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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #142FEA it is the complementary color #EBD015. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #142FEA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #142FEA shade: #192FE5, #2A41F8, #3B53FF, #4C65FF and #5D77FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #142FEA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #142FEA shade: #142FEA, #031DD7, #000BC4, #0000B1 and #00009E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #142FEA shade: #142FEA, #3314EA, #6C14EA, #A614EA and #E014EA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #142FEA shade: #142FEA and #1414EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #142FEA shade matches the following richer shades: #142FEA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #142FEA shade: #142FEA, #293ED5, #3D4EC1, #525DAC and #666D98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #142FEA shade: #14A3EA, #146AEA, #1430EA, #3014EA and #6A14EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #142FEA shade: #0D209E, #1127C4, #142FEA, #3A51ED and #6072F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #142FEA shade: #142FEA, #EA14DC and #86EA14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #142FEA shade: #142FEA, #EA1430 and #30EA14

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #142FEA shade: #142FEA, #EA14DC, #EACE14 and #14EA22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #142FEA shade: #142FEA, #EA149C, #EACE14 and #14EA62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 80 / 0 / 8

HEX #142FEA

RGB 20 47 234

HSL 232.43, 0.84%, 0.5%

LAB 34.24, 60.44, -92.77

 

Complementary color

CMYK 0 / 11 / 91 / 8

HEX #EBD015

RGB 235 208 21

HSL 52.43, 0.84%, 0.5%

LAB 83.35, -6.71, 81.56

 

CMYK 89 / 79 / 0 / 10

HEX #192FE5

RGB 25 47 229

HSL 233.53, 0.8%, 0.5%

LAB 33.77, 59.01, -90.69

 

CMYK 83 / 74 / 0 / 3

HEX #2A41F8

RGB 42 65 248

HSL 233.3, 0.94%, 0.57%

LAB 39.66, 56.41, -91.65

 

CMYK 77 / 67 / 0 / 0

HEX #3B53FF

RGB 59 83 255

HSL 232.65, 1%, 0.62%

LAB 44.71, 49.65, -87.21

 

CMYK 70 / 60 / 0 / 0

HEX #4C65FF

RGB 76 101 255

HSL 231.62, 1%, 0.65%

LAB 49.57, 40.61, -79.21

 

CMYK 64 / 53 / 0 / 0

HEX #5D77FF

RGB 93 119 255

HSL 230.37, 1%, 0.68%

LAB 54.8, 32.04, -70.67

 

CMYK 91 / 80 / 0 / 8

HEX #142FEA

RGB 20 47 234

HSL 232.43, 0.84%, 0.5%

LAB 34.24, 60.44, -92.77

 

CMYK 99 / 87 / 0 / 16

HEX #031DD7

RGB 3 29 215

HSL 232.64, 0.97%, 0.43%

LAB 28.91, 62.31, -90.74

 

CMYK 100 / 94 / 0 / 23

HEX #000BC4

RGB 0 11 196

HSL 236.63, 1%, 0.38%

LAB 24.4, 62.55, -87.18

 

CMYK 100 / 100 / 0 / 31

HEX #0000B1

RGB 0 0 177

HSL 240, 1%, 0.35%

LAB 20.73, 60.22, -82.02

 

CMYK 100 / 100 / 0 / 38

HEX #00009E

RGB 0 0 158

HSL 240, 1%, 0.31%

LAB 17.78, 55.38, -75.42

 

CMYK 91 / 80 / 0 / 8

HEX #142FEA

RGB 20 47 234

HSL 232.43, 0.84%, 0.5%

LAB 34.24, 60.44, -92.77

 

CMYK 78 / 91 / 0 / 8

HEX #3314EA

RGB 51 20 234

HSL 248.69, 0.84%, 0.5%

LAB 32.13, 71.26, -96.23

 

CMYK 54 / 91 / 0 / 8

HEX #6C14EA

RGB 108 20 234

HSL 264.67, 0.84%, 0.5%

LAB 37.17, 74.46, -87.73

 

CMYK 29 / 91 / 0 / 8

HEX #A614EA

RGB 166 20 234

HSL 280.93, 0.84%, 0.5%

LAB 45.01, 80.57, -74.55

 

CMYK 4 / 91 / 0 / 8

HEX #E014EA

RGB 224 20 234

HSL 297.2, 0.84%, 0.5%

LAB 54.33, 88.96, -59

 

CMYK 91 / 80 / 0 / 8

HEX #142FEA

RGB 20 47 234

HSL 232.43, 0.84%, 0.5%

LAB 34.24, 60.44, -92.77

 

CMYK 91 / 91 / 0 / 8

HEX #1414EA

RGB 20 20 234

HSL 240, 0.84%, 0.5%

LAB 30.85, 70.57, -98.4

 

CMYK 91 / 80 / 0 / 8

HEX #142FEA

RGB 20 47 234

HSL 232.43, 0.84%, 0.5%

LAB 34.24, 60.44, -92.77

 

CMYK 91 / 80 / 0 / 8

HEX #142FEA

RGB 20 47 234

HSL 232.43, 0.84%, 0.5%

LAB 34.24, 60.44, -92.77

 

CMYK 81 / 71 / 0 / 16

HEX #293ED5

RGB 41 62 213

HSL 232.67, 0.68%, 0.5%

LAB 35.44, 46.34, -78.72

 

