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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #142251 it is the complementary color #EBDDAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #142251. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #142251 shade: #19224C, #2A345F, #3B4672, #4C5885 and #5D6A98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #142251. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #142251 shade: #142251, #03103E, #00002B, #000018 and #000005

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #142251 shade: #142251, #161451, #271451, #371451 and #481451

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #142251 shade: #142251 and #141451

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #142251 shade matches the following richer shades: #142251, #0C1D59 and #031962

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #142251 shade: #142251, #1C2649, #242B41, #2D2F38 and #353430

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #142251 shade: #144351, #143351, #142251, #161451 and #261451

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #142251 shade: #03060F, #0C1430, #142251, #1C3072 and #243E93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #142251 shade: #142251, #4F1451 and #3B5114

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #142251 shade: #142251, #511422 and #225114

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #142251 shade: #142251, #4F1451, #514314 and #165114

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #142251 shade: #142251, #511441, #514314 and #145124

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 58 / 0 / 68

HEX #142251

RGB 20 34 81

HSL 226.23, 0.6%, 0.2%

LAB 14.88, 12.46, -30.61

 

Complementary color

CMYK 0 / 6 / 26 / 8

HEX #EBDDAE

RGB 235 221 174

HSL 46.23, 0.6%, 0.8%

LAB 88.18, -2.37, 24.85

 

CMYK 67 / 55 / 0 / 70

HEX #19224C

RGB 25 34 76

HSL 229.41, 0.5%, 0.2%

LAB 14.8, 11.37, -27.31

 

CMYK 56 / 45 / 0 / 63

HEX #2A345F

RGB 42 52 95

HSL 228.68, 0.39%, 0.27%

LAB 22.91, 9.72, -26.99

 

CMYK 48 / 39 / 0 / 55

HEX #3B4672

RGB 59 70 114

HSL 228, 0.32%, 0.34%

LAB 30.7, 8.6, -26.77

 

CMYK 43 / 34 / 0 / 48

HEX #4C5885

RGB 76 88 133

HSL 227.37, 0.27%, 0.41%

LAB 38.22, 7.77, -26.66

 

CMYK 39 / 30 / 0 / 40

HEX #5D6A98

RGB 93 106 152

HSL 226.78, 0.24%, 0.48%

LAB 45.5, 7.12, -26.62

 

CMYK 75 / 58 / 0 / 68

HEX #142251

RGB 20 34 81

HSL 226.23, 0.6%, 0.2%

LAB 14.88, 12.46, -30.61

 

CMYK 95 / 74 / 0 / 76

HEX #03103E

RGB 3 16 62

HSL 226.78, 0.91%, 0.13%

LAB 6.66, 15.15, -30.79

 

CMYK 100 / 100 / 0 / 83

HEX #00002B

RGB 0 0 43

HSL 240, 1%, 0.08%

LAB 1.58, 11.07, -24.95

 

CMYK 100 / 100 / 0 / 91

HEX #000018

RGB 0 0 24

HSL 240, 1%, 0.05%

LAB 0.6, 4.19, -11.39

 

CMYK 100 / 100 / 0 / 98

HEX #000005

RGB 0 0 5

HSL 240, 1%, 0.01%

LAB 0.1, 0.7, -1.89

 

CMYK 75 / 58 / 0 / 68

HEX #142251

RGB 20 34 81

HSL 226.23, 0.6%, 0.2%

LAB 14.88, 12.46, -30.61

 

CMYK 73 / 75 / 0 / 68

HEX #161451

RGB 22 20 81

HSL 241.97, 0.6%, 0.2%

LAB 11.03, 23.04, -36.89

 

CMYK 52 / 75 / 0 / 68

HEX #271451

RGB 39 20 81

HSL 258.69, 0.6%, 0.2%

LAB 12.77, 26.1, -33.96

 

CMYK 32 / 75 / 0 / 68

HEX #371451

RGB 55 20 81

HSL 274.43, 0.6%, 0.2%

LAB 14.99, 29.72, -30.26

 

CMYK 11 / 75 / 0 / 68

HEX #481451

RGB 72 20 81

HSL 291.15, 0.6%, 0.2%

LAB 17.79, 33.98, -25.61

 

CMYK 75 / 58 / 0 / 68

HEX #142251

RGB 20 34 81

HSL 226.23, 0.6%, 0.2%

LAB 14.88, 12.46, -30.61

 

CMYK 75 / 75 / 0 / 68

HEX #141451

RGB 20 20 81

HSL 240, 0.6%, 0.2%

LAB 10.87, 22.76, -37.15

 

CMYK 75 / 58 / 0 / 68

HEX #142251

RGB 20 34 81

HSL 226.23, 0.6%, 0.2%

LAB 14.88, 12.46, -30.61

 

CMYK 87 / 67 / 0 / 65

HEX #0C1D59

RGB 12 29 89

HSL 226.75, 0.76%, 0.2%

LAB 13.7, 18.56, -37.96

 

CMYK 97 / 74 / 0 / 62

HEX #031962

RGB 3 25 98

HSL 226.11, 0.94%, 0.2%

LAB 13.21, 24.56, -44.8

 

CMYK 75 / 58 / 0 / 68

HEX #142251

RGB 20 34 81

HSL 226.23, 0.6%, 0.2%

LAB 14.88, 12.46, -30.61

 

