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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #17D9B1 it is the complementary color #E8264E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #17D9B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #17D9B1 shade: #1CD9AC, #2DEBBF, #3EFDD2, #4FFFE5 and #60FFF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #17D9B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #17D9B1 shade: #17D9B1, #06C79E, #00B58B, #00A378 and #009165

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #17D9B1 shade: #16D8B0, #16D87C, #16D848, #19D816 and #4ED816

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #17D9B1 shade: #16D8B0, #16CCD8, #1698D8, #1663D8 and #162FD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #17D9B1 shade matches the following richer shades: #16D8B0 and #03ECBC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #17D9B1 shade: #16D8B0, #2AC5A5, #3DB29A, #509E8E and #648B83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #17D9B1 shade: #16D847, #16D87B, #16D8AE, #16CFD8 and #169BD8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #17D9B1 shade: #0E8E74, #12B392, #16D8B0, #2FE9C2 and #55EDCD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #17D9B1 shade: #17D9B1, #161AD8 and #D86116

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #17D9B1 shade: #17D9B1, #AE16D8 and #D8AE16

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #17D9B1 shade: #17D9B1, #161AD8, #D81640 and #D8D516

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #17D9B1 shade: #17D9B1, #4D16D8, #D81640 and #A1D816

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 18 / 15

HEX #17D9B1

RGB 23 217 177

HSL 167.63, 0.81%, 0.47%

LAB 77.86, -52.8, 7.46

 

Complementary color

CMYK 0 / 84 / 66 / 9

HEX #E8264E

RGB 232 38 78

HSL 347.63, 0.81%, 0.53%

LAB 50.79, 71.65, 27.95

 

CMYK 87 / 0 / 21 / 15

HEX #1CD9AC

RGB 28 217 172

HSL 165.71, 0.77%, 0.48%

LAB 77.79, -53.76, 10.01

 

CMYK 81 / 0 / 19 / 8

HEX #2DEBBF

RGB 45 235 191

HSL 166.11, 0.83%, 0.55%

LAB 83.83, -54.99, 8.63

 

CMYK 75 / 0 / 17 / 1

HEX #3EFDD2

RGB 62 253 210

HSL 166.49, 0.98%, 0.62%

LAB 89.83, -55.92, 7.37

 

CMYK 69 / 0 / 10 / 0

HEX #4FFFE5

RGB 79 255 229

HSL 171.14, 1%, 0.65%

LAB 91.16, -50.03, -0.5

 

CMYK 62 / 0 / 3 / 0

HEX #60FFF8

RGB 96 255 248

HSL 177.36, 1%, 0.69%

LAB 92.04, -42.73, -9.02

 

CMYK 89 / 0 / 18 / 15

HEX #17D9B1

RGB 23 217 177

HSL 167.63, 0.81%, 0.47%

LAB 77.86, -52.8, 7.46

 

CMYK 97 / 0 / 21 / 22

HEX #06C79E

RGB 6 199 158

HSL 167.25, 0.94%, 0.4%

LAB 71.79, -51.09, 8.96

 

CMYK 100 / 0 / 23 / 29

HEX #00B58B

RGB 0 181 139

HSL 166.08, 1%, 0.35%

LAB 65.68, -48.92, 10.62

 

CMYK 100 / 0 / 26 / 36

HEX #00A378

RGB 0 163 120

HSL 164.17, 1%, 0.32%

LAB 59.48, -46.49, 12.39

 

CMYK 100 / 0 / 30 / 43

HEX #009165

RGB 0 145 101

HSL 161.79, 1%, 0.28%

LAB 53.16, -44, 14.26

 

CMYK 90 / 0 / 19 / 15

HEX #16D8B0

RGB 22 216 176

HSL 167.63, 0.82%, 0.47%

LAB 77.53, -52.71, 7.51

 

CMYK 90 / 0 / 43 / 15

HEX #16D87C

RGB 22 216 124

HSL 151.55, 0.82%, 0.47%

LAB 76.52, -64.03, 33.31

 

