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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #14488E it is the complementary color #EBB771. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #14488E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #14488E shade: #194889, #2A5A9C, #3B6CAF, #4C7EC2 and #5D90D5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #14488E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #14488E shade: #14488E, #03367B, #002468, #001255 and #000042

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #14488E shade: #14488E, #14278E, #22148E, #43148E and #64148E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #14488E shade: #14488E, #14278E and #14148E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #14488E shade matches the following richer shades: #14488E and #07469C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #14488E shade: #14488E, #214A81, #2E4C74, #3C4E67 and #495059

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #14488E shade: #148A8E, #146A8E, #14498E, #14288E and #20148E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #14488E shade: #0A2346, #0F366A, #14488E, #195AB2 and #1E6DD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #14488E shade: #14488E, #72148E and #7A8E14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #14488E shade: #14488E, #8E1449 and #498E14

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #14488E shade: #14488E, #72148E, #8E5914 and #308E14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #14488E shade: #14488E, #8E1486, #8E5914 and #148E1C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 49 / 0 / 44

HEX #14488E

RGB 20 72 142

HSL 214.43, 0.75%, 0.32%

LAB 31.2, 10.9, -43.49

 

Complementary color

CMYK 0 / 22 / 52 / 8

HEX #EBB771

RGB 235 183 113

HSL 34.43, 0.75%, 0.68%

LAB 77.71, 10.64, 42.56

 

CMYK 82 / 47 / 0 / 46

HEX #194889

RGB 25 72 137

HSL 214.82, 0.69%, 0.32%

LAB 30.99, 9.34, -40.74

 

CMYK 73 / 42 / 0 / 39

HEX #2A5A9C

RGB 42 90 156

HSL 214.74, 0.58%, 0.39%

LAB 38.21, 7.11, -40.7

 

CMYK 66 / 38 / 0 / 31

HEX #3B6CAF

RGB 59 108 175

HSL 214.66, 0.5%, 0.46%

LAB 45.29, 5.44, -40.63

 

CMYK 61 / 35 / 0 / 24

HEX #4C7EC2

RGB 76 126 194

HSL 214.58, 0.49%, 0.53%

LAB 52.23, 4.17, -40.57

 

CMYK 56 / 32 / 0 / 16

HEX #5D90D5

RGB 93 144 213

HSL 214.5, 0.59%, 0.6%

LAB 59.05, 3.16, -40.54

 

CMYK 86 / 49 / 0 / 44

HEX #14488E

RGB 20 72 142

HSL 214.43, 0.75%, 0.32%

LAB 31.2, 10.9, -43.49

 

CMYK 98 / 56 / 0 / 52

HEX #03367B

RGB 3 54 123

HSL 214.5, 0.95%, 0.25%

LAB 23.96, 14.25, -43.39

 

CMYK 100 / 65 / 0 / 59

HEX #002468

RGB 0 36 104

HSL 219.23, 1%, 0.2%

LAB 16.8, 18.87, -42.85

 

CMYK 100 / 79 / 0 / 67

HEX #001255

RGB 0 18 85

HSL 227.29, 1%, 0.17%

LAB 9.71, 23.83, -41.84

 

CMYK 100 / 100 / 0 / 74

HEX #000042

RGB 0 0 66

HSL 240, 1%, 0.13%

LAB 3.55, 24.67, -38.75

 

CMYK 86 / 49 / 0 / 44

HEX #14488E

RGB 20 72 142

HSL 214.43, 0.75%, 0.32%

LAB 31.2, 10.9, -43.49

 

CMYK 86 / 73 / 0 / 44

HEX #14278E

RGB 20 39 142

HSL 230.66, 0.75%, 0.32%

LAB 22.13, 33.56, -58.28

 

CMYK 76 / 86 / 0 / 44

HEX #22148E

RGB 34 20 142

HSL 246.89, 0.75%, 0.32%

LAB 19.2, 45.05, -63.12

 

CMYK 53 / 86 / 0 / 44

HEX #43148E

RGB 67 20 142

HSL 263.11, 0.75%, 0.32%

LAB 22.47, 48.15, -57.6

 

CMYK 30 / 86 / 0 / 44

HEX #64148E

RGB 100 20 142

HSL 279.34, 0.75%, 0.32%

LAB 27.19, 52.88, -49.67

 

CMYK 86 / 49 / 0 / 44

HEX #14488E

RGB 20 72 142

HSL 214.43, 0.75%, 0.32%

LAB 31.2, 10.9, -43.49

 

CMYK 86 / 73 / 0 / 44

HEX #14278E

RGB 20 39 142

HSL 230.66, 0.75%, 0.32%

LAB 22.13, 33.56, -58.28

 

CMYK 86 / 86 / 0 / 44

HEX #14148E

RGB 20 20 142

HSL 240, 0.75%, 0.32%

LAB 18.37, 44.3, -64.51

 

CMYK 86 / 49 / 0 / 44

HEX #14488E

RGB 20 72 142

HSL 214.43, 0.75%, 0.32%

LAB 31.2, 10.9, -43.49

 

CMYK 96 / 55 / 0 / 39

HEX #07469C

RGB 7 70 156

HSL 214.63, 0.91%, 0.32%

LAB 31.41, 17.3, -51.7

 

CMYK 86 / 49 / 0 / 44

HEX #14488E

RGB 20 72 142

HSL 214.43, 0.75%, 0.32%

LAB 31.2, 10.9, -43.49

 