CMYK 62 / 48 / 0 / 71

HEX #1C2649

RGB 28 38 73

HSL 226.67, 0.45%, 0.2%

LAB 16.08, 7.91, -23.21

 

CMYK 45 / 34 / 0 / 75

HEX #242B41

RGB 36 43 65

HSL 225.52, 0.29%, 0.2%

LAB 17.85, 3.7, -14.88

 

CMYK 20 / 16 / 0 / 78

HEX #2D2F38

RGB 45 47 56

HSL 229.09, 0.11%, 0.2%

LAB 19.54, 1.45, -6.02

 

CMYK 0 / 2 / 9 / 79

HEX #353430

RGB 53 52 48

HSL 48, 0.05%, 0.2%

LAB 21.68, -0.45, 2.68

 

CMYK 75 / 17 / 0 / 68

HEX #144351

RGB 20 67 81

HSL 193.77, 0.6%, 0.2%

LAB 26.03, -10.49, -13.02

 

CMYK 75 / 37 / 0 / 68

HEX #143351

RGB 20 51 81

HSL 209.51, 0.6%, 0.2%

LAB 20.48, 0.02, -21.66

 

CMYK 75 / 58 / 0 / 68

HEX #142251

RGB 20 34 81

HSL 226.23, 0.6%, 0.2%

LAB 14.88, 12.46, -30.61

 

CMYK 73 / 75 / 0 / 68

HEX #161451

RGB 22 20 81

HSL 241.97, 0.6%, 0.2%

LAB 11.03, 23.04, -36.89

 

CMYK 53 / 75 / 0 / 68

HEX #261451

RGB 38 20 81

HSL 257.7, 0.6%, 0.2%

LAB 12.65, 25.89, -34.17

 

CMYK 80 / 60 / 0 / 94

HEX #03060F

RGB 3 6 15

HSL 225, 0.67%, 0.04%

LAB 1.66, 0.57, -3.96

 

CMYK 75 / 58 / 0 / 81

HEX #0C1430

RGB 12 20 48

HSL 226.67, 0.6%, 0.12%

LAB 7.15, 7.35, -19.81

 

CMYK 75 / 58 / 0 / 68

HEX #142251

RGB 20 34 81

HSL 226.23, 0.6%, 0.2%

LAB 14.88, 12.46, -30.61

 

CMYK 75 / 58 / 0 / 55

HEX #1C3072

RGB 28 48 114

HSL 226.05, 0.61%, 0.28%

LAB 22.22, 17.13, -40.45

 

CMYK 76 / 58 / 0 / 42

HEX #243E93

RGB 36 62 147

HSL 225.95, 0.61%, 0.36%

LAB 29.23, 21.56, -49.72

 

CMYK 75 / 58 / 0 / 68

HEX #142251

RGB 20 34 81

HSL 226.23, 0.6%, 0.2%

LAB 14.88, 12.46, -30.61

 

CMYK 2 / 75 / 0 / 68

HEX #4F1451

RGB 79 20 81

HSL 298.03, 0.6%, 0.2%

LAB 19.04, 35.8, -23.54

 

CMYK 27 / 0 / 75 / 68

HEX #3B5114

RGB 59 81 20

HSL 81.64, 0.6%, 0.2%

LAB 31.5, -18.99, 31.61

 

CMYK 75 / 58 / 0 / 68

HEX #142251

RGB 20 34 81

HSL 226.23, 0.6%, 0.2%

LAB 14.88, 12.46, -30.61

 

CMYK 0 / 75 / 58 / 68

HEX #511422

RGB 81 20 34

HSL 346.23, 0.6%, 0.2%

LAB 17.3, 29.41, 6.82

 

CMYK 58 / 0 / 75 / 68

HEX #225114

RGB 34 81 20

HSL 106.23, 0.6%, 0.2%

LAB 30.1, -28.81, 29.72

 

CMYK 75 / 58 / 0 / 68

HEX #142251

RGB 20 34 81

HSL 226.23, 0.6%, 0.2%

LAB 14.88, 12.46, -30.61

 

CMYK 2 / 75 / 0 / 68

HEX #4F1451

RGB 79 20 81

HSL 298.03, 0.6%, 0.2%

LAB 19.04, 35.8, -23.54

 

CMYK 0 / 17 / 75 / 68

HEX #514314

RGB 81 67 20

HSL 46.23, 0.6%, 0.2%

LAB 28.94, 0.01, 29.61

 

CMYK 73 / 0 / 75 / 68

HEX #165114

RGB 22 81 20

HSL 118.03, 0.6%, 0.2%

LAB 29.68, -32.15, 29.15

 

CMYK 75 / 58 / 0 / 68

HEX #142251

RGB 20 34 81

HSL 226.23, 0.6%, 0.2%

LAB 14.88, 12.46, -30.61

 

CMYK 0 / 75 / 20 / 68

HEX #511441

RGB 81 20 65

HSL 315.74, 0.6%, 0.2%

LAB 18.5, 33.46, -13.38

 

CMYK 0 / 17 / 75 / 68

HEX #514314

RGB 81 67 20

HSL 46.23, 0.6%, 0.2%

LAB 28.94, 0.01, 29.61

 

CMYK 75 / 0 / 56 / 68

HEX #145124

RGB 20 81 36

HSL 135.74, 0.6%, 0.2%

LAB 29.81, -30.35, 20.88

 

Description

Color code: HEX #142251 | qconv.com Color code: HEX #142251 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 34 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 34 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 58 magenta, none yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 58% 0% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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