CMYK 90 / 0 / 67 / 15

HEX #16D848

RGB 22 216 72

HSL 135.46, 0.82%, 0.47%

LAB 75.92, -71.38, 56.67

 

CMYK 88 / 0 / 90 / 15

HEX #19D816

RGB 25 216 22

HSL 119.07, 0.82%, 0.47%

LAB 75.68, -74.4, 71.06

 

CMYK 64 / 0 / 90 / 15

HEX #4ED816

RGB 78 216 22

HSL 102.68, 0.82%, 0.47%

LAB 76.55, -66.86, 72.14

 

CMYK 90 / 0 / 19 / 15

HEX #16D8B0

RGB 22 216 176

HSL 167.63, 0.82%, 0.47%

LAB 77.53, -52.71, 7.51

 

CMYK 90 / 6 / 0 / 15

HEX #16CCD8

RGB 22 204 216

HSL 183.71, 0.82%, 0.47%

LAB 75.02, -36.3, -17.7

 

CMYK 90 / 30 / 0 / 15

HEX #1698D8

RGB 22 152 216

HSL 199.79, 0.82%, 0.47%

LAB 59.51, -9.66, -41.62

 

CMYK 90 / 54 / 0 / 15

HEX #1663D8

RGB 22 99 216

HSL 216.19, 0.82%, 0.47%

LAB 44.31, 22.8, -65.94

 

CMYK 90 / 78 / 0 / 15

HEX #162FD8

RGB 22 47 216

HSL 232.27, 0.82%, 0.47%

LAB 32.17, 54.79, -85.88

 

CMYK 90 / 0 / 19 / 15

HEX #16D8B0

RGB 22 216 176

HSL 167.63, 0.82%, 0.47%

LAB 77.53, -52.71, 7.51

 

CMYK 99 / 0 / 20 / 7

HEX #03ECBC

RGB 3 236 188

HSL 167.64, 0.97%, 0.47%

LAB 83.78, -58.19, 10.09

 

CMYK 90 / 0 / 19 / 15

HEX #16D8B0

RGB 22 216 176

HSL 167.63, 0.82%, 0.47%

LAB 77.53, -52.71, 7.51

 

CMYK 79 / 0 / 16 / 23

HEX #2AC5A5

RGB 42 197 165

HSL 167.61, 0.65%, 0.47%

LAB 71.65, -46.25, 5

 

CMYK 66 / 0 / 13 / 30

HEX #3DB29A

RGB 61 178 154

HSL 167.69, 0.49%, 0.47%

LAB 65.88, -38.31, 2.73

 

CMYK 49 / 0 / 10 / 38

HEX #509E8E

RGB 80 158 142

HSL 167.69, 0.33%, 0.47%

LAB 59.99, -28.09, 0.96

 

CMYK 28 / 0 / 6 / 45

HEX #648B83

RGB 100 139 131

HSL 167.69, 0.16%, 0.47%

LAB 54.88, -15.31, -0.09

 

CMYK 90 / 0 / 67 / 15

HEX #16D847

RGB 22 216 71

HSL 135.15, 0.82%, 0.47%

LAB 75.91, -71.48, 57.06

 

CMYK 90 / 0 / 43 / 15

HEX #16D87B

RGB 22 216 123

HSL 151.24, 0.82%, 0.47%

LAB 76.5, -64.21, 33.8

 

CMYK 90 / 0 / 19 / 15

HEX #16D8AE

RGB 22 216 174

HSL 167.01, 0.82%, 0.47%

LAB 77.48, -53.21, 8.51

 

CMYK 90 / 4 / 0 / 15

HEX #16CFD8

RGB 22 207 216

HSL 182.78, 0.82%, 0.47%

LAB 75.92, -37.69, -16.34

 

CMYK 90 / 28 / 0 / 15

HEX #169BD8

RGB 22 155 216

HSL 198.87, 0.82%, 0.47%

LAB 60.4, -11.34, -40.22

 

