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Color name
HEX #17EACF

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #17EACF it is the complementary color #E81530. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #17EACF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #17EACF shade: #1CEACA, #2DFCDD, #3EFFF0, #4FFFFF and #60FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #17EACF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #17EACF shade: #17EACF, #06D8BC, #00C6A9, #00B496 and #00A283

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #17EACF shade: #15E9CE, #15E995, #15E95C, #15E923 and #41E915

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #17EACF shade: #15E9CE, #15CBE9, #1592E9, #1559E9 and #1520E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #17EACF shade matches the following richer shades: #15E9CE and #01FDDD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #17EACF shade: #15E9CE, #2AD4BE, #3EC0AF, #53ABA0 and #689690

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #17EACF shade: #15E95C, #15E994, #15E9CD, #15CDE9 and #1594E9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #17EACF shade: #0E9D8B, #12C3AC, #15E9CE, #3BECD6 and #61F0DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #17EACF shade: #17EACF, #2315E9 and #E97815

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #17EACF shade: #17EACF, #CD15E9 and #E9CD15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #17EACF shade: #17EACF, #2315E9, #E91531 and #DBE915

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #17EACF shade: #17EACF, #6315E9, #E91531 and #9BE915

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 12 / 8

HEX #17EACF

RGB 23 234 207

HSL 172.32, 0.83%, 0.5%

LAB 83.72, -51.93, 0.04

 

Complementary color

CMYK 0 / 91 / 79 / 9

HEX #E81530

RGB 232 21 48

HSL 352.32, 0.83%, 0.5%

LAB 49.38, 73.4, 43.8

 

CMYK 88 / 0 / 14 / 8

HEX #1CEACA

RGB 28 234 202

HSL 170.68, 0.83%, 0.51%

LAB 83.63, -53, 2.54

 

CMYK 82 / 0 / 12 / 1

HEX #2DFCDD

RGB 45 252 221

HSL 171.01, 0.97%, 0.58%

LAB 89.58, -54.32, 1.28

 

CMYK 76 / 0 / 6 / 0

HEX #3EFFF0

RGB 62 255 240

HSL 175.34, 1%, 0.62%

LAB 91.16, -49.13, -6.24

 

CMYK 69 / 0 / 0 / 0

HEX #4FFFFF

RGB 79 255 255

HSL 180, 1%, 0.65%

LAB 91.87, -43.2, -12.94

 

CMYK 62 / 0 / 0 / 0

HEX #60FFFF

RGB 96 255 255

HSL 180, 1%, 0.69%

LAB 92.23, -40.88, -12.35

 

CMYK 90 / 0 / 12 / 8

HEX #17EACF

RGB 23 234 207

HSL 172.32, 0.83%, 0.5%

LAB 83.72, -51.93, 0.04

 

CMYK 97 / 0 / 13 / 15

HEX #06D8BC

RGB 6 216 188

HSL 172, 0.95%, 0.44%

LAB 77.75, -50.16, 1.4

 

CMYK 100 / 0 / 15 / 22

HEX #00C6A9

RGB 0 198 169

HSL 171.21, 1%, 0.39%

LAB 71.73, -48.01, 2.89

 

CMYK 100 / 0 / 17 / 29

HEX #00B496

RGB 0 180 150

HSL 170, 1%, 0.35%

LAB 65.63, -45.66, 4.48

 

CMYK 100 / 0 / 19 / 36

HEX #00A283

RGB 0 162 131

HSL 168.52, 1%, 0.32%

LAB 59.42, -43.26, 6.14

 

CMYK 91 / 0 / 12 / 9

HEX #15E9CE

RGB 21 233 206

HSL 172.36, 0.83%, 0.5%

LAB 83.39, -51.87, 0.07

 

CMYK 91 / 0 / 36 / 9

HEX #15E995

RGB 21 233 149

HSL 156.23, 0.83%, 0.5%

LAB 82.17, -65.19, 28.08

 