CMYK 68 / 60 / 0 / 24

HEX #3D4EC1

RGB 61 78 193

HSL 232.27, 0.52%, 0.5%

LAB 38.36, 31.46, -62.29

 

CMYK 52 / 46 / 0 / 33

HEX #525DAC

RGB 82 93 172

HSL 232.67, 0.35%, 0.5%

LAB 42.16, 18.57, -43.78

 

CMYK 33 / 28 / 0 / 40

HEX #666D98

RGB 102 109 152

HSL 231.6, 0.2%, 0.5%

LAB 47.01, 7.97, -24.22

 

CMYK 91 / 30 / 0 / 8

HEX #14A3EA

RGB 20 163 234

HSL 199.91, 0.84%, 0.5%

LAB 63.58, -9.37, -45.19

 

CMYK 91 / 55 / 0 / 8

HEX #146AEA

RGB 20 106 234

HSL 215.89, 0.84%, 0.5%

LAB 47.49, 25.17, -70.96

 

CMYK 91 / 79 / 0 / 8

HEX #1430EA

RGB 20 48 234

HSL 232.15, 0.84%, 0.5%

LAB 34.4, 59.95, -92.49

 

CMYK 79 / 91 / 0 / 8

HEX #3014EA

RGB 48 20 234

HSL 247.85, 0.84%, 0.5%

LAB 31.96, 71.17, -96.52

 

CMYK 55 / 91 / 0 / 8

HEX #6A14EA

RGB 106 20 234

HSL 264.11, 0.84%, 0.5%

LAB 36.94, 74.3, -88.11

 

CMYK 92 / 80 / 0 / 38

HEX #0D209E

RGB 13 32 158

HSL 232.14, 0.85%, 0.34%

LAB 22.26, 43.22, -67.95

 

CMYK 91 / 80 / 0 / 23

HEX #1127C4

RGB 17 39 196

HSL 232.63, 0.84%, 0.42%

LAB 28.26, 52.29, -80.74

 

CMYK 91 / 80 / 0 / 8

HEX #142FEA

RGB 20 47 234

HSL 232.43, 0.84%, 0.5%

LAB 34.24, 60.44, -92.77

 

CMYK 76 / 66 / 0 / 7

HEX #3A51ED

RGB 58 81 237

HSL 232.29, 0.83%, 0.58%

LAB 42.61, 44.63, -80.58

 

CMYK 60 / 53 / 0 / 5

HEX #6072F1

RGB 96 114 241

HSL 232.55, 0.84%, 0.66%

LAB 52.81, 30.94, -66.12

 

CMYK 91 / 80 / 0 / 8

HEX #142FEA

RGB 20 47 234

HSL 232.43, 0.84%, 0.5%

LAB 34.24, 60.44, -92.77

 

CMYK 0 / 91 / 6 / 8

HEX #EA14DC

RGB 234 20 220

HSL 303.93, 0.84%, 0.5%

LAB 55.24, 88.61, -49.54

 

CMYK 43 / 0 / 91 / 8

HEX #86EA14

RGB 134 234 20

HSL 88.04, 0.84%, 0.5%

LAB 83.95, -58.06, 79.37

 

CMYK 91 / 80 / 0 / 8

HEX #142FEA

RGB 20 47 234

HSL 232.43, 0.84%, 0.5%

LAB 34.24, 60.44, -92.77

 

CMYK 0 / 91 / 79 / 8

HEX #EA1430

RGB 234 20 48

HSL 352.15, 0.84%, 0.5%

LAB 49.75, 74.02, 44.3

 

CMYK 79 / 0 / 91 / 8

HEX #30EA14

RGB 48 234 20

HSL 112.15, 0.84%, 0.5%

LAB 81.58, -77.29, 76.44

 

CMYK 91 / 80 / 0 / 8

HEX #142FEA

RGB 20 47 234

HSL 232.43, 0.84%, 0.5%

LAB 34.24, 60.44, -92.77

 

CMYK 0 / 91 / 6 / 8

HEX #EA14DC

RGB 234 20 220

HSL 303.93, 0.84%, 0.5%

LAB 55.24, 88.61, -49.54

 

CMYK 0 / 12 / 91 / 8

HEX #EACE14

RGB 234 206 20

HSL 52.15, 0.84%, 0.5%

LAB 82.75, -6.14, 81.2

 

CMYK 91 / 0 / 85 / 8

HEX #14EA22

RGB 20 234 34

HSL 123.93, 0.84%, 0.5%

LAB 81.35, -79.19, 73.75

 

CMYK 91 / 80 / 0 / 8

HEX #142FEA

RGB 20 47 234

HSL 232.43, 0.84%, 0.5%

LAB 34.24, 60.44, -92.77

 

CMYK 0 / 91 / 33 / 8

HEX #EA149C

RGB 234 20 156

HSL 321.87, 0.84%, 0.5%

LAB 52.28, 80.96, -16.99

 

CMYK 0 / 12 / 91 / 8

HEX #EACE14

RGB 234 206 20

HSL 52.15, 0.84%, 0.5%

LAB 82.75, -6.14, 81.2

 

CMYK 91 / 0 / 58 / 8

HEX #14EA62

RGB 20 234 98

HSL 141.87, 0.84%, 0.5%

LAB 81.77, -73.9, 52.23

 

Description

Color code: HEX #142FEA | qconv.com Color code: HEX #142FEA | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 47 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 47 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 80 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 80% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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