CMYK 74 / 43 / 0 / 49

HEX #214A81

RGB 33 74 129

HSL 214.38, 0.59%, 0.32%

LAB 31.36, 5.82, -35.19

 

CMYK 60 / 34 / 0 / 55

HEX #2E4C74

RGB 46 76 116

HSL 214.29, 0.43%, 0.32%

LAB 31.83, 2.04, -26.3

 

CMYK 42 / 24 / 0 / 60

HEX #3C4E67

RGB 60 78 103

HSL 214.88, 0.26%, 0.32%

LAB 32.68, 0.13, -16.75

 

CMYK 18 / 10 / 0 / 65

HEX #495059

RGB 73 80 89

HSL 213.75, 0.1%, 0.32%

LAB 33.72, -0.63, -6.22

 

CMYK 86 / 3 / 0 / 44

HEX #148A8E

RGB 20 138 142

HSL 181.97, 0.75%, 0.32%

LAB 52.15, -28.07, -10.81

 

CMYK 86 / 25 / 0 / 44

HEX #146A8E

RGB 20 106 142

HSL 197.7, 0.75%, 0.32%

LAB 41.86, -10.82, -26.57

 

CMYK 86 / 49 / 0 / 44

HEX #14498E

RGB 20 73 142

HSL 213.93, 0.75%, 0.32%

LAB 31.5, 10.22, -43

 

CMYK 86 / 72 / 0 / 44

HEX #14288E

RGB 20 40 142

HSL 230.16, 0.75%, 0.32%

LAB 22.37, 32.92, -57.89

 

CMYK 77 / 86 / 0 / 44

HEX #20148E

RGB 32 20 142

HSL 245.9, 0.75%, 0.32%

LAB 19.06, 44.92, -63.35

 

CMYK 86 / 50 / 0 / 73

HEX #0A2346

RGB 10 35 70

HSL 215, 0.75%, 0.16%

LAB 13.88, 5.27, -24.71

 

CMYK 86 / 49 / 0 / 58

HEX #0F366A

RGB 15 54 106

HSL 214.29, 0.75%, 0.24%

LAB 22.93, 7.8, -34.18

 

CMYK 86 / 49 / 0 / 44

HEX #14488E

RGB 20 72 142

HSL 214.43, 0.75%, 0.32%

LAB 31.2, 10.9, -43.49

 

CMYK 86 / 49 / 0 / 30

HEX #195AB2

RGB 25 90 178

HSL 214.51, 0.75%, 0.4%

LAB 39.13, 13.86, -52.31

 

CMYK 86 / 49 / 0 / 16

HEX #1E6DD7

RGB 30 109 215

HSL 214.38, 0.76%, 0.48%

LAB 47.13, 16.44, -60.79

 

CMYK 86 / 49 / 0 / 44

HEX #14488E

RGB 20 72 142

HSL 214.43, 0.75%, 0.32%

LAB 31.2, 10.9, -43.49

 

CMYK 20 / 86 / 0 / 44

HEX #72148E

RGB 114 20 142

HSL 286.23, 0.75%, 0.32%

LAB 29.49, 55.26, -45.84

 

CMYK 14 / 0 / 86 / 44

HEX #7A8E14

RGB 122 142 20

HSL 69.84, 0.75%, 0.32%

LAB 55.62, -22.5, 55.56

 

CMYK 86 / 49 / 0 / 44

HEX #14488E

RGB 20 72 142

HSL 214.43, 0.75%, 0.32%

LAB 31.2, 10.9, -43.49

 

CMYK 0 / 86 / 49 / 44

HEX #8E1449

RGB 142 20 73

HSL 333.93, 0.75%, 0.32%

LAB 31.19, 51.6, 1.48

 

CMYK 49 / 0 / 86 / 44

HEX #498E14

RGB 73 142 20

HSL 93.93, 0.75%, 0.32%

LAB 52.74, -41.72, 51.94

 

CMYK 86 / 49 / 0 / 44

HEX #14488E

RGB 20 72 142

HSL 214.43, 0.75%, 0.32%

LAB 31.2, 10.9, -43.49

 

CMYK 20 / 86 / 0 / 44

HEX #72148E

RGB 114 20 142

HSL 286.23, 0.75%, 0.32%

LAB 29.49, 55.26, -45.84

 

CMYK 0 / 37 / 86 / 44

HEX #8E5914

RGB 142 89 20

HSL 33.93, 0.75%, 0.32%

LAB 42.68, 16.38, 45.27

 

CMYK 66 / 0 / 86 / 44

HEX #308E14

RGB 48 142 20

HSL 106.23, 0.75%, 0.32%

LAB 51.87, -48.73, 50.82

 

CMYK 86 / 49 / 0 / 44

HEX #14488E

RGB 20 72 142

HSL 214.43, 0.75%, 0.32%

LAB 31.2, 10.9, -43.49

 

CMYK 0 / 86 / 6 / 44

HEX #8E1486

RGB 142 20 134

HSL 303.93, 0.75%, 0.32%

LAB 33.93, 59.2, -33.49

 

CMYK 0 / 37 / 86 / 44

HEX #8E5914

RGB 142 89 20

HSL 33.93, 0.75%, 0.32%

LAB 42.68, 16.38, 45.27

 

CMYK 86 / 0 / 80 / 44

HEX #148E1C

RGB 20 142 28

HSL 123.93, 0.75%, 0.32%

LAB 51.36, -52.95, 47.81

 

Description

Color code: HEX #14488E | qconv.com Color code: HEX #14488E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 72 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 72 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 49 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 49% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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