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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1433C0 it is the complementary color #EBCC3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1433C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1433C0 shade: #1933BB, #2A45CE, #3B57E1, #4C69F4 and #5D7BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1433C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1433C0 shade: #1433C0, #0321AD, #000F9A, #000087 and #000074

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1433C0 shade: #1433C1, #2314C1, #5214C1, #8114C1 and #B014C1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1433C0 shade: #1433C1 and #1414C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1433C0 shade matches the following richer shades: #1433C1 and #0328D3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1433C0 shade: #1433C1, #253EB0, #37499F, #48548D and #595F7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1433C0 shade: #1490C1, #1462C1, #1434C1, #2214C1 and #5114C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1433C0 shade: #0C1F77, #10299C, #1433C1, #183DE6 and #3D5DEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1433C0 shade: #1433C0, #C114BE and #79C114

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1433C0 shade: #1433C0, #C11434 and #34C114

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1433C0 shade: #1433C0, #C114BE, #C1A214 and #14C117

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1433C0 shade: #1433C0, #C1148A, #C1A214 and #14C14B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 73 / 0 / 25

HEX #1433C0

RGB 20 51 192

HSL 229.19, 0.81%, 0.42%

LAB 30.21, 44.38, -75.15

 

Complementary color

CMYK 0 / 13 / 73 / 8

HEX #EBCC3F

RGB 235 204 63

HSL 49.19, 0.81%, 0.58%

LAB 82.49, -3.49, 70.02

 

CMYK 87 / 73 / 0 / 27

HEX #1933BB

RGB 25 51 187

HSL 230.37, 0.76%, 0.42%

LAB 29.82, 42.83, -72.84

 

CMYK 80 / 67 / 0 / 19

HEX #2A45CE

RGB 42 69 206

HSL 230.12, 0.66%, 0.49%

LAB 36.38, 39.7, -73.14

 

CMYK 74 / 61 / 0 / 12

HEX #3B57E1

RGB 59 87 225

HSL 229.88, 0.73%, 0.56%

LAB 43.04, 36.87, -73.09

 

CMYK 69 / 57 / 0 / 4

HEX #4C69F4

RGB 76 105 244

HSL 229.64, 0.88%, 0.63%

LAB 49.7, 34.4, -72.88

 

CMYK 64 / 52 / 0 / 0

HEX #5D7BFF

RGB 93 123 255

HSL 228.89, 1%, 0.68%

LAB 55.8, 29.61, -69.06

 

CMYK 90 / 73 / 0 / 25

HEX #1433C0

RGB 20 51 192

HSL 229.19, 0.81%, 0.42%

LAB 30.21, 44.38, -75.15

 

CMYK 98 / 81 / 0 / 32

HEX #0321AD

RGB 3 33 173

HSL 229.41, 0.97%, 0.35%

LAB 24.08, 47.5, -74.02

 

CMYK 100 / 90 / 0 / 40

HEX #000F9A

RGB 0 15 154

HSL 234.16, 1%, 0.3%

LAB 18.69, 49.59, -71.44

 

CMYK 100 / 100 / 0 / 47

HEX #000087

RGB 0 0 135

HSL 240, 1%, 0.26%

LAB 14.11, 49.37, -67.24

 

CMYK 100 / 100 / 0 / 55

HEX #000074

RGB 0 0 116

HSL 240, 1%, 0.23%

LAB 11, 44.27, -60.29

 

CMYK 90 / 74 / 0 / 24

HEX #1433C1

RGB 20 51 193

HSL 229.25, 0.81%, 0.42%

LAB 30.32, 44.73, -75.56

 

CMYK 82 / 90 / 0 / 24

HEX #2314C1

RGB 35 20 193

HSL 245.2, 0.81%, 0.42%

LAB 25.89, 59.89, -82.91

 

CMYK 58 / 90 / 0 / 24

HEX #5214C1

RGB 82 20 193

HSL 261.5, 0.81%, 0.42%

LAB 29.77, 62.64, -76.33

 

CMYK 33 / 90 / 0 / 24

HEX #8114C1

RGB 129 20 193

HSL 277.8, 0.81%, 0.42%

LAB 36.02, 67.77, -65.83

 

CMYK 9 / 90 / 0 / 24

HEX #B014C1

RGB 176 20 193

HSL 294.1, 0.81%, 0.42%

LAB 43.63, 74.81, -53.14

 

CMYK 90 / 74 / 0 / 24

HEX #1433C1

RGB 20 51 193

HSL 229.25, 0.81%, 0.42%

LAB 30.32, 44.73, -75.56

 

CMYK 90 / 90 / 0 / 24

HEX #1414C1

RGB 20 20 193

HSL 240, 0.81%, 0.42%

LAB 25.26, 59.49, -83.97

 

CMYK 90 / 74 / 0 / 24

HEX #1433C1

RGB 20 51 193

HSL 229.25, 0.81%, 0.42%

LAB 30.32, 44.73, -75.56

 

CMYK 99 / 81 / 0 / 17

HEX #0328D3

RGB 3 40 211

HSL 229.33, 0.97%, 0.42%

LAB 30.01, 56.32, -86.59

 

CMYK 90 / 74 / 0 / 24

HEX #1433C1

RGB 20 51 193

HSL 229.25, 0.81%, 0.42%

LAB 30.32, 44.73, -75.56

 

CMYK 79 / 65 / 0 / 31

HEX #253EB0

RGB 37 62 176

HSL 229.21, 0.65%, 0.42%

LAB 31.75, 32.75, -63.12

 