CMYK 90 / 0 / 18 / 44

HEX #0E8E74

RGB 14 142 116

HSL 167.81, 0.82%, 0.31%

LAB 52.62, -38.12, 4.94

 

CMYK 90 / 0 / 18 / 30

HEX #12B392

RGB 18 179 146

HSL 167.7, 0.82%, 0.39%

LAB 65.31, -45.56, 6.25

 

CMYK 90 / 0 / 19 / 15

HEX #16D8B0

RGB 22 216 176

HSL 167.63, 0.82%, 0.47%

LAB 77.53, -52.71, 7.51

 

CMYK 80 / 0 / 17 / 9

HEX #2FE9C2

RGB 47 233 194

HSL 167.42, 0.81%, 0.55%

LAB 83.33, -53.28, 6.33

 

CMYK 64 / 0 / 14 / 7

HEX #55EDCD

RGB 85 237 205

HSL 167.37, 0.81%, 0.63%

LAB 85.46, -47.47, 3.72

 

CMYK 89 / 0 / 18 / 15

HEX #17D9B1

RGB 23 217 177

HSL 167.63, 0.81%, 0.47%

LAB 77.86, -52.8, 7.46

 

CMYK 90 / 88 / 0 / 15

HEX #161AD8

RGB 22 26 216

HSL 238.76, 0.82%, 0.47%

LAB 29.07, 63.95, -91.04

 

CMYK 0 / 55 / 90 / 15

HEX #D86116

RGB 216 97 22

HSL 23.2, 0.82%, 0.47%

LAB 55.28, 43.23, 59.23

 

CMYK 89 / 0 / 18 / 15

HEX #17D9B1

RGB 23 217 177

HSL 167.63, 0.81%, 0.47%

LAB 77.86, -52.8, 7.46

 

CMYK 19 / 90 / 0 / 15

HEX #AE16D8

RGB 174 22 216

HSL 287.01, 0.82%, 0.47%

LAB 44.98, 78.09, -64.27

 

CMYK 0 / 19 / 90 / 15

HEX #D8AE16

RGB 216 174 22

HSL 47.01, 0.82%, 0.47%

LAB 72.85, 2.66, 72.56

 

CMYK 89 / 0 / 18 / 15

HEX #17D9B1

RGB 23 217 177

HSL 167.63, 0.81%, 0.47%

LAB 77.86, -52.8, 7.46

 

CMYK 90 / 88 / 0 / 15

HEX #161AD8

RGB 22 26 216

HSL 238.76, 0.82%, 0.47%

LAB 29.07, 63.95, -91.04

 

CMYK 0 / 90 / 70 / 15

HEX #D81640

RGB 216 22 64

HSL 347.01, 0.82%, 0.47%

LAB 46.37, 69.82, 30.2

 

CMYK 0 / 1 / 90 / 15

HEX #D8D516

RGB 216 213 22

HSL 59.07, 0.82%, 0.47%

LAB 83.04, -17.3, 80.47

 

CMYK 89 / 0 / 18 / 15

HEX #17D9B1

RGB 23 217 177

HSL 167.63, 0.81%, 0.47%

LAB 77.86, -52.8, 7.46

 

CMYK 64 / 90 / 0 / 15

HEX #4D16D8

RGB 77 22 216

HSL 257.01, 0.82%, 0.47%

LAB 32.05, 67.45, -85.99

 

CMYK 0 / 90 / 70 / 15

HEX #D81640

RGB 216 22 64

HSL 347.01, 0.82%, 0.47%

LAB 46.37, 69.82, 30.2

 

CMYK 25 / 0 / 90 / 15

HEX #A1D816

RGB 161 216 22

HSL 77.01, 0.82%, 0.47%

LAB 80.04, -41.15, 76.45

 

Description

Color code: HEX #17D9B1 | qconv.com Color code: HEX #17D9B1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 217 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 217 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 18 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 18% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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