99

 

CMYK 100 / 53 / 0 / 53

HEX #003877

RGB 0 56 119

HSL 211.76, 1%, 0.23%

LAB 24.19, 10.84, -40.48

 

CMYK 100 / 62 / 0 / 61

HEX #002664

RGB 0 38 100

HSL 217.2, 1%, 0.2%

LAB 17.02, 15.57, -39.87

 

CMYK 100 / 75 / 0 / 68

HEX #001451

RGB 0 20 81

HSL 225.19, 1%, 0.16%

LAB 9.75, 20.65, -39.03

 

CMYK 87 / 41 / 0 / 38

HEX #145C9D

RGB 20 92 157

HSL 208.47, 0.77%, 0.35%

LAB 38.27, 3.72, -41.24

 

CMYK 87 / 65 / 0 / 38

HEX #14379D

RGB 20 55 157

HSL 224.67, 0.77%, 0.35%

LAB 27.62, 28.73, -58.48

 

CMYK 86 / 87 / 0 / 38

HEX #16149D

RGB 22 20 157

HSL 240.88, 0.77%, 0.35%

LAB 20.46, 49.05, -70.31

 

CMYK 62 / 87 / 0 / 38

HEX #3B149D

RGB 59 20 157

HSL 257.08, 0.77%, 0.35%

LAB 23.22, 51.35, -65.65

 

CMYK 39 / 87 / 0 / 38

HEX #60149D

RGB 96 20 157

HSL 273.28, 0.77%, 0.35%

LAB 27.9, 55.6, -57.77

 

CMYK 87 / 41 / 0 / 38

HEX #145C9D

RGB 20 92 157

HSL 208.47, 0.77%, 0.35%

LAB 38.27, 3.72, -41.24

 

CMYK 87 / 65 / 0 / 38

HEX #14379D

RGB 20 55 157

HSL 224.67, 0.77%, 0.35%

LAB 27.62, 28.73, -58.48

 

CMYK 87 / 87 / 0 / 38

HEX #14149D

RGB 20 20 157

HSL 240, 0.77%, 0.35%

LAB 20.37, 48.98, -70.46

 

CMYK 87 / 41 / 0 / 38

HEX #145C9D

RGB 20 92 157

HSL 208.47, 0.77%, 0.35%

LAB 38.27, 3.72, -41.24

 

CMYK 97 / 46 / 0 / 33

HEX #065DAC

RGB 6 93 172

HSL 208.55, 0.93%, 0.35%

LAB 39.32, 8.39, -48.48

 

CMYK 87 / 41 / 0 / 38

HEX #145C9D

RGB 20 92 157

HSL 208.47, 0.77%, 0.35%

LAB 38.27, 3.72, -41.24

 

CMYK 76 / 36 / 0 / 44

HEX #225C8F

RGB 34 92 143

HSL 208.07, 0.62%, 0.35%

LAB 37.8, -0.32, -33.53

 

CMYK 62 / 29 / 0 / 49

HEX #315B81

RGB 49 91 129

HSL 208.5, 0.45%, 0.35%

LAB 37.34, -2.25, -25.71

 

CMYK 45 / 21 / 0 / 55

HEX #3F5A72

RGB 63 90 114

HSL 208.24, 0.29%, 0.35%

LAB 37.09, -3.11, -16.82

 

CMYK 22 / 11 / 0 / 61

HEX #4E5964

RGB 78 89 100

HSL 210, 0.12%, 0.35%

LAB 37.27, -1.59, -7.76

 

CMYK 87 / 0 / 6 / 38

HEX #149D94

RGB 20 157 148

HSL 176.06, 0.77%, 0.35%

LAB 58.42, -35.28, -4.92

 

CMYK 87 / 17 / 0 / 38

HEX #14829D

RGB 20 130 157

HSL 191.82, 0.77%, 0.35%

LAB 50.15, -18.87, -22.58

 

CMYK 87 / 41 / 0 / 38

HEX #145D9D

RGB 20 93 157

HSL 208.03, 0.77%, 0.35%

LAB 38.57, 3.07, -40.75

 