CMYK 65 / 54 / 0 / 38

HEX #37499F

RGB 55 73 159

HSL 229.62, 0.49%, 0.42%

LAB 34.15, 21.57, -48.98

 

CMYK 49 / 40 / 0 / 45

HEX #48548D

RGB 72 84 141

HSL 229.57, 0.32%, 0.42%

LAB 37.19, 11.78, -33.16

 

CMYK 28 / 23 / 0 / 51

HEX #595F7C

RGB 89 95 124

HSL 229.71, 0.16%, 0.42%

LAB 40.84, 4.79, -17.03

 

CMYK 90 / 25 / 0 / 24

HEX #1490C1

RGB 20 144 193

HSL 196.99, 0.81%, 0.42%

LAB 56.03, -13.65, -34.14

 

CMYK 90 / 49 / 0 / 24

HEX #1462C1

RGB 20 98 193

HSL 212.95, 0.81%, 0.42%

LAB 42.36, 14.27, -55.87

 

CMYK 90 / 73 / 0 / 24

HEX #1434C1

RGB 20 52 193

HSL 228.9, 0.81%, 0.42%

LAB 30.53, 44.14, -75.21

 

CMYK 82 / 90 / 0 / 24

HEX #2214C1

RGB 34 20 193

HSL 244.86, 0.81%, 0.42%

LAB 25.83, 59.86, -82.99

 

CMYK 58 / 90 / 0 / 24

HEX #5114C1

RGB 81 20 193

HSL 261.16, 0.81%, 0.42%

LAB 29.66, 62.56, -76.52

 

CMYK 90 / 74 / 0 / 53

HEX #0C1F77

RGB 12 31 119

HSL 229.35, 0.82%, 0.26%

LAB 17.41, 29.48, -51.55

 

CMYK 90 / 74 / 0 / 39

HEX #10299C

RGB 16 41 156

HSL 229.29, 0.81%, 0.34%

LAB 23.99, 37.3, -63.85

 

CMYK 90 / 74 / 0 / 24

HEX #1433C1

RGB 20 51 193

HSL 229.25, 0.81%, 0.42%

LAB 30.32, 44.73, -75.56

 

CMYK 90 / 73 / 0 / 10

HEX #183DE6

RGB 24 61 230

HSL 229.22, 0.81%, 0.5%

LAB 36.45, 51.87, -86.81

 

CMYK 74 / 60 / 0 / 8

HEX #3D5DEA

RGB 61 93 234

HSL 228.9, 0.8%, 0.58%

LAB 45.31, 36.53, -74.47

 

CMYK 90 / 73 / 0 / 25

HEX #1433C0

RGB 20 51 192

HSL 229.19, 0.81%, 0.42%

LAB 30.21, 44.38, -75.15

 

CMYK 0 / 90 / 2 / 24

HEX #C114BE

RGB 193 20 190

HSL 301.04, 0.81%, 0.42%

LAB 46.39, 77.24, -46.8

 

CMYK 37 / 0 / 90 / 24

HEX #79C114

RGB 121 193 20

HSL 84.97, 0.81%, 0.42%

LAB 71.05, -46.19, 68.5

 

CMYK 90 / 73 / 0 / 25

HEX #1433C0

RGB 20 51 192

HSL 229.19, 0.81%, 0.42%

LAB 30.21, 44.38, -75.15

 

CMYK 0 / 90 / 73 / 24

HEX #C11434

RGB 193 20 52

HSL 348.9, 0.81%, 0.42%

LAB 41.35, 63.75, 30.37

 

CMYK 73 / 0 / 90 / 24

HEX #34C114

RGB 52 193 20

HSL 108.9, 0.81%, 0.42%

LAB 68.69, -64.66, 65.57

 

CMYK 90 / 73 / 0 / 25

HEX #1433C0

RGB 20 51 192

HSL 229.19, 0.81%, 0.42%

LAB 30.21, 44.38, -75.15

 

CMYK 0 / 90 / 2 / 24

HEX #C114BE

RGB 193 20 190

HSL 301.04, 0.81%, 0.42%

LAB 46.39, 77.24, -46.8

 

CMYK 0 / 16 / 90 / 24

HEX #C1A214

RGB 193 162 20

HSL 49.25, 0.81%, 0.42%

LAB 67.45, -1.18, 67.76

 

CMYK 90 / 0 / 88 / 24

HEX #14C117

RGB 20 193 23

HSL 121.04, 0.81%, 0.42%

LAB 68.28, -68.31, 64.49

 

CMYK 90 / 73 / 0 / 25

HEX #1433C0

RGB 20 51 192

HSL 229.19, 0.81%, 0.42%

LAB 30.21, 44.38, -75.15

 

CMYK 0 / 90 / 28 / 24

HEX #C1148A

RGB 193 20 138

HSL 319.08, 0.81%, 0.42%

LAB 43.76, 70.41, -19.87

 

CMYK 0 / 16 / 90 / 24

HEX #C1A214

RGB 193 162 20

HSL 49.25, 0.81%, 0.42%

LAB 67.45, -1.18, 67.76

 

CMYK 90 / 0 / 61 / 24

HEX #14C14B

RGB 20 193 75

HSL 139.08, 0.81%, 0.42%

LAB 68.6, -64.19, 47.24

 

Description

Color code: HEX #1433C0 | qconv.com Color code: HEX #1433C0 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 51 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 51 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 73 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 73% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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