CMYK 91 / 0 / 61 / 9

HEX #15E95C

RGB 21 233 92

HSL 140.09, 0.83%, 0.5%

LAB 81.41, -74.28, 54.44

 

CMYK 91 / 0 / 85 / 9

HEX #15E923

RGB 21 233 35

HSL 123.96, 0.83%, 0.5%

LAB 81.05, -78.82, 73.27

 

CMYK 72 / 0 / 91 / 9

HEX #41E915

RGB 65 233 21

HSL 107.55, 0.83%, 0.5%

LAB 81.54, -74.59, 76.38

 

CMYK 91 / 0 / 12 / 9

HEX #15E9CE

RGB 21 233 206

HSL 172.36, 0.83%, 0.5%

LAB 83.39, -51.87, 0.07

 

CMYK 91 / 13 / 0 / 9

HEX #15CBE9

RGB 21 203 233

HSL 188.49, 0.83%, 0.5%

LAB 75.3, -30.52, -26.44

 

CMYK 91 / 37 / 0 / 9

HEX #1592E9

RGB 21 146 233

HSL 204.62, 0.83%, 0.5%

LAB 58.6, 0.06, -52.51

 

CMYK 91 / 62 / 0 / 9

HEX #1559E9

RGB 21 89 233

HSL 220.75, 0.83%, 0.5%

LAB 43.04, 35.73, -77.65

 

CMYK 91 / 86 / 0 / 9

HEX #1520E9

RGB 21 32 233

HSL 236.89, 0.83%, 0.5%

LAB 31.98, 66.57, -95.96

 

CMYK 91 / 0 / 12 / 9

HEX #15E9CE

RGB 21 233 206

HSL 172.36, 0.83%, 0.5%

LAB 83.39, -51.87, 0.07

 

CMYK 100 / 0 / 13 / 1

HEX #01FDDD

RGB 1 253 221

HSL 172.38, 0.99%, 0.5%

LAB 89.62, -56.55, 1.3

 

CMYK 91 / 0 / 12 / 9

HEX #15E9CE

RGB 21 233 206

HSL 172.36, 0.83%, 0.5%

LAB 83.39, -51.87, 0.07

 

CMYK 80 / 0 / 10 / 17

HEX #2AD4BE

RGB 42 212 190

HSL 172.24, 0.67%, 0.5%

LAB 76.86, -46.04, -0.93

 

CMYK 68 / 0 / 9 / 25

HEX #3EC0AF

RGB 62 192 175

HSL 172.15, 0.51%, 0.5%

LAB 70.75, -38.95, -1.72

 

CMYK 51 / 0 / 6 / 33

HEX #53ABA0

RGB 83 171 160

HSL 172.5, 0.35%, 0.5%

LAB 64.57, -29.17, -2.44

 

CMYK 31 / 0 / 4 / 41

HEX #689690

RGB 104 150 144

HSL 172.17, 0.18%, 0.5%

LAB 58.76, -16.89, -1.84

 

CMYK 91 / 0 / 61 / 9

HEX #15E95C

RGB 21 233 92

HSL 140.09, 0.83%, 0.5%

LAB 81.41, -74.28, 54.44

 

CMYK 91 / 0 / 36 / 9

HEX #15E994

RGB 21 233 148

HSL 155.94, 0.83%, 0.5%

LAB 82.15, -65.38, 28.57

 

CMYK 91 / 0 / 12 / 9

HEX #15E9CD

RGB 21 233 205

HSL 172.08, 0.83%, 0.5%

LAB 83.36, -52.13, 0.56

 

CMYK 91 / 12 / 0 / 9

HEX #15CDE9

RGB 21 205 233

HSL 187.92, 0.83%, 0.5%

LAB 75.89, -31.49, -25.54

 

CMYK 91 / 36 / 0 / 9

HEX #1594E9

RGB 21 148 233

HSL 204.06, 0.83%, 0.5%

LAB 59.18, -1.12, -51.6

 