CMYK 87 / 64 / 0 / 38

HEX #14399D

RGB 20 57 157

HSL 223.8, 0.77%, 0.35%

LAB 28.14, 27.37, -57.63

 

CMYK 87 / 87 / 0 / 38

HEX #14149D

RGB 20 20 157

HSL 240, 0.77%, 0.35%

LAB 20.37, 48.98, -70.46

 

CMYK 87 / 42 / 0 / 67

HEX #0B3154

RGB 11 49 84

HSL 208.77, 0.77%, 0.19%

LAB 19.67, 1.34, -24.97

 

CMYK 88 / 41 / 0 / 53

HEX #0F4779

RGB 15 71 121

HSL 208.3, 0.78%, 0.27%

LAB 29.38, 2.37, -33.39

 

CMYK 87 / 41 / 0 / 38

HEX #145C9D

RGB 20 92 157

HSL 208.47, 0.77%, 0.35%

LAB 38.27, 3.72, -41.24

 

CMYK 87 / 41 / 0 / 24

HEX #1972C2

RGB 25 114 194

HSL 208.4, 0.77%, 0.43%

LAB 47.15, 4.76, -48.74

 

CMYK 85 / 40 / 0 / 11

HEX #2287E2

RGB 34 135 226

HSL 208.44, 0.77%, 0.51%

LAB 55.24, 4.76, -53.97

 

CMYK 87 / 41 / 0 / 38

HEX #145C9D

RGB 20 92 157

HSL 208.47, 0.77%, 0.35%

LAB 38.27, 3.72, -41.24

 

CMYK 29 / 87 / 0 / 38

HEX #70149D

RGB 112 20 157

HSL 280.29, 0.77%, 0.35%

LAB 30.35, 57.95, -53.67

 

CMYK 6 / 0 / 87 / 38

HEX #949D14

RGB 148 157 20

HSL 63.94, 0.77%, 0.35%

LAB 62.05, -18.66, 61.75

 

CMYK 87 / 41 / 0 / 38

HEX #145C9D

RGB 20 92 157

HSL 208.47, 0.77%, 0.35%

LAB 38.27, 3.72, -41.24

 

CMYK 0 / 87 / 41 / 38

HEX #9D145D

RGB 157 20 93

HSL 328.03, 0.77%, 0.35%

LAB 34.92, 57.34, -5.74

 

CMYK 41 / 0 / 87 / 38

HEX #5D9D14

RGB 93 157 20

HSL 88.03, 0.77%, 0.35%

LAB 58.5, -41.09, 57.33

 

CMYK 87 / 41 / 0 / 38

HEX #145C9D

RGB 20 92 157

HSL 208.47, 0.77%, 0.35%

LAB 38.27, 3.72, -41.24

 

CMYK 29 / 87 / 0 / 38

HEX #70149D

RGB 112 20 157

HSL 280.29, 0.77%, 0.35%

LAB 30.35, 57.95, -53.67

 

CMYK 0 / 46 / 87 / 38

HEX #9D5414

RGB 157 84 20

HSL 28.03, 0.77%, 0.35%

LAB 43.59, 25.95, 46.89

 

CMYK 58 / 0 / 87 / 38

HEX #429D14

RGB 66 157 20

HSL 99.85, 0.77%, 0.35%

LAB 57.39, -49.6, 55.93

 

CMYK 87 / 41 / 0 / 38

HEX #145C9D

RGB 20 92 157

HSL 208.47, 0.77%, 0.35%

LAB 38.27, 3.72, -41.24

 

CMYK 3 / 87 / 0 / 38

HEX #99149D

RGB 153 20 157

HSL 298.25, 0.77%, 0.35%

LAB 37.31, 64.97, -42.08

 

CMYK 0 / 46 / 87 / 38

HEX #9D5414

RGB 157 84 20

HSL 28.03, 0.77%, 0.35%

LAB 43.59, 25.95, 46.89

 

CMYK 84 / 0 / 87 / 38

HEX #199D14

RGB 25 157 20

HSL 117.81, 0.77%, 0.35%

LAB 56.46, -57.48, 54.76

 

Description

Color code: HEX #145C9D | qconv.com Color code: HEX #145C9D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 92 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 92 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 41 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 41% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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