CMYK 91 / 0 / 11 / 38

HEX #0E9D8B

RGB 14 157 139

HSL 172.45, 0.84%, 0.34%

LAB 58.1, -38.27, -0.27

 

CMYK 91 / 0 / 12 / 24

HEX #12C3AC

RGB 18 195 172

HSL 172.2, 0.83%, 0.42%

LAB 70.97, -45.31, 0.17

 

CMYK 91 / 0 / 12 / 9

HEX #15E9CE

RGB 21 233 206

HSL 172.36, 0.83%, 0.5%

LAB 83.39, -51.87, 0.07

 

CMYK 75 / 0 / 9 / 7

HEX #3BECD6

RGB 59 236 214

HSL 172.54, 0.82%, 0.58%

LAB 84.88, -48.23, -1.91

 

CMYK 60 / 0 / 8 / 6

HEX #61F0DE

RGB 97 240 222

HSL 172.45, 0.83%, 0.66%

LAB 87.06, -42.57, -2.81

 

CMYK 90 / 0 / 12 / 8

HEX #17EACF

RGB 23 234 207

HSL 172.32, 0.83%, 0.5%

LAB 83.72, -51.93, 0.04

 

CMYK 85 / 91 / 0 / 9

HEX #2315E9

RGB 35 21 233

HSL 243.96, 0.83%, 0.5%

LAB 31.29, 70.31, -97.09

 

CMYK 0 / 48 / 91 / 9

HEX #E97815

RGB 233 120 21

HSL 28.02, 0.83%, 0.5%

LAB 62.35, 38.41, 65.81

 

CMYK 90 / 0 / 12 / 8

HEX #17EACF

RGB 23 234 207

HSL 172.32, 0.83%, 0.5%

LAB 83.72, -51.93, 0.04

 

CMYK 12 / 91 / 0 / 9

HEX #CD15E9

RGB 205 21 233

HSL 292.08, 0.83%, 0.5%

LAB 51.15, 85.73, -63.73

 

CMYK 0 / 12 / 91 / 9

HEX #E9CD15

RGB 233 205 21

HSL 52.08, 0.83%, 0.5%

LAB 82.4, -6.05, 80.76

 

CMYK 90 / 0 / 12 / 8

HEX #17EACF

RGB 23 234 207

HSL 172.32, 0.83%, 0.5%

LAB 83.72, -51.93, 0.04

 

CMYK 85 / 91 / 0 / 9

HEX #2315E9

RGB 35 21 233

HSL 243.96, 0.83%, 0.5%

LAB 31.29, 70.31, -97.09

 

CMYK 0 / 91 / 79 / 9

HEX #E91531

RGB 233 21 49

HSL 352.08, 0.83%, 0.5%

LAB 49.6, 73.68, 43.53

 

CMYK 6 / 0 / 91 / 9

HEX #DBE915

RGB 219 233 21

HSL 63.96, 0.83%, 0.5%

LAB 88.63, -25.73, 85.07

 

CMYK 90 / 0 / 12 / 8

HEX #17EACF

RGB 23 234 207

HSL 172.32, 0.83%, 0.5%

LAB 83.72, -51.93, 0.04

 

CMYK 58 / 91 / 0 / 9

HEX #6315E9

RGB 99 21 233

HSL 262.08, 0.83%, 0.5%

LAB 36.12, 73.33, -88.92

 

CMYK 0 / 91 / 79 / 9

HEX #E91531

RGB 233 21 49

HSL 352.08, 0.83%, 0.5%

LAB 49.6, 73.68, 43.53

 

CMYK 33 / 0 / 91 / 9

HEX #9BE915

RGB 155 233 21

HSL 82.08, 0.83%, 0.5%

LAB 84.64, -50.57, 80.2

 

Description

Color code: HEX #17EACF | qconv.com Color code: HEX #17EACF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 234 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 234 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 12 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 12% 8% C M Y K

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Provide designers and agencies with accurate color values.

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